Postcolonialism, Identity, and the French Language in St. Lucia
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RETURNING NATIONALS Information Booklet
LIST OF CUSTOMS BROKERS CONT’D Nigel S Nicholas Agencies Ltd. United Shipping Agencies Ltd 13 Coral Street Mongiraud Street CASTRIES P.O. Box 1792 Tel: (758) 451- 6132 CASTRIES Fax: (758) 451-6137 Tel: (758) 459-0127 Fax: (758) 456-0809 Octave Customs Brokerage Jeremie St CASTRIES Tel: (758) 453-2812 Fax: (758) 451-9534 RETURNING NATIONALS Peterson & Petersen Ltd. Information Booklet 14 Chisel Street P.O. Box GM 803 CASTRIES Philip Trevor Agencies Ltd. Upper Floor Linmore Bldg. 7 Bridge Street P.O. Box 1436 CASTRIES Tel: (758) 452-7474 /453 –1324 / 451-9494 Fax: (758) 453-1437 Email: [email protected] Total Freight Solutions Incorporated 15 St. Louis Street CASTRIES Tel: (758) 451- 6030 Fax: (758) 451- 6038 Reliant Brokerage Services Chausee Road P.O. Box 1823 CASTRIES Tel: (758) 452- 6935 Fax: (758) 452 -6935 Email: [email protected] Ministry of External Affairs, International Trade and Investment 11 LIST OF CUSTOMS BROKERS A & C Ltd Hunte’s International Packing & INTRODUCTION Bridge Street Storage Co Ltd. CASTRIES Manoel Street The Ministry of External Affairs of Saint Lucia produced this Return- Tel: (758) 452-4191 CASTRIES Fax: (758) 453-1814 Tel: (758) 452- 3806/07 ing Nationals Information Booklet. The information in this booklet is Fax: (758) 453-1355 Augier’s Customs Service intended as a guide for overseas Saint Lucians wishing to return Email: [email protected] 36 Micoud Street home. The Returning Nationals Booklet is not a substitute for relevant CASTRIES Insurance & Agencies Ltd Tel: (758) 451-9216 /453-0829 Bourbon House, Bourbon Street and current legislation. -
Luxury Caribbean: Bridgetown to Castries St
LUXURY CARIBBEAN: BRIDGETOWN TO CASTRIES ST. LUCIA When you book SeaDream for your next Luxury Caribbean cruise, you’ll never look at this region the same way again. Discerning guests choose SeaDream for their vacation because of their love for the yachting and a casual yet luxurious lifestyle. With an award-winning crew and amenities to keep you relaxed and pampered, you’ll never find a more rewarding voyage on the seas. If you are after that sort of remarkably different yachting experience, you have come to the right place. Welcome Aboard. Please Note: Many more voyages aboard Sea Dream I & II are ITINERARY available, only few of them are listed online. Please contact us Day 1 Bridgetown, Barbados for more details. Embarkation. Day 2 St. George's, Grenada Day 3 Mayreau, St. Vincent and the Grenadines Day 4 Port Elizabeth, Bequia, St. Vincent and the Grenadines Day 5 Le Marin, Martinique, F.W.I. Days 6 - 7 Iles des Saintes, Guadeloupe, F.W.I. Day 8 Portsmouth, Dominica Day 9 Castries St. Lucia Disembarkation. Please Note: Itineraries are subject to change. 01432 507 280 (within UK) [email protected] | small-cruise-ships.com YOUR SHIP: SEA DREAM I YOUR SHIP: Sea Dream I VESSEL TYPE: LENGTH: 104.8 m / 344 ft PASSENGER CAPACITY: 112 BUILT/REFURBISHED: Named “Best Small Luxury Cruise Ship of 2015” in ForbesLife, twin mega-yachts SeaDream I & II are intimate boutique ships that provide a unique travelling experience unlike any other cruise vacation. The expression “yachting” is not only a statement about size; it’s a lifestyle aboard our intimate vessels is comfortably transparent, like the way the bartender knows with the service of 95 crew members and 112 guests that make your name and what you would like to drink, or how the waiter each guest feel like they are on their very own private luxury knows how to surprise you with your favorite dessert. -
Jocelyne Guilbault, with Gage Averill, Édouard Benoit, and Gregory Rabess. Zouk: World Music in the West Indies. Chicago Studies in Ethnomusicology
