July 25/26, 2020

Total Page:16

File Type:pdf, Size:1020Kb

July 25/26, 2020 July 25/26, 2020 Fax: 303 - 422 - 8251 www.spiritofchrist.org Flocknote.com/spiritofchrist Parish Office Hours Monday thru Friday: 8:30 AM to 3 PM Mass Schedule Monday through Friday: 9 AM* Saturday: 5 PM* Sunday: 7:00, 8:30*,10:30 AM*, 12:15 & 5 PM * indicates live streamed Confessions Saturday 3:30 PM - 4:45 PM outside of the chapel Fr. Chris ’ Catholic Cultural Corner DID YOU KNOW? - DENVER CATHOLIC HISTORY cathedral was begun, replacing the too small Saint Mary's. It Our Catholic Church in Colorado is colored with a unique and is our cathedral which presently stands at Colfax and Lo- vibrant history. It reflects the times and places of our great gan. Based on the German cathedral of Munster, the building state, and its people. As we were a "boom" state, built upon had slow progress. For two years construction ceased. People mining in its early days, so our Church's growth reflects that in Denver talked of the big "pit" on Logan! Eventually, enough "boom" characteristicas well. Denver's founding is usually dat- money was accumulated to finish the project. The cathedral ed about 1857. The Pikes Peak Gold Rush followed in was dedicated on Oct. 27, 1912. Twenty thousand people 1858. However, by this time, the Bishop of Santa Fe, Jean Bap- marched from Broadway down Colfax to the site for the dedi- tiste Lamy had already founded the first parishes in Colorado cation. To this day, the Cathedral has stood firm as a symbol in the San Luis Valley (Conejos and San Luis). and sign of our Catholic faith. It is still an architectural mas- In 1860, Joseph Machebeuf came to Denver as the first Apos- terpiece. Did you know that it has 20,000 individual panes of tolic Administrator (later Bishop) of Colorado. Accompanied stained glass? This is the most of any Catholic church west of by Fr. John Raverdy, these two priests began the first parish in the Mississippi! Denver at the corner of 15th and Stout. (Think Colorado Con- Lastly, many of you have visited Mt. Olivet Cemetery or have vention Center, probably where the blue bear loved ones buried there. But did you presently stands!). This parish named Saint know that this is the 2nd Catholic ceme- Mary's later became the first cathedral of the tery. The first was Mt. Calvary and was Diocese of Denver. In 1864, Bishop Machebeuf located where the present Denver Botanic invited the Sisters of Loreo from Kentucky to Gardens are located. The site was con- come to Colorado to offer Catholic educa- demned by the city in 1891, and the ceme- tion. The sisters opened Saint Mary's Academy tery moved to Wheat Ridge in 1892, built at the corner of 14th and California. The pre- on land donated by the Mullen fami- sent Saint Mary's is on South University and ly. Most of the bodies were relocated, but Alameda. It is the oldest secondary school in the some are still buried (unmarked) under state, and the first to offer high school diplomas! the beautiful flowers and plants of the In 1906, under Fr. Hugh McMenamin, the new Botanic Gardens. More history to come… Lord, I love your commands. (Ps 119) Christian Formation Public Mass options at SOC! 1. Aend weekend Mass inside here at SOC. We are still limited on the number of people at a time, so you must sign up. New sign up will be emailed each Mon- day and posted on our website spiritofchrist.org 2. Watch Mass from your device. They are on YouTube or go to spiritofchrist.org and click on “ Mass videos. ” 3. Live stream Mass from your device while in our park- ing lot during Sat. 5 PM, Sun, 8:30 or 10:30 AM Mass and at the conclusion of Mass, Holy Communion is Has anyone asked you why you believe what you believe? brought outside to the car line. An offertory box will Are you currently