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Portrait of an Artist

Portrait of an Artist

atR: I'm going through this phase where I feel like I haven't said anything meaningful or interesting or witty for several months now. I read so many interviews with artists and I listen to a lot of public radio where authors and musicians and various creative people are constantly talking about their ideas. Everyone is so articulate and colorful. I'm feeling very run-of-the-mill. ACM: We were looking back over the newsletter you send out. It's very thoughtful and introspective and mentions a little background on each of you. What do you do to entertain yourself when you go to a town to do a show... atR: Well ... , the antidote for touring, for most of us, is seeking out antiquarian and rare edition bookshops where we can fill the gaps in our libraries ... We're fairly bookish people. Bookshops are the most popular haunts, but Brian enjoys wooing nubile girls, Ric likes to ... continued on page 6 selecting bands to interview: for example Over the Rhine was requested by several subscribers for an interview. There are so many other bands and topics of interest that we want to cover, From the Editor nationally and internationally; also, we'd like to cover (and be It's June 7, 1992 and we're on time with Issue 9. Do we get some involved with) local growth in the Pacific Northwest. Thanks kind of reward for being on time? I didn't think Issue 8 would for the great ideas. We'll print another reader survey with Issue ever get done. Well, it still isn't. We encountered more problems 10 which arrives with the third compilation disc. Please help us at the post office (bulk mail has many rules), but to the best of our to serve everyone by responding to the next survey. knowledge they've all arrived by a miracle from God. Can you If you've written to us and I haven't responded .. .I'm sorry. imagine Post Offices around the country delivering 1200 pieces Please continue to write and I'll try my best to answer it in a of mail with no return address or postage? If you didn't receive timely manner. Concerning back issues, we're running low on your Issue 8, please drop us a line and we'll send it first class. I've some, especially Issue 1. Don't be surprised if you receive only already done so with the few that came back. Issue 2 on. We really appreciate the reader surveys that you returned to us. The weather has been unusually warm and dry this year, but In response to your favorite styles of music, we received the Seattle is now paying for it with water restrictions during the following answers: (in no particular order) grunge, jazz, summer. Tom and I celebrated our third wedding anniversary industrial, medieval, classical, alternative, rhythm and blues, on a dinner train last month. Our big night out! Next week, techno-dance, grind core, ethereal, retro, thrash, rap, funk, we're going to see King's X at a local club. We look forward to alternative polka, southern rock, imported dance, heavy metal, our trip to Bushnell, , via Glacier National Park and Mt. college progressive, and punk. Don't expect new categories for Rushmore. Also, we're moving to West Seattle in August; each of these any time soon... Does that about cover it? This hopefully, this move will be the last. Our address (P.O. Box helps us to get to know you and re-evaluate our direction. 1273, Sumner, WA) will change then, so look for a new address Unfortunately, everyone (except for Brad Caviness who listens in October's Issue 10. to KOKF in Oklahoma City, OK) responded similarly to their local radio ... adjectives included heinous, unbalanced, and plain stupid. The answers and suggestions from you have already helped us consider new bands for the third compilation cd and ACM Journal New address upcoming See issue 10 for details (206) 863-0632 The Editops Anne Stephenson Torn Stephenson

Once again, I am dumbfounded by the against rock & roll. And in case you were oppose everything that contradicts it. I ignorance of church and conservative wondering .. . it is going to get worse. Let's wish we spent one-third of what is spent government: this time in the area of not give the music industry and secular on stickering and "erotic content" censorship. Can anyone else see the society yet another reason to censor us. legislation on Christian videos, music waterfall that this issue is pushing us They have the resources to put us all out of stores, and alternative activities for youth. toward? [the music] business. There are solutions out there. Help First of all, let's consider that nowhere Now that's an interesting twist, isn't it? promote Christian artists. Put up flyers, in the Bible is it stated that (or Christian censorship. When's the last time buy tapes, go to concerts. Stop buying rap, for that matter) is the source of evil in you saw a Petra video on MTV? When was secular music and videos. Boycott stores this world. Sin is the source. Once we the last time you heard Tourniquet on a who won't sell Christian music. There are admit that parents are the ones responsible secular radio station? When did you last thousands of great, talented artists out there for molding and nurturing America's youth, see a big story on a pro-life march on the who need your support in every genre of all other issues become nothing more than news? Get the picture? music imaginable. Quit complaining about moot points. No single individual h~s Some of the parents who advocate the "lack of good Christian music" and do more influence or potential to change a censorship are the same parents who let your part. Remember the old cliche, "if child than a parent. their children watch television shows that you're not part of the solution, you're part Secondly, our responsibility as Christ­ undermine the family, advocate violence of the problem." While you're at it, say a ians is not to mold and shape the morality and sex and glorify sin, take their kids to prayer or two for brothers and sisters in of our nation. Our responsibility is to see movies like Terminator and Platoon, music who are trying desperately to reach evangelize and serve in whatever calling never have devotional time, send their kids the world with the gospel. God has placed on our lives. Censorship to daycare, are alcoholics, listen to secular This is America, and people have a isn't going to win any converts. music themselves, and so on. right to express themselves. You have a Recently on a TV program about the Prohibition doesn't work. It's 1992 and right not to listen, not to buy, and not to rock supergroup VanHalen,guitaristEddie people still abuse drugs, rape, murder, support. The Bible speaks of one who will Van Halen stated that they named their cheat on income tax, speed on the freeway, come to judge. That judge is not us. latest album F#CK (For Unlawful Carnal abort children, and participate in any Everybody is talking about the "right to Knowledge) because of " .. . the whole number of other illegal or immoral choose" nowadays. Choose life. Choose censorship thing, we thought it would be activities. We shouldn't be surprised. God Christ. Preach the gospel. Feed the poor. funny." Trying to mold a society clearly said it would happen. So why are we in Build bridges. Plant trees. Do your part. bent on the carnal will accomplish nothing. this mess? Leave the censoring to God. That's His job. It never has and it never will. Censorship Instead of being pro-active, many Many of you ask "who will be the guiding serv'~s as nothing more than fuel for a Christians in the church today have become force for morality and righteousness in reactionary fire. A fire that is just as reactionary. Instead of promoting the Bible • this country if we don't?" There's your misguided as the fundamentalist campaign and Christianity, we try desperately to answer ...

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3rd Class Postage US artists such as: , elim hall, king's x, john hiaH,lsu, pierce peHis, peter case, Surface Mail Overseas peter himmelman, 77's, adam again, prefab sprout, da, the alarm, midnight oil, , chagall guevara, 441, bebe &cece, t-bone, , undercover, u2, bride, throes, maria mckee, los lobos, kaja, jeff johnson, michael anderson, vector ... One interesting development over the last several months is the tendency for artists in different regions to band together towards a common goal. Historically, artist cooperatives and networks have led the way, or at least influenced the direction of Christian music as a whole. San Francisco gave us Exit Records several years ago, establishing the alternative Christian music scene. While Exit is a memory (well not doing much lately) there is still a musician and artist network called BACAN. We need to talk with them before our October issue and find out what they have going. New York has CMU, but we haven't seen much from them lately, and of course JPUSA in Chicago has paved the way for alternative music everywhere through the work of Rez Band, Cornerstone Festival and Cornerstone Magazine. Los Angeles' Blonde Vinyl is an artist cooperative of sorts also, although it is more formal and resembles a more everday. That was then and now, but we thought we'd look ahead. July 10 and 11, Atlanta is hosting an alternative . Artists from the southeast and throughout the country are converging on Atlanta for two days of music, art and sweat. For twenty dollars you get two stages featuring artists like Stinging Rain, Prayer Chain, and "an artist who plays in a band named after a naughty barnyard animal with a curly tail." Marty Bush (Visions of Gray) said, "We're not set up for camping... motels, yes ... because we're close to the city, ... but very wooded, and no noise ordinance." The primary goals of this festival "are to glorify God, open the eyes of Atlanta's youth pastors, and raise funds for a permanent underground Christian music club." A 14 song compilation cd of artists throughout the Southeast has been completed for distribution through the Pure Rock Report and regionally. They have also been working to enlighten churches in the region who "cancel gigs because our hair is too long." " is real tough, but I don't even know where I wish I was," said Marty. For more information on the cd or festival, contact Marty Bush at (404)319-7064. Seattle has a 14 song compilation cd available also. . . . Fearless Donkey Records, an artist coop, has gathered many of the alternative Christian artists who perform NEW RELEASES TO LOOK FOR IN 1993 ... at clubs throughout the Northwest into one cd. This Fall they will start work on another compilation project with additional artists including Pollywog, Waterfront and Blenderhead. Recently, a network called NW Net was organized for individuals working indepently in alternative ministries. The goal is to share ideas and information, working together towards reaching youth, and tackle some larger activities like festivals and radio together. A musician's network, NCMI, has also formed to concentrate on the special needs of performmg artists. Access to clubs in nearby towns, recording, distribution, publicity, and avoiding exploitive industry people in Seattle are some of the SOlITHERN IRANIAN AFRO FUNK PUNK items initially discussed. A 24-Track digital demo studio is in the works, and one goal is "fostering community in the Christian scene," said Bill Power of Fearless Donkey Records. Chris Estey from Counter Culture Magazine added, "We really want people to know what's available musically... fellowship ... etc." One goal is to tie the region together, "from San Diego to Vancouver, B.c." said Power. "Isolation has helped the scene, our scene... underground has a greater chance of flourishing," added Estey. For more information contact us at ACM Journal (206) 863-0632 or phone Fearless Donkey Records at (206) 782-5407. PSYCHO FUNKY SPAZTlC HYPERCORE And San Antonio is beginning to stir. Home of Deitiphobia, Chris Taylor and Situation Taboo, we can probably expect many more good things to come from here. Flat Earth has been formed to sidestep their frustration with labels, work together, fellowship, and FEARLESS 3045 NW 56th ST more. "We're laying a good solid foundation. We want to protect ourselves from the 'Big Bad Wolves' (labels) which are a disappointment in a Christian SUITE #5 crowd." Chris Taylor added, "We have a vision of DONKEY what it can become, but no specifics ... Christian R E COR 0 S festivals ... we certainly have the land for it!" They have ~[ATIl[, WA 98101 a publication - the voice of the Flat Earth artists - titled The Coffeehouse Review. For additional information, Also distributed by True Tunes and Long's Music write Flat Earth at 9859 IH-l 0 W, Suite 539, San Antonio Radio Serviced through The Pure Rock Report TX 78230. T------~------~-=-=~------=------~------=~~ r

