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National Hearing Conservation Association Annual Conference , 2003, February, Dallas. Invited lecture. Invited Lay language paper presented at the 156th meeting of the Acoustical Society of America. Absolute pitch is associated with a large auditory digit span A clue to its genesis. Mozart Festival, Kennedy Center for the Performing Arts , 1998, Washington, D. 1983, November. Schiﬀman, Sensation and Perception. Heller and W. , and Dooley, K. Auditory Perception, Cognition and Action Meeting , 2002, November, Kansas City. Stereo TV, Invited presentation. Marks, The Unity of the Senses. Journal of the Acoustical Society of America , 1996, 99, 2482,. The pitch levels of female speech in two Chinese villages. , Sensation and Perception. Physics Today , 2010, February, 40-45,. Ear Club , 2004, May, Department of Psychology, University of California, Berkeley. Invited Lay language paper presented at the 148th meeting of the Acoustical Society of America, San Diego, November,. New York Oxford University Press. Mozart Festival, Kennedy Center for the Performing Arts , 1998, Washington, D. Basic Structure and Function in the Central Nervous System , 1974, New York MacMillan Co. Representation of pitch and pitch combinations. Invited Lay Language paper presented at the 149th Meeting of the Acoustical Society of America. and Deutsch, D. Musical space. Two issues at the interface between speech and music. Paper presented at the. Winter Conference on Brain Research , 1986, Keystone. International conference on Psychology and the Arts , 1983, Cardiﬀ, Wales. Psychonomic Society Meeting , 1984, El Paso. Encyclopedia of Perception , 2009, 1, 160-164, Sage. Invited Presentation, Annual meeting of the. , Psychological Foundations of Musical Behavior. , and Dooley, K. 2004, November, San Diego. Generalizzione dell ottava e ritenzione dell informazione melodica. Journal of the Acoustical Society of America , 1974, 56, s25,. Quarterly Journal of Experimental Psychology , 1974, 26, 229-234,. Royal Society Discussion Meeting on Auditory Processing of Complex Sounds , 1991, Royal Society, London.

McFadden Ed. Some new pitch paradoxes and their implications. Illusions in sound and music. , and Deutsch, D. In- ternational Library of Critical Writings in Psychology , 1993, Aldershot Edward Elgar Publishing. The Tritone Paradox and the Pitch Range of the Speaking Voice Reply to Repp. Hearing music in ensembles. Auditory illusions, handedness, and the spatial environment. Frontiers of Bioscience special issue , 2007, 12, 4473-4482,. Presented to the Society of Experimental Psychologists , 2003. The processing of pitch combinations. , 2002, 47, 410-412. Colloquium presentation. The Oxford Companion to the Mind , 1987, 61-63. Kubovy and J. Paradoxien der Tonhohenwahrnehmung. Bridgeman Eds. The tritone paradox Its presence and form of distribution in a general population. Absolute pitch among students in an American music conservatory Association with tone language ﬂuency. A new pitch paradox. Auditory pattern recognition. Keynote panelist. JASA , 2021, April, 149, 2829,. Heller and W. Handbook of Perception and Action, Vol 1 , 1996, 1, 253-296, Academic Press. Knudsen Distinguished Lecture presented at the 161th Meeting of the Acoustical Society of America. Journal of the Acoustical Society of America , 1979, 65, s92,. Foreward to R. International Association of Empirical Aesthetics , 2008, August, Chicago. , 2005, 1, 307-341, Gottingen Hogrefe. A new pitch circularity illusion. Musical Intelligence. Tone language and absolute pitch Prevalence among American and Chinese conservatory students. Journal of the Acoustical Society of America , 2009, April, 125, 2683, Portland. Invited Address. Music and the Cognitive Sciences, Contemporary Music Review , 1989, Harwood Academic Publishers, London. Perception Psychophysics , 1972, 11, 411-412,. MIT Learning Workshop. The paradox of pitch circularity.

