General Programme

Total Page:16

File Type:pdf, Size:1020Kb

General Programme General Programme 1 Islamic Arts Festival 22nd Edition Publisher: Department of Culture 2019 © All Rights Reserved First Edition 2019 Telephone: 0097165123333 Fax: 0097165123352 P.O. Box: 5119 - Sharjah The official programme of the Islamic Arts Festival, 2019 From 11-12-2019 till 21-01-2020 Throughout the period of the Festival, several workshops will be held by artists from different countries. A special invitation were sent for them for this purpose. 2 3 001 Press Conference Department of Culture Monday 09-12-2019 10:00 a.m. Organized by: Department of Culture 002 Festival Official Opening Sharjah Art Museum Wednesday 11-12-2019 10:00 a.m. Organized by: Department of Culture 003 “Soliloquies” Exhibition by Ahmed Askalany - Egypt Sharjah Art Museum Wednesday 11-12-2019 10:00 a.m. Organized bys: Department of Culture 4 004 “The Prospect range” Exhibition by Ahmed Omar - Egypt Sharjah Art Museum Wednesday 11-12-2019 10:00 a.m. Organized by: Department of Culture 005 “The Moon on the Celestial Equator” Exhibition by Anna Kurkova - Belarus Sharjah Art Museum Wednesday 11-12-2019 10:00 a.m. Organized by: Department of Culture 006 Infinity: Terforation Exhibition by Angela Glajcar - Germany Sharjah Art Museum Wednesday 11-12-2019 10:00 a.m. Organized by: Department of Culture 5 007 “INFINITUM” Exhibition by Antonio Pio Saracino - Italy - U.S.A. Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 008 “Quintessence does not Wait” Exhibition by Eric Standley - U.S.A. Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 009 “Making Breaking”Exhibition by Jan Albers - Germany ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 6 010 “Arc ZERO” Exhibition by James Tapscott - Australia ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 011 “In Search Of Beauty” Exhibition by Jaynie Crimmins - U.S.A. ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 012 “The Heritage” Exhibition by Jose Carlos Villarejo Garcia - Spain ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 7 013 “Metaphorical Path” Exhibition by Dante Dentoni - Argentina - U.S.A. Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 014 “Naba’a” Exhibition by Donia AlShetairy - Yemen Sharjah Art Museum Wednesday 11-12-2019 10:00 a.m. Organized by: Department of Culture 015 Rei (a sphere pronounces beautiful and unearthly sounds) Exhibition by Ray Kunimoto - U.S.A. ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 8 016 “The work of once upon a time” Exhibition by Ramazan Can - Turkey ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 017 “GOOGLE IT” Exhibition by Sameh Al Tawil - Egypt ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 018 “Far Side” Exhibition by Sahand Hesamiyan - Iran ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 9 019 “Aleem” Exhibition by Abdelrahman ElShahed - Egypt Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 020 “Patterns” Exhibition by Azza Al Qubaisi - U.A.E. ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 021 “Glimmer” Exhibition by Firas Bardan - U.A.E. Sharjah Art Museum Wednesday 11-12-2019 10:00 a.m. Organized by: Department of Culture 10 022 “This is a pencil drawing” Exhibition by Francisco Miranda (TOOCO) - Argentina ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 023 “Crate #5” Exhibition by Farid Rasulov - Azerbaijan ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 024 “4i019, 2019” Exhibition by Magdalena Fernandez - Venezuela ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 11 025 “WE ARE” Exhibition by Mareo Rodriguez - Diana Rodriguez & Ramiro Quartz - Colombia Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 026 “JOURNEYS FROM AN ABSENT PRESENT TO A LOST PAST” Exhibition by Mohamad Hafez -Syria - U.S.A. Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 027 “Outside the square - Inside the circle” Exhibition by Mohammed AlFaraj - K.S.A. ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 12 028 “The Art of Du’aa” Exhibition by Moaza Matar - U.A.E. Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 029 “NEXUS” Exhibition by Mia Pearlman - U.S.A. Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 030 “Half Moon Streamers” Exhibition by Myriam Dion - Canada Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 13 031 “Infinite Ocean and Sky” Exhibition by Nancy Baker - U.S.A. Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 032 “I am she, who I was or will be” Exhibition by Hind bin Demaithan - U.A.E. Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 033 “Study in Pattern” Exhibition by Wade Kavanaugh and Stephen B. Nguyen - U.S.A. ‏Sharjah Art Museum Wednesday 11-12-2019 10:00‏ a.m. Organized by: Department of Culture 14 034 Workshop: Aesthetics of Diwani Script by Rashid Khan - India Deanship of Student Affairs - Men (M21) University of Sharjah Wednesday 11-12-2019 12:00 p.m. Organized by: Deanship of Student Affairs - Men University of Sharjah 035 “Horizon to Horizon” Exhibition by Sinta Tantra - Indonesia - UK Al Majaz Waterfront Wednesday 11-12-2019 06:00 p.m. Organized by: Department of Culture 036 “Pray / Play” Exhibition by Kaz x Kaito - Japan Al Majaz Waterfront Wednesday 11-12-2019 6:00 p.m. Organized by: Department of Culture 15 037 Opening of Arabic Calligraphy Exhibition Emirates Fine Arts Society Wednesday 11-12-2019 06:00 p.m. Organized by: Emirates Fine Arts Society 038 “Evolving Building” Exhibition by Ahmed Karaly - Egypt Al Majaz Amphitheatre Wednesday 11-12-2019 07:00 p.m. Organized by: Department of Culture 039 “The spirit of the city” Exhibition by Ahmed Karaly - Egypt Maraya Art Centre - Al Qasba Thursday 12-12-2019 10:00 a.m. Organized by: Department of Culture 16 040 “Geometric Garden” Exhibition by Danila Shozy - Russia Al Qasba Thursday 12-12-2019 10:00 a.m. Organized by: Department of Culture 041 “Bloom” Exhibition by Li Hongbo - China Maraya Art Centre - Al Qasba Thursday 12-12-2019 10:00 a.m. Organized by: Department of Culture 042 “Mural II” by Magdy Elkafrawy & Mohamed Abdel aziz - Egypt Al Qasba Thursday 12-12-2019 10:00 a.m. Organized by: Department of Culture 17 043 Safari trip Mleiha desert Thursday 12-12-2019 Organized by: Sharjah Tourism Development Authority - Department of Culture 044 Workshop: Secrets of Mobile photography Radisson Blu Hotel Friday 13-12-2019 5:30 p.m. Organized by: Emirates Photography Society 045 Art Talk Radisson Blu Hotel, Sharjah Saturday 14-12-2019 10:00 a.m. - 01:00 p.m. First session 05:00 p.m. - 07:00 p.m. Second session Organized by: Department of Culture 18 046 Workshop: Secrets of Mobile photography Radisson Blu Hotel Saturday 14-12-2019 5:30 p.m. Organized by: Emirates Photography Society 047 “Books Beyond The Format” Exhibition by Islam Aly - Egypt Deanship of Student Affairs - Women, University of Sharjah Sunday 15-12-2019 10:00 a.m. Organized by: Department of Culture 048 “Intermesso” Exhibition by PapirLab by TOVE SVARTKJOENNLI - Norway Deanship of Student Affairs - Women, University of Sharjah Sunday 15-12-2019 10:00 a.m. Organized by: Department of Culture 19 049 “Unified Theory” Exhibition by Mary Wagner - U.S.A. Deanship of Student Affairs - Women, University of Sharjah Sunday 15-12-2019 10:00 a.m. Organized by: Department of Culture 050 Workshop: Thuluth script by Bader Alagmi - Sultanate of Oman Sharjah Calligraphy Museum Sunday 15-12-2019 10:00 a.m. Organized by: Department of Culture 051 Workshop: Digital Processing of Islamic Arts by Muheeb Al Abed - Syria Deanship of Student Affairs - Men (M21) University of Sharjah Sunday 15-12-2019 12:00 p.m. Organized by: Deanship of Student Affairs - Men University of Sharjah 20 052 “Beyond the Time” Exhibition by Şeyma Okur - Turkey Sharjah Centre for the Art of Arabic Calligraphy & Ornamentation Sunday 15-12-2019 06:00 p.m. Organized by: Department of Culture 053 “The Role of Imagination in The Islamic Arts” Exhibition by Mohsen Aghamiri & Zeynab Shahi - Iran Sharjah Centre for the Art of Arabic Calligraphy & Ornamentation Sunday 15-12-2019 06:00 p.m. Organized by: Department of Culture 054 “Turkish Traditional Ceramics and Tiles, 16th Century” by Mehmet Gürsoy - Turkey Sharjah Centre for the Art of Arabic Calligraphy & Ornamentation Sunday 15-12-2019 06:00 p.m. Organized by: Department of Culture 21 055 “Aesthetics of Arabic letter between past and present” Exhibition - Turkey Calligraphers’ Studios Sunday 15-12-2019 06:00 p.m. ‏Organized by: Department of Culture 056 “Kairouaniat” Exhibition by Amor Jomni & Ameur Ben Jeddou - Tunisia Calligraphers’ Studios Sunday 15-12-2019 06:00 p.m.