Fred: For the last year much to one parent, but the Fred: That's a journey. be aesthetically pleasing to no one came up with be­ journey. That's what a lot or so, I haven't done any art other one is real support­ The ideas come from (this me. I'll just want to do fore and it looks cool. That's of musicians say, (we all at all because I've given God ive. They know that's his might sound weird) dreams something that I can look at what is enjoyable some­ laugh) "its a spiritual jour­ 100% of my effort and time. talent. ... dreams of artwork. I put and say, "that's cool; I like times, but where's the emo­ ney." That's what it was for I talk to Alex Seidel alot, ACM: That's some­ my artwork in my sketch­ that." I'll like the way it tion in it, whats' behind it? a while. Now I've come to and he has me excited about thing to work into. It's not book. I wake up, sketch it, looks, ... sometimes that's Did you ever see the movie the place where I'm secure artwork again. It's one of something where you can and then later try to piece it my motivation. And some­ New York Stories with Nick ... more like a rock ... not those things that, in college, just quit and do art to make together like a time bomb. times I'll do one that I don't Nolte as an artist? That's, painful anymore. My paint­ I'd spend five days in a row a living. But, in my dreams, I walk like at .all and it comes out first of all, my dream stu­ ing ... the ones tha t are more painting in the art room and Fred: He wants to be a into art galleries and see like that ...and I go, "yuck. dio. But if you watch his violent and abstract, with I'd just come out to eat, or graphic artist, though. And, painitings. And I'm afraid Maybe I should trash this life, and how he gets fero­ anger ... thatwas a fight with practice for crew or rugby, his parents know that that I've seen this painting one ." ciously mad, and he'd turn God. It's almost a cleans­ and I'd stay up all night. graphic artists don't do that somewhere else and my ACM: Are they any ob­ the music up and throw the ing thing. When I'm done I've got all these ideas now bad. mind is playing it back. Or stacles that you see that paints against the canvas, with that painting, I can't that I can put onto canvas ACM: Where do you is it actually my original limit what you paintorwho tossing paint across the stop and come back to that or paper. I play the sax, want to go with your work? painting from my brain. I you show it to? room. That's painting painting, I have to finish it though I've had to give that You have some paintings hope I don't paint some­ Fred: As I said, I won't ... that means something. then. When I'm done, it's up too because that was you did in college. You've thing someday and have and don't usually show my My dream ... 15by 30 feet of like I've been through this another obsession. Artists some things in your head someone say "that's my art to other people, because canvas. whole long process from tend to be obsessive, and I you want to put on canvas painting." I'm afraid of rejection. ACM: Do you like any ha tred to "I'm sorry." want to think about one or paper now. Where do ACM: So, it's some­ Maybe someone saying other artists, say ... those ACM: Almost a diary, thing all the time, all day, you want go from here? thing that you visualize and something wrong. I'm not who do impressionism? except visual. and not think about any­ Fred: I know it's al­ then put down. We were really open to being cri­ Fred: I admire those Fred: It's that way with thing else. ways going to be with looking at some of your tiqued, because I don't do it artists a lot more than I'll my sax too. That ties into ACM: You studied art guidelines set, but I plan to pieces, and some of them for that reason. You can't putthem in my house. An­ God alot more than my art. for two years at Seattle Pa­ go as far as possible. But, it you mentioned liking more see it .. .my eyes are seeing drew Wyeth, is very ...well, The praise and worship. I cific Universtiy, and that can't ever take the place of than others. Some mean that completely differently not abstract ... he does real can keep playing and think­ was something that you what I'm doing now. If it more to you ... than your eyes see it. And, life .. .a lot of black people ing about it. really enjoyed. After two takes away from me, then I Fred: The ones that what I get out of it is com­ in his paintings. But the ACM: Maybe it's cul­ years there, did you move need to draw the line. mean most to me are the pletely different than you. colors he uses are just in­ tural. Would you ever con­ on to a job? That's a frustrating line. ones that I did out of emo­ I'm afraid that someone will credible. If I can ever get a sider showing these in a Fred: No, I basically ACM: It's secondary to tion .. .out of fear, hatred, misjudge the painting. It hold of one his paintings ... showing? Do you think ran out of money. A bad your work with kids, or nervousness ... emotions. I frustrates me, .. .I'll be ACM: Do they influ­ you'll ever be to the point thing happened to me, and work with other people. .. used to feel a lot more than drawing and someone will ence you, or is it just an where you're comfortable I got gypped out of some Fred: That's hard to say I do now, at least I used to say, "Why do you put that a pprecia tion? with it? Selling some even? money that was promised because, again, I tend to go hate a lot more, I used to get color there?" And you don't Fred: He influences me. Fred: Now I've come to me. So I couldn't go the 100% to the artworld. frustrated ...angry . I used understand ... you have no There's a guy named Or­ to the point where I last quarter and had to ACM: How do you see to escape a-lot and try to comprehension of why I lando A. B.... those two in­ could probably sell some leave. I went home to Sa­ art fitting into the church, find bliss through drugs want blue in this place ... at fluence my art. Because I ... maybe. I've only given lem, and Rick Snodgrass ... today's church? Histori­ ... whatever ...and I found it that moment, there's a rea­ admire everything they put one painting away ... to a from Timberlake Christian cally, it's been in the church. a few times. I have to admit son for why I'm using blue out so much .. .it's almost as best friend. The biggest called me... I was on his Do you see your work, or the artwork I did that means in that place ...and you have if you want to be what they act of love I've probably heart, he said he just had to works from other Christian the most to me, I did at a . no idea. That really frus­ are. They might just create ever done for someone, give me a try. artists, having a place in time when I was feeling. It trates me! I know why I'm that goal in my life. because it was the hard­ ACM: As the youth in­ church other than collect­ all comes from one night doing it, and to me that's . ACM: Do you see any est thing to give away tern at Timberlake Church ing dust in the frame? walking home from my why it's important. opportunities for young then .. .it is my favorite ? Fred: Art is in the friends and this girlfriend's ACM: Do you think it's Christian artists? painting too. I won't Fred: Yeah. And for six church. It's those pictures house at night and the sky fair for art to be explained? Fred: I don't know, be­ show what I have out in weeks I prayed about go­ of Jesus. Beautiful art! But, was all red. And I was To a pprecia te art, it requires sides producing pictures to front of you, because it ing there or staying home I don't think they would thinking that Christ had an explanation s.ometimes.. . be mass distributed among isn't me now. I feel ... to move into the minis­ allow anything like I do ... come ... and the fires .. .and I Fred: That's true. _ churches ...the nice, calm financially bound and try, was that my call. For or like people that I admire was going to be consumed ACM: When you look pictures. great paintings cost a lot.

me, someone who wants to do. I don't think there is and left. I went home, stay­ at other people's art, do you ACM: NowJ you're a The colors are spendy. go full- everything, to be yet... besides some ef the ing up all night putting that find yourself wondering Christian. How would),ou UnleBs you have patient and wait for six high school/college age together until nine in the what's behind it? say that influences your someone helping or weeks ... people ... there's no accep­ morning... constantly out Fred: If it's like mine. If paintings? Musicians get supporting you, you ACM: So, you've been tance. I come from a Free of fear. That reminds me of you look at Francis Bacon's this asked all the time, can't do what you want. a youth intern for how Methodist background, the opposite, how I don't paintings, you'll see these "where's your faith in the That's why a lot of long? Foursquare Gospel back­ have any fear anymore. bodies meshed into one and music you do .. ." my paintings Fred: About ten months. ground. There was no push That painting doesn't scare turning inside out. It's re­ Fred: It's art. God's are small. ACM: And you work for art. It's like two differ­ me. It really symbolizes a ally weird, and you think involved in my life. So, full-time at Redmond Of­ ent worlds. I don't know step in my life when I've to yourself, "what's behind whatever I do, God's a part fice Supply? about other churches made some changes. That this?" I mean, it's good of it. A lot of my art Fred: Thirty hours a though. Of everyone who night I re-committed my life painting, but it's so .weird .. . directly relates to week. And I'm paid for 18 has seen my work, a few to Christ. Still, I still mess There are a lot of things out God .. .it'sa hours as youth intern, but have accused me of being up alot. And then, some­ there that are just for aes­ we all know that it's not possessed. Sometimes my times I'll like a painting thetics in my book. They're eighteen hours ... Mom introduced meas "my more just because of the brilliant, because they ACM: Do you feel lim­ possessed son" as a joke.­ color .. .I'll see a color that came up with an ited at all by the church, in She just can't understand will motivate me and be idea that your artwork? Or do you how somebody can paint the center of my painting even share that with the what I paint. I told her you and then I'll work from people there? have to go through what I there. That's just a vi­ Fred: They don't know. went through. sual, it's sup- Well, the kids in high school ACM: Why do you posed to know about my artwork be­ paint what you paint? cause two of them are very What's your inspiration? good artists. How do you arrive at ACM: What do their the subject, style, parents think about you en­ colors? couraging them to be a struggling artist? Fred: Well, the two kids .. .! haven't talked too