0 now from the Chrome Web Store. Reuben Van Fleet Theater Society for Amateur Scientists , 2001, November, San Diego. Workshop on Physical and Neuropsychological Foundations of Music , 1983, Ossiach, Austria. Royal Swedish Academy of Music , 1981, Stockholm, Sweden. International Conference on Psychology and the Arts , 1983, Cardiff, Wales. Journal of the Acoustical Society of America , 1984, 76, s77,. Grouping mechanisms in music. Dichotic listening to musical sequences Relationship to hemispheric specialization of function. Music perception. , and Sereno, M. Deutsch, D, Jiang, C. Deliege Eds. Audio Magazine , 1987, 36-48. Underwood Ed. Special session organizer. Journal of the Acoustical Society of America , 1983,. Nature , 1978, 274, 721,. Contemporary Psychology APA REVIEW OF BOOKS. Absolute pitch among students at the Shanghai Conservatory of Music A large-scale direct-test study. , The Psychology of Attention. , The Psychology of Attention. Science , 1970, 168, 1604-1605,. Attention Some theoretical considerations. The phenomenology of musical hallucinations. Selected Invited Presentations. Mind, Life, Universe Conversations with great scientists of our time , 2007, 241-248, Chelsea Green Publishing Company, White River Junction, VT. Journal of the Acoustical Society of America , 1983, 73, 1865-1867,. On the opposite end of the spectrum are those papers written in German from my early undergraduate years -- please recall that I d only had three years of highschool German when I started writing those, so forgive any horrendous errors. Influence of relational context on pitch recognition as a function of retention interval. Psychology and Music. Journal of Shenghai Conservatory of Music , 2016, 4, 133-145,. Perception and Psychophysics , 1978, 24, 7-10,. Ear dominance depends on sequential, frequency-specific interactions between tones at the two ears. Music Recognition. Vietnamese translation of Speaking in tones. Journal of the Acoustical Society of America , 1978, 64, s146,. Short Term Memory , 1975, New York Academic Press. Invited Presentation. 2012, October, Kansas City.

Response to Auditory Perception in Music Teaching and Learning by J. Grouping mechanisms in music. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. Absolute pitch, speech, and tone language Some experiments and a proposed framework. Review of Music and Memory An Introduction , by Bob Snyder. In Science and the Arts. Deutsch and J. Journal of the Acoustical Society of America , 1978, 63, s31,. Workshop on Drugs and Cognition. Music, Mind and Brain , 1982, 119-136, Plenum, New York. Gathering for Gardner 6 g4g6 , 2004, March, Atlanta. Pitch proximity in the grouping of simultaneous tones. Handedness and memory for tonal pitch. The psychology of music, 3rd Edition , 2013, 183-248, San Diego Elsevier. AAAS Annual Meeting , 1997, Seattle. The Psychology of Music, Ist Edition , Volume I, Japanese translation. International Library of Critical Writings in Psychology , 1993, Aldershot Edward Elgar Publishing. Octave equivalence in the processing of tonal sequences. The paradox of pitch circularity. Frontiers in Human Neuroscience , 2008, 1,. Special Issue of the Journal of the Audio Engineering Society , 1983,. Sensory Perception Laboratory Manual. Current Directions in Psychological Science , 2002, 11, 200-204,. Invited Presentation. Journal of Experimental Psychology Human Perception and Performance , 2004, 30, 355-364,. Language experience inﬂuences nonlinguistic pitch perception. Processi cognitivi in musica , 1986, 133-163, Milano, Franco Angeli Libri. Invited tutorial presentation. Some new pitch paradoxes and their implications. Journal of Acoustical Society of America , 2004, 116, 2580,. 1987, Nishimura Co. Psychonomic Society Meeting , 1983, San Diego. Reisberg Ed. Journal of the Acoustical Society of

2 America , 1989, 86, S17,. 72nd Audio Engineering Society Convention , 1982, Anaheim. Campbell and C. On-line perception of Mandarin Tones 2 and 3 Evidence from eye movements. Sound and Science Symposium , 2009, March, University of Califor- nia, Los Angeles. Computer evaluation of musical performance from the acoustic signal An exploratory study on performance anxiety.

