Proposal for Arabic Script Root Zone LGR
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Islam at the Margins: the Muslims of Indochina
CIAS Discussion Paper No.3 Islam at the Margins: The Muslims of Indochina Edited by OMAR FAROUK Hiroyuki YAMAMOTO 2008 Center for Integrated Area Studies, Kyoto University Kyoto, Japan Islam at the Margins: The Muslims of Indochina 1 Contents Preface ……………………………………………………………………3 Hiroyuki YAMAMOTO Introduction ……………………………………………………………...5 OMAR FAROUK The Cham Muslims in Ninh Thuan Province, Vietnam ………………7 Rie NAKAMURA Bani Islam Cham in Vietnam ………………………………………….24 Ba Trung PHU The Baweans of Ho Chi Minh City ……………………………………34 Malte STOKHOF Dynamics of Faith: Imam Musa in the Revival of Islamic Teaching in Cambodia ………59 MOHAMAD ZAIN Bin Musa The Re-organization of Islam in Cambodia and Laos………………..70 OMAR FAROUK The Chams and the Malay World …………………………………….86 Kanji NISHIO Notes on the Contributors……………………………………………...94 Workshop Program …………………………………………………....96 CIAS Discussion Paper No.3 © Center for Integrated Area Studies, Kyoto University Yoshida-Honmachi, Sakyo-ku, Kyoto-shi, Kyoto, 606-8501, Japan TEL: +81-75-753-9603 FAX: +81-75-753-9602 E-mail: [email protected] http://www.cias.kyoto-u.ac.jp March, 2008 2 CIAS Discussion Paper No.3 Preface I think it would be no exaggeration to suggest that Southeast Asian nations are boom- ing, not only because of their rapid economic development but also because of their long experiences of maintaining harmony and tolerance between the diverse ethnic and religious components of their populations. The Southeast Asian Muslims, for example, once re- garded as being peripheral to the world of Islam, are now becoming recognized as model Muslim leaders with exceptional abilities to manage difficult tasks such as their own coun- try‟s economic development, the Islamic financial system, democratization and even aero- nautics. -
Similarities and Dissimilarities of English and Arabic Alphabets in Phonetic and Phonology: a Comparative Study
Similarities and dissimilarities of English and Arabic 94 Similarities and dissimilarities of English and Arabic Alphabets in Phonetic and Phonology: A Comparative Study MD YEAQUB Research Scholar Aligarh Muslim University, India Email: [email protected] Abstract: This paper will focus on a comparative study about similarities and dissimilarities of the pronunciation between the syllables of English and Arabic with the help of phonetic and phonological tools i.e. manner of articulation, point of articulation and their distribution at different positions in English and Arabic Alphabets. A phonetic and phonological analysis of the alphabets of English and Arabic can be useful in overcoming the hindrances for those want to improve the pronunciation of both English and Arabic languages. We all know that Arabic is a Semitic language from the Afro-Asiatic Language Family. On the other hand, English is a West Germanic language from the Indo- European Language Family. Both languages show many linguistic differences at all levels of linguistic analysis, i.e. phonology, morphology, syntax, semantics, etc. For this we will take into consideration, the segmental features only, i.e. the consonant and vowel system of the two languages. So, this is better and larger to bring about pedagogical changes that can go a long way in improving pronunciation and ensuring the occurrence of desirable learners’ outcomes. Keywords: Arabic Alphabets, English Alphabets, Pronunciations, Phonetics, Phonology, manner of articulation, point of articulation. Introduction: We all know that sounds are generally divided into two i.e. consonants and vowels. A consonant is a speech sound, which obstruct the flow of air through the vocal tract. -
CYP2D6 and CYP2C19 Genotyping in Psychiatry
CYP2D6 and CYP2C19 genotyping in psychiatry Citation for published version (APA): Koopmans, A. B. (2021). CYP2D6 and CYP2C19 genotyping in psychiatry: bridging the gap between practice and lab. ProefschriftMaken. https://doi.org/10.26481/dis.20210512ak Document status and date: Published: 01/01/2021 DOI: 10.26481/dis.20210512ak Document Version: Publisher's PDF, also known as Version of record Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. -
