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The Last of the Mohicans Is a Historical Story in Cooper’S Brilliant Frontier Tales
LastOfMohicanseBookCover:Layout 2 12/9/07 9:23 PM Page 1 SADDLEBACK HE AST F Saddleback’s T L O TM Illustrated Classics THE MOHICANS THE LAST OF “Every story has two sides”. a “code” made famous THE MOHICANS by James Fenimore Cooper’s main character, Hawkeye. The Last Of The Mohicans is a historical story in Cooper’s brilliant frontier tales. It is an exciting adventure about America’s original inhabitants—our Native Americans—and Hawkeye’s heroic plight and JAMES FENIMORE COOPER pursuit against his white brothers while battling the evil OF THE MOHICANS THE LAST and vengeful Huron Chief Magua. Without question, The Last Of The Mohicans is a timeless classic in American literature. Three Watson COOPER Saddleback eBook Irvine, CA 92618-2767 Website: www.sdlback.com Last of The Mohicans:18170 pages 12/7/07 8:44 AM Page 3 Welcome to Saddleback’s Illustrated Classics™ We are proud to welcome you to Saddleback’s Illustrated Classics™. Saddleback’s Illustrated Classics™ was designed specifically for the classroom to introduce readers to many of the great classics in literature. Each text, written and adapted by teachers and researchers, has been edited using the Dale-Chall vocabulary system. In addition, much time and effort has been spent to ensure that these high-interest stories retain all of the excitement, intrigue, and adventure of the original books. With these graphically Illustrated Classics™, you learn what happens in the story in a number of different ways. One way is by reading the words a character says. Another way is by looking at the drawings of the character. -
The Last of the Mohicans James Fenimore Cooper
THE LAST OF COMPLETE CLASSICS THE MOHICANS UNABRIDGED JAMES FENIMORE COOPER Read by William Hope This famous novel deals with the early frontier period of American history and is set in 1757 during the Seven Years War between the French and the British. Intrepid frontiersman and scout Natty ‘Hawkeye’ Bumppo has lived among Indians for most of his life, respecting their customs and acquiring the skills of an experienced woodsman. His closest companion Chingachgook, the Mohican chief, and his son Uncas are the last surviving members of the Mohican tribe. When the evil Magua threatens the life of an innocent English woman, Hawkeye and the Mohicans find themselves at the centre of a battle for honour and vengeance. Canadian by birth, William Hope grew up in Montreal before training at RADA as an actor. Despite prolific and diverse work in the UK as an ‘English’ stage actor, William is mostly known as an international ‘American’ screen actor seen in over 150 films and TV shows. As an ex-member of the BBC Radio Drama Company he has performed in hundreds of plays Total running time: 16:51:29 and readings for radio. He has recorded over 200 audiobooks and regularly View our full range of titles at n-ab.com appears in voiceovers, cartoons and video games. In film, he is best known as Lieutenant Gorman in James Cameron’s iconic Aliens, a role that has led to his voice being sampled and imitated in diverse media. 1 The Last of the Mohicans 10:00 26 Chapter 13 15:04 2 Chapter 1 12:41 27 For many minutes Duncan succeeded in keeping… 13:22 3 According -
A Retrospective on Archaeology at Fort William Henry, 1952-1993: Retelling the Tale of the Last of the Mohicans David R
Northeast Historical Archaeology Volume 20 Article 2 1991 A Retrospective on Archaeology at Fort William Henry, 1952-1993: Retelling the Tale of The Last of the Mohicans David R. Starbuck Follow this and additional works at: http://orb.binghamton.edu/neha Part of the Archaeological Anthropology Commons Recommended Citation Starbuck, David R. (1991) "A Retrospective on Archaeology at Fort William Henry, 1952-1993: Retelling the Tale of The Last of the Mohicans," Northeast Historical Archaeology: Vol. 20 20, Article 2. https://doi.org/10.22191/neha/vol20/iss1/2 Available at: http://orb.binghamton.edu/neha/vol20/iss1/2 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Northeast Historical Archaeology by an authorized editor of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. A Retrospective on Archaeology at Fort William Henry, 1952-1993: Retelling the Tale of The Last of the Mohicans Cover Page Footnote I want to thank Paul Huey for impressing upon me the importance of studying older, unpublished, artifact collections. While it may appear more exciting to tackle "new" sites, we have a strong ethical obligation to make sure that older excavations are published, even when the original research was directed by others. I also wish to thank Mike Palumbo, Curator at Fort William Henry, for many stimulating conversations and for giving me access to photographs and artifacts from the 1950s excavation; and thanks go to the Fort William Henry Corporation for allowing me to reproduce archival photographs. -
Unit 5 Perspectives on the Novel-I1
