The Last of the Mohicans James Fenimore Cooper
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The Last of the Mohicans Is a Historical Story in Cooper’S Brilliant Frontier Tales
LastOfMohicanseBookCover:Layout 2 12/9/07 9:23 PM Page 1 SADDLEBACK HE AST F Saddleback’s T L O TM Illustrated Classics THE MOHICANS THE LAST OF “Every story has two sides”. a “code” made famous THE MOHICANS by James Fenimore Cooper’s main character, Hawkeye. The Last Of The Mohicans is a historical story in Cooper’s brilliant frontier tales. It is an exciting adventure about America’s original inhabitants—our Native Americans—and Hawkeye’s heroic plight and JAMES FENIMORE COOPER pursuit against his white brothers while battling the evil OF THE MOHICANS THE LAST and vengeful Huron Chief Magua. Without question, The Last Of The Mohicans is a timeless classic in American literature. Three Watson COOPER Saddleback eBook Irvine, CA 92618-2767 Website: www.sdlback.com Last of The Mohicans:18170 pages 12/7/07 8:44 AM Page 3 Welcome to Saddleback’s Illustrated Classics™ We are proud to welcome you to Saddleback’s Illustrated Classics™. Saddleback’s Illustrated Classics™ was designed specifically for the classroom to introduce readers to many of the great classics in literature. Each text, written and adapted by teachers and researchers, has been edited using the Dale-Chall vocabulary system. In addition, much time and effort has been spent to ensure that these high-interest stories retain all of the excitement, intrigue, and adventure of the original books. With these graphically Illustrated Classics™, you learn what happens in the story in a number of different ways. One way is by reading the words a character says. Another way is by looking at the drawings of the character. -
Unit 5 Perspectives on the Novel-I1
UNIT 5 PERSPECTIVES ON THE NOVEL-I1 Structure 5.0 Objectives 5.1 Order in his Social Novels and Other Novels with Political Import 5.2, Cooper's Moral Vision in The Leatherstoclnng Tales 5.3 Conclusion 5.4 Let Us Sum Up 5.5 Questions 5.6 Suggested Reading 5.0 OBJECTIVES d In this Unit, we discuss the moral edifice of Cooper's works. In his extensive canon of nearly thirty works, there is recurrent moral strain in all of them. Here, we realise that the moral basis for order in his social novels and other works with political import, and his romanticization of world of moral pietj through the Leatherstocking i hero, is similar and identical. For, the ultimate goal of his all-round imaginationis to enshrine Christian values of goodness in action and thoughts in America of his times. i 5.1 ORDER IN HIS SOCIAL NOVELS AND OTHER WORKS WITH POLITICAL IMPORT As in the imagination of any great writer, art and prophesy organically fuse themselves in a visionary moment to signify a nation's moral concerns and evoke feelings of true joy in the reader's minds, in Cooper, too, such a creative fusion occurs in realising his moral vision. As his moral vision originates from a particular milieu of the 19' century America in the throes of expansion in every material sphere as well as in its fundamental desire for self-identity culturally, spiritually and intellectually, all his creative canon has'to be read as representing this singular desire and design of Cooper. -
James Fenimore Cooper and the Genteel Hero of Romance
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James Fenimore Cooper's Frontier: the Pioneers As History Thomas Berson
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 James Fenimore Cooper's Frontier: The Pioneers as History Thomas Berson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES JAMES FENIMORE COOPER’S FRONTIER: THE PIONEERS AS HISTORY By THOMAS BERSON A Thesis Submitted to the Progra In A erican and Florida Studies in partial fulfill ent of the require ents for the degree of Master of Arts Degree Awarded: Sum er Se ester, 2004 The members of the Committee approve the thesis of Thomas Berson defended on July 1, 2004. --------------------------- Frederick Davis Professor Directing Thesis ---------------------------- John Fenstermaker Committee Member ---------------------------- Ned Stuckey-French Committee Member Approved: ------------------------------ John Fenstermaker, Chair, Program in American and Florida Studies ------------------------------ Donald Foss, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For My Parents iii ACKNOWLEDGEMENTS Special thanks to John Fenstermaker, who gave me the opportunity to come back to school and to teach and to Fritz Davis, who helped me find direction in my studies. Additional thanks to the aforementioned and also to Ned Stuckey-French for taking the time out of their summers to sit on the committee for this paper. iv TABLE OF CONTENTS Abstract................................................................................................................ -
The Last of the Mohicans by James Fenimoore Cooper
The Last of the Mohicans By James Fenimoore Cooper Chapter 12 “Clo.—I am gone, sire, And anon, sire, I’ll be with you again.” —Twelfth Night The Hurons stood aghast at this sudden visitation of death on one of their band. But as they regarded the fatal accuracy of an aim which had dared to immolate an enemy at so much hazard to a friend, the name of “La Longue Carabine” burst simultaneously from every lip, and was succeeded by a wild and a sort of plaintive howl. The cry was answered by a loud shout from a little thicket, where the incautious party had piled their arms; and at the next moment, Hawkeye, too eager to load the rifle he had regained, was seen advancing upon them, brandishing the clubbed weapon, and cutting the air with wide and powerful sweeps. Bold and rapid as was the progress of the scout, it was exceeded by that of a light and vigorous form which, bounding past him, leaped, with incredible activity and daring, into the very center of the Hurons, where it stood, whirling a tomahawk, and flourishing a glittering knife, with fearful menaces, in front of Cora. Quicker than the thoughts could follow those unexpected and audacious movements, an image, armed in the emblematic panoply of death, glided before their eyes, and assumed a threatening attitude at the other’s side. The savage tormentors recoiled before these warlike intruders, and uttered, as they appeared in such quick succession, the often repeated and peculiar exclamations of surprise, followed by the well–known and dreaded appellations of: The Last of the Mohicans: Chapter 12 by James Fenimoore Cooper “Le Cerf Agile! Le Gros Serpent!” But the wary and vigilant leader of the Hurons was not so easily disconcerted. -