Uhm Phd 9506222 R.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UM! films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent UJWD the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-band comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms tnternauonat A Bell & Howell tntorrnatron Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800:521·0600 Order Number 9506222 The linguistic and psycholinguistic nature of kanji: Do kanji represent and trigger only meanings? Matsunaga, Sachiko, Ph.D. University of Hawaii, 1994 Copyright @1994 by Matsunaga, Sachiko. -
DSU Music Newsletter
Delaware State University Music Department Spring 2018 Music Department Schedule Tues., Mar. 20, 11am: Music Performance Seminar (Theater) Volume 2: Issue 1 Fall 2018 Tues., Mar. 27, 11am: Music Performance Seminar (Theater) Concert choir to perform with Philadelphia orchestra Friday, April 6, 7:00 PM: Junior Recital; Devin Davis, Tenor, Anyre’ Frazier, Alto, On March 28, 29, and 30 of 2019, Tommia Proctor, Soprano (Dover Presbyterian Church) the Delaware State University Concert Choir under the direction of Saturday, April 7, 5:00 PM: Senior Capstone Recital; William Wicks, Tenor (Dover Presbyterian Church) Dr. Lloyd Mallory, Jr. will once again be joining the Philadelphia Sunday, April 8, 4:00 PM: Orchestra. The choir will be Senior Capstone Recital; Michele Justice, Soprano (Dover Presbyterian Church) performing the world premiere of Healing Tones, by the Orchestra’s Tuesday, April 10, 11:00 AM: Percussion Studio Performance Seminar (EH Theater) composer-in-residence Hannibal Lokumbe. In November of 2015 the Sunday, April 15, 4:00 PM: Delaware State University Choir Senior Capstone Recital; Marquita Richardson, Soprano (Dover Presbyterian Church) joined the Philadelphia Orchestra to Tuesday, April 17, 11:00 AM: DSU – A place where dreams begin perform the world premiere of Guest Speaker, Dr. Adrian Barnes, Rowan University (Music Hannibal’s One Land, One River, One Education/Bands) (EH 138) People. About the performance, the Friday, April 20, 12:30 PM: Philadelphia Inquirer said “The massed voices of the Delaware State University Choir, the Lincoln Honors Day, Honors Recital (EH Theater) University Concert Choir, and Morgan State University Choir sang with spirit, accuracy and, near- Friday, April 20, 7:00 PM: More inside! Pg. -
Technical Reference Manual for the Standardization of Geographical Names United Nations Group of Experts on Geographical Names
ST/ESA/STAT/SER.M/87 Department of Economic and Social Affairs Statistics Division Technical reference manual for the standardization of geographical names United Nations Group of Experts on Geographical Names United Nations New York, 2007 The Department of Economic and Social Affairs of the United Nations Secretariat is a vital interface between global policies in the economic, social and environmental spheres and national action. The Department works in three main interlinked areas: (i) it compiles, generates and analyses a wide range of economic, social and environmental data and information on which Member States of the United Nations draw to review common problems and to take stock of policy options; (ii) it facilitates the negotiations of Member States in many intergovernmental bodies on joint courses of action to address ongoing or emerging global challenges; and (iii) it advises interested Governments on the ways and means of translating policy frameworks developed in United Nations conferences and summits into programmes at the country level and, through technical assistance, helps build national capacities. NOTE The designations employed and the presentation of material in the present publication do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The term “country” as used in the text of this publication also refers, as appropriate, to territories or areas. Symbols of United Nations documents are composed of capital letters combined with figures. ST/ESA/STAT/SER.M/87 UNITED NATIONS PUBLICATION Sales No. -
The Origins, Evolution and Decline of the Khojki Script