Recommended publications
  • Essential Tableware Fashion
    ESSENTIAL TABLEWARE FASHION SILSAL.COM ABOUT US Silsal Design House produces a variety of creative tableware and accessories for the home, including dinnerware, serveware, drink-ware and gift items. It’s a place where art and function collide, and where quality and accessibility go hand in hand. The Silsal ethos is rooted in the belief that art should be everywhere; decorating tabletops and homes. It’s the idea that beauty can infuse everyday life and everyday objects. Silsal inspires and excites with collections that draw upon the Middle East’s rich artistic heritage, bringing the charm of a bygone era into the modern home. Simple functionality, extraordinary quality, and artistic expression are the foundations of their philosophy. What sets Silsal apart from its contemporaries is the firm belief that beautiful design shouldn’t be aspirational, but attainable. Silsal works tirelessly to ensure prices are affordable, while remaining rigorously faithful to quality and craftsmanship. Silsal collections reflect a love of the Middle East, drawing inspiration from the DUBAI DESIGN DISTRICT people, places and cultures of the region. Contrast is fundamental throughout BUILDING 6, OFFICE A 207 the collections, both in terms of materials and colours. Historical calligraphy is P.O.BOX 125961, DUBAI, UAE TEL: +971 4 364 3822 offset against modern acrylics, while vibrant pops of colour offset traditional MOB: +971 56 828 5283 white porcelain. What remains consistent is Silsal’s signature aesthetic: shapes EMAIL: [email protected] SILSAL.COM are effortless, forms are free, and each piece is unmistakably unique. 1 ^ GHIDA SHOP NOW The novelty of Ghida lies in the power of Arabic calligraphy as an artistic and communicative tool.
    [Show full text]
  • A New Manuscript of Abü Bakr Al-I;Ia~~Iir'skitab Al-Bayan
    A New Manuscript of Abü Bakr al-I;Ia~~iir'sKitab al-bayan Paul Kunitzsch The library oC the University oC Pennsylvania, Philadelphia, PA, has puhlished in internet a provisional catalogue of about 400 manuscripts oC scientific ¡nterest in Latin, Arabic and other languages from the private collection of Lawrence J. Schoenberg, Longboat Key, Florida. In 2001 1 had the opportunity to inspect a number oC astronomical 1 and mathematical manuscripts of the collection in Philadelphia - where a selected nurober oC Ibero had beeo transferred for aD exhibition - and in Mr. Schoenberg's residence. Here 1give a short description ofMS LJS 293 which caught my special attention, because in the internet catalogue its author, Abii Baler, was declared to be the so far unidentified Alabuchri, autbor oC a geometrical 2 treatise known only in a Latin translation by Gerard of Cremona • The contents oC the Arabic manuscript, however, proves to be purely arithmetical and is, therefore, different from the Latin treatise (see beIOW)3. 1 MS US 268 is 3n Arabic manuscript of Ihe Almagest, copied in 1381 AO in Saragossa. See the descriplion by P. Kunilzsch, "A Hilher10 Unknown Arabic Manuscripl of the Almagesl ", in Zeitschrift fiir GescMcllte der Arabisch·lslamischen Wissenschaften, 14 (2001),31-37. 2 Liber mellsuratiollum Ababucllri. Cf. F. Sezgin, Geschichte des arabischen SchrifitlUlIS V, Leiden 1974, 389·391; R. Lem3Y, ar1icle "Gerard of 6cmona", in DictiOllary oiScienlific Biography XV [Suppl. 1], New York 1978, 173fT., esp. p. 188 (no. 82). The Ireatise has been edite<! by H.L.L. Busard, "Le 'Liber mensurationum' d'Abl1 Bekr", in Journal des Savants, 1968, 65-124.