teaching the faith to children, family also be available in line. members, friends, or in a faith group? It ’ s time for you to be fed so that you can feed others! The Denver Catholic 4. Daily Mass. No need to sign up, just show up. Biblical or Catechetical School will temporarily hold classes online for this year only! Pick up a brochure at one of the parish entrances for a list of locations and information ses- Please refer to ArchDen.org/Coronavirus sions. You can also call 303.715.3195 or visit for Archdiocese guidelines and resources sjvlaydivision.org for more details. concerning COVID - 19. RCIA inquiry is meeting on Tuesdays from 7 - 9 PM. If you are thinking of entering the Catholic Church or want to learn more about your Catholic faith, then this is the place to start. There is a sign up form on our website spiritofchrist.org. Click on registrations and RCIA. For more info, contact Patriotic rosary will be prayed [email protected] or every Tuesday through elections [email protected] after the 9 AM Mass in the church. Please join us. Confirmation dates! High School Confirmation: Rehearsal: Tuesday, September 15 at 7:00 PM We hope you are enjoying the beautiful flowers that grace Mass: Thurs., Sept. 17 at 6:30 PM, followed by a reception the church grounds. Middle School Confirmation: We especially thank Maggie inn for her capable coordi- Rehearsal is Monday, September 14 at 6:00 PM nation of this volunteer group who planted them, tend Mass is Weds, Sept 16 at 6:30 PM, followed by a reception them (in this hot weather) and will nurture them until Children's Confirmation frost. Rehearsal: Tuesday, September 15 at 5:15 PM Each volunteer takes care of one of the flower beds. Mass: Friday, Sept. 18 at 6:30 PM, followed by a reception The other volunteers we wish to thank are: Baptism prep training Will resume live on Sunday Au- Val Mraz; Carolyn Ackerman; Judy Galterio, Chris gust 9. This training, which will be in SC - East, and goes Kotowski, Jayne Bishop and Cathy Buckley. We call from 11:45am until 3:00pm with a box lunch provided. All them our Garden Angels. safety protocols will be practiced. Also a big shout out to the Myles Ogea Family (Liz, Maya, Cylas, Ave and Charlie) who weed and tidy up the There is also an online, self - paced training for those who parking lot and grounds every Friday. prefer to avoid live gatherings. Please contact We thank them for making our parish home even [email protected] for more info. more beautiful and so appreciate all their hard work. LITURGY Seventeenth Sunday in Ordinary Time - July 26 First Reading: First Kings 3: 5, 7 - 12 Responsorial Psalm: Psalms 119: 57, 72, 76 - 77, 127 - 128, 129 - 130 (97a) Second Reading: Romans 8: 28 - 30 Gospel: Mahew 13: 44 - 52 Eighteenth Sunday in Ordinary Time - August 2 First Reading: Isaiah 55: 1 - 3 Responsorial Psalm: Psalms 145: 8 - 9, 15 - 16, 17 - 18 Second Reading: Romans 8: 35, 37 - 39 (Please note: These are subject to change) Gospel: Mahew 14: 13 - 21 Seventeenth Sunday in Ordinary Time Saturday, July 25 It ’ s so interesting to watch the birds in our neighborhood. They 5:00 PM The People of SOC appear to be just hanging out, chaering to their friends from Sunday, July 26 the trees, or languidly floating around, making circle eights in 7:00 AM Alfonso Roybal + the sky. But, all of a sudden, a whole flock of sparrows descends 8:30 AM Charles & Sylvia Desiato ++ on one lile patch of grass, and away they fly, carrying worms 10:30 AM Beatrice Jiron + and other gems back to their nests. 