Narmour and R. Cognitive Processes in the Perception of Art , 1984, North Holland. Invited speaker. Bornstein Ed. La perception des structures musicales. Memory for auditory information. Mapping of Interactions in the Pitch Memory Store. Invited Presentation, Acoustical Society of America. A new pitch circularity illusion. , and Henthorn, T. Journal of the Acoustical Society of America , 2008, November, 124, 2471,. Perception Psychophysics , 1983, 34, 331-337,. Invited Presentation. Journal of the Acoustical Society of America , 2010, 128, 890-893,. If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. Review of Coren, S. Octave generalization and melody identification. , Griffiths, T. , Los Angeles. Scientific American Mind, 2010, July August, 36-43. Selected Conference Presentations. Encyclopedia of Psychology, Vol 1. Proceedings of the First International Conference on Music Perception and Cognit , 1989, 107-112, Kyoto, Japan. and Dolson, M. , Lenguaje musical y humano. 72nd Audio Engineering Society Convention , 1982, Anaheim. Auditory illusions and the brain. Memory and attention to music. This week s citation classic. Third Workshop on the Physical and Neuropsychological Foundations of Music , 1980, Ossiach, Austria. Recognition of durations embedded in temporal patterns. Illusioni Musicali. Invited lecture. Structure and perception of electroacoustic sound and music , 1989, 61-812, Springer-Verlag. Absolute pitch among students in an American music conservatory Association with tone language fluency. An illusion with musical scales. The Glissando Illusion and Handedness. Nature , 1970, 226, 286,. Illusions for Stereo Headphones.

Musical illusions and paradoxes, Invited Address. Keynote presentation. Hearing Research and Theory, Volume 1 , 1981, 1, 99-142, New York Academic Press. Paper presented at the meeting of the. The tritone paradox Correlate with the listener s vocal range for speech. Musical illusions and paradoxes. Kungliga Musikaliska Akademiens Arsskrift , 1981, 38-60. Octave Generalization and the Consolidation of Melodic Information. Scientific American Special Issue , 1995, 46-51. Western Psychological Association Convention , 2006, April, Palm Springs. The papers marked with a blue ribbon are the ones I feel demonstrate the best of my writings. 1988, Nishimura Co. McAdams and I. , and Henthorn, T. Contemporary Psychology , 1982. , and Henthorn, T. Review of Geissler et al. Journal of the Acoustical Society of America , 1983,. , and Deffenbacher, K. Music Perception , 2004, 21, 339-356,. Two-channel listening to musical scales. Perception and Psychophysics , 1982, 31, 407-410,. Journal of Experimental Psychology , 1972, 93, 156-162,. Szende, Intervallic Hearing Its Nature and Pedagogy. Scientific American , 1992, 267, 88-95,. Physiological Psychology, 1st Edition , 1966, llinois Dorsey Press. Musical Illusions and Paradoxes , 1995, La Jolla Philomel Records. Music Perception , 1986, 3, 275-280. Neuropsychology of Lefthandedness , 1980, 263-271, New York Academic Press. Neuropsychologia , 2007, 45, 2981-2988,. Stein and Jeffrey J. In The musician s guide to music perception and cognition. Contemporary Psychology APA REVIEW OF BOOKS. The Psychology of Music, Ist Edition , Volume II, Japanese translation. Journal of the Acoustical Society of America , 1982,. Encyclopedia of Neuroscience , 2009, 5, 1159-1167, Academic Press, Oxford. Ann Arbor Symposium on the Applications of Psychology to Music , 1978, November. The tritone paradox A link between music and speech. 25th Annual Meeting of the College Music Society , 1982, Boston.

Antonietti Eds. Diana Deutsch, Musical Illusions and Paradoxes. Journal of the Acoustical Society of America , 2000, 108, 2591,. Society for Motion Picture and Television Engineers Workshop , 1985, Los Angeles. The Psychology of Music. Journal of the Acoustical Society of America , 1978, 63, 183-186,. Invited presentation. Campbell Eds , 2010, July, 81-87,. Music for the Ear and Brain. The Glissando Illusion A spatial illusory contour in hearing. Lateralization by frequency in dichotic tonal sequences as a function of interaural amplitude and time differences. Grouping mechanisms in music. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Absolute Pitch and Tone Language Two New Studies. Fifth Workshop on the Physical and Neuropsychological Foundations of Music , 1985, Ossiach, Austria. Absolute pitch is disrupted by a memory illusion. Zisook, and F. The processing of pitch combinations. , and Knight, R. and Deutsch D. The Oxford Companion to the Mind , 1987, 505-506. In Philosophy of Mind Brains, Consciousness, and Thinking Machines , CD-ROM. Schirmer , 1992. Processi cognitivi in musica , 1986, 164-170, Milano, Franco Angeli Libri. Duration discrimination and the processing of rhythmic patterns. Journal of the Acoustical Society of America , 1978, 64, 707. Parlare a tono. Psychological Review , 1981, 88, 503-522,. , Edelstein, M. Physiological Psychology , 2nd Edition , 1973, Illinois Dorsey Press. A regional difference within the United States in perception of the tritone paradox. Music perception. 2001, June, Toronto. An auditory illusion. Invited Public Lecture. In American Psychological Association Symposium Individual and Sociocultural Determinants of Musical Perception and Production. Society of Amateur Scientists , 2003, July, California Institute of Technology. Reply to Comments on Ear dominance and sequential interactions by E. Bruce Goldstein.

