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The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
God's Family Tree
FREE JANUARY 2012 Vol. 11 No. 1 ... if any would not work, neither should he eat. 2 Thessalonians 3:10 God’s Family Tree I Was in Prison and You Came to Me By Fred Comella Kathryn LaChance-Szarko understands The Story of Mama Ruth aving the strength of character to this. By Ralph Davis Photo: Ruth Wilson (left) and her sister Faye act beyond onesH misgivings, The LaChance uth Wilson is eighty-four-years-old. est neighbor was over a mile away and it frailties or even Family were no Since the summer of 1993, she has was a three mile excursion to the Catholic illness, in the hope strangers to per- beenR writing letters to prisoners incarcer- Church they attended. Being accustomed that one might forming. Born to ated in several prisons around to using an outhouse, heating with a bring a sense a musical family, the country. Incredibly, wood stove, and learning in a of purpose and David and Kath- she averages 150-200 one-room schoolhouse, we hope to the lives ryn were joined per month and corre- can imagine the culture of others is most by sister Susan sponds with over 400 shock the family expe- admirable to say and her husband inmates altogether! rienced when they the least. Using Gary DeGraide One day, of course, moved to Kearney, ones God given of New England the inevitable will New Jersey. talent to both radio fame as “The occur; Ruth will die inspire and soothe Family Tree”, and then what will Ruth said that it was the troubled souls singing the pop happen to those a lot of fun being a of those in need hits of the 1970’s who depend on her teenager in the 1940’s. -
LARRY NORMAN, JESUS ROCK, and an INTERVIEW with GREGORY ALAN THORNBURY Rupert Loydell Falmouth Univ
WEIRD RELIGIOUS BACKGROUNDS: LARRY NORMAN, JESUS ROCK, AND AN INTERVIEW WITH GREGORY ALAN THORNBURY Rupert Loydell Falmouth University Keywords: Christianity, Larry Norman, Jesus Rock, CCM, Religion 'Christian rock is a genre that exists to edify and make money off evangelical Christians. [...] A Christian band , on the other hand is just a band that has more than one Christian in it.' – John Jeremiah Sullivan (2012: 17-18) Although The Bloomsbury Handbook of Religion and Popular Music (Stewart and Abraham 2017) contains chapters such as Michael J. Gilmour's 'The Bible and Popular Music' (67-76) and Ibrahim Abraham and Francis Stewarts' 'Punk and Hardcore' (241- 250), there remains little informed academic consideration of the Christian music genre, especially punk and post-punk. John J. Thompson's Raised by Wolves (2000) and Mark Joseph's The Rock & Roll Rebellion (1999) offer insider histories, whilst Andrew Beaujon's Body Piercing Saved My Life (2006) is an hilarious, sceptical exploration of 'the phenomenon of Christian rock', focussed mostly on the early 2000s. Gilmour 's Call Me the Seeker: Listening to Religion in Popular Music (2005) is interested more in religious sources and themes; the nearest it gets to post-punk is Anna Kessler's consideration of Nick Cave (79-94) and J.R.C. Cousland's discussion of 'God, the Bad, and the Ugly' in the work of Nick Cave and Polly Harvey (129-157). Better, is Jay R Howard & John M. Streck's Apostle of Rock (1999), which takes a more sociological approach to what it calls 'The Splintered World of Contemporary Christian Music' and considers the tensions between ideas of ministry, entertainment, art and business for Christian musicians. -
ACM Journal: I Spoke with Gerald Fast of AC: Well
[. .. I ••.. Issue 6 J o u R N A L an International Alternative Ch ri stia n Music Journal ASHLEY CLEVELA D ACM Journal: I spoke with Gerald Fast of AC: Well ... the songs span ten years. The Spin 180, and he mentioned you'd written oldest song on the record is "Willie." And a few songs that Steve Camp has used. the second oldest, which is certainly very Russ Taff, Rick Elias ... a few others too. dear to me, is "Rebecca" - because I wrote that for my daughter shortly after she was AC: I wrote one song for Steve, actually I born. She's eight-and-a-half now. The wrote it for myself but Steve recorded it, most recent, "Up From the Ether," I wrote called "Threshing Floor." And Etta James during the recording process. They all just recorded one of my songs, which I'm come from a very specific chapter, and thoroughly delighted with. I worked on they're all importantto me. Acomrnent on one of her records and think very highly of where I was in my life and what I was her. Alot of people over-record for their experiencing and, hopefully, that I was album, though, so I don't know if it will growing from. make the record. All of the publishers that I have worked with since moving to ACM: So, they're snapshots of your life ... Nashville 61/2 years ago held back what would be considered the bulk of my AC: Very much so. I'm a newlywed, so "1 certainly there are artists out there that material, and did not pitch it to mainstream Could Learn to Love You" is foremost in have tremendous substance, but it seems artists. -
