Contexts of Singleness
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How Second-Wave Feminism Forgot the Single Woman Rachel F
Hofstra Law Review Volume 33 | Issue 1 Article 5 2004 How Second-Wave Feminism Forgot the Single Woman Rachel F. Moran Follow this and additional works at: http://scholarlycommons.law.hofstra.edu/hlr Part of the Law Commons Recommended Citation Moran, Rachel F. (2004) "How Second-Wave Feminism Forgot the Single Woman," Hofstra Law Review: Vol. 33: Iss. 1, Article 5. Available at: http://scholarlycommons.law.hofstra.edu/hlr/vol33/iss1/5 This document is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Review by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. Moran: How Second-Wave Feminism Forgot the Single Woman HOW SECOND-WAVE FEMINISM FORGOT THE SINGLE WOMAN Rachel F. Moran* I cannot imagine a feminist evolution leading to radicalchange in the private/politicalrealm of gender that is not rooted in the conviction that all women's lives are important, that the lives of men cannot be understoodby burying the lives of women; and that to make visible the full meaning of women's experience, to reinterpretknowledge in terms of that experience, is now the most important task of thinking.1 America has always been a very married country. From early colonial times until quite recently, rates of marriage in our nation have been high-higher in fact than in Britain and western Europe.2 Only in 1960 did this pattern begin to change as American men and women married later or perhaps not at all.3 Because of the dominance of marriage in this country, permanently single people-whether male or female-have been not just statistical oddities but social conundrums. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Sanders, Geterly Women Inamerican History:,A Series. Pook Four, Woien
DOCONIMM RIBOSE ED 186 Ilk 3 SO012596 AUTHOR Sanders, geTerly TITLE Women inAmerican History:,A Series. pook Four,Woien in the Progressive Era 1890-1920.. INSTITUTION American Federation of Teachers, *Washington, D.C. SPONS AGENCY Office,of Education (DHEW), Wastington, D.C. Wolen's Educational Egutty Act Program. PUB DATE 79 NOTE 95p.: For related documents, see SO 012 593-595. AVAILABLE FROM Education Development Center, 55 Chapel Street, Newton, MA 02160 (S2.00 plus $1.30 shipping charge) EDRS gRICE MF01 Plus Postige. PC Not.Available from EDRS. DESCRIPTORS Artists; Authors: *CiVil Rights: *Females; Feminksm; Industrialization: Learning Activities: Organizations (Groups): Secondary Education: Sex Discrioination; *Sex Role: *Social Action: Social Studies;Unions; *United States History: Voting Rights: *Womens Studies ABSTRACT 'The documente one in a series of four on.women in American history, discusses the rcle cf women in the Progressive Era (11390-1920)4 Designed to supplement high school U.S.*history. textbooks; the book is co/mprised of five chapter's. Chapter I. 'describes vtormers and radicals including Jane A3damsand Lillian Wald whs b4tan the settlement house movement:Florence Kelley, who fought for labor legislation:-and Emma Goldmanand Kate RAchards speaking against World War ft Of"Hare who,became pOlitical priscners for I. Chapter III focuses on women in factory workand the labor movement. Excerpts from- diaries reflectthe'work*ng contlitions in factor4es which led to women's ipvolvement in the,AFL andthe tormatton of the National.Wcmenls Trade Union League. Mother Jones, the-Industrial Workers of the World, and the "Bread and Roses"strike (1S12) of 25,000 textile workers in Massachusetts arealso described. -
White Men, Non-White Women, and Sexual Crisis in Antebellum America
"A Plumb Craving for the Other Color": White Men, Non-White Women, and Sexual Crisis in Antebellum America By Alison Marie Weiss A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Paula Fass, Chair Professor Waldo Martin Professor Margaret Chowning Professor Brian DeLay Professor Elisa Tamarkin Spring 2013 Copyright 2013 by Alison Marie Weiss 1 Abstract “A Plumb Craving for the Other Color”: White Men, Non-White Women, and Sexual Crisis in Antebellum America by Alison Marie Weiss Doctor of Philosophy in History University of California, Berkeley Professor Paula Fass, Chair “‘A Plumb Craving for the Other Color’: White Men, Non-White Women, and Sexual Crisis in Antebellum America” examines interracial relations between white men and non-white women in the antebellum period. Focusing on black, Indian, and Spanish American women, this dissertation argues that such liaisons were far more prevalent, institutionalized, and tolerated than historians have previously argued. Although such phenomena as black concubines, tribally organized Indian marriages, and land-rich Mexican wives have been separately examined, no single study has put them together and questioned their particular prevalence at a specific time in American history. This dissertation argues that the relationships white men formed with non- white women follow certain patterns that evidence a sexual “crisis” in antebellum America. Taking evidence from court records, periodicals, diaries, letters, travelogues and fiction, this study reveals that non-white women and their relations with white men were often portrayed in astonishingly similar ways. -
Establishing Female Resistance As Tradition in Country Music: Towards a More Refined Discourse