Information Processing Approaches to Visual Perception , 1969, New York Holt, Rinehart and Winston. Institut de Recherche et Coordination Acoustique-Musique , 1981, Paris, France. Journal of the Acoustical Society of America , 2013, 134, 3853-3859,. Essay deutsch d. 1999, Amsterdam Elsevier Science. Invited Lecture. , and Henthorn, T. Audio Engineering Society Convention , 1986, Los Angeles. Attention some Theoretical Considerations. Chairman and Invited Speaker Plenary Session. Wahrnehmung, Volume in Enzyklopadie de Psychologie , 1994, 339-389, Verlag fur Psychologie. Edited by Dunn, D. 1981, Hillsdale Erlbaum. Perception Psychophysics , 1980, 28, 381-389,. and Deutsch, D. Perception and Psychophysics , 1982, 31, 596-598,. Journal of the Acoustical Society of America , 2009, April, 125, EL208,. Journal of the Acoustical Society of America , 2008, 124, 589-597,. 81st Audio Engineering Society Convention , 1986, Los Angeles. Memory for pitch and pitch relationships. , and Lapidis, R. The perceived height of octave-related complexes. Music Perception , 1994, 12, 213-225,. Encyclopaedia of Linguistics Information and Control , 1968, Pergamon Press. In The Science of Musical Sound. , and Henthorn, T. Journal of the Acoustical Society of America , 2008, November, Miami. Lorenzetti, and A. Generality of interference by tonal stimuli in recognition memory for pitch. , and Henthorn, T. Essay deutsch d. Butters Eds. Quarterly Journal of Experimental Psychology , 1967, 19, 362-367,. The Sciences for the Arts , 2000, University of California, Irvine. Society for Music Perception and Cognition, Montreal , 2007, Aug 1. The tritone paradox among Chinese children aged 12 and 13. Invited Address. Dichotic Listening to Melodic Patterns and Its Relationship to Hemispheric Specialization of Function. The Enigma of Absolute Pitch.

3 Music Perception , 1994, 12, 257-263,. invited presentation. Cerebral Cortex , 2013, 23, 249-254,. Journal of the Acous- tical Society of America , 2011, 130, 4097-4104,. and Dooley, K. , and Lapidis, R. Binaural integration of tonal patterns. Proceedings of the National Symposium on the Applications of Psychology to the Teaching and Learning of Music. Journal of the Acoustical Society of America , 1981, 70, 647,. Left handers outperform right handers on a pitch memory task. Journal of Experimental Psychology Human Perception and Performance , 1976, 2, 23-29,. Review of Oliver Sacks. Journal of the Acoustical Society of America , 1984,. Pitch classes differ with respect to height. Psychological Review , 1969, 76, 300-309,. Mattingley, and S. Auditory illusions and audio. 2016 What do you consider the most interesting recent scientific news. Proceedings of the International Conference on Music Perception and Cognition , 2014, August,. The processing of pitch combinations. APS William James Distinguished Lecture , 2004, March, delivered at the annual meeting of the Southeastern Psychological Association, Atlanta. 2011, May, Seattle. , and Henthorn, T. A regional difference in perception of the tritone paradox within the United States. revised , 2001, London Macmillan. The Semitone Paradox. Cognitive bases of musical communication , 1992, 115-138, American Psychological Association Monog. Foreward to S. invited presentation. Deutsch, D Ed. Journal of the Acoustical Society of America , 2005, 118, 1949,. Music perception. Comments on Selective attention perception or response. Nielzen and O. Effect of Repetition of Standard and Comparison Tones on Recognition Memory for Pitch. Journal of the Acoustical Society of America , 2012, 132, 1886,. Moore, Dolson, M. Journal of the Acoustical Society of America , 2011, 129, 2582-2582,. , and Dolson, M.