    [Show full text]
  • Naser Hassan AI-Rifaei
    The Principle of Movement in Moroccan Design; as a source of inspiration for contemporary artistic applications Practice-based research in Art and Design Naser Hassan AI-Rifaei A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy March 2009 University of Brighton Abstract This project focuses on utilizing the principle of movement contained in traditional Moroccan design (PMMD) for the production of new and inventive artworks. The PMMD is one of the main concepts that rules the creation and construction of design elements; it consists of a group of advanced technical procedures applied to achieve the highest levels of unity, harmony, variation and rhythm between lines and shapes. Great consideration in the PMMD is given to the viewer's perception, as all parts are formed to be equally interesting and to work harmoniously together suggesting ways for the viewer's eye to interact with and move in and throughout the composition. The purpose of this research is to examine viable methods for stimulating new ideas by taking the aesthetic and technical significances of the PMMD as a source of creative inspiration. The work involved analyzing the relationship between form, method and perception in traditional compositions by exploring the role of PMMD in 1) the process of creating and shaping design elements separately, 2) methods of relating the lines and shapes of different design components. Data on PMMD was collected from recent literature on Islamic art and Moroccan design, from interviews with master-craftsmen, and from my personal analyses and observations.
    [Show full text]
  • Civilisations from East to West
    Civilisations from East to West Kinga Dévényi (ed.) Civilisations from East to West Corvinus University of Budapest Department of International Relations Budapest, 2020 Editor: Kinga Dévényi Tartalomjegyzék Szerkesztette: Authors: LászlóDévényi Csicsmann Kinga (Introduction) Kinga Dévényi (Islam) Szerzők: Csicsmann László (Bevezető) Előszó �������������������������������������������������������������������������������������������������������������� 13 Mária DévényiIldikó Farkas Kinga (Japan) (Iszlám) (Japán) BernadettFarkas Lehoczki Mária (Latin Ildikó America) Lehoczki Bernadett (Latin-Amerika) Tamás Matura (China) Matura Tamás (Kína) 1. Bevezetés a regionális–civilizációs tanulmányokba: Az új világrend és a ZsuzsannaRenner Renner Zsuzsanna (India) (India) paradigmák összecsapása – Csicsmann László������������������������������������������� 15 Sz. Bíró Zoltán (Oroszország) Zoltán Sz. Bíró (Russia) 1.1. Bevezetés .............................................................................................. 15 Szombathy Zoltán (Afrika) 1.2. Az új világrend és a globalizáció jellegzetességei ................................ 16 ZoltánZsinka Szombathy László (Africa) (Nyugat-Európa, Észak-Amerika) 1.3. Az új világrend vetélkedő paradigmái ....................................................... 23 LászlóZsom Zsinka Dóra (Western (Judaizmus) Europe, North America) 1.4. Civilizáció és kultúra fogalma(k) és értelmezése(k) .................................. 27 ....................................................... 31 Dóra Zsom (Judaism) 1.5.
