Autumn Is Here This Is the Greywinds Newsletter, a Publication of the Incipient Shire of Graywood of the Society for Creative Anachronism, Inc

Total Page:16

File Type:pdf, Size:1020Kb

Autumn Is Here This Is the Greywinds Newsletter, a Publication of the Incipient Shire of Graywood of the Society for Creative Anachronism, Inc VOLUME VI, ISSUE XvI asliI OctoBER 5th, 2017 GREYWINDS Autumn is here This is the greywinds newsletter, a publication of the incipient shire of Graywood of the society for creative anachronism, inc. the greywinds newsletter is available from iona nic oitir (heather Miller) at 1414 sue drive, Lufkin, tx 75901. it is not a corporate publication of the society for creative anachronism, inc, and does not delineate sca policies. Copyright 2017 society for creative anachronism, inc. for information on reprinting articles and artwork from this publication, please con- tact the editor iona nic oitir, who will assist you in contacting the origi- nal creator of the piece. Please respect the legal rights of our con- tributors. A) the text must be printed in its entirety, without additions or changes. B) The auThor’s name and an original puBlicaTion crediT musT Be printed with the text. C) You must send a letter to the editor of this newsletter, stating which articles you have used and in which publication the materials have been reprinted. Credits: cover art by IONA Nic Oitir Fritatta recipe belongs to Daniel myers of medievalcookery.com Norse Mythology by iona nic oitir WE WISH A HAPPY BIRTHDAY TO THESE PEOPLE: October 12th—Lady Melia OCTOBER 16TH—ADAM BURKETT MEDIEVAL RECIPES CORNER sure that the eggs are Method : cooked enough if you choose FRITATTA (Egg Omelet) not to flip it). Sprinkle moz- Ingredients : Mix the eggs, milk, basil and zarella over the top. When 3 large eggs, beaten pepper together. Heat grill the cheese begins to melt, or pan and grease with but- fold the omelet over and re- 1 oz shredded mozzarella ter over low heat. Pour egg move from heat to serve. 1 oz milk mixture onto hot surface. Chopped basil 15th Century Italian Recipe Pepper You may choose to flip your medievalcookery.com Butter omelet over or not (just be OFFICERS OF THE INCIPIENT SHIRE OF GRAYWOOD SENESCHAL CRY HERALD RAPIER MARSHALL LORD WALTER THOMAS LONGSTRIDE AUBREY ERICSDATTER TAKING APPLICATIONS /THOM BELMONT (KINGDOM@CHRONICLER. MINISTER OF ARTS & SCIENCE (LONGSTRIDEOFGRAYWOOD ANSTEORRA.ORG) ROSE HAWTHORNE/AMANDA HERON @GMAIL.COM) RESEARCH HERALD ([email protected]) DEPUTY SENESCHALS ELIZABETHE CADWYN/MARIAH LAMBARGE PERFORMANCE DIRECTOR and RONJA MACRAITH / MELANIE SCOTT ([email protected]) DEPUTY ARTS AND SCIENCE MINISTER ([email protected]) SCRIBE CHERISE/SHELBY WRIGHT LADY EMMA WIGHT / JANET BELMONT ELIZABETHE CADWYN/MARIAH LAMBARGE ([email protected]) ([email protected]) ([email protected]) RAPIER MARSHALL KNIGHT MARSHALL DEPUTY SCRIBE TAKING APPLICATIONS GORICK MACRAITH/MIKE MCNELLIS TBD (TBD) ([email protected]) HOSPITALER WEBMINISTER DEPUTY KNIGHT MARSHALL MILES GREGORY CADWYN/ADAM BURKETT WIWAZ/CHARLES MILLER KILIAN MACRAITH/J.D. SCOTT ([email protected]) ([email protected]) ([email protected]) AMARIS MARINARO/RUTH CANTU DEPUTY HOSPITALER DEPUTY WEBMINISTER ([email protected]) LISETTE D’AMOUR/ALYSSA MINSHEW FEARGHUS HAWTHORNE/JIM HERON ([email protected]) ([email protected]) EXCHEQUER FEARGHUS HAWTHORNE/JIM HERON YOUTH MINISTER CHRONICLER OF GRAYWOOD ([email protected]) GEMMA LONGSTRIDE CADWYN/ IONA NIC OITIR/HEATHER MILLER JORDAN BRUNNER ([email protected]) DEPUTY EXCHEQUER ([email protected]) LISETTE D’AMOUR/ALYSSA MINSHEW DEPUTY CHRONICLER ([email protected] DEPUTY YOUTH MINISTER KILIAN MACRAITH/J.D. SCOTT LYNN PARISH ([email protected]) ([email protected]) NORSE MYTHOLOGY—Tales of the Norse The Norse were deep story-tellers, ones ons while the Vanir used subtle means of mag- who reveled in sharing a night around the fire, ic. telling of their daring escapades and of the bat- In time, weary of fighting, the two sides tles they’d entered. Skalds were a constant called a truce. As was customary in the time, welcome into any village, at the chance they hostages were traded. Freya was sent along might have another intriguing story to share. Of with two others to the Aesir, and the Aesir gave course, the Norse would also accept the tales of two of their kind to the Vanir in return - Mimir the gods, as the stories were full of chaos, one and Hoenir. Hoenir at first had a somewhat of the greater elements that often showed in comfortable life among the Vair, able to give the day-to-day of the Viking life. The supernat- incomparably wise advice on any problem. ural qualities of the Aesir and Vanir, along with However, they failed to realize he was only their ongoing battles and strife, painted such in able to do so when Mimir was near. Otherwise, -depth stories that were enhanced with every he was a