12:15 PM Ken Renner + That ’ s the thing. If you want the hidden treasure, you have to 5:00 PM Brian Helser (sp. int.) put yourself in the position to find it. Then there ’ s the maer of Monday, July 27 discerning what is truly valuable. Skim milk, sang Gilbert and 9:00 AM Carolyn Schwab + Sullivan, oen masquerades as cream. Tuesday If we want something badly enough we are willing to buy a 9:00 AM Sam Bradshaw (sp. int.) whole field in order to own the treasure we know is hidden Wednesday there. But great gis like a loving spouse, faithful friends, nur- 9:00 AM Elizabeth Ann Schmidt + turing families and great jobs require our devoted aention. We Laurann McCarthy + can ’ t just drop them off somewhere and expect they ’ ll be there Thursday when we return. The greatest treasures require our greatest 9:00 AM Bruce Fitzgerald + efforts. Friday Faith is like that. A grown - up, nurturing faith that goes the dis- 9:00 AM For those whose funerals were tance for a lifetime is the pearl of greatest price, but we have to keep ourselves in the game in order to own it. Like birds circling held at Spirit of Christ this month in for the food they ’ ve been watching for, human beings also need to hover close to that which truly nourishes. + indicates deceased Catholics today are living in a time of spiritual explosion. There must be twenty great publications, in print or online, that offer insightful reflections on the gospel for each day of the year. Please Pray for Those Who Have Died Classes and retreats abound. Spiritual directors are available. Are you feeling hungry? Swoop down and get yourself some Florence Westervelt, sister of Donna Kriege, aunt of breakfast. Amy, John, Ben Keleman In what ways are you keeping your faith alive and nourished? Graciella Seinz, mother of Graciela, grandmother of Kathy McGovern ©2020 www.thestoryandyou.com Marc Helen Fuller, mother of Rick and Sharon Fuller John Madden, husband of Dolores Plant enthusiasts! Would you enjoy tending our indoor plants? We have lot ’ s of plants indoors that need some love.
Recommended publications
  • Title "Stand by Your Man/There Ain't No Future In
    TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan.
    [Show full text]
  • Sanders, Geterly Women Inamerican History:,A Series. Pook Four, Woien
    DOCONIMM RIBOSE ED 186 Ilk 3 SO012596 AUTHOR Sanders, geTerly TITLE Women inAmerican History:,A Series. pook Four,Woien in the Progressive Era 1890-1920.. INSTITUTION American Federation of Teachers, *Washington, D.C. SPONS AGENCY Office,of Education (DHEW), Wastington, D.C. Wolen's Educational Egutty Act Program. PUB DATE 79 NOTE 95p.: For related documents, see SO 012 593-595. AVAILABLE FROM Education Development Center, 55 Chapel Street, Newton, MA 02160 (S2.00 plus $1.30 shipping charge) EDRS gRICE MF01 Plus Postige. PC Not.Available from EDRS. DESCRIPTORS Artists; Authors: *CiVil Rights: *Females; Feminksm; Industrialization: Learning Activities: Organizations (Groups): Secondary Education: Sex Discrioination; *Sex Role: *Social Action: Social Studies;Unions; *United States History: Voting Rights: *Womens Studies ABSTRACT 'The documente one in a series of four on.women in American history, discusses the rcle cf women in the Progressive Era (11390-1920)4 Designed to supplement high school U.S.*history. textbooks; the book is co/mprised of five chapter's. Chapter I. 'describes vtormers and radicals including Jane A3damsand Lillian Wald whs b4tan the settlement house movement:Florence Kelley, who fought for labor legislation:-and Emma Goldmanand Kate RAchards speaking against World War ft Of"Hare who,became pOlitical priscners for I. Chapter III focuses on women in factory workand the labor movement. Excerpts from- diaries reflectthe'work*ng contlitions in factor4es which led to women's ipvolvement in the,AFL andthe tormatton of the National.Wcmenls Trade Union League. Mother Jones, the-Industrial Workers of the World, and the "Bread and Roses"strike (1S12) of 25,000 textile workers in Massachusetts arealso described.