    [Show full text]
  • TS H15.46: Muwashshah by Judah Ha-Levi
    T-S H15.46: Muwashshah by Judah ha-Levi; poem of condolence to Moses b. Ezra on the death of his brother Judah. Bibliography: Benabu/Yahalom, Romance Philology XL, p 146, 154 m Benabu/Yahalom, Tarbiz LIV, p 256 m Brody, _Shirey ha-Hol MIE_ I, p 271-2, 276-7 Y Brody, _Shirey ha-Hol MIE_ II, p xxii M David Y, _Ibn Ghiyyat_, p 505 (index) Gutwirth/Reif, _Ten Centuries_, p 19 m Schirmann, SRIHP II, p 187-189 Y Schirmann, Te`uda I, p 122 M Pl. Stern, Al-Andalus XIII, p 315 Y Stern, _Chansons Mozarabes_, p 5-6 Y T-S H15.91: Muwashshah by Judah ha-Levi; panegyric Bibliography: Gutwirth/Reif, _Ten Centuries_, p 19 m Schirmann, Te`uda I, p 100 M Stern, Al-Andalus XIII, p 316-17 Y Stern, _Chansons Mozarabes_, p 6-7 Y Stern, _HAS Poetry_, p 137 M T-S H15.127: Muwashshah by Judah ha-Levi; panegyric in honour of Abu Hassan b. Qamniel, courtier and physician at the court of Almoravid princes. Bibliography: Gutwirth/Reif, _Ten Centuries_, p 19 m Stern, Al-Andalus XIII, p 317-18 Y Stern, _Chansons Mozarabes_, p 8 Y T-S J1.4 List of allocations of alms. Jews from Spain are mentioned. T-S J1.29: Trousseau list (translated Goitein IV, pp. 322–325) The richest trousseau reported in the Geniza contained three lamps, one for candles and "two complete Andalusian lamps" (col. 3, line 27), but all three are lumped with other copper utensils. Even where a lamp is described as "artistically ornamented" (manāra muqaddara) its price is included in the total of the copper.
    [Show full text]
  • Islamic Arts Festival General Programme 22Nd Edition (Prospect)
    برنامج فعاليات مهرجان الفنون اﻻسﻻمية الدورة الثانية والعشرون )مدى( Islamic Arts Festival General Programme 22nd Edition (Prospect) اليوم والتاري اﻻثنني Date: Monday 09/12/2019 2019/ 12/09 .1 النشاط املؤمتر الصحفي Activity: Press Conference املاكن دائرة الثقافة Venue: Department of Culture الوقت اجلهة املنظمة 10:00 صباحا دائرة الثقافة .Time: 10:00 a.m Organized by: Department of Culture اليوم والتاري ا ألربعاء Date: Wednesday 11/12/2019 2019/12/11 .2 النشاط الافتتاح الرمسي للمهرجان Activity: Festival Official Opening املاكن متحف الشارقة للفنون Venue: Sharjah Art Museum الوقت - اجلهة املنظم 10:00 صباحا - دائرة الثقافة .Time: 10:00 a.m Organized by: Department of Culture اليوم والتاري ا ألربعاء Date: Wednesday 11/12/2019 2019/12/11 .3 النشاط معرض مناجاة للفنان أمحد عسقﻻين – مرص – Activity: “Soliloquies” exhibition by Ahmed Askalany املاكن متحف الشارقة للفنون Egypt الوقت 10:00 صباح ا Venue: Sharjah Art Museum Time: 10:00 a.m. اجلهة املنظمة دائرة الثقافة Organized by: Department of Culture اليوم والتاري ا ألربعاء Date: Wednesday 11/12/2019 2019/12/11 .4 النشاط معرض مدى الرؤية للفنان أمحد معر – مرص – Activity: “The Prospect range” exhibition by Ahmed Omar املاكن متحف الشارقة للفنون Egypt الوقت 10:00 صباح ا Venue: Sharjah Art Museum Time: 10:00 a.m. اجلهة املنظمة دائرة الثقافة Organized by: Department of Culture 1 | P a g e اليوم والتاري ا ألربعاء Date: Wednesday 11/12/2019 2019/12/11 .5 النشاط معرض القمر عىل خط الاس تواء الساموي للفنانة أان كوركوفا – مجهورية Activity: “The Moon on the Celestial Equator” exhibition by املاكن بيﻻروس Venue: Anna Kurkova – Belarus الوقت متحف الشارقة للفنون Time: Sharjah Art Museum Organized by: 10:00 a.m.