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2016 12:00 AM Establishing Female Resistance as Tradition in Country Music: Towards a More Refined Discourse Catherine Keron The University of Western Ontario Supervisor Dr. Norma Coates The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Catherine Keron 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Keron, Catherine, "Establishing Female Resistance as Tradition in Country Music: Towards a More Refined Discourse" (2016). Electronic Thesis and Dissertation Repository. 3970. https://ir.lib.uwo.ca/etd/3970 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This thesis analyzes facets of resistance in the lyrics of female country music performers and explores how their articulations of female resistance draw on and rework Appalachian folk traditions within country music. Beginning with the musical practices of Appalachian women, who used music to lament their lives restricted by domestic responsibilities, this thesis examines expressions of female resistance through lyrical analysis, with a concentration on female country performers from 1995 to the present. Despite evolving into a performance tradition, female resistance in country music continues to address the lived experiences of its female audience. As such, the female resistance tradition is an enduring component of country music that has addressed women’s issues for over a century. -
The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs. -
PHILADELPHIA WOMEN and the PUBLIC SPHERE, 1760S-1840S
“THE YOUNG WOMEN HERE ENJOY A LIBERTY”: PHILADELPHIA WOMEN AND THE PUBLIC SPHERE, 1760s-1840s By KATHARINE DIANE LEE A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Nancy Hewitt and Paul G. E. Clemens And approved by _______________________________________ _______________________________________ _______________________________________ _______________________________________ New Brunswick, New Jersey May 2016 ABSTRACT OF THE DISSERTATION “The Young women here enjoy a liberty”: Philadelphia Women and the Public Sphere, 1760s-1840s by KATHARINE DIANE LEE Dissertation Director: Nancy Hewitt This dissertation examines women’s access to and participation in the community life of Philadelphia in the decades surrounding the American Revolution. It argues against the application of separate spheres to late-colonial and early national Philadelphia and proposes that women were heavily integrated into nearly all aspects of the city’s public life. Women from diverse backgrounds were actively involved in commerce, politics, protest, intellectual and legal debates, social institutions, wartime developments, educational advancements, and benevolent causes. They saw themselves and were viewed by their peers as valuable members of a vibrant and complex city life. If we put aside assumptions about women’s limited relationship to the public sphere, we find a society in which women took advantage of a multitude of opportunities for participation and self-expression. This project also examines the disparity between the image of the ideal housewife and the lived experience of the majority of female Philadelphians. Idealized descriptions of Revolutionary women present a far more sheltered range of options than those taken advantage of by most actual women. -
The Single Woman's Sassy Survival Guide
The Single Woman’s Sassy Survival Guide: Letting Go and Moving On by Mandy Hale Disclaimer: The Single Woman, LLC, Mandy Hale, and the Publisher make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. The work is sold with the understanding that the Publisher is not engaged in rendering legal, accounting, medical, therapy, or other professional services. The work is also sold with the understanding that the author is not engaged in rendering any kind of therapy or counseling services. If professional assistance is required, the services of a competent professional person should be sought. Neither the Publisher nor the Author shall be liable for damages arising herefrom. The fact that a website or organization is referred to in this work as a citation and/or a potential source of further information does not mean that The Single Woman, LCC, Mandy Hale, or the Publisher endorses the information or organization or website. Further, readers should be aware that Internet websites listed in this work may have changed or disappeared between when this work was written and when it is read. The Single Woman’s Sassy Survival Guide: Letting Go and Moving On by Mandy Hale This eBook is licensed for your personal enjoyment only. This eBook may not be re-sold or given away to other people. -
Couples and Coupling in the Public Sphere: a Comment on the Legal History of Litigating for Lesbian and Gay Rights
