FOURTH GRADE CURRICULUM Fourth Grade
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The Holy Psalmody of Kiahk Published by St
HOLY PSALMODY OF Kiahk According to the orders of the Coptic Orthodox Church First Edition }"almwdi8a Ecouab 8nte pi8abot ak <oi 8M8vrh+ 8etaucass 8nje nenio+ 8n+ek8klhsi8a 8nrem8n<hmi M St. George & St. Joseph Coptic Orthodox Church K The Holy Psalmody of Kiahk Published by St. George and St Joseph Church Montreal, Canada Kiahk 1724 A. M., December 2007 A. D. St George & St Joseph Church 17400 Boul. Pierrefonds Pierrefonds, QC. CANADA H9J 2V6 Tel.: (514) 626‐6614, Fax.: (514) 624‐8755 http://www.stgeorgestjoseph.ca Behold, from henceforth all generations shall call me blessed. For he that is mighty hath done to me great things; and holy is His Name. Luke 1: 48 - 49 Hhppe gar isjen +nou senaermakarizin 8mmoi 8nje nigene8a throu@ je afiri nhi 8nxanmecnis+ 8nje vh etjor ouox 8fouab 8nje pefran. His Holiness Pope Shenouda III Pope of Alexandria, and Patriarch of the see of saint Mark Peniwt ettahout 8nar,hepiskopos Papa abba 0enou+ nimax somt Preface We thank the Lord, our God and Saviour, for helping us to start this project. In this first edition, our goal was to gather pre‐translated hymns, and combine them with Midnight Praises in one book. God willing, our final goal is to have one book where the congregation can follow all the proceedings without having to refer to numerous other sources. We ask and pray to our Lord to help us complete this project in the near future. The translated material in this book was collected from numerous sources: Coptichymns.net web site Kiahk Praises, by St George & St Shenouda Church The Psalmody of Advent, by William A. -
The Order of Confirmation
SAINT ALPHONSUS LIGUORI CATHOLIC CHURCH Zionsville, Indiana The Order of Confirmation th 19 Ordinary, Year A 08 August 2020 Welcome to Saint Alphonsus Liguori Catholic Church! Thank you for joining us for this Eucharistic celebration and for the Sacrament of Confirmation. Celebrant: Rev. Father Dennis J. O’Keeffe, D. Min. Concelebrants: Rev. Father James A. De Oreo Deacon Deacon Tim Perry Please remove all food and beverages, silence all cell phones, and remain in your seat when taking pictures or videos in the spirit of charity to your neighbors. THE INTRODUCTORY RITES Entrance Hymn Please stand Send Us Your Spirit (Cantor only sings) Priest: In the name of the Father, and of the Son, and of the Holy Spirit. All: All: Amen. Priest: Peace be with you. All: And with your spirit. Penitential Act Priest: Brothers and sisters, let us acknowledge our sins, and so prepare ourselves to celebrate the sacred mysteries. All: I confess to almighty God and to you, my brothers and sisters, that I have greatly sinned, in my thoughts and in my words, in what I have done, and in what I have failed to do, Strike breast while saying: through my fault, through my fault, through my most grievous fault; therefore I ask blessed Mary ever-Virgin, all the Angels and Saints, and you, my brothers and sisters, to pray for me to the Lord our God. Priest: May almighty God have mercy on us, forgive us our sins, and bring us to everlasting life. All: Amen. Kyrie Gloria: Glory to God in the highest, and on earth peace to people of good will. -
Green Pilgrim City Theological Message Pilgrimage in the Coptic
Green Pilgrim City Theological Message Pilgrimage in the Coptic Church Since its establishment in the first century, the Coptic Orthodox Church has existed in Egypt and has as one of its principal pillars a movement and way of life that commenced in her deserts and wildernesses and, from there, spread to the whole world. This phenomenon is, of course, the monastic movement that started in the deserts of Egypt in the third Century and still thrives across the country until today. Being central to the lives of many Christians in Egypt and abroad, the monasteries are frequented by pilgrims throughout the year, who reach their thousands on special feast days in the Coptic Calendar. The monasteries have always been essential for