Document généré le 1 oct. 2021 22:08 Canadian University Music Review Revue de musique des universités canadiennes Jocelyne Guilbault, with Gage Averill, Édouard Benoit, and Gregory Rabess. Zouk: World Music in the West Indies. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 1993. xxv, 279 pp., compact disc included. ISBN 0-226-31041-8 (hardcover), ISBN 0-226-31042-6 (paperback) Robert Witmer Numéro 15, 1995 URI : https://id.erudit.org/iderudit/1014408ar DOI : https://doi.org/10.7202/1014408ar Aller au sommaire du numéro Éditeur(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer ce compte rendu Witmer, R. (1995). Compte rendu de [Jocelyne Guilbault, with Gage Averill, Édouard Benoit, and Gregory Rabess. Zouk: World Music in the West Indies. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 1993. xxv, 279 pp., compact disc included. ISBN 0-226-31041-8 (hardcover), ISBN 0-226-31042-6 (paperback)]. Canadian University Music Review / Revue de musique des universités canadiennes, (15), 194–198. https://doi.org/10.7202/1014408ar All Rights Reserved © Canadian University Music Society / Société de musique Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des des universités canadiennes, 1995 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Gascon Énonciatif System: Past, Present, and Future. A study of language contact, change, endangerment, and maintenance Permalink https://escholarship.org/uc/item/12v9d1gx Author Marcus, Nicole Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Gascon Énonciatif System: Past, Present, and Future A study of language contact, change, endangerment, and maintenance by Nicole Elise Marcus A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Linguistics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gary Holland, Chair Professor Leanne Hinton Professor Johanna Nichols Fall 2010 The Gascon Énonciatif System: Past, Present, and Future A study of language contact, change, endangerment, and maintenance © 2010 by Nicole Elise Marcus Abstract The Gascon Énonciatif System: Past, Present, and Future A study of language contact, change, endangerment, and maintenance by Nicole Elise Marcus Doctor of Philosophy in Linguistics University of California, Berkeley Professor Gary Holland, Chair The énonciatif system is a defining linguistic feature of Gascon, an endangered Romance language spoken primarily in southwestern France, separating it not only from its neighboring Occitan languages, but from the entire Romance language family. This study examines this preverbal particle system from a diachronic and synchronic perspective to shed light on issues of language contact, change, endangerment, and maintenance. The diachronic source of this system has important implications regarding its current and future status. My research indicates that this system is an ancient feature of the language, deriving from contact between the original inhabitants of Gascony, who spoke Basque or an ancestral form of the language, and the Romans who conquered the region in 56 B.C. -
Brief Bio Damian Eisenghower Greaves (Phd). Qualifications
Brief Bio Damian Eisenghower Greaves (PhD). Qualifications: Doctor of Philosophy in Health Services – Health Management & Policy (PHD) Master of Science in Public Health (MSPH) Master of Science in Sociology (MSC) Bachelor of Arts (History & Sociology with Education) (BA) Hons Certificate in Teacher Education & Educational Administration (Cert. Ed.) Relevant Professional Experience: Assistant Dean: Office of the Provost Present: Associate Professor and Deputy Chair Department of Humanities & Social Sciences School of Arts & Sciences, St. George’s University Assistant Dean: Office of the Provost, St. George’s University Responsibilities: Faculty Affairs and Educational Technology 2001-2006 Minister for Health, Human Services, Family Affairs & Gender Relations, Government of Saint Lucia 1997-2001 Minister for Community Development, Culture, Local Government, Cooperatives & Ecclesiastical Affairs • Opposition Senator (Lead Opposition Member) –Parliament of Saint Lucia 2007 – 2010 Other Experiences: Lecturer: 1987-1994 Sir Arthur Lewis Community College Morne Fortune, Castries, Saint Lucia 1995-1997 Part-Time Instructor: UWI Continuing Education Programme Morne Fortune, Castries, Saint Lucia • Lectured Research Methods for Mass Communications • Lectured In Environmental Relations 1995-1997 Sociologist/ Liaison Officer UNDP/Government of Saint Lucia Funded Rural Development Project Mabouya Valley, Dennery Other Professionally Relevant Activities/Services: • Member of St. George’s University/PAHO/WHO Project Team on the Strengthening of Health Services Management in the Caribbean Region 2010 – Present • Member Panel on Research & Scholarly Activity, St. George’s University 2010- Present • President of Senate Executive Committee School of Arts & Sciences 2008 -2010 • President of St. George’s University Senate Faculty 2010- Feb. 2013 • President Grenada Public Health Association (GPHA) July 2015 – August 2016 • Board Member: National Health Insurance Advisory Committee. -