slow-witted simpleton who was at a retelling that the skalds were known to add loss for words without Mimir’s council. His their own twist to the tales. As long as the main tendency to say, “Let others decide” concluded element remained - chaos - then the storyteller in the Vanir thinking they had been cheated in had a crowd welcoming him or her to their the hostage exchange and ended with their fires. sending Mimir’s severed head to Odin. Dis- traught, Odin chanted magic poems and em- The Tale of Kvasir the Wise balmed the head in herbs. In its preserved One of the favorite centers for stories is state, Mimir’s head was able to give Odin indis- the constant struggle between the Aesir and the pensable advice in times of need. With Mimir’s Vanir. Through most of the Norse tales, the two advice in his heart, Odin went to the Aesir and tribes got along well enough. In fact, there’s Vanir and they agreed that renewed hostilities great difficulty in finding distinction between was something that neither side wanted. In- the two, due to the intermarriage between stead, both sides came together to spit into a them. At one time, however, this wasn’t so. The cauldron to create Kvasir, the wisest of all be- goddess Freya, a Vanir who practiced the art of ings, as a way to pledge their sustained har- seidr (known for discerning or altering the mony. course of destiny), would move from town to Kvasir became famous and traveled town to sell her magic skills. She used the throughout Midgard to dispense his counsel. He name Heior, which means Bright, and eventu- was invited into the home of two dwarves, ally came to the home of the Aesir, Asgard. The Fjalar the Deceiver and Galar the Screamer. Aesir were taken with her. They began to seek Upon his arrival, the two dwarves slaughtered her out zealously until they began to recognize him and brewed mead with his blood. This that their values of honor, loyalty to kin, and mead contained Kvasir’s ability to dispense obedience, was being marred by their own wisdom, and was named Stirrer of Inspiration. greedy desires. They blamed Freya for their Any who drank of it would become a poet or own shortcomings and titled her Gullveig, or scholar. In time, the gods questioned the two Gold-greed, and attempted to murder her. They dwarves about Ksavir’s disappearance, and the did this three times, because each time she was dwarves answered that Ksavir had choked on reborn from the ashes. This frightened the Ae- his own wisdom. Their celebration with lying to sir and they began to distrust the Vanir, who in the gods was next to take the giant Gilling out to turn began to distrust the Aesir for their reac- sea to drown him, then to kill Gilling’s wife tion to Freya. Hostilities erupted into war, and when her wailing irritated them. They dropped there more differences made the two hate each a millstone on top of her head when she passed other due to their differences in combat tech- under the doorway of their house. Gilling’s son niques: the Aeisir used brute force and weap- Suttung, however, learned of what happened and took the two dwarves out in low tide, tied into a young man to charm Gunnlod. He se- them to a reef, so they’d be covered by the cured a promise from her allowing him three waves. The dwarves screamed for mercy, sips of mead if he laid with her for three which Suttung granted only when they agreed nights. After the third night, he consumed the to give him the mead they’d brewed with contents of each vat in a single gulp and flew Ksavir’s blood. He hid the mead in a chamber off to Asgard in the shape of an eagle, his prize beneath the mountains and had his daughter in his throat. Suttung soon learned of the trick- Gunnlod watch over them. ery and chased after Odin, also in the shape of This displeased Odin. He bent his will to an eagle. acquire the mead for himself and those he When the other gods spied their leader deemed worthy of its power. Odin disguised approaching with Suttung on his tail, they set himself as a wandering farmhand and visited several vessels at the rim of their fortress. Suttung’s brother Baugi. There, he offered to Odin reached protection before Suttung could sharpen the scythes of the nine servants he capture him, forcing the giant to retreat. The found mowing hay. They marveled at how well mead was regurgitated into the containers, the scythes cut the hay and asked to buy the save for a few drops that fell down to Midgard. whetstone Odin used. He warned them, “You Those drops are thought to be the source of the must pay a high price to buy it.” They agreed to abilities of all bad to mediocre poets and schol- whatever his price was. In answer, he threw ars. The true poets and scholars, however, are the whetstone into the air and the nine scram- those whom Odin personally dispensed his bled for it, killing each other with their scythes mead to with great care.