spiritual retreat, and in the current climate, have become visitors’ havens of reflection, contemplation and refuge in the midst of a bustling society embattled by historic political reform and the accompanying security and economic pressures Today, thousands of Coptic Christians from across Egypt and around the world make the journey to the monasteries to escape the constant noise of modern life and to share in the gentle silence of the wilderness that our desert fathers and mothers have lived for centuries, experiencing the words of our Creator Himself Who says “be still and know that I am God” (Psalms46:10). These pilgrims are also accompanied by many thousands of non-Coptic visitors throughout the year. The deserts, void of the heavy distractions of civilisation and unblemished by large secular settlements, have been the rich soil from which great wisdom has sprung forth. -
LARRY NORMAN, JESUS ROCK, and an INTERVIEW with GREGORY ALAN THORNBURY Rupert Loydell Falmouth Univ
WEIRD RELIGIOUS BACKGROUNDS: LARRY NORMAN, JESUS ROCK, AND AN INTERVIEW WITH GREGORY ALAN THORNBURY Rupert Loydell Falmouth University Keywords: Christianity, Larry Norman, Jesus Rock, CCM, Religion 'Christian rock is a genre that exists to edify and make money off evangelical Christians. [...] A Christian band , on the other hand is just a band that has more than one Christian in it.' – John Jeremiah Sullivan (2012: 17-18) Although The Bloomsbury Handbook of Religion and Popular Music (Stewart and Abraham 2017) contains chapters such as Michael J. Gilmour's 'The Bible and Popular Music' (67-76) and Ibrahim Abraham and Francis Stewarts' 'Punk and Hardcore' (241- 250), there remains little informed academic consideration of the Christian music genre, especially punk and post-punk. John J. Thompson's Raised by Wolves (2000) and Mark Joseph's The Rock & Roll Rebellion (1999) offer insider histories, whilst Andrew Beaujon's Body Piercing Saved My Life (2006) is an hilarious, sceptical exploration of 'the phenomenon of Christian rock', focussed mostly on the early 2000s. Gilmour 's Call Me the Seeker: Listening to Religion in Popular Music (2005) is interested more in religious sources and themes; the nearest it gets to post-punk is Anna Kessler's consideration of Nick Cave (79-94) and J.R.C. Cousland's discussion of 'God, the Bad, and the Ugly' in the work of Nick Cave and Polly Harvey (129-157). Better, is Jay R Howard & John M. Streck's Apostle of Rock (1999), which takes a more sociological approach to what it calls 'The Splintered World of Contemporary Christian Music' and considers the tensions between ideas of ministry, entertainment, art and business for Christian musicians. -
Introduction to Sociology 2E
Introduction to Sociology 2e OpenStax College Rice University 6100 Main Street MS-375 Houston, Texas 77005 To learn more about OpenStax College, visit http://openstaxcollege.org. Individual print copies and bulk orders can be purchased through our website. © 2015 Rice University. Textbook content produced by OpenStax College is licensed under a Creative Commons Attribution 4.0 International License. Under this license, any user of this textbook or the textbook contents herein must provide proper attribution as follows: - If you redistribute this textbook in a digital format (including but not limited to EPUB, PDF, and HTML), then you must retain on every page the following attribution: “Download for free at https://cnx.org/content/col11762/latest/.” - If you redistribute this textbook in a print format, then you must include on every physical page the following attribution: “Download for free at https://cnx.org/content/col11762/latest/.” - If you redistribute part of this textbook, then you must retain in every digital format page view (including but not limited to EPUB, PDF, and HTML) and on every physical printed page the following attribution: “Download for free at https://cnx.org/content/col11762/latest/.” - If you use this textbook as a bibliographic reference, then you should cite it as follows: OpenStax College, Introduction to Sociology 2e. OpenStax College. 24 April 2015. <https://cnx.org/content/col11762/latest/>. For questions regarding this licensing, please contact [email protected]. Trademarks The OpenStax College name, OpenStax College logo, OpenStax College book covers, Connexions name, and Connexions logo are not subject to the license and may not be reproduced without the prior and express written consent of Rice University. -