Bridgeman Eds. Opening Editorial. National Association of Schools of Music , 2000, San Diego. invited presentation. Music Perception , 1984, 2, 265-271,. Am anderen Ende des Spektrums sind die Arbeiten, die aus meiner fr hen Studienzeit stammen -- ich hatte zu der Zeit nur drei Jahre lang Deutsch gelernt, also verzeihen Sie die vielen Sprachfehler. Cosponsored by Divisions 3, 6, 10, 21, and 40, Los Angeles. Journal of the Acoustical Society of America , 1988, 83, 365-368,. The Psychology of Music , 1982, 99-134, New York Academic Press. Paradoxes of musical pitch. I d like to think my German has improved exponentially since then. The climate of auditory imagery and music. Audio Magazine , 1987, 36-48,. Society for Motion Picture and Television Engineers seminar on Stereo Television , 1985, Los Angeles. Tone language speakers possess absolute pitch. Carterette and M. Review of Brown, E. Music Perception , 1983, 1, 1-2,. Music Perception , 1991, 9, 185-198,. An auditory paradox. Pomeranz Eds. Organized by the National Institute on Drug Abuse , 1978, September, Belmont. Meyer , 1988, 261-294, New York Pendragon Press. Journal of the Acoustical Society of America , 1986, 80, s93,. No disillusions in Auditory Extinction Perceiving a Melody Comprised of Unperceived Notes. Vocal range for speech determines perception of a musical pattern. Echoes Acoustical Society of America , 1996, 6, 1-5,. Davies, The Psychology of Music. The speech-to-song illusion. The tritone paradox Implications for the representation and communication of In M. Music Perception , 1988, 6, 115-132,. Journal of the Acoustical Society of America , 1985, 77, s35,. Journal of the Acoustical Society of America , 1977, 61,. In Auditory Processing of Complex Sounds. Deutsch Eds. Perfect pitch in tone language speakers carries over to music. Commentary on The octave illusion and handedness A replication of Diana Deutsch s 1974 study. In Perceptual Organization. , Perception and the Senses.

Auditory illusions. Auditory illusions. Invited Lay language paper presented at the 148th meeting of the Acoustical So- ciety of America. Tone language speakers possess absolute pitch. In Brockman, J. Journal of the Acoustical Society of America , 2013, 133, 3016-3029,. Williamson, V. Journal of Chinese Linguistics , 2013, 41, 447-467,. 178th meeting of the Acoustical Society of America , 2019, December, San Diego. The tritone paradox An inﬂuence of language on music perception. Some new sound paradoxes and their implications. A musical paradox. Musical illusons, absolute pitch, and other enigmas of sound perception. Ars Musica , 1989. Invited Address, American Psychological Society Convention. and Dolson, M. Organizational processes in music. Journal of the Acoustical Society of America , 2011, 130, 2570,. Interference in Pitch Memory as a Function of Ear of Input. Journal of the Acoustical Society of America , 2013, 133, 1859-1861,. Fourth Joint Meeting Acoustical Society of American and Acoustical Society of Japan , 2006, Nov-Dec, Honolulu. Perception Psychophysics , 1975, 17, 320-324,. Faster decline of pitch memory over time in congenital amusia. Psychoacoustical illusions, handedness, and the spatial environment. , and Henthorn, T. , and Rayner, K. Workshop on Drugs and Cognition. Musicae Scientiae , 2013, 17, 290-292,. Music and talk. Music Perception. You may need to download version 2. Reply to Reconsidering evidence for the suppression model of the octave illusion, by C. Reprinted in Ralph Norman Haber Ed. An auditory illusion. Neuropsychology of Left-handedness, Japanese edition , 1983, 269-278. Encyclopedia of Psychology , 2000, Oxford University Press and the American Psychological Association. Foreward to S. The octave illusion and the what-where connection. Nontransposable music.