UNIT 5 PERSPECTIVES ON THE NOVEL-I1 Structure 5.0 Objectives 5.1 Order in his Social Novels and Other Novels with Political Import 5.2, Cooper's Moral Vision in The Leatherstoclnng Tales 5.3 Conclusion 5.4 Let Us Sum Up 5.5 Questions 5.6 Suggested Reading 5.0 OBJECTIVES d In this Unit, we discuss the moral edifice of Cooper's works. In his extensive canon of nearly thirty works, there is recurrent moral strain in all of them. Here, we realise that the moral basis for order in his social novels and other works with political import, and his romanticization of world of moral pietj through the Leatherstocking i hero, is similar and identical. For, the ultimate goal of his all-round imaginationis to enshrine Christian values of goodness in action and thoughts in America of his times. i 5.1 ORDER IN HIS SOCIAL NOVELS AND OTHER WORKS WITH POLITICAL IMPORT As in the imagination of any great writer, art and prophesy organically fuse themselves in a visionary moment to signify a nation's moral concerns and evoke feelings of true joy in the reader's minds, in Cooper, too, such a creative fusion occurs in realising his moral vision. As his moral vision originates from a particular milieu of the 19' century America in the throes of expansion in every material sphere as well as in its fundamental desire for self-identity culturally, spiritually and intellectually, all his creative canon has'to be read as representing this singular desire and design of Cooper. -
James Fenimore Cooper and the Genteel Hero of Romance
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
James Fenimore Cooper's Frontier: the Pioneers As History Thomas Berson
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 James Fenimore Cooper's Frontier: The Pioneers as History Thomas Berson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES JAMES FENIMORE COOPER’S FRONTIER: THE PIONEERS AS HISTORY By THOMAS BERSON A Thesis Submitted to the Progra In A erican and Florida Studies in partial fulfill ent of the require ents for the degree of Master of Arts Degree Awarded: Sum er Se ester, 2004 The members of the Committee approve the thesis of Thomas Berson defended on July 1, 2004. --------------------------- Frederick Davis Professor Directing Thesis ---------------------------- John Fenstermaker Committee Member ---------------------------- Ned Stuckey-French Committee Member Approved: ------------------------------ John Fenstermaker, Chair, Program in American and Florida Studies ------------------------------ Donald Foss, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For My Parents iii ACKNOWLEDGEMENTS Special thanks to John Fenstermaker, who gave me the opportunity to come back to school and to teach and to Fritz Davis, who helped me find direction in my studies. Additional thanks to the aforementioned and also to Ned Stuckey-French for taking the time out of their summers to sit on the committee for this paper. iv TABLE OF CONTENTS Abstract................................................................................................................ -
The Last of the Mohicans by James Fenimoore Cooper
The Last of the Mohicans By James Fenimoore Cooper Chapter 12 “Clo.—I am gone, sire, And anon, sire, I’ll be with you again.” —Twelfth Night The Hurons stood aghast at this sudden visitation of death on one of their band. But as they regarded the fatal accuracy of an aim which had dared to immolate an enemy at so much hazard to a friend, the name of “La Longue Carabine” burst simultaneously from every lip, and was succeeded by a wild and a sort of plaintive howl. The cry was answered by a loud shout from a little thicket, where the incautious party had piled their arms; and at the next moment, Hawkeye, too eager to load the rifle he had regained, was seen advancing upon them, brandishing the clubbed weapon, and cutting the air with wide and powerful sweeps. Bold and rapid as was the progress of the scout, it was exceeded by that of a light and vigorous form which, bounding past him, leaped, with incredible activity and daring, into the very center of the Hurons, where it stood, whirling a tomahawk, and flourishing a glittering knife, with fearful menaces, in front of Cora. Quicker than the thoughts could follow those unexpected and audacious movements, an image, armed in the emblematic panoply of death, glided before their eyes, and assumed a threatening attitude at the other’s side. The savage tormentors recoiled before these warlike intruders, and uttered, as they appeared in such quick succession, the often repeated and peculiar exclamations of surprise, followed by the well–known and dreaded appellations of: The Last of the Mohicans: Chapter 12 by James Fenimoore Cooper “Le Cerf Agile! Le Gros Serpent!” But the wary and vigilant leader of the Hurons was not so easily disconcerted. -
An American Accented Cinema
AN AMERICAN ACCENTED CINEMA INDIGENOUS-CENTERED ROAD MOVIES An Honors Thesis by Elizabeth Falkenberg An American Accented Cinema: Indigenous-Centered Road Movies By Elizabeth Falkenberg Brown University MCM Track I Honors Thesis Spring 2019 Primary Advisor: Joan Copjec Second Reader: Levi Thompson ABSTRACT Motivated by a desire to assess both the positive and negative cultural legacies of classical Hollywood cinema, this thesis focuses on a genre descendant of the classic western: the road movie. More specifically, inspired and contextualized by Hamid Naficy’s theory of ‘accented cinema,’ it will explore a subgenre of the road movie that features indigenous characters and narratives. Three indigenous-centered road movies – Powwow Highway, Smoke Signals, and Barking Water – help me define a specific type of accented cinema which has emerged in United States. Positioned as cultural and social texts, these films can be considered “accented” by the ways in which they employ accepted modes of production and address the themes of nostalgia, border consciousness, and journeys. i TABLE OF CONTENTS Abstract ............................................................................................................................... i Introduction: A New Accented Cinema ..............................................................................1 1. A Hollywood History of Mythmaking ..................................................................................... 10 Assessing the Popularity of Classical American Cinema The Westward Dream -