PORTRAIT OF AN ARTIST

find our music and seek us out...a very positive thing about being in the band. Letter­ writing is another lost art, it's a discipline ... very rewarding thing to do. Karin has been reading everything she can get her hands on by Rilke: Letters to a Young Poet, Rilke on Love and Other Difficulties, etc. Ric likes Charles Williams and Madeleine L'Engle. According to Karin, Ernest Hemingway has influenced us as a band. Also, M. Scott Peck. I have recently been reading the writings of Thomas Merton which have kindled a sort of awe for the Catholic Church. Brian has been reading Anne Rice. ACM: Do you find it difficult writing letters or reading while on tour? You're currently touring with Adrian Belew. Is that a fairly fast-paced schedule or do you have time to pursue your interests? atR: Touring, I find, is an exercise in extroversion. lf I'm home, I tend to be alone quite a bit. I'm fairly introspective, the creative process gets neglected in the ACM: How would you describe your music introverted, and contemplative ... When you interest of business and planning and to someone who hasn't heard it? is there any get geared up to go on tour, it's easy to get promotion and so forth. Obviously, particular focus with your lyrics? Any style happy and bouncy and ... (you're meeting a artistically, there's really nobody telling us that you lean towards? what to do. We do have a publisher, ... a lot of people that you don't know... ) things atR: When we first started the group I tend to get a little superficial sometimes. It is wonderful person. He put up some money for the most recent batch of recordings that thought about the direction a lot, but I don't very fast-paced; I find it very difficult to find think we articulated our thoughts too any solitude. We're at the stage right now we did and we recorded them at a studio in Nashville. Everything prior to that had been formally to one another. I know some of my whereweall travel together. There are usually concern was that we write songs that could at least five of us, but we tend to stay in one done on home-spun gear here in Cincinnati. When it was his dime, so to speak, we did stand on their own, and that were powerful hotel room. People are sleeping on the floor, without a lot of elaborate arrangement or and it's very much a group-oriented feel a little pressure ... that we better have something to show for all of this, because it flashy playing. I wanted a simplicity and a endeavor. It's hard to keep your perspective restraint in the writing. Also,I was interested when it's so gregarious. And to answer your tends to get expensive quickly when someone is putting you up in hotel rooms, paying for in the folk approach to lyrics ... I liked lyrics question, I find it impossible to write while that painted very striking and specific on the road. a studio, and flying an engineer in. He doesn't put a lot of artistic parameters on us, images ... and told stories. I definitely haven't ACM: Is it different for you when you get up so this batch of songs that we're releasing mastered the art of telling a story in a song. on stage and actually do a show? Do you July 1st is pretty diverse. That is one obvious It's a big goal. We definitely wanted to stay prefer the recording aspect more, the writing, freedom of not being on a label. Stylistically, away from a lot of the slick pop that was or maybe a balance between these and we are free to pursue virtually anything that being made in the 80's (with lots of keyboards touring? our hearts concoct. and sequencing}. We wanted a lot of acoustic instruments. This is all extremely boring to atR: The most meaningful part of being in ACM: So, up until now, you guys have been the average reader, so I should probably say the band is the feeling I get sometimes when eking out a living and working part-time something more exciting ... I'm trying to write a song ... just by myself. and/or full-time. When I called the other I'm sort of tapping into things. Sometimes I nighttoarrange a time to talk, you mentioned ACM: Your last cd has a very elaborate cd don't understand the ramifications of that you guys pooled your resources in the booklet, probably one of the most artistic I've everything that I'm writing. It's very past to work towards something together. ever seen. Its' very complete, very striking ... rewarding to watch a song grow, and then with lots of very interesting illustrations and live with it for a while. You learn things from atR: I always said that if this band didn't fly, photographs. It is even packaged in an it. I do enjoy playing Fve. I think there are i.e. if we don't eventually get signed to a onion skin cover. What led you to go that far difficult aspects to both; and both can be Wry major label and make records that are widely into the boOklet? rj 'I,m•• rewarding. In the studio, we try to make distributed, and so forth... If that doesn't atR: I guess, to us, it couldn't have been any every note count. We don't achieve this, but happen, I wantto be outon the street, decrepit. other way. We tried to make the cd sound as we strive for it most of the time. In a live I want to know that all my resources and good as possible, with the equipment that concert, we stretch arrangements and Ric energy went into it. I don't want to live the we had to work with... which was very hunt for pre-CBS Stratocasters, and Karin and Brian open up a lot more. They're both rest of my life wondering what would have limiting. We took great pains to make it as likes to slip away to coffee shops and quiet wonderful players and I tend to rein them in happened if I would have tried harder, or good as we could. When it comes time to nooks-and-crannies. I'm always looking for probably a little too much in the studio. But used more of my savings. I mean we've put present the band visually, we try to be as a good chess partner. (At home, when I have live, they have the freedom to really cut loose everything on the line and borrowed a lot of creative as we can with the resources that we time to enjoy, I like to sit in my library and and play. money along the way. Most of it is paid back, have. We're very fortunate to know a very read. There's so much to read. It'ssomething but we have a lot of VISA cards, and we think ACM: Do you ever find yourself adding to gifted artist who's a photographer; his name that gives me so many ideas. You learn so nothing of putting six or eight thousand or changing songs in the process? is Michael Wilson. He's also a bit of a mentor much from books. They're not considered dollars on VISA to make something happen. for the band. He has a book that he published incredibly hip, I suppose. There's so much atR: We're a lot different live than we are on We try to count the cost, and put everything himself, with some of his photos and some visually high-tech media nowadays. Books tape, and we like both. But live, we're a bit we can muster into it. prose in it. It's a beautiful book,and I find his may be getting neglected, but there's nothing more aggressive all around. Things are ACM: An all or nothing approach ... Do you work so moving. I was just thrilled to be able like a book ... something magical and stripped down and a little bit more direct. ever get concerned that you may end up on to associate it as much as possible with our mysterious and blatantly spiritual about We also tend to allow improvisation to creep the street yet? music. He's done some photos for some books. It's a shame that the flash of MTV­ in. Sometimes songs get extended and other well-known bands. He did the All style media has taken away from the subtle arrangements grow over time. We have atR: Well, there is nothing wrong with Shook Down cover for The Replacements, power of the printed word.) The most people who (eel that the live performances making a new start. I mean, I'mstill relatively and he did the last BoDeans album. He did wonderful thing about touring is meeting are much stronger than the recordings. Then, young. I have lots of interests. We're going the last Lyle Lovett booklet...thephotography people. I'm amazed at how fiercely intelligent we get people who appreciate the recordings to try very hard to make it work. I feel very for the inside of Lovett's Joshua, Judges, Ruth some of the people are that we've met along more. Hopefully, we land on both feet in the good about starting over with nothing. I album which was recently released ... I don't the way. Some have become beautiful friends. middle somewhere. don' t fear it. I feel very good about doing know if elaborate is the right word ...we tried Often, there isn't a lotof free time on tour. It's something with all my might. . ACM: You'll be at Cornerstone this summer, to make something beautiful. I think the hard work. But you also develop a rhythm so those who attend will have the c;hance to ACM: How long have you been working after awhile and it can be very discom­ compare your live performance with your together as a band? bobulating to come home. recordings. You've more dates ahead with atR: The summer of '89 ... We got together ACM: Among the literature that you read, Adrian.. Then, where will you be? and started writing material. We recorded are there any favorite authors that you find atR: For an unsigned band, we do get about a half dozen songs ... the first half of our fascinating, or that possibly even influence around. We're based here in Southern Ohio. first cd, 'Til we have Faces. Karin didn't live in some of the songs you write? On this particular leg of the tour, we'll be as Cincinnati at the time and, over the course of atR: Ric was one of the first members of the far West as San Francisco and Sacramento. the next year, she relocated down here. Ric band to really start getting into C.S. Lewis. We'll be playing a couple nights in a theater and Brian did some touring as side men Between Karin, Ric and l...we probably have in Boulder, Colorado. And, we'll see some during that time. Then, in the summer of '90, most of his works in early editions. Rare mountains, which is rare for us. Not as rare we finished our cd. In September we started hardback copies. He's had a big impact on for you ... Then, later in the summer, we'll be playing clubs around the Midwest. So, it's our personal lives. And I really enjoy a lotof doing some of the large festivals in Europe, been about a year and a half now that we've the writings of Dylan Thomas. That's a namely Flevo and Greenbelt (Flevo in been performing. We played Cornerstone cliche .. .! know that a lot of pop musicians, Holland, and Greenbelt in England). We last summer and met a lot