A Prophet Has Appeared Coming with the Saracens”: the Non-Islamic Testimonies on The
A prophet has appeared Coming with the Saracens”: The non-Islamic testimonies on the prophet and the Islamic conquest of Egypt in the 7th-8th centuries. Master Thesis for the Requirements of the MA Program: Eternal Rome, Radboud University Lykourgos Boras, S4803620 Supervisor: Dr MVM Van Berkel Radboud University Nijmegen June 2017 This thesis is dedicated to the memory of my teacher and friend Adrian Saunders († 2017). “Φέρ᾽ ὕδωρ, φέρ᾽ οἶνον, ὦ παῖ, φέρε <δ᾽> ἀνθεμόεντας ἡμὶν στεφάνους, ἔνεικον, ὡς δὴ πρὸς Ἔρωτα πυκταλίζω” Anacreon 27D 2 Index ➢ Introduction A. Status Questionis 6-8 B. Literature Review 8-11 C. Sources’ Selection 11-13 ➢ Chapter One: The Prophet A. The Doctrina Jacobi 14-21 i. Date, summary and authorship 14-15 ii. Context 15-21 B. The rest of the sources 21-26 i. The secrets of Rabbi Simon : date and authorship 21-22 ii. Context 22-24 iii. The Armenian History Attributed to the Bishop Sebeos: Date and Authorship 24 iv. Context 24-26 ➢ Chapter Two: The Greek sources A. Egypt on the eve of the Islamic Conquests 27-28 B. The Greek sources 29-39 i. The Patriarch Sophronius: The Synodical Letter, date and authorship 29 ii. Context 29-31 iii. Sophronius’ Speech on the Epiphany: Date and Context 31-32 iv. Maximus the Confessor: Letter to Peter the Illustrius: Date and authorship 32-33 v. Maximus’ Letter Context 33-35 3 vi. Anastasius of Sinai: The Hodegos, date and Authorship 35-36 vii. Context 36-39 ➢ Chapter 3: The Coptic Sources A. The anonymous testimonies 40-44 i. -
Church Study
The Church is oriented toward the East. It has 2 towers symbolizing the Old and the New Testaments. It is also where thelocated. Church bell is The Shape of the Church Building. (A) A Cross: Represents the Church, as being the crucified Body of Christ. (B) A circle: Refers to the eternal nature of the Church as being an endless line. (C) An Ark: This is the most commonly used shape in the Coptic Orthodox Church. It is used to symbolized Noah’s ark where those in the ark were saved from the flood The Church Building is Divided into Three Main Divisions: 1- The Sanctuary which contains the Altar 2- The Nave which is separated from the Sanctuary by the Iconostatis. It contains two divisions: Ø The place for the Deacons (The Chancel) Ø The place for the Believers, which is the main Nave. 3- The Narthex for the catechumens THE SANCTITY OF THE SANCTUARY § Laymen are forbidden to take part in the communion inside the Sanctuary. Its is for the It is present in the very far East of the Church. It is therefore clergymen only. called the “Holy of Holies,” It contains the Altar.The § We can only step into the Sanctuary is elevated from the Nave. Inside the Sanctuary, Sanctuary without shoes and behind the Altar, lies the Tribune, on which the Bishop’s § No talking is allowed in the Throne is placed. On top of the Tribune lies the Niche that Sanctuary, except when represents God’s Bosom. necessary It is derived from the Latin word “Altare” with means “the place upon which sacrifices are slain.” Although there are no animal sacrifices, we still need the Altar for the unique Sacrifice of Christ on the Cross. -
Becoming Saints: Coptic Orthodox Monasticism, Exemplarity, & Negotiating Christian Virtue