Recommended publications
  • Norse Myth Guide
    Norse Myth If it has a * next to it don’t worry about it for the quiz. Everything else is fair game within reason as I know this is a lot. Just make sure you know the basics. Heimdall -Characteristics -Can hear grass grow -Needs only as much sleep as a bird -Guards Bifrost -Will kill and be killed by Loki at Ragnarok -He is one of the Aesir -Has foresight like the Vanir -Other Names -Vindhler -Means "wind shelter" -The White God As -Hallinskidi -Means "bent stick" but actually refers to rams -Gullintani -Received this nickname from his golden teeth -Relationships -Grandfather to Kon the Young -Born of the nine mothers -Items -Gjallarhorn -Will blow this to announce Ragnarok -Sword Hofund -Horse Golltop -Places -Lives on "heavenly mountain" Himinbjorg -Stories -Father of mankind -He went around the world as Rig -He slept with many women -Three of these women, Edda, Amma, and Modir, became pregnant -They gave birth to the three races of mankind -Jarl, Karl, and Thrall -Recovering Brisingamen -Loki steals Brisingamen from Freya -He turns himself into a seal and hides -Freya enlists Heimdall to recover the necklace -They find out its Loki, so Heimdall goes to fight him -Heimdall also turns into a seal, and they fight at Singasteinn -Heimdall wins, and returns the necklace to Freya -Meaning of sword -A severed head was thrown at Heimdall -After this incident, a sword is referred to as "Heimdall's head" -Possession of knowledge -Left his ear in the Well of Mimir to gain knowledge Aegir* -Characteristics -God of the ocean/sea -Is sometimes said
    [Show full text]
  • 13. the Solar Antler in Sólarljóð
    The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD The Waning Sword Conversion Imagery and EDWARD PETTIT P The image of a giant sword mel� ng stands at the structural and thema� c heart of the Old ETTIT Celestial Myth in Beowulf English heroic poem Beowulf. This me� culously researched book inves� gates the nature and signifi cance of this golden-hilted weapon and its likely rela� ves within Beowulf and beyond, drawing on the fi elds of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and compara� ve mythology. In Part I, Pe� t explores the complex of connota� ons surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may func� on as a visual mo� f in which pre-Chris� an Germanic concepts and prominent Chris� an symbols coalesce. In Part II, Pe� t inves� gates the broader Germanic background to this image, especially in rela� on to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across � me. Drawing on an eclec� c range of narra� ve and linguis� c evidence from Northern European texts, and on archaeological discoveries, Pe� t suggests that the T image of the giant sword, and the characters and events associated with it, may refl ect HE an elemental struggle between the sun and the moon, ar� culated through an underlying W myth about the the� and repossession of sunlight. ANING The Waning Sword: Conversion Imagery and Celesti al Myth in Beowulf is a welcome contribu� on to the overlapping fi elds of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology.