How Japanese Comic Books Influence Taiwanese Students A
UNIVERSITY OF CALIFORNIA Los Angeles Reading Comic Books Critically: How Japanese Comic Books Influence Taiwanese Students A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Education by Fang-Tzu Hsu 2015 © Copyright by Fang-Tzu Hsu 2015 ABSTRACT OF THE DISSERTATION Reading Comic Books Critically: How Japanese Comic Books Influence Taiwanese Students by Fang-Tzu Hsu Doctor of Philosophy in Education University of California, Los Angeles, 2015 Professor Carlos A. Torres, Chair Education knows no boundaries but hot button topics, like comic books, demonstrate school, teacher and parent limitations. Japanese comic books (manga) are a litmus test of pedagogical tolerance. Because they play an important role in the lives of most Taiwanese teenagers, I give them pride of place in this dissertation. To understand Japanese comic books and their influence, I use Paulo Freire’s critical pedagogy to combine perspectives from cultural studies, comparative education, and educational sociology. With the cooperation of the administration, faculty and students of a Taiwanese junior high school, I used surveys, a textual analysis of five student-selected titles and interviews with students and educators. I discovered that Japanese manga contain complex and sometimes contradictory ideologies of ethnicity, gender, class, and violence. From an ethnic perspective, although students may glean cultural content from manga heroes and their retinues, people of color and non-Japanese Asians are either caricatures or non-existent; although Taiwanese teenager readers seem unaware of this. From a gender standpoint, neither the female characters’ provocative representation nor the male characters’ slavering responses to it raise students’ and teachers’ concerns. -
Introduction to Sociology 2E
Introduction to Sociology 2e OpenStax College Rice University 6100 Main Street MS-375 Houston, Texas 77005 To learn more about OpenStax College, visit http://openstaxcollege.org. Individual print copies and bulk orders can be purchased through our website. © 2015 Rice University. Textbook content produced by OpenStax College is licensed under a Creative Commons Attribution 4.0 International License. Under this license, any user of this textbook or the textbook contents herein must provide proper attribution as follows: - If you redistribute this textbook in a digital format (including but not limited to EPUB, PDF, and HTML), then you must retain on every page the following attribution: “Download for free at https://cnx.org/content/col11762/latest/.” - If you redistribute this textbook in a print format, then you must include on every physical page the following attribution: “Download for free at https://cnx.org/content/col11762/latest/.” - If you redistribute part of this textbook, then you must retain in every digital format page view (including but not limited to EPUB, PDF, and HTML) and on every physical printed page the following attribution: “Download for free at https://cnx.org/content/col11762/latest/.” - If you use this textbook as a bibliographic reference, then you should cite it as follows: OpenStax College, Introduction to Sociology 2e. OpenStax College. 24 April 2015. <https://cnx.org/content/col11762/latest/>. For questions regarding this licensing, please contact [email protected]. Trademarks The OpenStax College name, OpenStax College logo, OpenStax College book covers, Connexions name, and Connexions logo are not subject to the license and may not be reproduced without the prior and express written consent of Rice University. -
Biblical Prophecy I Course Objectives Ii