Becoming Saints: Coptic Orthodox Monasticism, Exemplarity, & Negotiating Christian Virtue by Joseph Youssef A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Anthropology University of Toronto © Copyright by Joseph Youssef (2019) Becoming Saints: Coptic Orthodox Monasticism, Exemplarity, & Negotiating Christian Virtue Joseph Youssef Doctor of Philosophy Department of Anthropology University of Toronto 2019 Abstract Based on 13 months of transnational ethnographic fieldwork between Egypt, Southern California, and Toronto, this dissertation examines questions around exemplarity, morality, and the cultivation of virtue among Coptic Orthodox Christians. Specifically, this thesis investigates the relationship between Coptic monks and the wider Coptic community. Many Copts view monasticism as a morally exemplary way of life. The monk as one who has forsaken all social ties and lives in the desert is regarded as one who has attained the highest form of virtue. This view results in different levels of engagement with monastic practice and competing voices for what it means to be a Coptic Christian. As will be demonstrated through ethnographic details, there is a gap between the ideals of the Coptic monastic imaginary and the lived reality of negotiating Christian virtue for monks and laity alike. Furthermore, this dissertation unpacks the ways in which Coptic monasticism is (re-)imagined and (re-)produced in North America and how Coptic subjectivity is (re-)negotiated in relation to Egypt and the Mother Church. ii Acknowledgments Becoming exemplary is a process as this dissertation will soon show. Whether one strives to be the best monk, Christian, or anthropologist, there are many along the path who are a part of this process, who challenge, encourage, and patiently watch for the individual to grow and formulate their vocation. -
(Grade-3) Tenti Nempi
YEARS MAHRAGAN ALKERAZA 2018 AN HRAG OF MA ENGLISH EDITION GRADE 3-4 “Therefore you also be ready, for the Son of Man is coming at an hour you do not expect.” Matt 24:44 H.H. Pope Tawadros II Pope of Alexandria & Patriarch of the See of St. Mark 2 TABLE OF CONTENTS PAGE Introduction 4 Be Ready 6 Work Hard 13 Reject Foreign Thoughts 19 Serve Everyone 24 Joyful In Suffering 30 Memorization 31 Coptic 37 Hymns 41 3 INTRODUCTION MAHRAGAN ALKERAZA 2018 As we celebrated the conclusion of last year’s Mahragan with the distribution of the trophies for the first, second and third place winners, we were grateful for God’s blessings for a successful 2017 Mahragan. His Holiness Pope Tawadros II said during the Awards Ceremony in Egypt, “I am happy to see the activities of the Youth Bishopric, I am glad that our beautiful Church that is 2000 years old is full of young youth and I am proud to see the creative work and achievements of the youth.” Last year, in addition to the usual participation from Egypt and Sudan, we had a great worldwide participation from 192 Churches representing more than 20 countries and 8 languages. The theme for Mahragan 2018 is “Therefore you also be ready, for the Son of Man is coming at an hour you do not expect.” (Matt 24:44). This year, God is asking each one of us to grow in Christ. To do this we will learn about the following topics: 1. Be Ready 2. Work Hard 3. -
Towards Modern Birth Control Methods in the Coptic Orthodox Church
Family Forum 2019 DOI: 10.25167/FF/1090 Jaroslav Franc Palacky University Olomouc Matthew the Poor: Towards Modern Birth Control Methods in the Coptic Orthodox Church Abstract The paper is focused on the Matta el-Meskeen (Matthew the Poor) and his reflection of se- lected bioethical issue: birth control. The paper deals with the forming stages of the bioeth- ical discussions within the Coptic Orthodox Church in Egypt. The research is based on Mat- thew the Poor’s articles and books. The first part presents his teachings about theosis as an key concept of his theology in general and bioethics in particular. The second part brings analysis of his birth control reflections and presents his observations about the role of the Church and the state in the decision making process of Christian believers. Keywords: Matta el-Meskeen, Matthew the Poor, bioethics, theology, the Coptic Orthodox Church, state, Egypt, deification, birth control. Introduction The Coptic Orthodox Church is the largest Christian community within the realm of contemporary