of people there. including Bob Dylan, like his work. I hope to do 'some club dates over there as The rest of our performing takes place in especially like his prose writing. Thomas well. We were fortunate enough to do some your typical college setting on a weekend referred to himself as 'one: I am a Welshman; touring with Bob Dylan. .. some dates in night. We were kind of concerned whether two: I am a drunkard; three: I am a lover of Wisconsin and Iowa. And we hit Chicago our music, certainly not party music, would the human race, especially of women.' ... I've every so often. We try to get around as much be received well in that context. Actually, we always liked Oscar Wilde. Also, of course, as possible. built a fairly large and loyal following over William Shakespeare is unsurpassed. The the last year and a half. We have an extensive ACM: Do you feel that being an unsigned nice thing about this band is that we get a lot mailing list,and we've received a considerable band gives you some additional freedom, or of letters in the mail from fairly articulate amount of airplay across the country here do you find it has some limitations too? people. They tum us on to various writers. and there. Some commercial stations along It's fun to exchange ideas through the mail atR: I suppose the limitations are that you with college stations. It's surprising what \\'ith the people that we meet, or those who have to do everything yourself. Sometimes pops up. philosophy of the band has always been to go the extra mile in anything we do, and to try to not leave well enough alone, but go the extra step. ACM: So, every aspect of what you do, you do the best you possibly can, then take it a step further. atR: That's probably accurate ... we try. ACM: Just looking back through some of my notes... I would like to know where the name Over the Rhine came from. atR: I was always a small town boy. Most of us were raised in rural settings. Ric and Brian and I had some musical opportunities made available to us, which sort of led us to relocate in Cincinnati (which is not a huge city, there's probably two and a half million people in the greater Cincinnati area). But, for some reason, we ended up living right downtown in a little village called Over the Rhine. When we moved down in '88 or so, it was undoubtedly the seediest neighbor­ hood in Cincinnati ... and now it's sort of appalling in its diversity. You have very rich, art gallery types driving their Jaguars, and then you have the couple of stoned pan­ handlers with their collective grocery cart hitting people up for change so they can make it through one more night. There are a lot of artists in the neighborhood ... an old German neighborhood, most of the buildings are 100-150 years old. It's really.. .especially when we first moved here ...just an artist's dream environment, because it was so full of imagery. Most of the songs tha t we originally wrote for the band were written in my third story bedroom overlooking the activity on Main Street. We didn't have a name, and we tried the name on .. .it was a perfect fit. We just adopted the name of our neighborhood. ACM: So, it just happened. atR: When we leave Cincinnati, we get a lot of positive feedback on the name. People just assume we're from Europe or something. Here in Cincinnati, it was initially sort of frowned upon because the area was almost an embarrassment to the city. But now it's such a hip place to live, if we're not careful, we'll be associated with some kind of yuppie hangout. But, really, most people aren't familiar with the neighborhood in Cincinnati, an 'album project, it's very much a demo to work quickly, little surprises come up that do get everbody's attention, they can't so it just conjures up some image of a river or project. I don't know why, but it's become are not without charm. Hopefully, people remember what it is that they wanted to say rainbow or something. sort of a policy to invite people to snoop will find elements of this collection that they anymore. I feel that way sometimes. We around in our sketch books, by putting out like. ACM: Now, you have a new project... a new work so hard to gain the audience, and get these demos. I think it's good for us to get airplay, and get the stuff distributed in stores, cd that's going to be available about the same ACM: What would it take for you to be able feedback from listeners. I guess I should and we're working very hard for a platform. time that Cornerstone starts this summer. to take that next step, ... and sign with a have mentioned that we're using the term I hope that when we get there, that there is Was that a coincidence in timing, or were you company and spend that time in the studio. album loosely... even the first ,cd is just a still something meaningful within us that preparing it to take with you? - What would be the carrot to encourage you collection of songs that we demoed out, to needs to be said, ...make it worth it. It's fun to let go of all the freedom that you have? atR: I think we timed the release date so get a feel for the direction the band was going to take our brand of music into an alternative Cornerstone would be the first place it would to take, and there are certainly flaws in this atR: It wouldn't take a whole lot, if a good bar. And we try to write poetic'lyrics, and a be widely available. The people at new batch of songs. I read so many writers, major labe! ... and someone with integrity as lot of them deal with fairly serious issues of Cornerstone were very kind to us and invited Dylan Thomas e.g., (one of my favorite a person, wanted to sign us. We'd be happy spirituality, and the difficulty of maintaining us back. They are treating us like a normal authors) ... in the preface to his famous book to forego some of the artistic freedom that we meaningful relationships, and the difficulties band, even though we're unsigned. It's our . Collected Poems he says that if he changed enjoy now, in exchange for a company that of survival in our materialistic culture. A lot little way of saying thanks ... timing the release everything he didn't like about the poems in could distribute us and take some of the of the times I feel the big percentage of so you have to go to Cornerstone to get it his collection that he'd have no time to write business aspect off our hands. organized religion is sort of missing some of initially. new poems. I sortoffeel thatwaysometimes. the innuendos and subtleties of what Jesus When we get a record deal, and it's time to ACM: Is the appeal for a label more to make' taught. These are the sort of things we are ACM: You mentioned that you're new work on a record ... hopefully there will be the product more accessible to the general material is a little more diverse, ... do you feel discussing in our songs ...in the context of months involved where we can have time to audience, or is it to free you up more to be alternative clubs and bars across the Midwest that it's- a stronger project, because of the live with the material and capture the sounds artistic and to spend less time on the the and elsewhere. It feels good too. A lot of resources you had this time? of the instruments the way we want to. Even business end. What's the pull for you? people were skeptical that 'alterna ti ve' people then, I'm sure we won't achieve everything atR: I definitely don't feel it's a lot stronger. would be into what we are dOing, because It's a little different, but there again, even we strive for. Right now, we just don't have atR: I think when we get a record label, we come across as caring about what we do, though we were in a pretty decent studio this the resources to spend a lot of time in the hopefully we will be able to focus more on and that's sort of ...very uncool. It's much time, it's still very much a rush job. It's not studio. But sometimes, when you're forced the music. And, obviously we're concerned about making the music as available as cooler to be detached and above it all, and possible to the public, not that everybody distant. Anyway, it can be very rewarding in has to like it and shoot us up the charts. It's those settings, to see people give the music a just that we're spending so many hours just chance and be drawn in, and have people to make the band known and get the word say, "I wouldn't normally listen to this, but out. A major label has all sorts of networking it's working." Maybe because our songs capabilities and distribution systems in place, attempt to be somewhat literate in their and they can make that their responsibility to approach, we tend to meet some fairly let people know that we exist. intelligent people that have a lot to offer us. I've enjoyed meeting some ACM: Is there anything else you could say very bright students and so forth, and to describe Over the Rhine? continue developing a relationship atR: I always am surprised that people fhrough rnrr~·~~.nn tolerate the idea of one more band. Do you ever feel that there are too many bands trying to make it? Like, enough already. ..! don't want to hear about the next band that has to get signed to a record label. Sometimes I just . feel a little self-conscious .. .! want to be in a band too. I ask myself, why does the world need one more band? It started out for me that! felt! had something I wanted to say. It's been a couple of years now, ...it's been pretty hard work. I think that artists start out wanting to express themselves, and they clamor and clamor, and fight and claw for th~ opportunity to finally stand up on a soap box and say their piece, and by the time they THE FREE ZONE ...... England ElIM HALL ...... Canada HUNTING MAN ...... New Zealand LEVEL HEADS ...... Canada Single, Large as Lile Things Break Plsstic Coated Dreamland, EP untitled indep't. Reunion, 1986. Stress Music, 1991 . indep't, 1986. Political Assyfum Let It Thrive PO Box 2806-551 1I0mento 1I0ri Indep't indep't, 1991 . Torrance , CA 90503 Broken, 1988. lIammon clo Glen Teeple IDEOLA LIES DAMNED LIES ...... Scotland The primary distinction between College Progressive and Alternative, COLOR BLIND ...... California mdep't, 1990. RRII see Mark Heard new album available since both are likely to be found in college radio, is intensity. College Pain,Prlde,Stupidity .I Prejudice Arkona, Ontario The House 01 Cheep Sire, t99O. Progressive includes folk, acoustic and club·orienled rock, whereas Alter­ indep't, 1989. 6B Sunnyside Canada NOM 1BO IN THE SILENCE ...... Australia native leans more towards punk, industrial and hardcore. 2nd ACII Compllstlon Things to Come LIFESAVERS (see l.S.U.) California COMMON BOND (disbanded) .... Ca Devonshire Road indep't. Us Kids BOOK OF MARTYRS. New Zealand untitled liverpool L8 3TD EVAN'S DILEMMA ...... SC JIMMY A ""."""".".""."."""."."""". It's Only Time indep'l, 1981, lifesavors. Entertaining Angels Catharsis indep't, 1983. demo, untilled FRESH CLAfM ...... England indep't. Dream Life Sparrow, t991. indep't, 1988. Heaven is Calling indep't, 1991. Odd One Out Bleeding Heart Refuge , 1983, lifesavors. Purified Seven Times Broken, 1986. new album In progress A PICNIC WtTH LURIA .,,"" Oregon Planklon, 1987 indep't. A Kiss of Life indep't, 1991. Anger Into Passion Indep't, 1992. No Claims Bonus PO Box 695 Frontline, 1986. Frontlme, 1987. PO Box 5971 ACOUSTIC SHACK ".,,""""",,",,"" T-BONE BURNETT """",, California Plankton, 1988. North Sydney NSW 2059 Greenville, SC 29606 THE LIVING ...... California untitled Truth Decay THE CRY ...... Huds Continental fNNOCENCE MISSION ...... Pa new album scheduled Blonde Vinyl, t991. Tacoma, 1979. Demo, What It Means to Be Planklon, 1989. HARBORFIELD GATHERING .... Pa untitled Proof Through the Night Indep't, 1989. Yesterday's Reason, EP LIVING IN CANAAN ... Pennsylvania ADAM AGAIN "".,,"""""" California A&M,I989. Warner Bros., 1983. GADGET indep1,1991 . 