    [Show full text]
  • This Answer Isn't Killing, but the Gaullic Figure Brut Visited the Island Of
    Round 01: This answer isn’t killing, but the Gaullic figure Brut visited the Island of Leogrecia after performing this action on a white hart. One god who did this to himself was the god of the following domains: sunsets, rebirths, jewelry, and flowers. That god did this to himself so corn could be grown. One animal that had this done to it was tossed into a weaving chamber. Another figure to suffer this fate is unable to turn his instrument upside down and was judged by the Muses against Apollo. For 10 points, name this act inflicted upon Marsyas, the process of removing the epidermis from a person. ANSWER: flaying [accept word forms, accept removal of skin or equivalents, such as skinning] Round 02: At his death, he was put into a mound with three doors, through which peasants offered gold, silver and copper. No one speaks to this figure, nor does he eat or sleep because he did the following action: while overlooking all the worlds, he looked north and saw a beautiful lady that lifts her arms up to irradiate the sky and the sea with a sensuous light. This figure’s father-in-law is married to Aurboda, and is named Gymir. Because he entrusted his sword and his horse to his servant Skirnir, he defeated the giant Beli using only an antler. He will be killed by the fire giant Surt. The owner of the folding ship Skidbladnir and the boar Gullinbursti, for 10 points, name this son of Skadi and Njord, a fertility god.
    [Show full text]
  • The Prose Edda
    THE PROSE EDDA SNORRI STURLUSON (1179–1241) was born in western Iceland, the son of an upstart Icelandic chieftain. In the early thirteenth century, Snorri rose to become Iceland’s richest and, for a time, its most powerful leader. Twice he was elected law-speaker at the Althing, Iceland’s national assembly, and twice he went abroad to visit Norwegian royalty. An ambitious and sometimes ruthless leader, Snorri was also a man of learning, with deep interests in the myth, poetry and history of the Viking Age. He has long been assumed to be the author of some of medieval Iceland’s greatest works, including the Prose Edda and Heimskringla, the latter a saga history of the kings of Norway. JESSE BYOCK is Professor of Old Norse and Medieval Scandinavian Studies at the University of California, Los Angeles, and Professor at UCLA’s Cotsen Institute of Archaeology. A specialist in North Atlantic and Viking Studies, he directs the Mosfell Archaeological Project in Iceland. Prof. Byock received his Ph.D. from Harvard University after studying in Iceland, Sweden and France. His books and translations include Viking Age Iceland, Medieval Iceland: Society, Sagas, and Power, Feud in the Icelandic Saga, The Saga of King Hrolf Kraki and The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer. SNORRI STURLUSON The Prose Edda Norse Mythology Translated with an Introduction and Notes by JESSE L. BYOCK PENGUIN BOOKS PENGUIN CLASSICS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc.,
    [Show full text]
  • Prose Edda Part 3: Pp
    Prose Edda Part 3: pp. 70-89 XLIX. Then spake Gangleri: "Have any more matters of note befallen among the Æsir? A very great deed of valor did Thor achieve on that journey." Hárr made answer: "Now shall be told of those tidings which seemed of more consequence to the Æsir. The beginning of the {p. 71} story is this, that Baldr the Good dreamed great and perilous dreams touching his life. When he told these dreams to the Æsir, then they took counsel together: and this was their decision: to ask safety for Baldr from all kinds of dangers. And Frigg took oaths to this purport, that fire and water should spare Baldr, likewise iron and metal of all kinds, stones, earth, trees, sicknesses, beasts, birds, venom, serpents. And when that was done and made known, then it was a diversion of Baldr's and the Æsir, that he should stand up in the Thing,[legislative assembly] and all the others should some shoot at him, some hew at him, some beat him with stones; but whatsoever was done hurt him not at all, and that seemed to them all a very worshipful thing. "But when Loki Laufeyarson saw this, it pleased him ill that Baldr took no hurt. He went to Fensalir to Frigg, and made himself into the likeness of a woman. Then Frigg asked if that woman knew what the Æsir did at the Thing. She said that all were shooting at Baldr, and moreover, that he took no hurt. Then said Frigg: 'Neither weapons nor trees may hurt Baldr: I have taken oaths of them all.' Then the woman asked: 'Have all things taken oaths to spare Baldr?' and Frigg answered: 'There grows a tree-sprout alone westward of Valhall: it is called Mistletoe; I thought it too young to ask the oath of.' Then straightway the woman turned away; but Loki took Mistletoe and pulled it up and went to the Thing.