    [Show full text]
  • An Inventory of Ottoman Sultans' Farmans and Correspondences of Algeria’S Pashas in the Ottoman Period (Sea and Trade 1516-1830)
    An inventory of Ottoman Sultans' Farmans and correspondences of Algeria’s Pashas in the Ottoman period (Sea and Trade 1516-1830) Dr. Leila Kheirani Associate Professor (Doçent) University of Algiers 2 The Algerian National Library keeps an abundant number of documents that belong to the Ottoman period. However, a lot of these documents were lost and stolen in the Colonial period. The remained documents are considered as a real cabinet to preserve the Algerian society heritage and memory. They include: Treaties, Internal Correspondences between local administrators and External Correspondences such as mutual letters between “The Sublime Door” and the intermediates of Algeria in the Ottoman and European regencies as well as kings of Europe and their ministers. In this paper we will define 32 documents we found in the series number 3190 in the archives of the National Library most of which are correspondences sent to Pasha of Algeria from “The Sublime Door” and their Intermediates. These documents dated between (1748- 1830) and most of them belong to the period of Dey Hussein Pasha who was the last Dey in Algeria in that period. All these documents were translated into Arabic, and were composed by Ottoman people who used to work in the Ottoman government in Algeria. The documents were written in Maghrebi script mixed with Ottoman Language, some of them were translated into French. Hence, we noticed in these documents the relationship between “The Sublime Door” as the Centre of the State and Algeria as a Regency of the Ottoman State in the Maritime and Trade sides. Moreover, there were many Sultans’ Farmans.
    [Show full text]
  • Arabic Calligraphy | Civilisation of the Word
    Arabic Calligraphy | Civilisation of the Word ‘Calligraphy appears on nearly every kind of media one can think of.’ Because the power of the word is respected in Islamic culture, whether verbal or transcribed, recitation and writing have been given a lot of attention both in Arabic-speaking and non-Arabic-speaking Islamic societies. This has encouraged an appreciation of calligraphy – meaning literally ‘beautiful writing’ – and in turn promoted the application of the art onto a variety of media, both for religious and secular use. Calligraphy appears on architecture, books, coinage and metal wares, official documents and tiraz textiles, ceramics, wood, ivory, stone and glass, and nearly every other kind of media one can think of. Name: Coin (dinar) Dynasty: Hegira 537 / AD 1142 Almoravid Details: National Museum of Antiquities and Islamic Arts Algiers, Algeria Justification: This Almoravid (454–541 / 1062–1147) dinar has kufic inscriptions, citing quotes from the Qur'an on one side, and giving the date, place and patron of the mint on the reverse. Name: Coin (dinar) Dynasty: Hegira 537 / AD 1142 Almoravid Details: National Museum of Antiquities and Islamic Arts Algiers, Algeria Justification: Almoravid dinar, reverse. Name: Measuring instrument (mudd) Dynasty: Between Hegira 731 and 749 / AD 1331 and 1348 Marinid Details: National Museum of Antiquities and Islamic Arts Algiers, Algeria Justification: The Maghrebi script on this small alms-giving measuring cup describes its use and gives the name of the Marinid (614–869 / 1217–1465) sovereign under whose command it was issued. Name: Measuring instrument (mudd) Dynasty: Between Hegira 731 and 749 / AD 1331 and 1348 Marinid Details: National Museum of Antiquities and Islamic Arts Algiers, Algeria Justification: Detail of the calligraphic script on the side of the alms-giving measuring cup.
    [Show full text]
  • Proposal for Arabic Script Root Zone LGR
    Proposal for Arabic Script Root Zone LGR LGR Version: 1 Authors: Task Force on Arabic Script IDN (TF-AIDN) https://community.icann.org/display/MES/TF-AIDN+Work+Space Date: 18 November 2015 Document Version: 3.4 Contents General Information ..................................................................................................................................... 2 1 Script and Languages Covered .............................................................................................................. 2 2 Process Undertaken for Developing the Proposal ................................................................................ 4 2.1 Team diversity and process .......................................................................................................... 4 2.2 Analysis of code point repertoire.................................................................................................. 6 2.3 Analysis of code point variants ..................................................................................................... 8 3 Code Point Repertoire......................................................................................................................... 10 3.1 Summary of code point repertoire included and excluded ........................................................ 10 3.2 Code point repertoire included .................................................................................................. 12 4 Final Recommendation of Variants for Top Level Domains (TLDs) ....................................................