5-Song Demo In a New World of Time DA () ...... California Umbrella Trap Door see Marc Plainguet 7158 linden Road indep't. Blue Collar, t 986. Horrendous Disc A&M,I991 . Warner Bros., 1984. Macungie, PA 18062 7-Song Demo Ten Songs by Adam Again Solid Rock, 1980. interview in Issue 4 Trap Ooor, EP GECKO MONKS ...... Oregon 2nd ACII Compilation indep't. Broken, t988. Alarma Homeboys Demon, 1984. Fear .I Shelter INTERFACE ...... Belgium PO Box 1573 Newpax, 1981. indep't, 1991. HE WEPT ...... Texas Broken, 1990. Behind the Trap Door, EP Single, Memories Lancasler, PA 17603 Doppleganger 3007 SE 80th new album scheduled Dig Demon, 1984. Embryo Arts. THE LONELY NOW ...... Alarma, 1983. Portland, OR 97206 indep't, Spring 1992. The Talking Animals Single, Think Aboulll Captive THE ALARM ".".""".""."""". Wales Vox Humana PO Box 200255·106 CBS, 1988. GLORIA ...... Washington Embryo Arts. untitled, EP Refuge , 1984. Austin, TX 78720 Narrowpath, 1986. CAEDMON PLATEN TANNER ." Tx Knowledge & Innocence 2000 Years, EP JACOB'S TROUBLE ...... Georgia Original Tensions IRS, 1983. MARK HEARD ...... California Rome Wasn 't Burnt in a Day Shadow, 1986, T. S. Taylor. indep't, 1990. Into Summer Narrowpath, 1988. Declaration Tribal Opera indep't, 1990. Fearful Symmetry new album in progress Frontline, 1989. Single, Fall Again IRS, 1984. What, 1987, ldeola. Frontline, 1986. indep't, Summer 1992. Knock, Breathe, Shine Narrowpath. Spirit of 76, EP CAFE NOIRE ."".""""""" Calilornia A Briefing for the Ascent 14002 linden Avenue North Alarma, 1990. Honest Tear IRS, 1985. untitled Frontline, 1987, T. S. Taylor. Seanle, WA 98133 Let the Truth Run Wild Narrowpath, 1990. Strength indep't, 1989. Dam Big Bite IRS, 1985. Floor - GO GO STREET ...... Scotland SAM HILL ...... England Alarma, 1992. Frontline, 1987. LOST OOGS ...... California Eye of the Hurricane THE CALL """.""".""""""""""""" untitled JOHNNY & THE STICKMEN ... B.C. Scenic Routes untitled Let's Spin HOI POLLOI ...... New Zealand IRS, 1987. indep't. V-rew from an Ivory Tower BAI,I992. Mercury, 1982. Alarma, 1988, Swirling Eddies. IIsItDown, EP Electric Folklore Uv., EP indep1,1991. Modern Romans Outdoor Elvis Jayrem, 1985, Jamboree. LOVE COMA ...... Texas IRS, 1988. GO VERTICAL ...... New Mexico 15284 112th Avenue Mercury, 1983. Alarma, t 989, Swirling Eddies. Independence DIY, EP see also Chris Taylor Change untitled Surrey, British Columbia Seene Beyond Dreams The lliracle Faith Telethon W.E.A., 1986, Jamboree. 13 Song Live Demo IRS, 1989. indep't, 1991. Canada V3R 8Y8 Mercury, 1984. Alarma, 1990, Dr. Edward Tayiar. Sltlsly, EP indep1, 1989. Change (Welsh Language 1805 Arlene Road Reconciled Live Bootleg 1982 Showdown Prod., 1990. KAJA ...... England 13003 Skyline Version) Rio Rancho, NM 87124 Elektra, 1986. Frontline. untitled see Ellis, Beggs & Howard San Antonio, TX 78217 Standards 2nd ACII Compilation Into the Wood. Kalhoun PO Box 67-052 Extra Pllly (Islands) IRS, 1990. Elektra, 1987. Frontline, 1991. DALLAS GRAHAM & the Revs N. Z. MI. Eden, Auckland, NZ EMI,1984. A GEOFF MANN BAND ..... England Raw Chants Would Fine Thing Let the Day Begin THE HOLLOWMEN _ ...... " .. Canada Crazy People'. Right to 5pN/r Be a IRS, I99t. DAN H. BAND ...... Minnesota ERIC H .. " ...... California indepl, 1984. MeA,I989. Pottralt. of fly ~fIectfon EMI,I985. The Line PoNuok Suicide I lIsy SIng Grace RIC ALBA """"".""""""".""""." •• " Red IIoon indep1, 1990. KIRK (disbanded) ...... Calilornia indep1, 1988. indep1, 1987. indepl, 1984. Hole. In the Floor of Heaven MCA,199O. RR4 Sh.dow SIIn ..... Plu.h Toy Slngfe, Running with the Young ".,Im Enchanted Evening Glasshouse, 1991. Niagra on the lake indepl, 1987. indepl, 1988. indep't, 1989. indep1, 1985. CAMEL SOCIETY KINGS .,,"""" Pa Ontario, Canada LOS 1JO Colora of LIfe ALLIES "."".""""""".""."""".".""" Golden StINts demo, Stan was a Plush Toy Won BY ONE see Harborfield Gathering indep'l, 1987. Long Way from Pa~iA Love Run. Deep, EP indep't, 1989. indep't, Spring 1992. HUIIAN CONDITION ...... Calilornia Marshall Pick'g, 1987. the Dayspring, 1989. indep't, 1987. Int.ntlon. Eric Hann untitled KING J • THE CONCORDANCES. Band. The River Alway. Under Your Hair, EP indep't, 1989. 650 East Bonila 11602 Image, 1991. The Authorizad Version Prints of Peace Dayspring, 1990. indep't, 1990. HoUA of Stone San Dimas, CA 91773 PO Box 1374 IDo Marshall Pick'g, 1988, the IIsn with a IIlssion indep't, 1990. 2nd ACII Comp/fatlon Hanford, CA 93232 V.T.O. Music, 1990. Band. CANNON HEATH DOWN ." Canada 420 101h Aven'ue North ANIMATOR ."""."""""".",,.,,. Illinois 11 untitled Minneapolis, MN 55401 Gallery indep't, 1991. indep't, 1991. PO Box 2593 DANCE OF THE PORCUPINES Ca. PO Box 483 Bellingham, WA 98227 Demo, unlitled Urbana, IL 61801 indep't, 1989. PETER CASE ".""""""".""."""""" ASHES TO ASHES ""." Washington new album recorded untitled Narrowpath, Summer 1992. FOLK. SOUL. DANCE. ROCK. untitled, EP Geffen, 1986. indep't, 1990. The IIsn with the Blue Guitar DAVID ROGER SHOWS ...... Texas new album scheduled Geffen, 1989. Demo, un611ed indep'l, 1992. ASIGHT UNSEEN """""".""""" ... ,, INDUSTRIAL. ALTERNATIVE. CHAGALL GUEVARA """."""".",,. Circus of Shame 800 Bellshire Drive #303 untitled Conroe, TX 77301-4203 MCA,I991 . THE AWAKENING "."".",," Canada MARK DAVIS ...... Calilornia Two Wortds CHANGED ""."",,.,,""""""" Holland Demo, Falls Like Rain IMPORTED FROM TEXAS. indep't, 1986. It's Good to be Alive indep1, 1988, Clockwork. Sanctified indep't, 1988. Reunion, 1987. Who i. Real? DEACON BLUE ...... Into Thy Hand. indep't, 1989. Ralntown Reunion, 1988. Wake Up Columbia, 1988. indep't, 1990. When the Wortd ... Name BIG SUR .""".".""."".".",,. Scotland Skinny and Naked Columbia, 1989. Dancing on the Hlghwire, EP indepl, 1992. 4 BachanJch .I David Songs, EP Columbia, 1990. THE BISCAYNES """""""" Arizona THE CHOIR """"".".".".". Calilornia Dogs and Women Voice. in Shadows DEAD ARTIST SYNDROME ...... Ca indep1, 1990. Broken, 1985, Youth Choir. Prints of Darkness *sixpence new album In progress Shades of Gray, EP Public Records, 1990. PO Box 33096 Myrrh, 1986, Youth Choir. DeVilS, Angels, Saints Phoenix, AZ 85076-3096 Diamond. and Rain Blonde Vinyl, Spring 1992. 2nd ACII compilation Myrrh, 1987. 1st ACII Compilation Chase the Kangaroo BLACK AND WHITE WORLD "" Ca Myrrh, 1988. DECEMBER (disbanded)Washington *none untitled WidHyed Wonder Singfe, Re·evalual. indep't, 1990. Myrrh, 1989. indep'l, 1990. untitled S.P.U. Sub Box 1332 ithe Circle Slide Blonde Vinyl , 1991. Myrrh, I990. Seanle, WA 98119 2952 Pepper Tree Lane Apt. 'C' Costa Mesa, CA 92626 THE CLAIM """"""""".,," California ROBERT DEEBLE ...... Camornia Demo, A Time lor Answers Songs for the Sabbatical, EP +richer BLACK CARNATION "."". Michigan indep't 1988. indep't, 1988·89. Hope 25292 Mcintyre 2005 Palo Verde Avenue #230 indep't, 1990. Laguna Hills, CA 92653 Long Beach, CA 90803 It Remains the Same 2nd ACII Compilation Blonde Vinyl, 1992. THE CLEAR ."""".".,,. New Zealand 915 Jackson NW Equinox ELLIS, BEGGS & HOWARD ... U.K. Grand Rapids, MI 49504 indep't 1983, Thin Red line. Homelands 2nd ACII Compilation Seclusion In Paradise BMG, 1988. shot heard round the bloc indep't,1984, Thin Red line. PAUL ESLING ...... lIlinois untitled, EP JOHNNY J. BLAIR """.,," California See Faith & Reason Ode, 1985, Thin Red line. Ooor In the Water untitled, EP Simplicity, EP indep't, 1985, reissue 1988. indep1, 1989. untitled (the Green Album) Ode, 1986, Thin Red line. indep't, 1986, Lie of the Land FAITH & REASON ...... lIlinois goodbye Yellow HouA Ode , 1987, Thin Red line. untitled indep't, 1988. untilled, EP indep't, 1990. Train Track. In the Snow Ode, 1988. 902 E. Maple groovy Narrowpath, 1988. Live Stomach Lombard, IL 60148 Normal Song. and NMr Hit. indep't, 1990. FAT 'N FRANTIC ...... England indep't, 1989. Interview In Issue 5 WIlting' Hottle tuesday 12 Songs".Love, God, 1I0n.y I.C.Y.. 1986. Narrowpath, 1990. BRUCE COCKBURN ...... Canada Aggresslv. Sunbathing PO Box 421890 o.nclng In the Dragon'. Jaws I.C.Y., 1987. San Francisco, CA 94142·1 890 RCA,1979. Humans SIngle, Wif. Hooverad my Head I.C.Y., 1989. BLUE TRAPEZE """."."". California CBS Canada, 1980. FIt 'N Frantic Llv• .• . Slnclllll)', EP Inner City Front I.C.Y., 1989. indep't, 1986. CBS Canada, 1981 . Ou/rk IIssk .I lIs"lUH, EP The Trouble With Normal .BMG,1990. indep't, 1986. CBS Canada, 1983. F't 'N Frantic Sings . .. Demo, From a Dream Stealing Flra Moles, 1991. indep't, 1987. CBS Callada, 1984. TO USA Demo, Farewell to No One World of Wondara PO Box 1009 indep'l, 1987. MCA/Goid Castle, 1986. laurel, MD 20725-1009 Demo, WaiUng on your Call WIlting for I Illracle indep1, 1989, Dancing Crows. Geld Castle, 1987. 441 ...... ,..... California The World Won' Fit My Skull Big Clrcumstanc. untitled indep1, 1991. Geld Castle, 1988. Blue Collar, 1984. 1121 26th Street Bruce Cockburn: Live Mourning Into DanCing Suite 1 Gold Caslle, 1990. Blue Collar, 1986. Santa Monica, CA 90403 Nothing But a Burning Light Sacrifice l.t .I 2nd ACII Compilations Gold Castle, 1991 . Broken, 1988. A GEOFF MANN BAND (conlinued) indep1, 1987. Gadget. SIX PENCE NONE THE RlCHERTX Noles '""" • t.o.I CMIIDIIon In om.r.nc. SurrNliam /or e.glnners demo, unhlled What/MM, 1988. Plankton. 1988. wi Marc Calley. indep·l. 1989. indep'l, 1992. new libum scheduled Live n the "'rquee c.,. WiIIc."". You Home, EP 992 Rosemary MM, I991. indep·l. 1989. the Band. indepll989. New Braunfels, TX 78130 TlIS TRAIN ...... Califomia Live .t the "-rquee 14I1/J/89 SlnI/If18T... S.O.S ...... __.. Northern Ireland 8713 Topanga Cyn Blvd indepl 1989. indep·l. 1990. Bo,..".nd West Hills, CA 913004 Loud Symbo/$ Gnahlng 0/ TNIfI indep', 1990. indep'~ 1990. indepll99O. Gadget. TRIBE OF DAN ...... England 8 Casllebum Drive I I Red Rockers Distribulion LIve nCo",.,."",. The .." Canicktergus, Co. Antrim T.,.. 370 Greenlree Lane POBo,1260 BT 38 7LX Northem Ireland indep', 1989. Milan. 1.41 48160 Youngslown , Ohio 44501 Gil Down Th,.,h II: Live 2nd ACII Compilation SONRISE ...... Holland 456 Philip Gardens PRAYER CHAIN ...... Califomia SIngle, Get Up Eynesburg SI. Neats BRIAN McGLYNN ...... Scolland "vWnd Seulon. Embryo Arts. Cambs PE9 205 England Day. In An:HIa indepll992. Slicky. 1982. The Victors. "vwand, EP THE SPIRALS ...... New Zealand TRIO OF ONE ...... Texas The V~I SpMt Reunion , Summer 1992. TIlls Drumlng Only Sticky. 1985. PO Bo, 1533 indep', 1987, The Ouiet. indept 1989. Single, Soul Doctor Brea. CA 92622 new dJum In progrea e.ginning Ia HIlI 110M Sticky. 1987, Soul Doctor. THE PRIMARIES ...... Washington SPlIT LEVEL _ ..... _ ...... Germany indep1. 1989. &437 Perdido SKA TMAN MEREomt .... Delaware ChroIfY ViIw 0/. World Walauga, 76148 indep1,1992 TX CHRIS SPRANCKLEN ...... England Hope For Us 28101 235lh Ave SE UTHANDA ...... Califomia K.." Running indep'l, 1992. Maple Valley, WA 98038 demo, Be My Friend indep't. PO Bo, 444 2nd ACII Compllalion indepl, 1988. NoO/sgulse Rockland, DE 19732 Groov. PRIORlTY PAID ...... Auslralia indepl Broken Songs, 1991 . DAN MICHAELS ...... I",.. spy GLASS BLOE ...... Calnomia R.VNI III ACtI Compjiltlon RASPBERRY JAM ...... Califomia see also SatenI-F.. indepl, 1991. U2 ...... _ ...... Ireland untitled In SuItJy Places Boy IIDNIGHT OIL ...... Australia indep'I, I991 . 