In Paul Bakan Ed. 25th Annual Meeting of the College Music Society , 1982, Boston. Journal of the Acoustical Society of America , 1976, 60, s50,. Invited Speaker and Session Organizer. Sound and Video Contractor , 1998, September, 34-44,. What makes it Important. Attention , 1966, D. Sound and Video Contractor , 1994, 10-20. Invited Lay language paper presented at the 138th meeting of the Acoustical Society of America. Keynote speaker. Gunturkun Ed. Could a congenital disorder of musical perception ever be explained by a single gene. Invited speaker and session organizer. Plenary Session Address. Acoustics Today , 2008, 4, 16-27,. Absolute pitch - a connection between music and speech. Society for Music Theory Meeting , 1983, New Haven. Relating neuronal organization to a complex behavioural phenotype. Binaural integration of melodic patterns. Attention and Performance VIII , 1978, Princeton. William Yund. The Glissando Illusion A spatial illusory contour in hearing. Invited presentation. Inner Voices, Inner Music , Durham , 2014, September,. Biopschologie , 1998, 18-25, Spektrum Akademischer Verlag GmbH, Heide. Fleet Science Center. Tones and numbers Speciﬁcity of interference in immediate memory. Paradoxes of musical pitch. Contemporary Psychology , 1980. Two curiosities relating music to speech. What can I do to prevent this in the future. Journal of the Acoustical Society of America , 1976, 60, s94,. Critchley and R. Journal of the Acoustical Society of America , 1988, 84, s144,. Octave equivalence in the processing of tonal sequences. Van Nostrand Co. Special Issue on the International Workshop on the Biology and Genetics of Music, Bologna, May 20-22. Laylanguage Papers Invited by the Acoustical Society of America. Musical Illusions and Phantom Words How Music and Speech Unlock Mysteries of the Brain , 2019, Oxford University Press.

The psychology of music, 2nd Edition , 1999, 299-348, Academic Press. 2011, September,. Proceedings of the First In- ternational Conference on Music Perception and Cognit , 1989, 445-448, Kyoto, Japan. Absolute pitch is associated with a large

4 auditory digit span A clue to its genesis. Symposium on Perception, Illusion, and the Brain. Some new musical paradoxes A link between music and speech. Musical ability Innate factors and environmental inﬂuences , 2009, October, 158th meeting of the Acoustical Society of America, San Antonio. Deutsch s octave illusion. Grouping, In W. Handbook of Perception and Human Performance , 1986, 32, 1-44, Wiley. Philosphical Transactions of the Royal Society, Series B , 1992, 336, 391-397,. The Musical Quarterly , 1980, 66, 165-179,. Ear dominance and sequential interactions. , 1979, New York. Grouping mechanisms in music. Music perception History of thought. The Perceptual Grouping of Musical Sequences Pitch and Timing as Competing Cues. Psychologie de la Musique , 1994, 115-144, Presses Universitaires de France. In Chapter 9 of E. Co-Chair with Yoshitaka Nakajima of Special Session Perception of Speech and Music Evidence for Modularity and for Common Processing Mechanisms. Journal of the Audio Engineering Society , 1983, 31, 606,.

Philomel Records, Compact Disc and Booklet, 1995. The processing of structured and unstructured tonal sequences. In Auditory Illusions and Audio. Journal of the Acoustical Society of America , 2005, 117, 2476,. Pitch circularity from tones comprising full harmonic series. Dislocation of Tones in a Musical Sequence a Memory Illusion. Musical Illusions. Phantom words are heard more frequently as coming from the right side of space. invited presentation. , Neural Mechanisms in Behavior. In Sensation and Perception, 8th Edition, Virtual Lab , CD-ROM. Review of Radocy, R. Journal of the Acoustical Society of America , 2011, 130, 2398,. Journal of Experimental Psychology , 1973, 100, 228-231,. Music and the Brain , 1977, 95-130, London Heinemann Medical Books. Processing of Endpoint Pitch in Mandarin Tone Perception An Eye Movement Study. American Journal of Medical Genetics, Part A , 2007, 143A, 102-103,. Perfect pitch in tone language speakers carries over to music.