BIBLICAL PROPHECY Preparing Today For Tomorrow © Harvestime International Network TABLE OF CONTENTS INTRODUCTION TO THE STUDY OF BIBLICAL PROPHECY I COURSE OBJECTIVES II INTRODUCTORY SECTION: THE PROPHETIC WORD OF GOD 1 The Source Of Prophecy 2 The Purposes Of Prophecy 3 Importance Of Studying Prophecy 4 How To Understand Prophecy 4 Old Testament Prophecy 8 New Testament Prophecy 9 The Prophetic Theme 9 Self-Test On Introductory Section 11 INTRODUCTION TO THE REVELATION 12 Symbols In The Book Of Revelation 13 Rules For Interpreting Revelation 14 Reading Through Revelation 15 Outline Of The Revelation 16 Self-Test On Introduction To The Revelation 19 SECTION ONE: AN OPEN REVELATION 20 1 The Spirit Of Prophecy 22 2 The Importance Of The Book Of Revelation 24 3 You Hold The Keys 26 4 The Revelation Of Jesus Christ 28 5 A Seven-Fold Blessing 30 6 A Victorious Church 32 7 The Revelation Of Christ 33 8 Jesus Is Coming 34 9 The Alpha And Omega 36 Self-Test On Section One 40 SECTION TWO: A MESSAGE TO THE SEVEN CHURCHES 41 10 Applying The Messages To The Churches 42 11 The Seven Churches Of Asia 44 12 Ephesus: The Danger Of Diminishing Love 46 13 Smyrna: The Danger Of Fearing Suffering 50 14 Pergamos: The Danger Of Doctrinal Compromise 52 15 Thyatira: The Danger Of Moral Compromise 55 16 Sardis: The Danger Of Spiritual Death 57 17 Philadelphia: The Danger Of Failing To Advance 59 18 Laodicea: The Danger Of Lukewarmness 61 19 The Final Call 63 Self-Test On Section Two 64 SECTION THREE: THE RAPTURE 65 20 What Is The Rapture? 67 21 What You Believe -
Pure Rock Report, Dan KEVIN ALLISON Independent Bands in the U
" a Letter fr m the Editor • • • updated. However, with the rapidly growing list of artists and limited space in the pUblication (and we can't get the type any smaller!) the listings February, may be limited to only recent and upcoming releases in future issues. And to ensure that you receive your paper in a timely manner, advertising will be Dear friend, to those who can plan ahead and meet ....<llUl<:"., so it will probably play a lesser role in Since our first issue 19 months ago, we have future. EDITORS continually reviewed our direction and restated our appreciate many letters we have TOM D. SlEPHENSON dedication to delight our subscribers. Our First r~ce1'~!I..I~nc:oulra,g1J1Lg We are always open to ANNE SlEPHENSON Anniversary CD was the highlight of 1990, and we would like to address will offer a second compilation cd to accompany our miniatry, please October issue. We expect to feature a greater written article for ASSOCIATE EDITOR variety of alternative artists (numerically, musically you who shared our LIONEL VARGAS and geographically) and we look forward to your extra with renewed SUbscription. this publication will We will devote a greater portion of. each issue we appreciate your CONTRIBUTING EDITORS to artist interviews, articles, and special features CHARLES GAlES like the dance listing in this issue. Our emphasis WIM BOLUYf will continue to be on providing objective and practical information that y~u can immediately use ' CS:~:rvice, FILM ARTS EDITOR as a blueprint for alternative ministries in your area. Our product listings will continue to be Editor - ACM Journal WES MAGRUDER THEATRE ARTS EDITOR PETER SENKBEIL COLUMNIST accepted a position with Frontline DAN KOENIG Music. -
Spamm Magazine in New PHILADBLPHIA, LANCASTER,
;;, '" FEATUREARTlCliES w~iJ -~ TO~~4j)IAOR BALI coNFalWNCE ;Q){)RNOrCO . .. .IJ,uf much more ----------------------------------------------------------------------- Page 2 SUBSCRIBE TODA V PURPOSE We are confident that ACM Journal will serve as ACM Journal is meant to provide an overview of an important tool for you. Whether programming activity in Alternative Christian Music , connect for an alternative show, writing plays, recording, individuals working in different areas of Ministry, performing, or just trying to keep up-to-date - and convey practical and objective information on we can be an important resource. a variety of issues and topics. We are, of course, very interested in meeting To accomplish this, different ministry areas are vour needs. We have answered every letter highlighted in each issue. The developing area of ~king for any type of information so far , and college progressive and dance-oriented music are have put several people with common interests in regular sections, including domestic, international touch with each other. If you would like to see and independent artists. Christian art, t heatre, certain topics covered , favorite artist s dance and many other ministries deserve special interviewed, or anything else for that matter, attention and will be featured often. Our hope is please drop us a line! We hope to provide all the that you find this publication a useful resource information you require, improve continuously, for your ministry in your community . We look and always remain accessible to our readers forward to your participation through suggestions, PO Box 1273 I. individually. ideas and information. Please share this with We can't do this alone. -
Newspaper $D.Bu — — 6