5654 Cahuenga Blvd. 1523 fsland, 1980. untitled 858 Linden Court North Hollywood, CA 91601 October Columbia, 1978. Upland, CA 91786 STINGING RAIN ...... Pennsylvania Island, 1981 . IIHd InJurie. ... now available RED C ...... MicI1igan Columbia, 1979. SMdows 0/ RNlity War untitled Blnt NoIses indep' , 1991 Island, 1983. indep'l, 1989. Columbia, 1980. OrNm Under. Blood Red Sky PO Bo, 725091 PO Box 52 PIBce WIthout a Pollcant Island, 1983. Bekley, 1.41 48072 Grove City, PA 16127 CBS, 1981. The Un/orgellable Fire 2nd ACII Compllalion Island, 1984. Species Deceeses THE REIGN ...... Califomia The Unlorgettable Fire, EP CBS, I985. E1«k From EupltorY STREET ANGEL ...... Island, 1985. Forgotten Years indep'l, 1989. untitled Wide Awake in America, EP CBS,199O. PO Bo, 12391 Dat1<,I986. Island, 1985. Blue Sky IIlning La Crescenta, CA 91224·5391 Newland The Joshua Tree CBS, 1990. Dat1<, I988. THE REIGN ...... Soulh Carolina Island, 1987. MISSION OF MERCY ...... lIIinois Everlasting STREET LEVEL ...... England Rattle and Hum Shadows Indep'l, 1990. Single, Never Knew Island, 1988. indep'l, 1990. PO Bo, 1744 Embryo Ms. Achtung Baby Killing TIme, EP Moncks Comer, SC 29461 I/Ny IsIand, I991 . indep', 1990. Guner Music. RICKY ROSS ...... Scol. Cages Crashing VAGUE ...... lIIinois see Deacon Blue STRING THEORy ...... California indep1. 1991. Truth Unleashed new album scheduled indep'l, 1988. PO Bo, 1895 ...... ScoUand indep1. Summer 1992 Aurora, IL 60507 Ptsy Gsellc untitled 10916 B1ix Slreel indep'l, 1990. Lismor, 1978, reissue 1981 . MORELLA'S FOREST ..... California North Hollywood, CA 91602 A Glimpse 0/ Deep Symbolism The Highland Connection indep'I, 1990. NIMMZWEI ...... Germany Ridge , 1979. THE SWIRUNG EDDIES . California ColI.ge Wer FrJJgt Schon Nach Senl Recovery see DA (Daniel Amas) indep'l, 1990. indep1, 1988. Ridge, 1981 . THE SWOON ...... PO Bo, 1362 Gerspnzweg 21 Helrtl.nd Jacob's Whealon, IL 60187 6100 Darmstacll· Eberslacll Ridge, 1985. TealS indep '~ Restricted Access. 2nd ACII Compilafion The Cutter and the Clan NINA ...... Ben Son Ben Beetrice Ridge/Chrysalis, 1987. VECTOR ...... California No Shadow 0/ Turning indep', 1987, Access. Once In a Lifetime IIIInnequin Virtue R.E.X. , 1991 . untitled ChIYSalis, 1988. Exil, I983. Nanowpath, 1990. NO TIME FOR TALKING ...... N.Z. Searchlight Please SlBnd By HeyiMy, EP Chrysalis, 1989. TALKING DRUMS ...... Scolland E,~ , 1985. indep't, 1991 . 104 High Street see Lies Damned Lies Simple Experience PO Box 2806-551 Dalke~h , Midlothian EH22 lAW Flflh/ing to the finIsh Gaga, 1989. Torrance, CA 90503 Sticky, 1982. SALT SOLUTION ...... England II.V. & P.S.B. compilation Demos NO U TURN ...... Puerto Rioo Single, Your Country Needs You Gaga, 1989. Sticky, 1983. Single, Hear Me Now Embryo Arts. VaL OF ASHES ...... RNssembly indep1. 1986. Negroo SASS 0' FRASS TUNIC Sticky, 1985. Single, A Christmas Song indep'l, 1988. As Blue as the ~t. Allows Single, Pretend a Stranger Indepl, 1987. Pain Blonde Vinyl, 1992. Sticky, 1985. new .tbum .Vlllable Frontline, 1989. indep't, 1990. SCARY CATS ...... TALL STORIES ...... Auslralia Young and the Reckless SmM:klboom see Seven Stories NOW EYE SEE WHy ...... Virginia SleepIng Through _ Wor, EP VIOLENT FEMMES ...... T.II GrI ..... BIg Dogs STEVE SCOTI ...... •....•.. California The Blind Leading the Naked indep', 1987. indep'l, 1992. Love In the Western World Slash, 1986. PO Bo, 2438 Exil, I983. CHRIS TAYLOR ...... Te,as untitled Pelersburg, VA 23804 LOit Horizon see Love Coma Slash,I 987, The Mercy Seat. AIIernative, 1988. much Blues OBADIAH & THE llNOR ... so /or the 3 PROPHETS ...... N. Z. IIIQnlllcent ObsessIon indep1. 1989. Slash, 1988. BII.. AIIemative , 1990. WMt's L.II When ... new Blbum scheduled Interview In I.. ue 5 indep1. 1990. indep1, 1991. THE VIOLET BURNING ... California Simple Things Con/ound The PO Box 2806-551 SEVEN STORIES ...... Auslralia Chosen Wise lien Torrance, CA 90503 Judges .nd Bagmen indep'l, 1991. New Breed, 1990. CBS Australia, 1990. THE OCEAN BLUE ...... A Place to Hide Away Strength untitled THE SEVENTY SEVENS . Calnomia indep'I, I991 . THE WALK ...... Pennsylvania SireiReprise, 1989. Ping Pong Over lhe Abyss 2nd ACII Compilation Demo, Barriers Ceruleln Ex~, 1982. STEVE TAYLOR ...... Indep'l, 1986. All Fill Down THE ODD JOBS ...... California see Chagall Guev.nI The Longing E,il, l984. W.ter F.II Down the Fritz indep'l, 1987. untilled On indepl, 1987. Sparrow, 1985. Indian lind Exitllsland, 1987. PO Box 45 I Predict 1990 Talkingtown, 1990. Sticks .nd Stone. Mendocino, CA 95460 Myrrh, I987. Talkingtown Records Broken, 1990. The Best We Could Find 8 Reliance Court ONE FINE DAy ...... Washington More AIiserJIbje than Youl Ever Be Spanow.I988. Telford, PA 18969 Inexplicably se/f-complacen~ EP Allemative, 1990, 7&7is. indep'l, Winler 1992. Eighty·Elght THE WALTER·EUGENES ...... TECHNO TWINS ...... England 2nd ACII Compilation Brainslorm, 1991. untitled see The Technos Ocean, 1991 . OVER THE RHINE ...... Ohio SHOT HEARD 'ROIHl THE BLOC T, c.sualtease 1i1 We Have Flees Pierce 01 the Innocent Nail indep'l, 1982, Techno pm WARD ...... England indept 1990. indep'l, 1990. Orcheslra. Between the Eyes new .Ibum .vailable These Three Things Technost.lgia Plankton, 1983. indept 1992. indep', 1991 . PRT, I982. Slngl., When I meets I PO Bo, 2572 new album scheduled Foriegn lind Planklon. Cinclnnali, OH 45201 indep'l, Spring 1992. PRT, 1985. Unusual Shade, EP Interview In this Issue PO Bo, 84090 Planklon, 1985. 35 lITILE DUCKS IN A BASKET .. Waco, TX 76798-4090 Distance Grows, EP CHARLIE PEACOCK ...... California Live at ArtalBk Planklon, 1986, L,. Down In the GnI .. SIDEWALK ...... indep'l. ExiVA&M, 1984. untitled IIonastery WHfTEHEART ..•...... •.••...•..•..••.••. untitled Freedom TliE SILENCERS ...... Scotland indep'. T ExJ1l1s1and, 1986. This Is (Is not) the Tape Spanow, 1989. A litter from St. P.ul West Coast Di.rIes indept PowerHouse BMG,I987. Jamz Ltd., 1988. SlarSong, 1990. A Blues lor Buddha IN 3-D ...... W.st Coast OiIries, Volume It >1 I 1< 1 BMG, I988. see Mission of Mercy WINDY LYRE •.••...••••• _ .•.. Califomia core Jamz Ltd., 1989. Dance the Holy "'n GIa_ Needed untitled West Coall Diaries, Volume 11/ the to No BMG, 199O. Jamz LId., 1989. Refuge , 1985. Blonde Vinyl, 1991 . BBrrege 1st ACtI Compilation The Secret 0/ TIme SINCERELY PAUL ...... • California Refuge, 1987. Spanow, 1990. Sing", Darlmess Blinds You WORLD THEATRE _._...... W.II Co.t OiIrles, III & III indep1. 1990. THE THROES ...... _ ••• Virginia see Human Condition Spanow, 1991. Grieve The EnI 0/ CondoI/Ince AIllnmltAge Love LIIe Blonde Vinyl, 1991 . indep1. 1989. indep1, 1986, Flock 14. Sparrow, 1991 . PO Bo, 15422 Flowers In Your 1IoIher', Eyes Brne New World PO Bo, 210694 Sanla Ana. CA 92705 R.E.X., 199O. Graceland, 1987, FIod< 14. Nashville, TN 3722H)694 1st ACII Complletlon 8911 Gladehill Road untitled write SHent Rooster Music Interview In I.. ,. 3 Interview In Issue 7 Fairfax, VA 22031 Frontline, 1989. SAM PHtLUPS ...... California SIVAN ...... England TOND K...... Calnomia CHRIS YAM BAR ...... Ohio The Turning The Ptsyroom Collection u BomIII, EP Welnt OulMes, Volume t to get your copy today Myrrh, 1987, Leslie Philips. indep'l. Capitol, 1982. indept Recolteetion 10 Cherry Tree Avenue Romeo UncIIIIned PO Bo, 1200 GuiKord GU2 5XB Myrrh, 1987, Leslie Ph ~li ps. What/MM, 1986. Youngstown, Ohio 44501 The IndHcrll»blt Wow Virgin, 1988. ilent $6 standard release Cruel In_lion, Virgin, 1991 . (price includes postage) PLACEDO REY ...... Washinglon rooster Derno, Rising Sun Indep'l, 1987. $ 10 Original sleeve Sly It Stnl/ght AdlAlt PrO ressive indep1, 1989. MVSIC (limited number) 65 12 86th Avenue Court Wesl ALEX ACUNA ...... JUSTO AlMARIO ._._•• __.... _. STEPHEN BELL-BOOTH .••..••.• N.Z. Tacoma, WA 98467 untitled Forewr Friends Shelter Plumb/ine MARC PLAINGUET ...... Ohio AKUT ...... Germany Sparrow, 1987. BENEDICAMUS ...... Holland Ameob.. In Love "vesLlcht Fllllily TIme untitled 28101 235th Avenue SE World tledla c/o Axel Dresbach MCA. fen .... K_ln fen lind Damavl.lon Wiehler Strabe 14 Blood .nd Fire 5226 Reichshol BIll BAUMGART ...... GERT BERKHOUT ....._ ...... Holland Maple Valley, VIA 98038 Security, Sheller, Hope Wehnrath The Kindling SI1aIg/II From fly HNrt Joyful No/ze Germany Frontline, 1988. indept MARC~ATLEY ••.••...... •.. England DIETER FALK ...... Germany GEOFF MANN Instrumentsl Journey The Off the End of the Pier Pila, 1985. Show On Time Plankton . 1991. Pila, 1985. Fine Oiffenences Todey Plankton. 1992. Pila, 1987. PLYMOUTH BRETHREN •.• England DAVID FRIESEN ...... Two, EP Inner Voices indep1, 1991 . Global PacifIC, 1987. RODNEY CORDNER & ...... Ireland Other Time" Other PIsces JOHN PIERRE RUDOLPH Global Pacific, 1989. Only One Name Jon,h's Journey indep't, 1981, wi Tim Manly. indep'l. 1990, D.F. & S. Halpern. On the Other Hand Deplrture indep·1. 1983. BOB HANSON ...... British Columbia Up HIII."d Down B,.. SlIIQIe, Child on the Run GMI, I985. indep1, 1988. W. St.nd Forgiver! GMI,I988. A Touch of It&h Joy GMI,I989. Solo PIIno Maranatha, 1987. SlIIQ tor the SoIlQ indep't. 1990. Harvest The F_ of the Deep P/Igrllllll/l ADRIAN SNELL ...... LASSE DANtELSSOM ...... Sweden HANs.JURGEN HUFEISEN .. Germ. M , cd reissue 1989. Ark, 1989. SoIIQ of Exile TlaDla DIe ,.", FI6tt .n Through the Door Slmliltudft Word,I989. Solid Rock Import, 1987. F/~,."t~". M , cd reissue 1989. M,I989. Goodbye October llenlChllch CHRIS UZOTTE ...... Califomia ShIdow Ptsy The T.Ie of ThfH TfHs DAVID'S SECRET ... South Carolina DomIno Free Kingsway? Too Good Wo.w M , I983. M,I990. PISSIon tor New Breed, 1991 . Image, 1991 . IONA ...... England Icon, CMlterpolnl Kingsway? untitled M. t984. M,I990. TIMOTHY JAIIES MEANEY ...... Wa EDEN ...... _ ...... Germany RICHARD SOUTHER ...... indep', 1990. Fallen Splendor GrNtRo_tks LooIdllQ tor LIwIs Bllder ..,. lIIItelerde M , I986. Ark, 1991 . HalrIJome PAUL JACKSON, JR ...... indep', 1992. Lord, 1984, Yavanna Born of W.1er Sofll/S of AIIJion Sparrow, 1985. I C.me to Ptsy PO Box 7494 PwNnd,. Ark, 1987, wlFriesen & M ,I992. Innerml.. lon Atlantic. Bellevue, WA 98008 LOfd. Hagleganz. C.11co Belr Sparrow, 1986. Out of the ShIdows PHOENIX ...... _ ...... _ Germany Erw.rtung The A.... enlllQ ARK Records Closs Currents Mantic. LOfd, I984. M , 1987, wi Sandy Simpson. PO Box 230073 untitled TINIve TrlI»s HalmIt.hr TlQard, OR 97223 Bergstrasse 22 JEFF JOHNSON ...... Oregon ThI,IIytIMY I Pose KIRK WHALUM ...... LOfd. future In Issue 6 7418 Grossengstingen The Anvil of God's Word M , 1988, wi Sandy Simpson. And You Know Thet ERIC ENGEBRETSEN ...... Idaho M , 1976. Why Should the Hart Not ...... SANDY SIMPSON ...... CBS. Tast.& s.e PleIN Forgive us Lord Dance The Wind .nd the Wheat The "'sslng of the Darlc The Promise indep1. 1990. M , 19n. M , I988. Maranatha, 1987. Outrigger. CBS.