The Origin and Development of the Lingua Franca”
Manuel Sedlaczek “The Origin and Development of the Lingua Franca” A historical linguistic study DIPLOMARBEIT zur Erlangung des akademischen Grades Magister der Philosophie Studium: Anglistik und Amerikanistik Universität Klagenfurt Fakultät für Kulturwissenschaften Begutachter/in: O. Univ.-Prof. Mag. Dr. Allan Richard James Institut für Anglistik und Amerikanistik November 2010 i Declaration of honour For Master’s Theses, Diploma Theses and Dissertations I hereby confirm on my honour that I personally prepared the present academic work and carried out myself the activities directly involved with it. I also confirm that I have used no resources other than those declared. All formulations and concepts adopted literally or in their essential content from printed, unprinted or Internet sources have been cited according to the rules for academic work and identified by means of footnotes or other precise indications of source. The support provided during the work, including significant assistance from my supervisor has been indicated in full. The academic work has not been submitted to any other examination authority. The work is submitted in printed and electronic form. I confirm that the content of the digital version is completely identical to that of the printed version. I am aware that a false declaration will have legal consequences. (Signature) (Place, date) ii TABLE OF CONTENTS CHAPTER 1: INTRODUCTION ....................................................................... 1 1.1 THE STUDY OF THE LINGUA FRANCA ............................................................. 1 1.2 HISTORICAL LINGUISTICS AND ANTHROPOLOGY ........................................... 4 1.3 THE CREATING OF HISTORY ............................................................................ 5 1.4 THE RE -INTEGRATION OF HISTORY ................................................................. 8 1.5 THE IMPORTANCE OF HISTORY ..................................................................... 10 CHAPTER 2: PROBLEMS CONCERNING THE LINGUA FRANCA ..... -
Geddie 1 the USE of OCCITAN DIALECTS in LANGUEDOC
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Mississippi Geddie 1 THE USE OF OCCITAN DIALECTS IN LANGUEDOC-ROUSSILLON, FRANCE By Virginia Jane Geddie A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College Oxford May 2014 Approved by _______________________________ Advisor: Professor Allison Burkette _______________________________ Reader: Professor Felice Coles _______________________________ Reader: Professor Robert Barnard Geddie 1 Abstract Since the medieval period, the Occitan dialects of southern France have been a significant part of the culture of the Midi region of France. In the past, it was the language of the state and literature. However, Occitan dialects have been in a slow decline, beginning with the Ordinance of Villers-Coterêts in 1539 which banned the use of Occitan in state affairs. While this did little to affect the daily life and usage of Occitan, it established a precedent that is still referred to in modern arguments about the use of regional languages (Costa, 2). In the beginning of the 21st century, the position of Occitan dialects in Midi is precarious. This thesis will investigate the current use of Occitan dialects in and around Montpellier, France, particularly which dialects are most commonly used in the region of Languedoc-Roussillon (where Montpellier is located), the environment in which they are learned, the methods of transmission, and the general attitude towards Occitan. It will also discuss Occitan’s current use in literature, music, and politics. While the primary geographic focus of this thesis will be on Montpellier and its surroundings, it should somewhat applicable to the whole of Occitan speaking France. -