An American Accented Cinema
AN AMERICAN ACCENTED CINEMA INDIGENOUS-CENTERED ROAD MOVIES An Honors Thesis by Elizabeth Falkenberg An American Accented Cinema: Indigenous-Centered Road Movies By Elizabeth Falkenberg Brown University MCM Track I Honors Thesis Spring 2019 Primary Advisor: Joan Copjec Second Reader: Levi Thompson ABSTRACT Motivated by a desire to assess both the positive and negative cultural legacies of classical Hollywood cinema, this thesis focuses on a genre descendant of the classic western: the road movie. More specifically, inspired and contextualized by Hamid Naficy’s theory of ‘accented cinema,’ it will explore a subgenre of the road movie that features indigenous characters and narratives. Three indigenous-centered road movies – Powwow Highway, Smoke Signals, and Barking Water – help me define a specific type of accented cinema which has emerged in United States. Positioned as cultural and social texts, these films can be considered “accented” by the ways in which they employ accepted modes of production and address the themes of nostalgia, border consciousness, and journeys. i TABLE OF CONTENTS Abstract ............................................................................................................................... i Introduction: A New Accented Cinema ..............................................................................1 1. A Hollywood History of Mythmaking ..................................................................................... 10 Assessing the Popularity of Classical American Cinema The Westward Dream -
Proquest Dissertations
"The Cross-Heart People": Indigenous narratives,cinema, and the Western Item Type text; Dissertation-Reproduction (electronic) Authors Hearne, Joanna Megan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 17:56:11 Link to Item http://hdl.handle.net/10150/290072 •THE CROSS-HEART PEOPLE": INDIGENOLJS NARRATIVES, CINEMA, AND THE WESTERN By Joanna Megan Heame Copyright © Joanna Megan Heame 2004 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3132226 Copyright 2004 by Hearne, Joanna Megan All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3132226 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. -
James Fenimore Cooper and the Idea of Environmental Conservation in the Leatherstocking Tales (1823-1841)
Ceisy Nita Wuntu — James Fenimore Cooper and the Idea of Environmental Conservation in the Leatherstocking Tales (1823-1841) JAMES FENIMORE COOPER AND THE IDEA OF ENVIRONMENTAL CONSERVATION IN THE LEATHERSTOCKING TALES (1823-1841) Ceisy Nita Wuntu IKIP Negeri Manado [email protected] Abstract The spirit to respect the rights of all living environment in literature that was found in the 1970s in William Rueckert’s works was considered as the emergence of the new criticism in literature, ecocriticism, which brought the efforts to trace the spirit in works of literature. Works arose after the 1840s written by Ralph Waldo Emerson, Henry David Thoreau, and Margareth Fuller, the American transcendentalists, are considered to be the first works presenting the respect for the living environment as claimed by Peter Barry. James Fenimore Cooper’s reputation in American literary history appeared because of his role in leading American literature into its identity. Among his works, The Leatherstocking Tales mostly attracted European readers’ attention when he successfully applied American issues. The major issue in the work is the spirit of the immigrants to dominate flora, fauna and human beings as was experienced by the indigenous people. Applying ecocriticism theory in doing the analysis, it has been found that Cooper’s works particularly his The Leatherstocking Tales (1823-1841) present Cooper’s great concern for the sustainable life. He shows that compassion, respect, wisdom, and justice are the essential aspects in preserving nature that meet the main concern of ecocriticism and hence the works that preceded the transcendentalists’ work places themselves as the embryo of ecocriticism in America. -
The Deerslayer”, “The Pathfinder”, “The Last of the Mohicans”, “The Pioneers” and “The Prairie”