    [Show full text]
  • White Men, Non-White Women, and Sexual Crisis in Antebellum America
    "A Plumb Craving for the Other Color": White Men, Non-White Women, and Sexual Crisis in Antebellum America By Alison Marie Weiss A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Paula Fass, Chair Professor Waldo Martin Professor Margaret Chowning Professor Brian DeLay Professor Elisa Tamarkin Spring 2013 Copyright 2013 by Alison Marie Weiss 1 Abstract “A Plumb Craving for the Other Color”: White Men, Non-White Women, and Sexual Crisis in Antebellum America by Alison Marie Weiss Doctor of Philosophy in History University of California, Berkeley Professor Paula Fass, Chair “‘A Plumb Craving for the Other Color’: White Men, Non-White Women, and Sexual Crisis in Antebellum America” examines interracial relations between white men and non-white women in the antebellum period. Focusing on black, Indian, and Spanish American women, this dissertation argues that such liaisons were far more prevalent, institutionalized, and tolerated than historians have previously argued. Although such phenomena as black concubines, tribally organized Indian marriages, and land-rich Mexican wives have been separately examined, no single study has put them together and questioned their particular prevalence at a specific time in American history. This dissertation argues that the relationships white men formed with non- white women follow certain patterns that evidence a sexual “crisis” in antebellum America. Taking evidence from court records, periodicals, diaries, letters, travelogues and fiction, this study reveals that non-white women and their relations with white men were often portrayed in astonishingly similar ways.
    [Show full text]
  • Establishing Female Resistance As Tradition in Country Music: Towards a More Refined Discourse
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2016 12:00 AM Establishing Female Resistance as Tradition in Country Music: Towards a More Refined Discourse Catherine Keron The University of Western Ontario Supervisor Dr. Norma Coates The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Catherine Keron 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Keron, Catherine, "Establishing Female Resistance as Tradition in Country Music: Towards a More Refined Discourse" (2016). Electronic Thesis and Dissertation Repository. 3970. https://ir.lib.uwo.ca/etd/3970 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This thesis analyzes facets of resistance in the lyrics of female country music performers and explores how their articulations of female resistance draw on and rework Appalachian folk traditions within country music. Beginning with the musical practices of Appalachian women, who used music to lament their lives restricted by domestic responsibilities, this thesis examines expressions of female resistance through lyrical analysis, with a concentration on female country performers from 1995 to the present. Despite evolving into a performance tradition, female resistance in country music continues to address the lived experiences of its female audience. As such, the female resistance tradition is an enduring component of country music that has addressed women’s issues for over a century.
    [Show full text]
  • The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
    THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs.
    [Show full text]
  • PHILADELPHIA WOMEN and the PUBLIC SPHERE, 1760S-1840S
    “THE YOUNG WOMEN HERE ENJOY A LIBERTY”: PHILADELPHIA WOMEN AND THE PUBLIC SPHERE, 1760s-1840s By KATHARINE DIANE LEE A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Nancy Hewitt and Paul G. E. Clemens And approved by _______________________________________ _______________________________________ _______________________________________ _______________________________________ New Brunswick, New Jersey May 2016 ABSTRACT OF THE DISSERTATION “The Young women here enjoy a liberty”: Philadelphia Women and the Public Sphere, 1760s-1840s by KATHARINE DIANE LEE Dissertation Director: Nancy Hewitt This dissertation examines women’s access to and participation in the community life of Philadelphia in the decades surrounding the American Revolution. It argues against the application of separate spheres to late-colonial and early national Philadelphia and proposes that women were heavily integrated into nearly all aspects of the city’s public life. Women from diverse backgrounds were actively involved in commerce, politics, protest, intellectual and legal debates, social institutions, wartime developments, educational advancements, and benevolent causes. They saw themselves and were viewed by their peers as valuable members of a vibrant and complex city life. If we put aside assumptions about women’s limited relationship to the public sphere, we find a society in which women took advantage of a multitude of opportunities for participation and self-expression. This project also examines the disparity between the image of the ideal housewife and the lived experience of the majority of female Philadelphians. Idealized descriptions of Revolutionary women present a far more sheltered range of options than those taken advantage of by most actual women.
