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Fashion's Influence on Garment Mass Production
Fashion’s Influence on Garment Mass Production: Knowledge, Commodities and the Capture of Value Sally Weller A thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy Centre for Strategic Economic Studies Victoria University, Melbourne AUSTRALIA October 2003 ABSTRACT In affluent communities, it is difficult to think about clothing without considering issues of fashion. Yet, in analyses of the garment industries, fashion is rarely considered in detail, and is certainly not analysed as a structuring force over the configuration of garment production industries. Yet through fashion, garments as commodities are complexly embedded in social and cultural processes and in the specificities of place. Although the structures of the global garment production industries have been the subject of numerous studies from a variety of theoretical perspectives, none hitherto have addressed the influence of fashion on the structures and locations of garment production. This thesis begins with the idea that fashion is a complex and influential form of knowledge. It explores the effects of fashion ideas on the global garment system through a case study of the ideas and commodity flows that bring fashions and garments to the Australian market. It traces the interconnections between global knowledge flows and global commodity flows in a manner attuned to the relationships between knowledge, power, industrial organisation and the capture of surplus value from the production system. The analysis highlights how Australia’s position in garment production is framed by its geographical position on the periphery of the fashion world. Fashion knowledge is a complex form of knowledge with four interrelated expressions. -
Walking Away from the Runway
Walking Away from the Runway Thesis – One Year Master Textile Manage ment Christina Christodoulou Year: 2015. Thesis id number: 2015.11.06 Acknowledgements I would like to wholeheartedly thank my supervisor David Goldsmith for his guidance and knowledge and most of all for his positive spirit. Also, I would like to thank my parents who really supported me the whole year with their love under any circumstances. Thanks to the designers who accepted to participate in my group discussion and enlightened my thesis with their ideas. Lastly, the paper is dedicated to my favourite uncle that I lost during the master thesis. He was a smiley person who loved to be educated. English title: Walking Away from the Runway Year of publication: 2015 Author/s: Christina Christodoulou Supervisor: David Goldsmith Abstract Fashion shows in a common western context were focused on the garments that were presented. Albeit, the latest decades a shift has been observed from what is presented to how it is presented to the audiences. Particular designers are the leaders of this evolution. Does this phenomenon imply something long term for the fashion system and how fashion is displayed? The purpose of the research is to inquire into the metamorphosis of the runway presentations from the expected status quo to new forms. The compass of this exploration is an observation about fashion shows in retrospect and a focus group discussion with fashion designers master students from the Swedish School of Textiles. It contributes an insight into designers’ approach towards fashion presentations, yet it is used as tool to enable them illustrate their vision on their future presentations. -
Group Presentation January 2021 Group Presentation / January 2021 2021.01.27 — 2
GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 1 GROUP PRESENTATION JANUARY 2021 GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 2 1 ABOUT LVMH 2 COMMITMENTS 3 KEY FIGURES 4 GOVERNANCE GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 3 ABOUT LVMH GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 4 Foreword A FAMILY-RUN Group, LVMH is led by BERNARD ARNAULT since 1987. LVMH strives to ensure the long-term development of each of its 70 HOUSES in keeping with their IDENTITY, their HERITAGE and their EXPERTISE. The LVMH group is the ONLY GROUP present in all FIVE MAJOR SECTORS of the luxury market: Wines & Spirits, Fashion & Leather Goods, Perfumes & Cosmetics, Watches & Jewelry and Selective Retailing. GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 5 In 2020, LVMH represents: €44.7 163,000 5,003 Billion in revenue Employees Stores GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 6 The LVMH spirit LVMH has successfully preserved a FAMILY SPIRIT that places priority on