THE MOVING PIONEERS IN AMERICA ON THE NOVELS BY JAMES FENIMORE COOPER Sarlan Student at Post Graduate Program of Sebelas Maret University of Surakarta Riyatno Sekolah Tinggi Teknik Telematika [ST3] Telkom Purwokerto Abstract This research is an attempt to reveal the life of pioneers in America in Cooper’s novels “The Deerslayer”, “The Pathfinder”, “The Last of the Mohicans”, “The Pioneers” and “The Prairie”. There are two objectives of the research, namely the reasons why the pioneers move to the West and what things that they have to have in order to be successful in the West. Using literary sociology, the two objectives of the research are discussed in the five novels as the main sources and the criticisms and the social condition in America as the secondary sources. The result of the research shows that the pioneers in America have some reasons so that they move to the West. They want to have wide land to settle. Besides, they want to cultivate the land to fulfill their needs. Other pioneers have to move to the West because they have to defend the British territory. In order to be successful, the pioneers have to have the hard skills and soft skills. They have to be able to hunt the wild animals, to use weapons to defend their properties and themselves. They also have to have self reliance, hard work, spirit, and discipline as well as vigilance. Keywords: pioneer, the West, movement, settlement. INTRODUCTION coast of America, from Virginia whose land Since John Smith landed in America was good for agriculture and plantations until and set up a colony in Jamestown in the early the Massachusetts which was barren and 17th century, waves of displacement of the rocky. -
5-B N. C. Wyeth, Cover Illustration for the Last of the Mohicans, 1919
N. C. WYETH [1882–1945] 5b Cover Illustration for The Last of the Mohicans, 1919 The Last of the Mohicans, an American adventure tale by James from books or from stories passed down from his father. The Fenimore Cooper, became an instant best-seller when it was novel takes place in 1757, during the French and Indian War, published in 1826. Its popularity continued, and by 1919, when when the British and French fought over land that had long N. C. Wyeth illustrated a new, deluxe edition of the book, been home to Eastern Woodlands tribes. Wyeth was yet Cooper’s story had become a fixture in American boyhood. It another generation removed from those historical events; has since fallen out of fashion, but its importance to American like most Americans of his time, he possessed only the vaguest literature is firmly established: the protagonist, Natty Bumppo understanding of the original American peoples. (called Hawkeye), a white scout raised by American Indians, is Although rooted in history, The Last of the Mohicans was the first of many enterprising pioneer heroes to overcome the Cooper’s invention. To criticism that the characters were unre- perils of the frontier. And even though The Last of the Mohicans alistic, Cooper replied that the novel was intended only to had been illustrated before, Wyeth’s pictures, like George Catlin’s evoke the past. The illustrator took the artist’s poetic license paintings in the previous century (see 6-B), did much to create one step further. This image, which appears on the cover of an enduring image of the American Indian as a “noble savage.” the book, was apparently inspired by Cooper’s character Wyeth’s teacher Howard Pyle had taught him to work only Uncas, Hawkeye’s faithful friend and one of the last Mohicans: from experience. -
Images of American Indians in Fiction
Many Trails, Many Tribes: Images of American Indians in Fiction Since Christopher Columbus first set foot on American land, encountered the natives, and described them in his journal as "tall and handsome, their hair not curly, but flowing and thick, like horsehair," American Indians have captured the imagination of authors and their audiences throughout the world. Like many early explorers and colonists, Columbus brought his Old World experience and prejudices to bear on people about whom he knew nothing and with whom he could barely communicate. He assumes that their enemies are cannibals in service to the Great Khan, and that "they would readily become Christian; it appeared to me that they have no religion." He finds them surprisingly friendly and gullible: "I gave them some red bonnets and glass beads which they hung around their necks, and many other things of small value, at which they were so delighted and so eager to please us that we could not believe it." Thus begins one of the myths about American Indians; they are so naïve that one can buy their land with a string of beads; if one compensates them appropriately (as for oil discovered on Osage land), they'll squander the money on fancy cars that they’ll abandon when they run out of gas. Columbus also marvels at the virtues of the natives he encounters; in return for "things of small value," they offer gifts, seem to help Columbus in his quest for the source of their small amounts of silver and gold, and feed his men. He notes their physical beauty and the beauty of their crafts: their canoes, their homes, pottery, and masks. -
The Last of the Mohicans
LEVEL 2 Teacher’s notes Teacher Support Programme The Last of the Mohicans James Fenimore Cooper Magua tries to carry Cora off with him. Uncas, who is in EASYSTARTS love with Cora, tries to stop him and is killed. Cora is also killed and Magua, in making his escape, falls off the cliff and dies. LEVEL 2 Chapters 1–3: Colonel Munro’s daughters, Cora and Alice, arrive in America from Scotland en route to see their father, Colonel Munro. Their father is in Fort William Henry, surrounded by French soldiers. The two LEVEL 3 girls set off, in the company of a Huron Indian, Magua, who will guide them through the woods, and Major Heyward, an British soldier. On their way they meet LEVEL 4 Chinggachgook, a Mohican chief, and his friend Hawkeye, a white man who has lived with the Mohicans. Hawkeye realizes that Magua has a plan to help the French and the About the author LEVEL 5 Hurons will find them and kill them. He chases Magua James Fenimore Cooper (1789–1851) was born in away. Then, Hawkeye takes the girls up the river in a New Jersey, in the United States. He went to school in canoe to a rendezvous in a cave with Chingachgook and Albany, studied for a time at Yale, joined the US Navy Chingachgook’s son, Uncas. Uncas immediately likes the LEVEL 6 and spent five years at sea. In 1811 he resigned from the dark-haired Cora. Navy and married Susan De Lancey settling in Scardale and then New York.