    [Show full text]
  • Old Germanic Heritage in Metal Music
    Lorin Renodeyn Historical Linguistics and Literature Studies Old Germanic Heritage In Metal Music A Comparative Study Of Present-day Metal Lyrics And Their Old Germanic Sources Promotor: Prof. Dr. Luc de Grauwe Vakgroep Duitse Taalkunde Preface In recent years, heathen past of Europe has been experiencing a small renaissance. Especially the Old Norse / Old Germanic neo-heathen (Ásatrú) movement has gained popularity in some circles and has even been officially accepted as a religion in Iceland and Norway among others1. In the world of music, this renaissance has led to the development of several sub-genres of metal music, the so-called ‘folk metal’, ‘Viking Metal’ and ‘Pagan Metal’ genres. Acknowledgements First and foremost I would like to thank my promoter, prof. dr. Luc de Grauwe, for allowing me to choose the subject for this dissertation and for his guidance in the researching process. Secondly I would like to thank Sofie Vanherpen for volunteering to help me with practical advice on the writing process, proof reading parts of this dissertation, and finding much needed academic sources. Furthermore, my gratitude goes out to Athelstan from Forefather and Sebas from Heidevolk for their co- operation in clarifying the subjects of songs and providing information on the sources used in the song writing of their respective bands. I also want to thank Cris of Svartsot for providing lyrics, translations, track commentaries and information on how Svartsot’s lyrics are written. Last but not least I want to offer my thanks to my family and friends who have pointed out interesting facts and supported me in more than one way during the writing of this dissertation.
    [Show full text]
  • Odin Loki Thor Frigg
    Odin Thor Odin is the chief god in Norse Thor is the god of thunder, storms, mythology and part of the Æsir strength and fertility. He is part of pantheon. He is the king of Asgard. the Æsir pantheon. He is the son of Odin and married to the goddess Sif. Odin is the god of wisdom, poetry, death and magic. Thor wields a magical hammer called Mjolnir which is so powerful Also known as the All-Father, it is it can destroy mountains. He is able believed that he gave up one of his to summon thunder and lightning eyes in order to gain understanding using his hammer in battle against of the universe. He is also often his enemies. Vikings believed that a accompanied by two ravens who help thunderstorm was a sign that Thor him see everything. was angry. He rides into battle upon an eight- Thor also has incredible strength legged horse called Sleipnir and and is a mighty warrior. There are wields the mighty spear Gungnir, many tales of his battles, including with which he never misses his target. with the giant serpent Jörmungandr He is married to the goddess Frigg during Ragnarök – the final battle and is the father of many gods, of the gods. including Thor and Baldr. twinkl.com twinkl.com Loki Frigg Loki is the god of mischief and chaos. Frigg, or Frigga, is the goddess of He is known for playing tricks on motherhood and the sky, the wife of the other gods. He is part of the Æsir Odin and mother of Baldr and Hodr.
    [Show full text]
  • Gylfaginning Codex Regius, F
    Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text .......................................................................................................
    [Show full text]
  • THE MAGIC APPLES Chapter Five IT Is Not Very Amusing to Be a King
    THE MAGIC APPLES Chapter Five IT is not very amusing to be a king. Father Odin often grew tired of sitting all day long upon his golden throne in Valhalla above the heavens. He wearied of welcoming the new heroes whom the Valkyries brought him from wars upon the earth, and of watching the old heroes fight their daily deathless battles. He wearied of his wise ravens, and the constant gossip which they brought him from the four corners of the world; and he longed to escape from every one who knew him to some place where he could pass for a mere stranger, instead of the great king of the Æsir, the mightiest being in the whole universe, of whom every one was afraid. Sometimes he longed so much that he could not bear it. Then—he would run away. He disguised himself as a tall old man, with white hair and a long, gray beard. Around his shoulders he threw a huge blue cloak, that covered him from top to toe, and over his face he pulled a big slouch hat, to hide his eyes. For his eyes Odin could not change—no magician has ever learned how to do that. One was empty; he had given the eye to the giant Mimer in exchange for wisdom. Usually Odin loved to go upon these wanderings alone; for an adventure is a double adventure when one meets it single-handed. It was a fine game for Odin to see how near he could come to danger without feeling the grip of its teeth.