a LONG-TERM VISION. The Group’s vocation is to ensure the DEVELOPMENT of each of its Houses while respecting their IDENTITIES and their autonomy, providing the RESOURCES needed to create, produce and market their products and services through carefully selected channels. These creations make our Houses AMBASSADORS OF A DISTINCTIVELY REFINED « ART DE VIVRE ». GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 7 The THREE FUNDAMENTAL VALUES articulated by Bernard Arnault are shared by every member of LVMH. Those three imperatives constitute the pillars of our PERFORMANCE and LONG-TERM SUCCESS. BE CREATIVE DELIVER CULTIVATE & innovative excellence an entrepreneurial spirit Creativity and innovation are part of our DNA. -
F Orum De La Mo De É Dition 4 L E S Temp S De La Mo De #1 Le
#1 Le temps de la création 10h – 10h30 Sidney Toledano Président-directeur général de LVMH Fashion Group Diplômé de l’École Centrale de Paris, Sidney Toledano débute sa carrière chez Nielsen International, puis Kickers et Lancel. En 1994, Sidney Toledano rejoint la Maison Les temps de la mode temps Les Christian Dior Couture en tant que Directeur de la division cuir, puis est nommé Directeur géné- ral en charge du développement international. En 1998, il est nommé Président-directeur général de Christian Dior Couture. Il est aussi nommé Vice- président, Directeur général et Administrateur de Christian Dior S.E. En février 2018, Sidney Toledano est nommé Président-directeur général de LVMH Fashion Group, un pôle qui regroupe plusieurs marques prestigieuses (Celine, Givenchy, Loewe, Emilio Pucci, Kenzo, Marc Jacobs, Nicholas Kirkwood, Rossimoda, Jean Patou). Il est membre du Comité Exécutif de LVMH. Sidney Toledano est Vice- président et Administrateur de l’Institut Français de la Mode et du Comité Colbert. Il est membre du Comité de Direction de la Chambre Syndicale de la Haute Couture et du Comité Exécutif de la Fédération de la Haute Couture et de la Mode. Il est Chevalier dans l’Ordre National de la Légion d’Honneur et Officier dans l’Ordre National du Mérite. Il a également été décoré du Wissam Al-Arch au grade d’Officier par Sa Majesté le Roi Mohammed VI du Maroc en 2007. Forum de la mode édition 4 #2 Le temps d’une conception raisonnée 10h30 – 11h30 Marianne Romestain Pierre Arnaud Grenade Directrice de l’offre et des achats – Global CEO – Ba&sh Groupe Galeries Lafayette Après une première expérience en tant que Directeur Internatio- Diplomée de l’École Nationale nal chez Oxbow, Pierre-Arnaud de la Statistique et de l’Adminis- Wa rejoint Morgan où il devient tration Économique (ENSAE) et Deputy Managing Director en de l’Université Paris IX-Dauphine, charge des opérations. -
Turkey's Relations with Italy (1932-39)
TURKEY’S RELATIONS WITH ITALY (1932-39): REALITIES AND PERCEPTIONS A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY MEHMET DOĞAR IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE DEPARTMENT OF INTERNATIONAL RELATIONS JULY 2020 Approval of the Graduate School of Social Sciences Prof. Dr. Yaşar Kondakçı Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. Prof. Dr. Oktay Fırat Tanrısever Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. Prof. Dr. Ebru Boyar Supervisor Examining Committee Members Prof. Dr. Hüseyin Bağcı (METU, IR) Prof. Dr. Ebru Boyar (METU, IR) Assist. Prof. Dr. Onur İşçi (Bilkent Uni., IR) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Mehmet Doğar Signature : iii ABSTRACT TURKEY’S RELATIONS WITH ITALY (1932-39): REALITIES AND PERCEPTIONS Doğar, Mehmet M.Sc., Department of International Relations Supervisor: Prof. Dr. Ebru Boyar July 2020, 233 pages This thesis examines Turkey’s relations with Italy between 1932 and 1939 through key historical events and analyses the role of Italy in Turkish foreign policy making. -
Falstaff Owner's Guide
FALSTAFF OWNER’S GUIDE SUPPLEMENT TO THE DARIEN JACKET OWNER’S GUIDE WARNING: Adjusting or opening wrist (or other) zippers for ventilation may result in shifting of the 6 impact pads in some crash situations. This may decrease pad effectiveness or allow an increased injury. LEGAL NOTICE: These garments are not considered to be personal protective equipment as defined in or within the scope of, the personal protective equipment (EC Directive) regulations 1992 (S.I.1992/3139). No liability will be accepted arising out of these garments’ non-compliance with such regulations. INTRODUCTION Congratulations on your choice of an Aerostich Falstaff jacket. Your Falstaff jacket uses a traditional waxed cotton fabric and because of this there are differences from an Aeros- tich GORE-TEX® Cordura