Hope Like a Candhl THE BLANKS ...... Michigan Trensltlon Ladd·Frith, 1985. untitled indep't, 1987, Johnny Ouest. Hope indep't, 1987. Crep Becomes Ec/ectk RRRecords, 1985. If This Had Been an Actusl... indep't, 1987, Flavor Packet. ALTERNATIVE 5 IIinutes Aner I Die indep't, 1989. The Girl In the Book Ladd·Frith, 1986. PO Box 1010 indep't, 1987. Cause and Effect, 1986. Birmingham, MI 48012 A SIGHT UNSEEN ...... THE ALTAR BOYS ...... California AS HE UKES IT ...... California Cl8lJId BIIIn¢aka JoImy Quest Geschmack, I989. new album scheduled untitled untitled BREAKFAST WITH AMY California indep't, 1988, C.B. and J.a. Holy War New Breed, Winter 1991. Maranatha,I984, indep', 1991 EVflYlh11lQ ... • nd Nothing Hurt 21 RRRecords, 1987. PO Box 7633 indep', 1988. indep't, 1988. Gut Level IIusic Ladd·Frith, 1990. ABSENCE OF CERAMICS ...... N.J. Ventura, CA 93006 EverythlllQ ... • nd Hothlng Hull Blutlllsse Frontline, 1986. W. Will Fight SICk The Exception 01 the Rule Narrowpath, 1990. indep't, 1988, Crazed Bunnyz. When You're a Rebel BETRAyAL ...... indep1. 1987, AOC. Staalplaal. 1989. O.d Fentasy .mldst the Stonn Broken, 1985. Renelssanee by Death One Last Guy ladd·Frith, 1990. Blonde Vinyl, 1991 . indep'l. 1989. indep't, 1988, AOC . Alllinst the Grein Wonderland ,I991. Stairway to Haven PO Box 2133 GOD SENT HUMANS ...... Califomia Soft Orlnks for Terrorists Frontline, 1987. Ladd·Frith, 1990. Do I StBnd Alone BLENDER HEAD ...... Washington La Habra, CA 90832·2133 Demo, Repent or Die indep't, 1989. new .Ibum IChedUIed laterial World Alarma, 1988, Mike Stand. BROKEN CHRiSTMAS .... Calitomia indep', 1988. PO Box 190 Feariess Donkey, Fall t992. Ladd·Frith, 1990. Forever Mercy compillt/on new ./bum In progress Willingboro, NJ 08046 3045 NW 56th Street '5 The GospeleccordlllQ to ... Alarma, 1989. Minus Habens, 1990. Broken, 1988. PO Box 2242 AFTER 11 ...... Pennsylvania Seattle, WA 98107 Garden Grove, CA g2643 Simple Explllssion The F.ther, The Son ... CHARIZMA ...... Sweden It', About Time BLIND TEETH VICTORY BAND Tx Alarma. 1990, Mit<.e Stand. Hidden Bene/Jlh the Mell/ Rock the World THE GECKO MONKS indep't, 1990. Kill. BalJy, Seve • Dog Ladd·Frith indep't. new ./bum IChedUIed The A·lart ALTERNATIVE (disbanded) ...... Ca Give ." Account P.'O. Box 967 Single, Tum Me Free Rain, Summer 1992. indep1. 1991. Demo, Just Me 1989. indep', Eureka, CA 95502 indep', 1986. 119 Broad Street Apt. B indep't, 1988. C'-'k.ln. GODSPEED _ ...... Oregon c.n 1st ACII Comp/lltlon Join Hands, EP Malvern, PA 19355 untitled indep't, 1990. see Empty Tomb 1989. indep't, 1989. PO Box 38943 THE BLAMED ...... Califomia indep'. AKZENTE ...... Germany new .Ibum scheduled PL 8511 Ersmar1< HAPPY CLAPPIES ...... Hotland 23042 Merle Ct. Houston, TX n238 S/cIr Underground Guitar Filii {t)rlume Grand Terrace, CA 92324 indep1. Summer 1992. 5-902 66 Umd Und Gem"",." 110...,. Wlr BLACKHOUSE ...... Califomia indep', 1990. Jake Landrau CHATTERBOX ...... _ ...... Califomia APPLEHEAD ...... Cal~ornia Pro-life Oudegacht 31 0 Uns 4693 Denker Drive .-./bum rumoured lilt IIut ""nlng Ladd·Frith, 1984. Pleasanton, CA 94588 3511 PK Utrecht CHILDREN OF THE ... _ ...... _. THE HATED ...... Washington CONSUMING ARE Burled Alive untltt.d indep', 1990, New Breed, 1991 . PO Box 727 II I would place this band on a shelf with Ned's CHRISTIAN IMAGE ...... Hotland Lynden, WA 98264 III»I//ne IIHven, IlIIIf1Ine Hell HENRY • THE VISITORS Gem1any Atomic Dustbin, School of Fish, the more indep', 1989. Wilhelm Wolters.strasseb I ShIll not W.nt tor Power 2800 Bremen 44 melodious side of Nirvana, and other new bands indept 1989. Germany JeruN/em AttICk II THE HOUDAYS ...... California with that soft roughness to their sound. indep', 1989. W. c.st Out the Devil EverythlllQ ,. No" Erin Hooper, Different Drummer Magazjne indep1. 1990. Broken, 1988. PO Box 11516 RestIHslIHrt 1001 GM Amsterdam Broken, 1989. THE CLERGy ...... Oregon HOT PINK T1JRTLE ...... Missouri LIve In Chi Rho demo, guntistah garden indep't, 1991 . indep', 1990. tender, son .nd milky new demo In progress indep11992 rio Dian Tyler PO Box 42191 605 Brian Street Portland, OR 97242 Uberty, MO 64608 CORNERSTONE ...... Sweden ID ...... demo, un~tJed IDY ...... indep', 1991. Richerd A. Gulling BjoITIQatan 3 indept 5-553 37 JookOping No, I Do't Have CRASH DOG ...... lIIinois indep't. Hard Knocks for Hard Helds IDLE CURE ...... GmlRrrough, 1990. untitled Humene Society Frontline, 1986. Ocean, 1991 . Tough Love 4707 N. Malden Chicago, IL 60640 Frontline, 1988. 2nd Avenue 0101 ...... Austria Frontline, 1990. Ole Groste Revolution Breab".ys: Best indep', 1990. The Best of Dldl THE INSTITUTION ...... Australia indep't, 1991. Entomology indept DISCIPLES ...... California LUST CONTROL ...... METAL TRUCK ...... Illinois no opt/ons here MARK KRISCHAK ...... Califomia This Is a Condom HIlt/on Road Kill indep1. 1992 untitled . indept 1988. indep't, 1990. indep't, Red Christmas. 6624 Lockhurst DanclllQ Naked Before the Lord MENTAL DESTRUCTION .. Sweden untitled West Hills, CA 91307 indep't. 1988. When ladness Strlkes indep't, The Louvre. We Are not Ash.med DON'T KNOW ...... Washington indep't, 1990. untitled Refuge, 1990. new album scheduled untitled indep't, The Mints. Fun Fun Feeling Fearless Donkey, Fall 1992 indep't, 1990. untitled Blonde Vinyl, 1991. Intensity of Oarlcnes! 26027 Woodland Way S. indep1, The Peari. PO Box 180981 indep't, 1991 . Kent, WA 98031 untitled Austin , TX 78718.()981 Metal Cross Productions THE DWELLERS indep', The Present. Hallmansv. 26 L.S.U. (see Lifesavers) ..... California see Pollywog Single, Simply 5-554 48 JOnkoping, Sweden Shaded p.in indep't, 1987, The Coolers. 2nd ACII Compilation EMPTY TOMB ...... Oregon untitled Frontline, 1987. see also Godspeed indep't, The Coolers. This Is the IIHllng MORTAL WISH ...... California To Whome It lay Concern Wish 15 Volume One W.kin· Up the Dead indepl, 1988. indep't. Blonde Vinyl, 1992. indep't. 1988 Live like a dead men demo, Fear no Fear untitled Screaming Brit/ie Slnen PO Box 20714 indep', 1989 indep'l. The Jaded. tst ACII Compilltion Salem, OR 97307'()714 rio Jerome Fontamillas Early Recordings THE MAD HA TIERS BALL ...... 25285 Davidson Street RANDY DYER ...... THE LEAD ...... Florida untitled San Bernardino, CA 92408 Cre.ted lmege indep't. Return Fire NATIONS • UTENSILS ...... FOOLS. STRANGERS ...... N.D. indep', 1985. MAD AT THE WORLD ..... California A Passage Through Oblivion o Please send me __ copies of STAUTUOND-SOPER-STEP (10 song casseHe) Hardcore Be.tnlks, Demo untitled, EP untitled indep't, 1990. indep't, 1985, I FLUFFy ...... " .. " ...... Calilornia Frontline, 1987. at the incredible price of only $7.00 ($6.00 + $1.00 postage) Automoloch NEW DECEMBER ...... California Fluffy Loves You Flowers In the Rain indep', 1986, Furious Children put me on the POOR OLD LU newsleHer & concert info mailing list Blonde Vinyl, 1991. Frontline, 1988. )lPlease The Put Behind indep', 1986. new .Ibum scheduled Seasons of Lov. indep't, 1987. I NAME ______Blonde Vinyl , Summer 1992. FronUine, 1990. NO LAUGHING MA TIER ... Arizona Bum This Record Boomefllng n Bites K·lart Shoppers MIKE FUTCH (disbanded) Calilornia R.E.X ., 1989. Frontline, 1991. indep1. 1986. n's Our Job Not Silent So You're Sileptkel? Secrlflclum ADDRESS ______indep't, 1985, Nutly Faith. LEAKY GREEN ...... Washington indep', 1986, Ted WOfthless. I Achtung IIwIlr Kllrrfllctor FronUine, 1991 , Randy Rose. Live Bootleg Sklte Concert CITY STATE ZIf!__ _ indep1. 1986, Crazed Bunnyz. LEGION ...... Canada MERCY RULE ...... indep', 1987. The CIstItrIy Trllogy Evening o.nc. Overruled Volume 112 L indep', 1986-7. indep'l. 1988. R.E.x., 1989. , indep1. 1987. NO LAUGHING MATIER ...... (cont) OUTCRy •.....•...... Washington ROCKS IN PINK CEMENTCaliiornia 2000 D.C ...... •...... Spain Serpents .nd Bones M.n In the MI"or R.I.P. Cement Live Nothing Is Neutr.t indep't, t987. Ted Worthless. Indep'!. 1990. Indep't, 1991. Indep't, 1984. untitled new .Ibum .v.i/able Good Chlel Sohc.hto. UPSIDE ooWN ROOM .... Calilornla Indep'l, 1987, Active Fallh. indep'!. Winter 1991. Indep'l, 1992. demo, untrlled Brains lor rhe Stupid 544 Ellery Streel Indep't, 1988. PALE HORSE ...... Calilornla San Jose, CA 95127 Indep'!. 1990. D;scernment demo, 3 EP, unhtled SCATERD·FEW ...... Calilornla Indep't, 1988. indep1, 1992. Indep't, 1991. see also Spy Gla.s Blue A Time to Fear PO Box 81749 655 N. Brea Boulevard #84 Sin Di..... indep1, 1988, Ted Worthless. San Diego, CA 92138 Brea, CA 9262 1 Alarm a, 1990. Bleck! Out 01 the Attic, Clro. 1983-84 UNDERCOVER ...... California indep't, 1988, Death Denied. DAVE PERKINS ,...... see Chagall Gueyara indep't, t991. Single, Slaughter 01rh e Innocents Demo, untitled indep1, 1984 . indep't, 1989. The Innocence new .Ibum recorded What, 1987. 5654 Cahuenga Blvd. #523 3-28-87 Pieces 01 Other People 's Lives Broken , 1988. indep1, 1989, Ted Worthless. North Hollywood, CA 91 60t THE PERPETUAL NOW ...... ReI.tlv. Voice 01 Anger Int.rvlew in Issue 4 Framed Reality Broken , 1988, Ojo. indep't, 1989, Ted Worthless. indep't, Righteous Anger. SHATIERED IMAGE ...... British Undercover, Vol I compilation Csrved In Grey ",.lter Third Heav.n Columbia Broken. 1989. indep't, 1989, Scott Aoman. indep't, Aighteous Anger. While the City SIHps Undercover, Vol 2 compilation 1I0nslor indep't, 1991. Brolage CsII n WIll'- You W"" indep't, 1990, Bell Bang Villa. Brolirtne Flew IIlrror Crux 01 the AID'h new .Ibum acheduled Word, l990. indep't, 1990. Narrowpath, 1989. Feaness Donkey, Wint", 1992 I Scream SUnday c/o Probe Plus Psalms 150 Ministry Waterlront Word, 1991 . 8·12 Rainford Gardens Rt. 1 Box 612 4602 S. 292nd Live: Blow lhe Hou .. Down Liverpool, England Chesapeake, Ohio 45619 Auburn , WA 98001

TOM FRANZAK ...... Sh.dowboxlng Myrrh LA, 1985 . Walk that Talk

RENEE GARCIA ...... AD ...... " ..... " ...... Th.nkyou LANNY CORooLA ...... California Living In the Vertlo.l Oecade Box Set Word/MM, t986. Electric WarrIor I AcousIIc SoInt Aeunion, 1987. F.mlty Altair Frontline, 1991. A Dillerant World EDIN ADAHL ...... Sweden Myrrh, 1989. Reunion, 1988. Big Talk RIC CORI ...... Colorado new .Ibum acheduled Refuge, 1989. BARNGROVERlLlGHT .... California Sh.dow. InNrvlew In I•• ue 2 Into My Soul Living on the Outside indep't. Alarma, 1990. indep't, 1990. 5584 Colt DnYe GIANT ...... , Lu' of the Runaway. Revlv.i 2619 A England Longmont, CO 80501 Alarama, 1991. A&M , 1989. Huntington Beach, CA 92848 JOHN COX • THE BALANCET exas JON GIBSON ...... California DARLENE ADAIR ...... New Zealand BASH IN THE CODE ...... CIoMr Than • Brother ~ndlng the One untitled /lora then Enough indep't, t 990 . on Constellation , 1983. Someone Up There, 1987. Myrrh, 1989. PO Box 580622 On the Run Holiday The Colony, TX 75056 SI'!V!lt ADAIIr._.... 1'lIII\!IyIIIania Frontline, 1986. SHrch DANGERZONE ...... Australia MARGARET BECKER ..... _" .... "., Chenge 01 Heat! Reunion, t 989. KINNECTION ...... MARIA lIc:KEE ... " ...... NOVELLA ...... i ndep ' ~ 1989. untilled Newr tor NothIng Frontline, 1988. Bre .. NewHeart Tesllmony LOIIIl Juxtke 0l1li Big Sky HeatIwort Aefuge, 1985. Body & SOUl Geffen, 1991 . Tyscot, t990. Geffen, 1985, Lone Justice. StarSong, 1991 . indep't, 1990. Sparrow, 1987. Frontline, 1989. Shelter A Liquid &rtII RD 12 The Reclron/ng DISTANT FRIENDS ...... HEART'S DESIRE ...... Washington WES KING ...... Jetu.LovesY. Geffen, 1988, Lone Justice. StarSong, t992. Box 273 Sparrow, 1988. 