The origins, evolution and decline of the Khojki script Juan Bruce The origins, evolution and decline of the Khojki script Juan Bruce Dissertation submitted in partial fulfilment of the requirements for the Master of Arts in Typeface Design, University of Reading, 2015. 5 Abstract The Khojki script is an Indian script whose origins are in Sindh (now southern Pakistan), a region that has witnessed the conflict between Islam and Hinduism for more than 1,200 years. After the gradual occupation of the region by Muslims from the 8th century onwards, the region underwent significant cultural changes. This dissertation reviews the history of the script and the different uses that it took on among the Khoja people since Muslim missionaries began their activities in Sindh communities in the 14th century. It questions the origins of the Khojas and exposes the impact that their transition from a Hindu merchant caste to a broader Muslim community had on the development of the script. During this process of transformation, a rich and complex creed, known as Satpanth, resulted from the blend of these cultures. The study also considers the roots of the Khojki writing system, especially the modernization that the script went through in order to suit more sophisticated means of expression. As a result, through recording the religious Satpanth literature, Khojki evolved and left behind its mercantile features, insufficient for this purpose. Through comparative analysis of printed Khojki texts, this dissertation examines the use of the script in Bombay at the beginning of the 20th century in the shape of Khoja Ismaili literature. -
Jihadism: Online Discourses and Representations
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Studying Jihadism 2 3 4 5 6 Volume 2 7 8 9 10 11 Edited by Rüdiger Lohlker 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 The volumes of this series are peer-reviewed. 37 38 Editorial Board: Farhad Khosrokhavar (Paris), Hans Kippenberg 39 (Erfurt), Alex P. Schmid (Vienna), Roberto Tottoli (Naples) 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Rüdiger Lohlker (ed.) 2 3 4 5 6 7 Jihadism: Online Discourses and 8 9 Representations 10 11 12 13 14 15 16 17 With many figures 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 & 37 V R unipress 38 39 Vienna University Press 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; 24 detailed bibliographic data are available online: http://dnb.d-nb.de. -
Essential Tableware Fashion
ESSENTIAL TABLEWARE FASHION SILSAL.COM ABOUT US Silsal Design House produces a variety of creative tableware and accessories for the home, including dinnerware, serveware, drink-ware and gift items. It’s a place where art and function collide, and where quality and accessibility go hand in hand. The Silsal ethos is rooted in the belief that art should be everywhere; decorating tabletops and homes. It’s the idea that beauty can infuse everyday life and everyday objects. Silsal inspires and excites with collections that draw upon the Middle East’s rich artistic heritage, bringing the charm of a bygone era into the modern home. Simple functionality, extraordinary quality, and artistic expression are the foundations of their philosophy. What sets Silsal apart from its contemporaries is the firm belief that beautiful design shouldn’t be aspirational, but attainable. Silsal works tirelessly to ensure prices are affordable, while remaining rigorously faithful to quality and craftsmanship. Silsal collections reflect a love of the Middle East, drawing inspiration from the DUBAI DESIGN DISTRICT people, places and cultures of the region. Contrast is fundamental throughout BUILDING 6, OFFICE A 207 the collections, both in terms of materials and colours. Historical calligraphy is P.O.BOX 125961, DUBAI, UAE TEL: +971 4 364 3822 offset against modern acrylics, while vibrant pops of colour offset traditional MOB: +971 56 828 5283 white porcelain. What remains consistent is Silsal’s signature aesthetic: shapes EMAIL: [email protected] SILSAL.COM are effortless, forms are free, and each piece is unmistakably unique. 1 ^ GHIDA SHOP NOW The novelty of Ghida lies in the power of Arabic calligraphy as an artistic and communicative tool. -
Arabic Alphabet - Wikipedia, the Free Encyclopedia Arabic Alphabet from Wikipedia, the Free Encyclopedia