University of Chicago Law School Chicago Unbound Journal Articles Faculty Scholarship 1993 Couples and Coupling in the Public Sphere: A Comment on the Legal History of Litigating for Lesbian and Gay Rights Mary Anne Case Follow this and additional works at: https://chicagounbound.uchicago.edu/journal_articles Part of the Law Commons Recommended Citation Mary Anne Case, "Couples and Coupling in the Public Sphere: A Comment on the Legal History of Litigating for Lesbian and Gay Rights," 79 Virginia Law Review 1643 (1993). This Article is brought to you for free and open access by the Faculty Scholarship at Chicago Unbound. It has been accepted for inclusion in Journal Articles by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. COUPLES AND COUPLING IN THE PUBLIC SPHERE: A COMMENT ON THE LEGAL HISTORY OF LITIGATING FOR LESBIAN AND GAY RIGHTS Mary Anne Case* O F three possible focal points for gay identity-the individual, the community, and the couple-the couple is the least visible in liti- gation about the public sphere rights of gay men and lesbians. Using as my starting point the cases collected in Professor Patricia Cain's litigation history,' I shall explore in this Commentary the implica- tions of the couple's absence from most public sphere cases and its uneasy, shadowy presence within others. It should not be surprising that the couple is both a suppressed and a contested element in gay rights litigation. Coupling, in two senses of the word, is both defining and problematic for gay men and lesbians in this society. -
Dolly Parton Tennessee Homesick Blues / Hard Candy Christmas Mp3, Flac, Wma
Dolly Parton Tennessee Homesick Blues / Hard Candy Christmas mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Tennessee Homesick Blues / Hard Candy Christmas Country: US Style: Country MP3 version RAR size: 1285 mb FLAC version RAR size: 1937 mb WMA version RAR size: 1740 mb Rating: 4.1 Votes: 932 Other Formats: AUD MP1 FLAC AHX MMF AC3 DMF Tracklist Hide Credits Tennessee Homesick Blues A 3:36 Arranged By – Mike PostProducer – Dolly Parton, Mike PostWritten-By – Dolly Parton Hard Candy Christmas B 3:35 Producer – Gregg PerryWritten-By – Carol Hall Companies, etc. Phonographic Copyright (p) – Twentieth Century Fox Film Corporation Phonographic Copyright (p) – RCA Records Record Company – RCA Corporation Mastered At – The Mastering Lab Mastered At – Masterfonics Published By – Velvet Apple Music Published By – Daniel Music Ltd. Published By – Shukat Music Published By – MCA Music Notes Side A published by Velvet Apple Music BMI. From the "Original Recording from the Twentieth Century Fox Motion Picture Rhinestone", ABL1-5032. Side B published by Daniel Music Ltd./Shukat Music, a division of the Shukat Co., Ltd. /MCA Music, a division of MCA, Inc., ASCAP. From the Universal Film "Best Little Whorehouse in Texas" Made in U.S.A. ℗ 1982 RCA Records Barcode and Other Identifiers Matrix / Runout (Label Side A): GB-14070-A Matrix / Runout (Label Side B): GB-14070-B Matrix / Runout (Runout, Side A, Etched): A 2 GB14070A B̶B̶1̶3̶8̶1̶9̶A -7S Matrix / Runout (Runout, Side B, Etched ): GB14070B P̶B̶-̶1̶3̶3̶6̶1̶-̶A 1S Matrix -
China's 'Leftover' Women Phenomenon: Media Portrayal and 'Leftover' Voices
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2015 China's 'Leftover' Women Phenomenon: Media Portrayal and 'Leftover' Voices Mazie Merriman University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the History Commons Recommended Citation Merriman, Mazie, "China's 'Leftover' Women Phenomenon: Media Portrayal and 'Leftover' Voices" (2015). Honors Theses. 680. https://egrove.olemiss.edu/hon_thesis/680 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. CHINA’S ‘LEFTOVER’ WOMEN PHENOMENON: MEDIA PORTRAYAL AND ‘LEFTOVER’ VOICES by Mazie Katherine Merriman A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi Oxford, Mississippi May 2015 Approved: ______________________________ Advisor: Dr. Joshua Howard ______________________________ Reader: Dr. Kees Gispen ______________________________ Reader: Dr. Kirsten Dellinger © 2015 Mazie Katherine Merriman ALL RIGHTS RESERVED ii ACKNOWLEDGMENTS First, I would like to thank the Croft Institute for International Studies for both its academic and personal support over the last four years. In particular, I am extremely grateful for the unconditional support of Dr. Kees Gispen, who constantly reminded me how proud he was of me. I would like to thank both my mentor, Dr. Joshua Howard, and my third reader, Dr. -
July 25/26, 2020
July 25/26, 2020 Fax: 303 - 422 - 8251 www.spiritofchrist.org Flocknote.com/spiritofchrist Parish Office Hours Monday thru Friday: 8:30 AM to 3 PM Mass Schedule Monday through Friday: 9 AM* Saturday: 5 PM* Sunday: 7:00, 8:30*,10:30 AM*, 12:15 & 5 PM * indicates live streamed Confessions Saturday 3:30 PM - 4:45 PM outside of the chapel Fr. Chris ’ Catholic Cultural Corner DID YOU KNOW? - DENVER CATHOLIC HISTORY cathedral was begun, replacing the too small Saint Mary's. It Our Catholic Church in Colorado is colored with a unique and is our cathedral which presently stands at Colfax and Lo- vibrant history. It reflects the times and places of our great gan. Based on the German cathedral of Munster, the building state, and its people. As we were a "boom" state, built upon had slow progress. For two years construction ceased. People mining in its early days, so our Church's growth reflects that in Denver talked of the big "pit" on Logan! Eventually, enough "boom" characteristicas well. Denver's founding is usually dat- money was accumulated to finish the project. The cathedral ed about 1857. The Pikes Peak Gold Rush followed in was dedicated on Oct. 27, 1912. Twenty thousand people 1858. However, by this time, the Bishop of Santa Fe, Jean Bap- marched from Broadway down Colfax to the site for the dedi- tiste Lamy had already founded the first parishes in Colorado cation. To this day, the Cathedral has stood firm as a symbol in the San Luis Valley (Conejos and San Luis).