Darien jacket. To insure high performance, comfort and satisfaction from your Falstaff jacket please read both the Darien Jacket Owner’s Guide and this Falstaff Owner’s Guide Supplement. Call us at (218) 722-1927 if you have any questions, comments, or suggestions. FALSTAFF WAXED COTTON This tightly woven cotton fabric is impregnated with a paraffin for- mula derived from fabric finishes developed in the late 1800’s and early 1900’s for use in foul weather gear. It is proof against inclement weather but retains some of the breathability of unfinished cotton. When hung in a warm room, or outdoors on a warm day in sunlight, it re-finishes itself and relaxes, so some use marks will fade. The imperfections of the fabric are part of the rugged, worn look. FALSTAFF ABRASION INFORMATION Your Falstaff jacket is not designed for high-speed abrasion protection, or to be used as a substitute for a heavy leather jacket or competition leathers. -
Tcn Supplement 16 Spring 2000
Er¥<118' SPRING SUPPLEMENT 2000 TEXTILE CONSERVATION NEWSLETTER Tapestry Conservation: an Annotated Bibliography by Camille Myers Breeze TCN Camille Myers Breeze is Principal of Museum Textile Services in Andover, MA. Prior to that she was an Advanced Mellon Fellow at the American Textile History Museum, Textile Conservation Center, Lowell, MA and is soon to complete the report of her research project entitled "A Survey of American Tapestry Conservation Techniques" Ms. Breeze spent five years as Assistant Conservator at the Textile Conservation Laboratory, Cathedral of St. John the Divine, specializing in the conservation of tapestries and pre-Columbian textiles. She has published on both subjects, induding a 1996 artide entitled 'The History of Tapestry Conservation and Exhibition at the Cathedral of St. John the Divine" Ms. Breeze is the editor of the AIC Textile Specialty Group PostpAnts and the Textile Conservation Group Newsletter She holds a BA in Art History from Oberlin College and an MA in Museum Studies: Costume and Textile Conservation from the Fashion Institute of Technology. Author's address: 5 Moraine Street, Andover, MA 01810, USA, Phone: (978) 474-8069, email: [email protected]; web: www. clearsailing.net/textiles. 2 TCN - Introduction This annotated bibliography is designed to assist conservators in locating information on specific aspects of tapestry conservation, and provide an historical overview of the development of modem practices. It is organized chronologically, as the comprehensive nature of most artides made listing by subject impossible. Out of necessity, this report is limited to English4anguage sources only. Tapestry conservation has been documented in almost every European language, and those sources are also of vital importance to this field. -
AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
Lucire August 2004
Gabriel Scarvelli One designer can change the world august 2004 American idol The true idol look A light exists in spring Bronzing The gap Regardless of the between seasons season The circuit Cocktails Hot o\ the in London catwalks at The trendiest Sydney, Toronto, Los Angeles, Miami bars in town Hilary Permanent Rowland make-up Model We expose the businesswoman dangers juicy style 0 8 GST The global fashion magazine | www.lucire.com incl. http://lucire.com 1175-7515 1 $9·45 NZ ISSN 9 7 7 1 1 7 5 5 7 5 1 0 0 THIS MONTH THIS Volante travel now | feature Sail of the century You had the spring to spend time with the family. Now it’s the northern summer, the cruise lines are banking on self-indulgence being the order of the day compiled by Jack Yan far left: Fine dining aboard the Holland American Line. above left and above: Sophia Loren, godmother to the MSC Opera, accompanied by Capts Giuseppe Cocurullo and Gianluigi Aponte. left: The new KarView monitor. hold as many as 1,756 guests. The two pools, two hydro-massages and internet café are worthy of mention. Meanwhile, Crystal Cruises is announc- ing theme cruises for those who wish to ast month, it was about families. This ready amazing menu offering. Other signature indulge their passion while getting away. The month, it’s about luxurious self-indulgence entrées include chicken marsala with Wash- company highlights: ‘Garden Design sailings as the summer sailing season begins. As ington cherries and cedar planked halibut with through the British Isles; a Fashion & Style Cunard’s Queen Mary 2 sailed in to New Alaskan king crab. -
FABRICS/ DYING Dictionary