The perception of auditory patterns. In Auditory demonstrations. AAAS Annual Meeting , 1999, Anaheim. In Ameri- can Psychological Association Symposium, Recent advances in the psychology of music , 1985, Los Angeles. Holleran Eds. International Encyclopedia of Communications , 1988, Oxford University Press. The psychology of music, 3rd Edition , 2013, 249-325, San Diego Elsevier. , Intersensory Perception and Sensory Integration. Auditory Memory. Comments on selective attention Perception or response. The Psychology of Music , 1982, 271-316, New York Academic Press. Invited Presentation. Review of The Origins of Music. Antonietti Eds. Music perception and memory. Memory for pitch and pitch relationships. Nontransposable music. The New Grove Dictionary of Music and Musicians. Mothers and their oﬀspring perceive the tritone paradox in closely similar ways. Acoustical Society of America and Philips , 1987,. Pitch circularity produced by varying the amplitudes of odd and even harmonics. Robert and Winifred Smith Lecture , 1999, University of California Irvine. Binaural hearing before and after the stethophone. Invited Lay Language paper presented at the 164th meeting of the Acoustical Society of America. Some musical illusions and their relationships to speech. Two issues concerning tonal hierarchies Comment on Castellano, Bharucha, and Krumhansl. An interdisciplinary perspective on music and memory. invited presentation. Auditory Imagery , 1992, 237-260, Hillsdale Erlbaum. Disinhibition in pitch memory. Kaufman and J. Pitch classes diﬀer with respect to height. Perfect pitch and musical perception. The psychology of music, 2nd Edition , 1999, 349-412, Academic Press. Psychology Today , 1972, 8552, 87-89, 119. Invited Keynote Paper, The ICMPC series, and some current research on music perception and cognition. Some new musical illusions, Invited presentation. Pitch memory An advantage for the lefthanded. Acoustics Today , 2006, 2, 11-18,.

Attention Some theoretical considerations. Pitch class and perceived height Some paradoxes and their implications. The psychology of hearing. Society for Music Theory Meeting , 1985, Vancouver. Handbook of Perception , 1978, Volume X, 191-218, New York Academic Press. Absolute pitch is associated with a large auditory digit span A clue to its genesis. The Perception of Music Translation of La Perception de la Musique , 1988, Hillsdale Erlbaum. NATO International Conference on the Acquisition of Symbolic Skills , 1982, Keele, England. Skeptics Society , 2003, October, California Institute of Technology. Journal of the Acoustical Society of America , 1990, 88, S139,. Neuromusic News , 2007, 12, 14. Musikpsychologie - Ein Handbuch in Schluselbegriﬀen , 1985, Urban and Schwarzenberg. Music Perception , 1990, 7, 371-384,. Journal of the Acoustical Society of America , 1984. Cara a cara con la vida, la mente y el Universo , 2004, 241-248, Barcelona Destino. Journal of the Acoustical Society of America , 2006, 120, 3167,. Die Arbeiten, vor denen ein blaues Auszeichnungsband steht, sind diejenigen, die meines Erachtens von der h chsten Qualit t sind. Perception and Psychophysics , 1973, 13, 271-275,. Illusory transformation from speech to song. Journal of the Acoustical Society of America , 1975, 57, 1156-1160,. The processing of simultaneous musical streams. Invited Lay language paper presented at the 156th meeting of the Acoustical Society of America, November,. Invited Lay language paper presented at the 131st meeting of the Acoustical Society of America. 20th International Congress on Acoustics , 2010, August, Sydney, Australia. Journal of the Acoustical Society of America , 1984,. Music Perception , 1987, 5, 79-92,. Response to Auditory Perception in Music Teaching and Learning by J. Music Perception , 2004, 21, 357-372,. Scientiﬁc American Mind , 2010, July August, 36-43,. The Generation of Two Isochronous Sequences in Parallel. Delayed pitch comparisions and the principle of proximity. Acoustics Today, July, 8 - 15. Perception Psychophysics , 1987, 41, 563-575,. , and Henthorn, T. Deliege Eds. Illusions for Stereo Headphones. Psychology and its Allied Disciplines , 1984, 155-194, Hillsdale Erlbaum. Journal of Experimental Psychology , 1974, 103, 1027-1034,. American Psychological Association, Division 3 , 1991, San Francisco.