Judeo-Provençal in Southern France
George Jochnowitz Judeo-Provençal in Southern France 1 Brief introduction Judeo-Provençal is also known as Judeo-Occitan, Judéo-Comtadin, Hébraïco- Comtadin, Hébraïco-Provençal, Shuadit, Chouadit, Chouadite, Chuadit, and Chuadite. It is the Jewish analog of Provençal and is therefore a Romance lan- guage. The age of the language is a matter of dispute, as is the case with other Judeo-Romance languages. It was spoken in only four towns in southern France: Avignon, Cavaillon, Caprentras, and l’Isle-sur-Sorgue. A women’s prayer book, some poems, and a play are the sources of the medieval language, and transcrip- tions of Passover songs and theatrical representations are the sources for the modern language. In addition, my own interviews in 1968 with the language’s last known speaker, Armand Lunel, provide data (Jochnowitz 1978, 1985). Lunel, who learned the language from his grandparents, not his parents, did not have occasion to converse in it. Judeo-Provençal/Shuadit is now extinct, since Armand Lunel died in 1977. Sometimes Jewish languages have a name meaning “Jewish,” such as Yiddish or Judezmo – from Hebrew Yehudit or other forms of Yehuda. This is the case with Shuadit, due to a sound change of /y/ to [š]. I use the name Judeo-Provençal for the medieval language and Shuadit for the modern language. 2 Historical background 2.1 Speaker community: Settlement, documentation Jews had lived in Provence at least as early as the first century CE. They were officially expelled from France in 1306, readmitted in 1315, expelled again in 1322, readmitted in 1359, and expelled in 1394 for a period that lasted until the French Revolution. -
Creolizing Contradance in the Caribbean
Peter Manuel 1 / Introduction Contradance and Quadrille Culture in the Caribbean region as linguistically, ethnically, and culturally diverse as the Carib- bean has never lent itself to being epitomized by a single music or dance A genre, be it rumba or reggae. Nevertheless, in the nineteenth century a set of contradance and quadrille variants flourished so extensively throughout the Caribbean Basin that they enjoyed a kind of predominance, as a common cultural medium through which melodies, rhythms, dance figures, and per- formers all circulated, both between islands and between social groups within a given island. Hence, if the latter twentieth century in the region came to be the age of Afro-Caribbean popular music and dance, the nineteenth century can in many respects be characterized as the era of the contradance and qua- drille. Further, the quadrille retains much vigor in the Caribbean, and many aspects of modern Latin popular dance and music can be traced ultimately to the Cuban contradanza and Puerto Rican danza. Caribbean scholars, recognizing the importance of the contradance and quadrille complex, have produced several erudite studies of some of these genres, especially as flourishing in the Spanish Caribbean. However, these have tended to be narrowly focused in scope, and, even taken collectively, they fail to provide the panregional perspective that is so clearly needed even to comprehend a single genre in its broader context. Further, most of these pub- lications are scattered in diverse obscure and ephemeral journals or consist of limited-edition books that are scarcely available in their country of origin, not to mention elsewhere.1 Some of the most outstanding studies of individual genres or regions display what might seem to be a surprising lack of familiar- ity with relevant publications produced elsewhere, due not to any incuriosity on the part of authors but to the poor dissemination of works within (as well as 2 Peter Manuel outside) the Caribbean. -
Creolization on the Move in Francophone Caribbean Literature