    [Show full text]
  • an Examination of the Relationship Between the Icelandic Conv
    “FATE MUST FIND SOMEONE TO SPEAK THROUGH”: CHRISTIANITY, RAGNARÖK, AND THE LOSS OF ICELANDIC INDEPENDENCE IN THE EYES OF THE ICELANDERS AS ILLUSTRATED BY GÍSLA SAGA SÚRSSONAR Item Type Thesis Authors Mjolsnes, Grete E. Download date 01/10/2021 15:39:20 Link to Item http://hdl.handle.net/11122/81 1 “FATE MUST FIND SOMEONE TO SPEAK THROUGH”: CHRISTIANITY, RAGNARÖK, AND THE LOSS OF ICELANDIC INDEPENDENCE IN THE EYES OF THE ICELANDERS AS ILLUSTRATED BY GÍSLA SAGA SÚRSSONAR A THESIS Presented to the Faculty Of the University of Alaska Fairbanks in Partial Fulfillment of the Requirement for the Degree of MASTER OF ARTS by Grete E. Mjolsnes, B. A. Fairbanks, Alaska December 2008 2 Abstract Iceland surrendered political control to the Norwegian monarchy in 1262, but immediately resented their choice. The sagas about reliance on the Norwegians, clearly illustrating that the Icelanders knew where this path was leading them. Gísla Saga is a particularly interesting text to examine in light of the contemporaneous political climate, as it takes place in the years leading up to the conversion but was written between the conversion and the submission to Norwegian rule. Though Gísla does not explicitly comment on either the conversion or the increase in Norwegian influence, close examination illuminates ambiguity in the portrayal of Christian and pagan characters and a general sense of terminal foreboding. This subtle commentary becomes clearer when one reads Gísla Saga in light of the story of Ragnarök, the death of the gods and the end of the Norse world. Characters and images in Gísla Saga may be compared with the events of Ragnarök, the apocalyptic battle between the Æsir and the giants, illustrating how the Christian conversion and Norwegian submission brought about the end of Iceland’s golden age by destroying the last home of the Norse gods.
    [Show full text]
  • A Handbook of Norse Mythology
    A HANDBOOK OF NORSE MYTHOLOGY BY KARL MORTENSEN DOCTOR OF PHILOSOPHY UNIVERSITY OF COPENHAGEN ; ADJUNCT AT THE CATHEDRAL SCHOOL (ROYAL GYMNASIUM) AT ODENSB TRANSLATED FROM THE DANISH BY A. CLINTON CROWELL ASSOCIATE PROFESSOR IN BROWN UNIVERSITY 1 ' , . * ' ' - r , * - . l I I . , NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS THE NEW YORK PUBLIC LIBRARY COPYRIGHT, 1913, BY THOMAS Y. CROWELL COMPANY. Published March, 1913. This compilation © Phoenix E-Books UK AUTHOR'S PREFACE THIS popular presentation of the myths and sagas which took shape here in the North but whose foundation is common property of all the people who speak a Gothic-Germanic language, first appeared in 1898 and has been used since then in the study of Xorse Mythology in the high schools and universities of all the Scandina- vian countries. Since Professor Crowell has thought that the little book might also achieve a modest success in the youngest but richest and.mosi powerful branch which has grown iron, cur ccmin-on >;uot, I have without hesitation, accopte^ his friendly pro- posal to transjate.jc into English. I find r great satisfaction m, hav -;ig my work put into the world's most comprehensive lan- guage and placed before students in the United States, where I have so many friends, where so many relatives and fel- low-countrymen have found a home and a iii iv AUTHOR'S PREFACE future, and toward which country we Northerners look with the deepest admira- tion and respect for the mighty forces which are seeking to control material things and to break new ground in the infinite realms of the intellect.
    [Show full text]
  • The Goddess: Myths of the Great Mother Christopher R
    Gettysburg College Faculty Books 2-2016 The Goddess: Myths of the Great Mother Christopher R. Fee Gettysburg College David Leeming University of Connecticut Follow this and additional works at: https://cupola.gettysburg.edu/books Part of the English Language and Literature Commons, Folklore Commons, and the Religion Commons Share feedback about the accessibility of this item. Fee, Christopher R., and David Leeming. The Goddess: Myths of the Great Mother. London, England: Reaktion Press, 2016. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/books/95 This open access book is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The Goddess: Myths of the Great Mother Description The Goddess is all around us: Her face is reflected in the burgeoning new growth of every ensuing spring; her power is evident in the miracle of conception and childbirth and in the newborn’s cry as it searches for the nurturing breast; we glimpse her in the alluring beauty of youth, in the incredible power of sexual attraction, in the affection of family gatherings, and in the gentle caring of loved ones as they leave the mortal world. The Goddess is with us in the everyday miracles of life, growth, and death which always have surrounded us and always will, and this ubiquity speaks to the enduring presence and changing masks of the universal power people have always recognized in their lives.
    [Show full text]