FABRICS/ DYING dictionary ACRYLIC BABYCORD Acrylic fabric is a manufactured fiber with a soft wool-like feel and Babycord is a ribcord fabric with a very small and thin rib line. The an uneven finish. It is used widely in knits as the fabric has the same fabric is often lighter and softer than normal or corduroy fabric. It is cozy look as wool. Acrylic fabric is favored for a variety of reasons very soft and comfortable, and is often made in a stretch quality. it is warm, quite soft, holds color well, is both stain and wrinkle resistant and it doesn’t itch. These qualities make acrylic a great BLEND substitute for wool. A blend fabric or yarn is made up of more than one fibre. In the yarn, two or more different types of fibres are used to form the yarn. ALPACA Blends are used to create a more comfortable fabric with a softer Alpaca wool comes from a South American animal that roams the feel. A good example is a cotton/wool blend; the mixture of cotton mountain slopes of Ecuador, Peru, Bolivia and Chile. The fleece and wool will prevent the fabric from being excessively warm and from an alpaca is similar to wool or mohair, but is softer, silkier, and will make the fabric softer to the skin. warmer. Because alpaca wool takes much longer to grow it is often more expensive and exclusive. However, garments made from this BOUCLE fabric are stronger and more comfortable. The term boucle is derived from the French word boucle, which literally means “to curl”. -
A Combat for Couture Command of Luxury Labels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 24 Issue 1 Fall 2013 Article 3 Human v. House: A Combat for Couture Command of Luxury Labels Carly Elizabeth Souther Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Carly E. Souther, Human v. House: A Combat for Couture Command of Luxury Labels, 24 DePaul J. Art, Tech. & Intell. Prop. L. 49 (2013) Available at: https://via.library.depaul.edu/jatip/vol24/iss1/3 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Souther: Human v. House: A Combat for Couture Command of Luxury Labels HUMAN V. HOUSE: A COMBAT FOR COUTURE COMMAND OF LUXURY LABELS Carly Elizabeth Souther* ABSTRACT As an industry that thrives on-rather than succumbs to- adversity, the couture corporate world demands innovation and encourages risks. When combined with successful marketing and savvy business practices, these risks can result in large payoffs, which exist, primarily, due to the nature of the global fashion market.' Endless consumption drives the market, rewarding fashion houses that cater to current trends with top-line growth and damning those whom fail to suffer decreased net earnings. In order to remain a viable player in the fashion industry, the house must have the resources to market and manufacture the product in a timely manner, as well as incur the costs if a collection is poorly received. -
Australian Fashion Week's Trans-Sectoral Synergies
Beyond 'Global Production Networks': Australian Fashion Week's Trans-Sectoral Synergies This is the Published version of the following publication Weller, Sally Anne (2008) Beyond 'Global Production Networks': Australian Fashion Week's Trans-Sectoral Synergies. Growth and Change, 39 (1). pp. 104-122. ISSN 0017-4815 The publisher’s official version can be found at http://dx.doi.org/10.1111/j.1468-2257.2007.00407.x Note that access to this version may require subscription. Downloaded from VU Research Repository https://vuir.vu.edu.au/4041/ Citation: Weller, S.A. (2008). Beyond "Global Production Network" metaphors: Australian Fashion Week's trans-sectoral synergies. Growth and Change, 39(1):104-22. Beyond “Global Production Networks”: Australian Fashion Week’s Trans-sectoral Synergies Sally Weller Centre for Strategic Economic Studies Victoria University PO Box 12488 Melbourne, Australia Ph +613 9919 1125 [email protected] Beyond “Global Production Networks”: Australian Fashion Week’s Trans-sectoral Synergies Sally Weller* ABSTRACT When studies of industrial organisation are informed by commodity chain, actor network or global production network theories and focus on tracing commodity flows, social networks or a combination of the two, they can easily overlook the less routine trans-sectoral associations that are crucial to the creation and realisation of value. This paper shifts attention to identifying the sites at which diverse specialisations meet to concentrate and amplify mutually reinforcing circuits of value. These valorisation processes are demonstrated in the case of Australian Fashion Week, an event in which multiple interests converge to synchronize different expressions of fashion ideas, actively construct fashion markets and enhance the value of a diverse range of fashionable commodities.