Georgia State University ScholarWorks @ Georgia State University World Languages and Cultures Faculty Publications Department of World Languages and Cultures 1-2015 Creolization on the Move in Francophone Caribbean Literature Gladys M. Francis Georgia State University, [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/mcl_facpub Part of the Other Languages, Societies, and Cultures Commons Recommended Citation Francis, Gladys M. "Creolization on the Move in Francophone Caribbean Literature." The Oxford Diasporas Programme. Oxford: The University of Oxford (2015): 1-15. http://www.migration.ox.ac.uk/odp/pdfs/ Francis,%20G,%202015%20Creolization%20on%20the%20Move-1.pdf This Working Paper is brought to you for free and open access by the Department of World Languages and Cultures at ScholarWorks @ Georgia State University. It has been accepted for inclusion in World Languages and Cultures Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Working Papers Paper 01, January 2015 Creolization on the Move in Francophone Caribbean Literature Dr Gladys M. Francis This paper is published as part of the Oxford Diasporas Programme (www.migration.ox.ac.uk/odp). The Oxford Diasporas Programme (ODP) is funded by the Leverhulme Trust. ODP does not have an institutional view and does not aim to present one. The views expressed in this document are those of its independent author. Abstract In this paper I explore the particular use of dance and music observed in the writings of Maryse Condé, Ina Césaire, and Gerty Dambury. I examine how their use of orality, oral literature, and the body in movement create complex levels of textuality, meaning, and reading. -
Exploring Occitan and Francoprovençal in Rhône-Alpes, France Michel Bert, Costa James
What counts as a linguistic border, for whom, and with what implications? Exploring Occitan and Francoprovençal in Rhône-Alpes, France Michel Bert, Costa James To cite this version: Michel Bert, Costa James. What counts as a linguistic border, for whom, and with what implications? Exploring Occitan and Francoprovençal in Rhône-Alpes, France. Dominic Watt; Carmen Llamas. Language, Borders and Identity, Edinburgh University Press, 2014, Language, Borders and Identity, 0748669779. halshs-01413325 HAL Id: halshs-01413325 https://halshs.archives-ouvertes.fr/halshs-01413325 Submitted on 9 Dec 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. What counts as a linguistic border, for whom, and with what implications? Exploring Occitan and Francoprovençal in Rhône-Alpes, France Michel Bert (DDL, Université Lumière/Lyon2) [email protected] James Costa (ICAR, Institut français de l’éducation/ENS de Lyon) [email protected] 1. Introduction Debates on the limits of the numerous Romance varieties spoken in what was once the western part of the Roman Empire have been rife for over a century (e.g. Bergounioux, 1989), and generally arose in the context of heated discussions over the constitution and legitimation of Nation-states. -
Cape Verde and Brazil Musical Connections
Cape Verde and Brazil Musical Connections Juliana Braz Dias Universidade de Brasília / University of Pretoria Introduction The insertion of Brazilian music in contexts outside of the country is no lon- ger a novelty. Indeed, the media often reports on these musical flows. For instance, newspapers and specialized magazines have played a crucial role in highlighting the presence of Brazil on the international stage through reports on Grammy Awards won by Brazilian musicians (namely, Sérgio Mendes, Milton Nascimento, Gilberto Gil, Caetano Veloso e João Gilberto). Another example is the increased visibility of concerts featuring Brazilian artists in other countries, such as the Brazilian Day in New York, which attracts more than a million people to the streets of that city – above all Brazilians, but also North-Americans and migrants from other countries. However, it should be noted that the presence of Brazilian music outside of the country’s borders is not necessarily related to the global cultural indus- try, neither to the impact of recent migration processes. Musical exchanges involving Brazilian musicians have been going on for some time, in multiple ways, following diverse routes and movements of people. In this article, I focus on a particular trajectory that some forms of Brazilian music have taken. I refer to the Atlantic flows that allowed for the arrival of music and musicians from Brazil to Cape Verde, deeply influencing musical productions in the archipelago. Adopting an anthropological ap- proach, I seek to engage with discourses articulated by Cape Verdeans on the role of “Brazilian music” (as they understand it) and its relationship to the music produced in Cape Verde.