6t34 N. Mertidian new .lbum rumoured Reunion. Frontline, 1990. untitled Elverson, PA 19520 Immigrant'. Daughter Suite 223 indep't, Spring 1992. ONE TO ONE ...... Wales Fore.., Friend. LAST ADAM ...... " ...... Geffen, 1989. Sparrow, 1989. Oklahoma City, OK 73112 Rup. Thru' the W"tet.nd. ADVENT ...... " ...... Washington KIRSTEN & HEATHERWashington Tool. lor thellarv.. t Simple House MICHAEL GLEASON ...... " .... " ...... " DEBBIE McCLENDON ...... indep't, 1990. SHrchlng lor the Heat! Sparrow, 1991 . DISTANT THUNDER ...... Canada s.tc'" Dldn'l Know Regency, 1990. Children of Choices AlDrning Llghl OPEN CITY ...... Ahode Island indep't, 1987. Steps 01 F.fth: 8Ht new .,bum acheduled Arcade, t990. Pakaderm, 1990. THE LAST DANCE ...... California Frontline, 1989. untltl.d The ""n 01 ""ny Talent, HOKUS PICK MANOUVER Canada indep't, 1989. BILEAMS ASHA ...... Sweden ooUBLE CHECK ...... " ...... England HELEN GRAHAM & SUE ORDE .... demo, Everyone Get. Grip indep't, 1989. d.mo indep't, 199 1. Frontline, t990. Single, Saab Turbo Shake n Down ~ndUp t 599 Cranston Street ADVENTURES IN THE LAND OF indep't, 1989. new album acheduled Canoo, 1983. indep't. indep't. MICHAEL McooNALD ...... Cranston, AI 02920 BIG BEATS AND HAPPY FEET Rockingdown House Hey""n indep't, 1992. CAROLINE BONNEn ...... " ...... T.ke n To He.rt OUT OF THE GREy ...... untitled (dance compilation) 16 High Street AMY GRANT ."...... indep't, t99t . PO Box 9685 untitled RepnselWB, 1990. untitled Myrrh, 1989. Weedon Unguarded new .,bum av.,lable Fountain Valley, CA 92708 Myrrh, l989. Myrrh, 1985. c/o Dave Stnlchuk Sparrow, t991 . AFTER THE FIRE (disbanded) U.K. Northants NN7 4PX MERCY RIVER ...... Califomia Stili Time The Colleclion 1728 Irene Place VAL LEBEAUX ...... La_Love Coyote IIoon OUTCRy ...... Washington Whal?lWord U.K., 1991. BRYAN DUNCAN ...... California Myrrh, l986. North Vancouver, Bntish Columbia untitled CBS, 1979. BAI ,1992. new .Ibum in progress Strong lledklllll Lead lie On Canada V7K 2X6 80F CHUCKII BOOKER ...... LEXI ...... Modern Art, 1989. Myrrh, 1988. RIKI MICHELLE ...... LEON PATILLO ...... CBS, l981. Chuckll CsII Her Laxl Heart In AlDtlon HOUSEPARTY ...... New Zealand Big, Big Town On the W.yUp BatterIH Not Included Atlantic, 1989. CHRIS EATON ...... LectionlPoIygram , 1990. Myrrh, 1991. single, Dange,ous Lov. Broken , 1989. Ocean , 1989. CBS, 1982. Vl,on CRYSTAL LEWIS ...... ANDY BROWN ... " ...... New Zealand indep't, 1991. ...... , DAVID PEASTON ...... ATF Word, l988. S.yond the Ch.rade DAVID GRANT ...... England PO Box 2806·551 , Meet Julie IIl1ler untltl.d CBS, 1982. Frontline , t987. Surge RICK ELIAS ...... untltl.d Torranee , CA 90503 Myrrh, t990. Geffen, 1989. ANGIE ALAN ...... Someone Up There, 1992. untilled Chrysalis, 1983. Let Lov.ln LAVINE HUDSON ...... He W.lks Though W.II. PHIL PERRY The Boltom LlIIII Frontline, 1990. Hopes .nd Dreams Frontline, 1990. new .,bum In progre .. KIM BOYCE ...... " ...... Inlerv.ntlon Frontline, 1991. Ten Stories Chrysalis, 1985. TIM MtNER ..... " ...... " ..... " ...... untitled Virgin, 1988. Frontline ,. Heaven Knows LIBSUITE ...... I Know You Think You Know DEBORAH PETERS ...... ALPHABET ."".. ".",...... England Myrrh, t 988. Freedom Capitol. LUKE HURLEy .. " .... ", New Zealand Water .nd Blood Sparrow, 1988. Time .nd Again ELLEN B ...... Sweden indep't,. 1987. see Gao" Mlnn You're Lying Stop Luk. Ll,ten Sparf<, 1990. A True Story Csn You Hear the Word Myrrh, l988. Prince 01 PNce Single, Keep /I Togethe, indep't, 1991 . Frontline, 1990. PIERCE PEnIS ...... indep't. Love I. You 10 lie Alarma, 1989. THE LIFTERS (disbanded) California Island, 1991. PO Box 280&551 While the Serpent.. . Myrrh, 1989. unlltled MR. MISTER ...... MICHAEL ANDERSON ...... LANCE ELLINGTON ...... Torrance, CA 90503 Windham Hill. ThI.,Know GLEN ALLEN GREEN ...... indep't, 1983 Welcome To The RHI World SOUnd Alarm nothing pra_1ty acheduled Tinsel Town Myrrh, l990. A LIving Fire IDEA ...... "."...... Australia Whet Love', All About RCA, l985. MM, l988. A&M. High Street Records. Home Sweet Home, 1985. StOllll Sharpens the BIede, EP indep't, 1985 GoOn untitled BRIGHTON ...... ".".. " ... "." California FAIR EXCHANGE ...... California Down This Avenue indep't, 1985. Wild Blue Yonder BMG, 1987. PIECES ...... Germany MM, l990. demo, Somebody to Love Demo, Will I Ever Be the Same Home Sweet Home, 1987. Now I. the Time, EP Frontline, 1986, Wild Blue Face 2 Face indep~ , 1990, David Brighton. GEOFF MOORE ...... ARCADE ...... "".. ." ...... " .. . indep't, 1987. Festival. Yonaer. Pila, 1985. Proml. 01 Lo .. Found.tlons untHled (dance compilation) untilled GROOVY TUESDAyS ...... Texas indep't, 1990. DEREK LIND ...... New Zealand Sparrow, 1989. MARK POGUE ...... Maranatha, 1989. indep~ , 1989. new .lbum In prograu IF TOMMOROW COMES . S. Africa 7111 Farralone 187 IIlxed Blesllng. Friends Like U Re.toratlon PO Box 21 13003 Skyline untilled STEVE ARRINGTON ...... Canoga Pari<, CA 91303 indep't, 1986. Buena Pari<, CA 90621 San Antonio, TX 78217 indep't, 1989. ANDY PRA TI ...... Holland Jam Packed Strange Logk JEREMY MORRIS ...... Michigan CATCH TWENTY·TWO ...... U.K. Fun In the Rrst World, EP ManhattenlCapnol, 1987. MARK FARNER "." .....,_ ...... HALO ...... ,", ..... " ...... " ..... ,.. " INSIDE OUT " ...... Washington indep't, 1988. Alive II Ths Cty /rom WIthin indep't, 1982. Just Another Injustice untitled untitled Slippery Ground indepl, 1989. ARRIVAL ...... Texas Plankton, t 988. Not Just tor Dancing Frontline, t987. Pal

JEFF SCHEETZ " .••.. " .••...•..• Kansas TOURNIQUET ...... California Walp Speed Stop the Bleeding Edge, 1988. Intense, 1990. Woodpecker Stomp Psycho Surgery Re·Flexx, 1990. Intense, 1991 . Dig/ TRYT AN ...... Illinois 11020 King Street 11350 Ce/estral Messenger Overland Pari<, KS 66210 R.E.X., 1987. Sylentlger SEKEl ...... RE.X., 1990. The Final Conl/iet indepl, 1989. VALOR •..••... " ...... California clo Rob Wynter Fight for Your Life 8 Chester Street White Stone, 1988. Natick, MA 01760 PO Box 271274 Concord, CA 94527 SERAIAH ...... Indiana NEON CROSS ...... •...... California REZ ...... " ...... llIinois VENGEANCE RtSfNG .,,'" California Carnival Wood untitled Awanlng Your Reply Human Sacrifice Pure Metal, 1990. Reg.ncy, 1988. Star Song, 1978. Intense, 1988. untitled Rainbow's End SCARY CATS .•...... •.....•..• Austratia OZMATHOQ ...... Sta~ , 1992. Star Song, 1979. Int.nse, 1990. Smackaboom, EP Dance of the Cobra Colours ...... SEASON OF FIRE ...... California ACCENT ...... Washington GALACnC COWBOYS ...... Death Is Stiff Dead PRECIOUS DEATH " .• " .. " California Light, 1980. Torment Intense,I991. Tested By Fire, EP untitled indep't, Summer 1992. Our Stlnkin' Demo IrIommy Don't Love Daddy untitled Released Upon the Earth ANGELICA ...... Canada indep·t. 1988. PO Box 1142 indepll992. Anymore Lament for the W... ry Intense, 1992. untilled GODHEAD ...... Ohio PO Box 1593 Portesville, CA 93258 PO Box 668 Light, 1981. Intense, 1989. demo, unUffed SHADOW WINGS ••...•...... Minnesota WHITE RAy ...... " ..... Kentucky Southgate, CA 90280 2nd ACM Compilation Lomija, CA 907t7·0668 D.M.l . Rock, Stock and Barrel indepl, 1992. How Long IHIW album scheduled light, 1982. SERVANT (disbanded) ...... Ohio Intense, 1991. PO Box 5113 MESSIAH PROPHET . Pennsylvania RAGE OF ANGELS ...... Connecticut 250t lancaster lane Box 157 Live Bootleg WHtTECROSS ...... lIIinois Light IlalHluvers Toledo, OH 43611 Rock the Flock untitled Plymouth, MN 55441 ARCHANGEL ...... Washington Spanow, 1983. untitled Word, I984. Morada, 1984. Regency, 1989. GODSPEED ...... Washington Pure Metal, 1987. Swimming fn a Human OcI!an ARMAGEDDON ...... ••. Virginia Hostage SHOUT .. "."."••• " .. " ...... ,.. California llasler of the /rIe1s1 RANSOM ...... •...... •...•••.•• ".".. ,,", ... Hammer & Nail Word, I985. The lr/olHlY llask demo, Sparrow, 1984. It Wont Ba Long Pure Metal, 1986. untitled Pure Metal, 1988. Talkingtown, 1989. indep't. BeIWHn Heaven 'n Hell Fronfline, 1988. MICHAEL W. SMITH ...... Triumphant Return GREG MINIER ...... RECON ...... California Spanow, t985. In Your Face The Big Picture BARREN CROSS ..•...... •• California GUARDIAN ...... Pure Metal, 1989. Minier Behind ElHlmy Lines Silence Screams Fronfline, 1989. Reunion, t986. Believe Fire & Love R.E.X .,199O. Intense, 1990. Grrr,I988. X·SINNER .. ""."."...... " ... . i2(Eye) Rock for the King HAVEN ...... Innocent Blood SILOAM ...... Canada MODEST AnRACnON •... Swed.n Get It Reunion, 1986. Atomie Arena Your Dying Day RED INK ...... Texas Grrr, 1989. Sweet Destiny untilled Peace Treaty Go West Young Ir/an Enigma, 1986. Age of DarklHlSS IHIW album rumoured Civil Rites Image 7, 1991 . Reunion, t990. Stat. of Controt indep1, 1992. 3523 EI James XALT .. " .• " ...... " ...... Ocean, 1991. STRYPER ...... " •• " .... ". California Enigma, 1989. HOLY SOLDIER ...... California Lundgatan 223 Spring, TX n388 Under the Ruins PAUL SMITH ...... 20 Years of Rez Yellow & Black Atlsck Hotter than Hell Live untitled S·566 33 HABO History Live & Learn REGIME ...... " ...... California Interview In Issue 4 Enigma, 1984. Hollywood, I991. Myrrh, 1990. Sweden Dayspring, t986. Last Train Straight Thru Your Heart Soldiers Under Command ZION ...... """.• ,, ...... South Dakota No Frills BELIEVER ...... •...... • Pennsylvania MORTIFICAnON ...... indep't, 1991. SACRAMENT ...... Pennsylvania Enigma, 1985. Thunder From the lr/ounlJJln Dayspring, 1987. Sanity Obscure IMMORTAL ...... New Yorl< untitled 610 Elysian Fields Drive Presumed Dead To Hell With the Devil Image, 1989. Back to Who t Am Extraction From IrIortafny Dead and Buried Scrolls of the Ir/egiffoth Oakland, CA 94605 indepll989. Enigma, 1986. new album scheduled Dayspring, t989. R.E.X., 1989. indep't, 1990. PO Box 305 SPARKS ...... •...... BLOODGOOD ..••...•...... Washington Bethpage, NY 11714 untitled /rIe1s1 Ir/lsslonarles Reunion, 1989. indep't, 1985. JET CIRCUS ...... Germany Back to Back A Saved llan Through Flood & Fire untitled Step on it Frontline, 1989. Broken, 1990. Reunion , t99O. Frontline, 1986. Wonderland , 1990. Phaselfl Detonation MICHAEL PEACE ...... " .. " ...... JUDSON SPENCE ...... KING'S X ...... Texas BAI, 1992. Frontline, 1987. Vlgnante of Hope untitfed Out of the Silent PlalHlt Rock In a Hard Plsce Reunion, t989, SONS OF THUNDER .... " ...... ".". Allantic, 1986. Megaforce/Atiantic, 1988. Loud 'N' Clear untitled Frontline, 1988. APOCALYPSE RAP ...... Gre/chen Goes /0 Nebraska KING'S CREW ...... West Virginia M.C. WHITE·E ...... Texas Reunion, 1990. GREG STRANGE ...... California Out of the DarklHlss Holiness or Hell TRANSFORMAnON CRUSADE .... Megaforce/Atlantic, 1989. Chllfln In the King's Castle BlgJa Threat to SOCiety 24 Hours to Live Intense, 1989. untitled Faith, Hope, Love CAUZIN' EFEKT ...... indep't, 1991. Narrowpath, 1991. Alive In America M.C. GE GEE ...... " •...••.. " .... ". Texas THE PLAIN WHITE RAPPER ...... "'akin' lt Happen Atlantic, 1990. Listen to His Voice PO Box 200255-106 Intense, 1990. I'm For Real HOPE STERUNG ...... • Canada untitled Ocean, 1991 . Austin, TX 78720 SAY WHAT ...... " ...... , 12th TRIBE ."".... ." ...... California Shakin ' the World Frontline, 1990. The Way Things Are Fresh Fish Knowledge Is the Tree of Life Intense, 1990. D-BOY RODRtGUEZ (went home) .. MtKE·E ...... Image 7, 1986. LEVITICUS ...... Sweden Now the Mission Continues StarSong, t99O. Frontline, 1991. All Slsnd Together I Shall Conquer! Plantin' a Seed Ir/ike E & the G-Rap Crew M.C. RG ...... Nuclear Flshln STREET CALLED STRAIGHT •.. Ca Broken Songs, 1991. Talking, 1984. Frontline, 1989. STEVEN WiLEy ...... untitled In Jesus Name P.I.D, ...... " ...... " ...... BLOODY CROSS ...... Germany The Strongest Power Lyrical Strength of Street Poet S.F.C...... California Rhythm and Poetry Fronlline, 1991. Frontline, 1990. Here WeAre clo Marl