2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia Arabic alphabet From Wikipedia, the free encyclopedia َأﺑْ َﺠ ِﺪﯾﱠﺔ َﻋ َﺮﺑِﯿﱠﺔ :The Arabic alphabet (Arabic ’abjadiyyah ‘arabiyyah) or Arabic abjad is Arabic abjad the Arabic script as it is codified for writing the Arabic language. It is written from right to left, in a cursive style, and includes 28 letters. Because letters usually[1] stand for consonants, it is classified as an abjad. Type Abjad Languages Arabic Time 400 to the present period Parent Proto-Sinaitic systems Phoenician Aramaic Syriac Nabataean Arabic abjad Child N'Ko alphabet systems ISO 15924 Arab, 160 Direction Right-to-left Unicode Arabic alias Unicode U+0600 to U+06FF range (http://www.unicode.org/charts/PDF/U0600.pdf) U+0750 to U+077F (http://www.unicode.org/charts/PDF/U0750.pdf) U+08A0 to U+08FF (http://www.unicode.org/charts/PDF/U08A0.pdf) U+FB50 to U+FDFF (http://www.unicode.org/charts/PDF/UFB50.pdf) U+FE70 to U+FEFF (http://www.unicode.org/charts/PDF/UFE70.pdf) U+1EE00 to U+1EEFF (http://www.unicode.org/charts/PDF/U1EE00.pdf) Note: This page may contain IPA phonetic symbols. Arabic alphabet ا ب ت ث ج ح خ د ذ ر ز س ش ص ض ط ظ ع en.wikipedia.org/wiki/Arabic_alphabet 1/20 2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia غ ف ق ك ل م ن ه و ي History · Transliteration ء Diacritics · Hamza Numerals · Numeration V · T · E (//en.wikipedia.org/w/index.php?title=Template:Arabic_alphabet&action=edit) Contents 1 Consonants 1.1 Alphabetical order 1.2 Letter forms 1.2.1 Table of basic letters 1.2.2 Further notes -
Arabic Sociolinguistics: Topics in Diglossia, Gender, Identity, And
Arabic Sociolinguistics Arabic Sociolinguistics Reem Bassiouney Edinburgh University Press © Reem Bassiouney, 2009 Edinburgh University Press Ltd 22 George Square, Edinburgh Typeset in ll/13pt Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Antony Rowe, Chippenham and East bourne A CIP record for this book is available from the British Library ISBN 978 0 7486 2373 0 (hardback) ISBN 978 0 7486 2374 7 (paperback) The right ofReem Bassiouney to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. Contents Acknowledgements viii List of charts, maps and tables x List of abbreviations xii Conventions used in this book xiv Introduction 1 1. Diglossia and dialect groups in the Arab world 9 1.1 Diglossia 10 1.1.1 Anoverviewofthestudyofdiglossia 10 1.1.2 Theories that explain diglossia in terms oflevels 14 1.1.3 The idea ofEducated Spoken Arabic 16 1.2 Dialects/varieties in the Arab world 18 1.2. 1 The concept ofprestige as different from that ofstandard 18 1.2.2 Groups ofdialects in the Arab world 19 1.3 Conclusion 26 2. Code-switching 28 2.1 Introduction 29 2.2 Problem of terminology: code-switching and code-mixing 30 2.3 Code-switching and diglossia 31 2.4 The study of constraints on code-switching in relation to the Arab world 31 2.4. 1 Structural constraints on classic code-switching 31 2.4.2 Structural constraints on diglossic switching 42 2.5 Motivations for code-switching 59 2. -
The Transformation of Calligraphy from Spirituality to Materialism in Contemporary Saudi Arabian Mosques
The Transformation of Calligraphy from Spirituality to Materialism in Contemporary Saudi Arabian Mosques A dissertation submitted to Birmingham City University in fulfilment of the requirement for the degree of Doctor of Philosophy in Art and Design By: Ahmad Saleh A. Almontasheri Director of the study: Professor Mohsen Aboutorabi 2017 1 Dedication My great mother, your constant wishes and prayers were accepted. Sadly, you will not hear of this success. Happily, you are always in the scene; in the depth of my heart. May Allah have mercy on your soul. Your faithful son: Ahmad 2 Acknowledgments I especially would like to express my appreciation of my supervisors, the director of this study, Professor Mohsen Aboutorabi, and the second supervisor Dr. Mohsen Keiany. As mentors, you have been invaluable to me. I would like to extend my gratitude to you all for encouraging me to conduct this research and give your valuable time, recommendations and support. The advice you have given me, both in my research and personal life, has been priceless. I am also thankful to the external and internal examiners for their acceptance and for their feedback, which made my defence a truly enjoyable moment, and also for their comments and suggestions. Prayers and wishes would go to the soul of my great mother, Fatimah Almontasheri, and my brother, Abdul Rahman, who were the first supporters from the outset of my study. May Allah have mercy on them. I would like to extend my thanks to my teachers Saad Saleh Almontasheri and Sulaiman Yahya Alhifdhi who supported me financially and emotionally during the research.