    [Show full text]
  • The Single Woman's Sassy Survival Guide
    The Single Woman’s Sassy Survival Guide: Letting Go and Moving On by Mandy Hale Disclaimer: The Single Woman, LLC, Mandy Hale, and the Publisher make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. The work is sold with the understanding that the Publisher is not engaged in rendering legal, accounting, medical, therapy, or other professional services. The work is also sold with the understanding that the author is not engaged in rendering any kind of therapy or counseling services. If professional assistance is required, the services of a competent professional person should be sought. Neither the Publisher nor the Author shall be liable for damages arising herefrom. The fact that a website or organization is referred to in this work as a citation and/or a potential source of further information does not mean that The Single Woman, LCC, Mandy Hale, or the Publisher endorses the information or organization or website. Further, readers should be aware that Internet websites listed in this work may have changed or disappeared between when this work was written and when it is read. The Single Woman’s Sassy Survival Guide: Letting Go and Moving On by Mandy Hale This eBook is licensed for your personal enjoyment only. This eBook may not be re-sold or given away to other people.
    [Show full text]
  • Dolly Parton Tennessee Homesick Blues / Hard Candy Christmas Mp3, Flac, Wma
    Dolly Parton Tennessee Homesick Blues / Hard Candy Christmas mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Tennessee Homesick Blues / Hard Candy Christmas Country: US Style: Country MP3 version RAR size: 1285 mb FLAC version RAR size: 1937 mb WMA version RAR size: 1740 mb Rating: 4.1 Votes: 932 Other Formats: AUD MP1 FLAC AHX MMF AC3 DMF Tracklist Hide Credits Tennessee Homesick Blues A 3:36 Arranged By – Mike PostProducer – Dolly Parton, Mike PostWritten-By – Dolly Parton Hard Candy Christmas B 3:35 Producer – Gregg PerryWritten-By – Carol Hall Companies, etc. Phonographic Copyright (p) – Twentieth Century Fox Film Corporation Phonographic Copyright (p) – RCA Records Record Company – RCA Corporation Mastered At – The Mastering Lab Mastered At – Masterfonics Published By – Velvet Apple Music Published By – Daniel Music Ltd. Published By – Shukat Music Published By – MCA Music Notes Side A published by Velvet Apple Music BMI. From the "Original Recording from the Twentieth Century Fox Motion Picture Rhinestone", ABL1-5032. Side B published by Daniel Music Ltd./Shukat Music, a division of the Shukat Co., Ltd. /MCA Music, a division of MCA, Inc., ASCAP. From the Universal Film "Best Little Whorehouse in Texas" Made in U.S.A. ℗ 1982 RCA Records Barcode and Other Identifiers Matrix / Runout (Label Side A): GB-14070-A Matrix / Runout (Label Side B): GB-14070-B Matrix / Runout (Runout, Side A, Etched): A 2 GB14070A B̶B̶1̶3̶8̶1̶9̶A -7S Matrix / Runout (Runout, Side B, Etched ): GB14070B P̶B̶-̶1̶3̶3̶6̶1̶-̶A 1S Matrix
    [Show full text]
  • China's 'Leftover' Women Phenomenon: Media Portrayal and 'Leftover' Voices
    University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2015 China's 'Leftover' Women Phenomenon: Media Portrayal and 'Leftover' Voices Mazie Merriman University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the History Commons Recommended Citation Merriman, Mazie, "China's 'Leftover' Women Phenomenon: Media Portrayal and 'Leftover' Voices" (2015). Honors Theses. 680. https://egrove.olemiss.edu/hon_thesis/680 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. CHINA’S ‘LEFTOVER’ WOMEN PHENOMENON: MEDIA PORTRAYAL AND ‘LEFTOVER’ VOICES by Mazie Katherine Merriman A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi Oxford, Mississippi May 2015 Approved: ______________________________ Advisor: Dr. Joshua Howard ______________________________ Reader: Dr. Kees Gispen ______________________________ Reader: Dr. Kirsten Dellinger © 2015 Mazie Katherine Merriman ALL RIGHTS RESERVED ii ACKNOWLEDGMENTS First, I would like to thank the Croft Institute for International Studies for both its academic and personal support over the last four years. In particular, I am extremely grateful for the unconditional support of Dr. Kees Gispen, who constantly reminded me how proud he was of me. I would like to thank both my mentor, Dr. Joshua Howard, and my third reader, Dr.