Islam. Egyptian Christianians had produced in the first four centuries of Christ Era (CE) the most influential theological schools written in Greek language. After the so-called Chalcedonian crisis the church became more national oriented and was focused on production of theological literature written in Coptic language. However, due to the influence of Islam, from the sec- ond half of the seventh century, Egyptian Christians were motivated to develop specific theological tradition written in Arabic. (Rubenson 1996) In a contemporary Egyptian society Christian believers have been coping with the dynamically developing modern science. One of the most influential 174 Jaroslav Franc fields of research is medicine. -
Randy Stonehill Return to Paradise Mp3, Flac, Wma
Randy Stonehill Return To Paradise mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Return To Paradise Country: US Released: 1989 MP3 version RAR size: 1903 mb FLAC version RAR size: 1307 mb WMA version RAR size: 1433 mb Rating: 4.9 Votes: 674 Other Formats: AU AIFF AHX FLAC AA AAC MP1 Tracklist 1 Starlings 5:00 2 Stand Like Steel 4:55 3 I Don't Ever Want To Live Without You 4:10 4 This Friend Of Old 4:00 5 You Can Still Walk Tall 5:00 6 True Blood 5:02 7 Strong Hand Of Love 2:54 8 Christmas At Denny's 5:53 9 Love Tells No Lies 4:20 10 Weight Of The Sky 3:28 11 Ready To Go 4:44 Companies, etc. Phonographic Copyright (p) – Word, Inc. Copyright (c) – Word, Inc. Recorded At – Fingerprint Recorders Mixed At – Fingerprint Recorders Recorded At – Neverland Credits Accordion – Mark Heard Acoustic Guitar – Randy Stonehill Backing Vocals – Pam Dwinell, Randy Stonehill (tracks: 3) Bass – Mark Heard (tracks: 2,9), Tom Willett (tracks: 7) Bass [Acoustic] – David Miner Bass [Fretless] – Bill Batstone Drums – Doug Mathews Electric Guitar – Mark Heard Executive Producer – Tom Willett Fiddle – Joe Weed Guitar [Classical] – Phil Keaggy (tracks: 3) Lap Steel Guitar – Greg Leisz Mandolin – Mark Heard Mixed By – Mark Heard Pedal Steel Guitar – Greg Leisz Percussion – David Baker Photography – Linda Krikorian Producer – Mark Heard, Randy Stonehill Recorded By – Mark Heard Tambourine – Mark Heard (tracks: 7) Twelve-String Guitar – Phil Keaggy (tracks: 9) Viola – Joe Weed Vocals – Randy Stonehill Written-By – David Edwards (tracks: 4), Mark Heard (tracks: 7), Pierce Pettis (tracks: 3), Randy Stonehill (tracks: 1,2,5,6,8,9,10,11) Notes Recorded and Mixed by Mark Heard at Fingerprint Recorders February-June 1989. -
INDEX (1) Alphabetical
INDEX (1) Alphabetical Name Occasion Date Page Abraam Bishop of Repose 3 Paone 190 Fayoum Anna mother of the Repose 11 Hathor 68 Virgin Anna mother of the The conception of the Virgin Mary 13 Koiak 68 Virgin Anthony the Great Repose 22 Tobi 143 Anthony the Great Consecration of the church 4 Mesori 143 Apa Cyrus and John Martyrdom 6 Meshir 152 Apa Cyrus and John Transfer of Relics 4 Epip 152 Apa Iskiron of Kellin Martyrdom 7 Paone 193 Apa Noub Martyrdom 24 Epip 222 Apollo and Epip Repose of Apollo 5 Meshir 58 Apollo and Epip Repose of Epip 25 Paopi 58 Athanasius the Commemoration of the great sign 30 Thout 181 Apostolic, the 20th which the Lord did for him Patriarch Athanasius the Repose 7 Pashons 181 Apostolic Barbara Consecration of the church 8 Mesori 105 Barbara and Juliana Martyrdom 8 Koiak 105 Basilidis Martyrdom 11 Thout 36 Clement of Rome Martyrdom 29 Hathor 102 Cosmas and Damian Martyrdom 22 Hathor 89 Cosmas and Damian Consecration of the church 30 Hathor 89 Cyprian and Justina Martyrdom 21 Thout 39 Cyril VI, the 116th Repose 30 Meshir 162 Patriarch of Alexandria Demiana Martyrdom 13 Tobi 136 Demiana Consecration of the church 12 Pashons 136 Dioscorus, the 25th Repose 7 Thout 34 Patriarch of Alexandria 258 Name Occasion Date Page Gabriel, Archangel Commemoration 13 Hathor 77 Gabriel, Archangel Commemoration, Consecration of 22 Koiak 77 the church George of Alexandria Martyrdom 7 Hathor 64 George of martyrdom 23 Pharmouthi 173 Cappadocia George of Consecration of the first church 7 Hathor 173 Cappadocia George of Building the first