Proquest Dissertations
"The Cross-Heart People": Indigenous narratives,cinema, and the Western Item Type text; Dissertation-Reproduction (electronic) Authors Hearne, Joanna Megan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 17:56:11 Link to Item http://hdl.handle.net/10150/290072 •THE CROSS-HEART PEOPLE": INDIGENOLJS NARRATIVES, CINEMA, AND THE WESTERN By Joanna Megan Heame Copyright © Joanna Megan Heame 2004 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3132226 Copyright 2004 by Hearne, Joanna Megan All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3132226 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. -
Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept
DOCUMENT RESUME ED 400 143 RC 020 735 AUTHOR Bagworth, Ruth, Comp. TITLE Native Peoples: Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept. of Education and Training, Winnipeg. REPORT NO ISBN-0-7711-1305-6 PUB DATE 95 NOTE 261p.; Supersedes fourth edition, ED 350 116. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MFO1 /PC11 Plus Postage. DESCRIPTORS American Indian Culture; American Indian Education; American Indian History; American Indian Languages; American Indian Literature; American Indian Studies; Annotated Bibliographies; Audiovisual Aids; *Canada Natives; Elementary Secondary Education; *Eskimos; Foreign Countries; Instructional Material Evaluation; *Instructional Materials; *Library Collections; *Metis (People); *Resource Materials; Tribes IDENTIFIERS *Canada; Native Americans ABSTRACT This bibliography lists materials on Native peoples available through the library at the Manitoba Department of Education and Training (Canada). All materials are loanable except the periodicals collection, which is available for in-house use only. Materials are categorized under the headings of First Nations, Inuit, and Metis and include both print and audiovisual resources. Print materials include books, research studies, essays, theses, bibliographies, and journals; audiovisual materials include kits, pictures, jackdaws, phonodiscs, phonotapes, compact discs, videorecordings, and films. The approximately 2,000 listings include author, title, publisher, a brief description, library -
Notions of American Identity in James Fenimore Cooper's the Last of the Mohicans and Catharine Maria Sedgwck's Hope Leslie Or, Early Times in the Massachusetts
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2010 Visions of the Future; Notions of American Identity in James Fenimore Cooper's The last of the Mohicans and Catharine Maria Sedgwck's Hope Leslie or, Early Times in the Massachusetts Cheryl M. Gioioso CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/12 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] VISIONS OF THE FUTURE: NOTIONS OF AMERICAN IDENTITY IN JAMES FENIMORE COOPER'S THE LAST OF THE MOHICANS AND CATHARINE MARIA SEDGIWCK'S HOPE LESLIE OR, EARLY TIMES IN THE MASSACHUSETTS By Cheryl M. Gioioso May 10, 2010 Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York Contents Acknowledgments......................................................................... i I: Introduction .............................................................................. 1 II: Biographical Information .................................................. 8 III: The Wilderness & Nature ................................................ 26 IV: European Heritage ............................................................ 47 V: Native American Heritage .............................................. 59 VI: Women & Power ............................................................... -
James Fenimore Cooper and the Idea of Environmental Conservation in the Leatherstocking Tales (1823-1841)
Ceisy Nita Wuntu — James Fenimore Cooper and the Idea of Environmental Conservation in the Leatherstocking Tales (1823-1841) JAMES FENIMORE COOPER AND THE IDEA OF ENVIRONMENTAL CONSERVATION IN THE LEATHERSTOCKING TALES (1823-1841) Ceisy Nita Wuntu IKIP Negeri Manado [email protected] Abstract The spirit to respect the rights of all living environment in literature that was found in the 1970s in William Rueckert’s works was considered as the emergence of the new criticism in literature, ecocriticism, which brought the efforts to trace the spirit in works of literature. Works arose after the 1840s written by Ralph Waldo Emerson, Henry David Thoreau, and Margareth Fuller, the American transcendentalists, are considered to be the first works presenting the respect for the living environment as claimed by Peter Barry. James Fenimore Cooper’s reputation in American literary history appeared because of his role in leading American literature into its identity. Among his works, The Leatherstocking Tales mostly attracted European readers’ attention when he successfully applied American issues. The major issue in the work is the spirit of the immigrants to dominate flora, fauna and human beings as was experienced by the indigenous people. Applying ecocriticism theory in doing the analysis, it has been found that Cooper’s works particularly his The Leatherstocking Tales (1823-1841) present Cooper’s great concern for the sustainable life. He shows that compassion, respect, wisdom, and justice are the essential aspects in preserving nature that meet the main concern of ecocriticism and hence the works that preceded the transcendentalists’ work places themselves as the embryo of ecocriticism in America.