    [Show full text]
  • Women in Rockabilly Music: Lavern Baker and Janis Martin Stephanie P
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2012 Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin Stephanie P. Lewin-Lane University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the African American Studies Commons, Music Commons, and the Women's Studies Commons Recommended Citation Lewin-Lane, Stephanie P., "Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin" (2012). Theses and Dissertations. 11. https://dc.uwm.edu/etd/11 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin—Milwaukee August 2012 ABSTRACT SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane The University of Wisconsin-Milwaukee, 2012 Under the Supervision of Dr. Gillian Rodger Rockabilly music is an exciting and vibrant style of early Rock and Roll that originated in the 1950s. With its aggressive beat and anti-establishment connotations, rockabilly is considered a widely male-dominated genre, a point supported by the majority of scholarship and literature on the subject. However, a review of available contemporary recordings, television shows, advertisements and interviews show that women were an integral part of the history of rockabilly music.
    [Show full text]
  • Nasty Women Transgressive Womanhood in American History
    Nasty Women Transgressive Womanhood in American History Edited by Marian Mollin With the Students of HIST 4914 - Spring 2020 The saying goes that well-behaved women rarely make history. For centuries, American women have been carving out spaces of their own in a male-dominated world. From politics, to entertainment, to their personal lives, women have been making their mark on the American landscape since the nation’s inception, often ignored or overlooked by those creating the record. This collection takes the long view of the American woman and examines her transgressive behavior through the decades. Including stories of women enslaved, early celebrities, engineers, and more, these essays demonstrate how there is no such thing as an “average” woman, as even those ordinary women are found doing extraordinary things. This collection comes at a particularly poignant time, as August 2020 marked the 100th anniversary of the ratification and adoption of the 19th amendment, which – in a landmark for women’s right – granted American women the right to vote. Virginia Tech Department of History in association with ISBN 9781949373516 90000 > 9 781949 373516 Nasty Women Nasty Women: Transgressive Womanhood in American History is part of the Virginia Tech Student Publications series. This series contains book-length works authored and edited by Virginia Tech undergraduate and graduate students and published in collaboration with Virginia Tech Publishing. Often these books are the culmination of class projects for advanced or capstone courses. The series provides the opportunity for students to write, edit, and ultimately publish their own books for the world to learn from and enjoy.
    [Show full text]
  • Hellfire Nation: the Politics of Sin in American History
    More praise for Hellfire Nation “In a beautifully written book, Morone has integrated the history of American political thought with a perceptive study of religion’s role in our public life. May Hellfire Nation encourage Americans to discover (or rediscover) the ‘moral dreams that built a nation.’”—E. J. Dionne, syndi- cated columnist and author of Why Americans Hate Politics and They Only Look Dead “This is a remarkably broad, sweeping account, written with verve and passion.”—James T. Patterson, author of Brown v. Board of Education: A Civil Rights Milestone and Its Troubled Legacy “Morone is an exciting writer. Rich in documentation and eloquent in purpose, Hellfire Nation couldn’t be more timely.”—Tom D’Evelyn, Providence Journal “Hellfire Nation offers convincing evidence that no political advance has ever taken place in the United States without a moral awakening flushed with notions about what the Lord would have us do. It’s enough to make a secular leftist gag—and then grudgingly acknowledge the power of prayer.”—Michael Kazin, Nation “This book’s provocative thesis, ambitious scope, and brisk prose ensure that it will appeal to a broad readership.”—Harvard Law Review “[Morone] has written a book for people with no special training in American cultural history. His aim seems to be to meditate on the long history of Christian-based political movements. He wants to encourage people to rethink the possibilities and limitations of the American ten- dency to conflate religion and politics. Morone has succeeded in meeting these worthwhile goals, and he has done so through a set of engrossing narratives.
    [Show full text]