    [Show full text]
  • Islamic Manuscripts Collection Mss 207
    http://oac.cdlib.org/findaid/ark:/13030/kt538nf367 No online items Guide to the Islamic manuscripts collection Mss 207 Preliminary arrangement and description by D. Tambo, 2011; further arrangement and encoding by Zachary Liebhaber and Daisy Muralles, 2015. UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections 2014 June 6 Guide to the Islamic manuscripts Mss 207 1 collection Mss 207 Title: Islamic manuscripts collection Identifier/Call Number: Mss 207 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: Arabic Physical Description: 4.59 linear feet(5 oversize boxes) Date (inclusive): circa 1122-late 19th century Abstract: The collection contains single and double leaves from previously disbound Islamic texts, written in many parts of the Islamic world, including Afghanistan, China, Egypt, Gulf States [Qajar], India, North Africa [Algeria, Morocco, Tunisia], Pakistan, Persia [Iran], Syria, and Turkey, from the 12th to the 19th centuries A.D. Physical Location: Special Research Collections, UC Santa Barbara Library Access Restrictions The collection is open for research. Use Restrictions Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained.
    [Show full text]
  • Painting the Stars in a Century of Change a Thirteenth-Century Copy of Al-Sufrs Treatise on the Fixed Stars British Library Or.5323
    Painting The Stars In A Century Of Change A thirteenth-century copy of al-Sufrs Treatise on the Fixed Stars British Library Or.5323 Part I Moya Catherine Carey School of Oriental and African Studies Ph.D. thesis 2001 / (L. J Abstract British Library manuscript Or.5323 is a late thirteenth-century copy of the well-known illustrated treatise on the constellations, composed by the Persian astronomer cAbd al-Rabman b. cumar b. Muhammad al-üff in 964AD. It is a significant manuscript, both in terms of Islamic art history and constellation iconography. This study follows three different approaches to establish the date and provenance of the manuscript. The study begins with a precise description of the manuscript, and a reconstruction of its original pagination. Additional notes and owners' seals are examined, and provide new details of the manuscript's provenance and history. These establish that the manuscript was produced before 1279-8OAD. Then follows a review of al- üWs biography, and the history of his treatise. AI-SOfrs influences and innovations are discussed, as is the extent of the work's popularity and dissemination throughout the Islamic world and Europe. The illustrations are assessed in relation to a review of Islamic constellation iconography previous to 1400AD, in other copies of the treatise and on celestial globes. There is a particular connection with three celestial globes, attributed to an TI-Khãnid observatory in Marãghâ (NW Iran) in the late thirteenth century. The metamorphoses of the classical constellation-images in the Islamic world are also discussed, constellation by constellation, and the considerable influence of late classical pseudo-scientific astronomy literature is demonstrated.
    [Show full text]
  • Witnesses of God: Exhortatory Preachers in Medieval Al-Andalus and the Magreb
    AL-QANÍARA (AQ) XXVIII 1, enero-julio de 2007 pp. 73-100 ISSN 0211-3589 WITNESSES OF GOD: EXHORTATORY PREACHERS IN MEDIEVAL AL-ANDALUS AND THE MAGREB LINDA G. JONES Istituciò Milà: Fontanals CSIC - Barcelona This article analyzes the rhetorical and ritual Este artículo analiza los aspectos retóricos y characteristics of pious exhortation (wa‘û) as rituales de la exhortación piadosa (wa‘û) practiced in al-Andalus and the Maghreb, practicada en al-Andalus y el Magreb, to- based on specimens from two homiletic mando como base documental dos fuentes sources. The texts are considered in light of homiléticas. Los textos se analizan a la luz de hagiographical and juridical data in order to noticias hagiográficas y jurídicas con el fin assess the social role of exhortatory preach- de determinar el papel social de los wu‘‘×û y ers and to explain the extraordinary impact of el impacto de sus sermones. El poder seduc- their sermons. The sermon’s affective power tor del sermón se halla en función del caris- derives from the preacher’s personal cha- ma del predicador, sus dotes de oratoria y su risma, rhetorical prowess, and his active en- afán en involucrar activamente a su auditorio gagement of his audience in the production en su propia experiencia carismática. Los of their own charismatic experience. The textos hagiográficos examinados presentan al hagiographies considered depict the wבiû as wבiû como testigo de la omnipotencia divi- a witness to God’s omnipotence, precipitat- na, propiciando la conversión religiosa, in- ing the religious conversion of even the so- cluso de individuos situados al margen de la cially marginalized.
    [Show full text]