ApriL Newspaper $d.bU — — 6 Geffen Recordspromotion executive Marko THE DIVINE ONE JANE SAYS.. .GET Babineau has moved over to be general manager for the DIES Sarah Vaughan, one LOST: The former manager DGC label. In turn, Babineau an- of the greatest jazz singers of all of Jane's Addiction, Gary Kur- his promotional time, died of lung cancer last first, is suing the band. He nounced DGC team: Leavitt as Tuesday at the age of 66. "The claims that they fired him in Steve CHR Divine One," as she was aptly violation of a three-year con- promotion director, Hugh Surratt nicknamed, began her career in tract that does not expire until as AOR promotion director, and 1942, after winning an amateur August, 1991. Kurfirst alleges Mark Kates as alternative promo- contest at New York's Apollo at the time of the filing date tion director. DGC has also an- Theatre. For nearly 50 years, (January 25), lead singer Perry nounced thirteen regional her remarkable instrument Farrell was enrolled in a Bever- promotion managers: Mark which, amazingly, seemed to ly Hills drug rehab center, and Burger / Dallas, Lorren Cor- improve with age—has been lead guitarist Dave Navaro was nelius / St. Louis, Jim Gallis / heard on thousands of record- in a methadone program. He Midwest, Ed Green /Philadel- ings and in thousands of con- feels that the band members' phia, Angela Jones / Nashville, cert halls and jazz clubs. With alleged drug problems resulted Alek Maye/Cleveland, Sue O’- Billie Holiday and Ella in clouded judgement, result- Connell/New England, Zak Phil- Fitzgerald, she represented one ing in his dismissal. -
ACM JOURNAL Another Frequent Question Concerns Our Product Listing That We'll Never Be All Things to All People
-~.---- ------------------------------------------------------------------------------------~ ISSUE 7 J o u R N A L an International Alternative Christian Music Journal r A special thanks to Lionel Vargas. Wim Boluyt. With each issue of this publication, we have tried to have tried to present enough information for our readers to John Thompson. Bill Power. Kevin Allison. incorporate suggestions from our readers. Many have said find the titles listed. Obviously they won't all be on the shelf Charles Gates. Anne Stephenson. Sincerely they enjoy our interviews, while other·have pointed out we at your local religious gift shop or record outlet. Therefor, Paul. Code of Ethics. Dig Hay Zoose. Greg Griffin. our advertisers and our subscribers. could be interviewing artists who are less known and more we've given you addresses for mail order stores, catalogues, alternative. So in this issue we've given you three interviews, and even many of the artists themselves. We've also listed two of which are unknown to many. addresses for other publications. We are the first to admit ACM JOURNAL Another frequent question concerns our product listing that we'll never be all things to all people. We've added two section. We began ACM Journal because there were no new musical categories - Rap and Alternative Dance. There Post Office Box 1273 publications that gave an overview of the international are also many new and upcoming projects listed. Sumner. WA 98390 alternative Christian music scene. Album reviews can be And finally, many of our readers are involved in music or (206) 863·0632 helpful to some, butthey are often filled with personal bias and have artistic friends. -
17 € Underground Power Records 2020
You can find the Underground Power Records LIST 2 – 2020 for download or print as .pdf on the starting site: www.underground-power.de Next days we will have the copies of the mighty SNAKEPIT Book 1 -5 incl. Jag Panzer 7” (You will find them below under MAGAZINES) and also of the LEGEND 12” – Before the Fjords With all the Corona Shit and the new fantastic Underground Power Records Release “SIREN” we are nearly 24/7 on the working desk, so please be patient – we will need a few days to answer ! Brandnew Underground Power Records Vinyl releases ! ANGEL SWORD - Neon City (NEW*LIM.250 BLACK V.*HEAVY LOAD*ACCEPT) - 17 € Underground Power Records 2020 - Brandnew Vinyl Edition of this Classic Heavy Metal Masterpiece from Finnland ! Limited Edition of 250 copies in Black Vinyl + Insert ! Brandnew 2nd Album with the finest in Heavy Metal / Hard Rock from FINLAND ! Razorsharp Riffs, twin guitars, powerful, remarkable and melodic voice and fantastic songs with great hooks! Triumphant, anthemic expert songcraft with catchy as sin Riffs and infectious melodies, Lyrics to help exist in the cold, Neon City For Fans of Heavy Load, Accept, Thin Lizzy, Manilla Road, Motörhead or Freeways ANGEL SWORD - Neon City (NEW*LIM.100 GREEN V.*HEAVY LOAD*ACCEPT) - 20 € Underground Power Records 2020 - Brandnew Vinyl Edition of this Classic Heavy Metal Masterpiece from Finnland ! Limited Edition of 100 copies in Smoke Green Vinyl + Insert ! Brandnew 2nd Album with the finest in Heavy Metal / Hard Rock from FINLAND ! Razorsharp Riffs, twin guitars, powerful, remarkable