Philomel Records, Compact Disc and Booklet, 2003. Absolute pitch correlates with high performance on musical dicta- tion. Canadian Journal of Psychology , 1979, 25, 399-405,. In Goldstein, E. Journal of the Acoustical Society of America , 1986, 80, 1346-1353,. Public Lecture, The Exploratorium. The tritone paradox A link between music and speech. Diana Deutsch, Phantom Words and Other Curiosities. The psychology of music, 3rd Edition , 2013, 141-182, San Diego Elsevier. Featured Speaker. Absolute pitch. Recent advances in the psychology of Music, American Psychological Association Symposium , 1985, Los Angeles. Canadian Journal of Psychology , 1975, 29, 87-105,. Handedness and Memory for Tonal Pitch. , and Lapidis, R. In Stanley Sadie Ed. Journal of the Acoustical Society of America , 1974, 55, s18-s19,. Journal of the Acoustical Society of America , 2005, May, Vancouver. Organized by the National Institute on Drug Abuse , 1978, December, Alsilomar. A spectral contrast illusion. Mothers and their children hear a musical illusion in strikingly similar ways. Journal of Aesthetics and Art Criticism , 1979, 379-380,. University of Southern California , 2007, April. A left-right anisotropy in the perception of tonal sequences. , 1981, Reston, Virginia. Speaking in tones. 1982, Los Angeles. Musical illusions and paradoxes. Workshop on Language and Music Processing , 1997, Marseilles. Music Perception , 1984, 2, 40-51,. Perception Psychophysics , 1979, 25, 399-405,. Absolute pitch correlates with high performance on

5 interval naming tasks. Proceedings of the National Symposium on the Applications of Psychology to the Teaching and Learning of Music , 1981, Reston, Virginia. Chinese translation of Deutsch, D. Paradoxical music. Absolute pitch among American and Chinese conservatory students Prevalence diﬀerences, and evidence for a speech-related critical period. 1996, May, Indianapolis. Program committee member and session organizer. Sloboda, The Musical Mind.

2008, May, Portland. Proceedings of the 10th International Conference on Music Perception and Cognition , 2008, Au- gust, Sapporo, Japan. , and Henthorn, T. Ethnicity versus Early Environment Comment on Early childhood music education and predisposition to absolute pitch Teasing apart genes and environment by Peter K. Know This Today s Most Interesting and Important Scientific Ideas, Discoveries, and Developments Edge Question , 2017,. An evolutionary perspective on music. In Symposium on Communication Neurobiological and environmental approaches. Griffiths, T. , and Stewart, L. Boulanger, R. American Psychological Association Convention , 1985, Division 1 General Psychology. Octave generalization and tune recognition. Music Perception , 1994, 12, 125-136,. Thompson Ed. The Octave Illusion Revisited Again. The tritone paradox Effects of spectral variables. Perception and Psychophysics , 1978, 23, 91-92,. Gregersen, Elena Kowalsky, Nina Kohn, and Elizabeth West Marvin 2000. UCI CHR Spring Symposium , 2009, April, Irvine. Overall pitch height as a cue for lexical tone perception. Current Directions in Psychological Science , 1997, 174-180,. Pitch class and octave similarity. Neuropsychologia , 1983, 21, 289-293,. Hearing music in ensembles. Memory and Cognition , 1975, 3, 263-266,. Perception Psychophysics , 1978, 23, 227-230,. The Speech-to-Song Illusion. Invited Lay Language paper presented at the 157th Meeting of the Acoustical Society of America. Octave equivalence and the processing of tonal sequences. Crozier and T Chapman Eds. Plenary Session Speaker and Symposium Convener. Illusory transformation from speech to song Chinese translation from Journal of the Acoustical Society of America, 2011, 129, 2245-2252. 1999, October, Columbus. Psychophysical Judgment and the Process of Perception. Lateralization and sequential relationships in the octave illusion. In Listening in the world Behavioral and neurobiological bases of complex-sound perception. Invited Address. Science , 1972, 175, 1020-1022,. Speech patterns heard early in life influence later perception of the tritone paradox.

The Glissando Illusion A spatial illusory contour in hearing. West Coast Conference of Music Theory and Analysis , 2009, March, Pomona. Ich hoffe, dass meine Deutschkenntnisse sich seit damals viel verbessert haben. Invited Speaker, Annual Meeting of the. The organization of short term memory for a single acoustic attribute. , and Schubert, E. Archives of Acoustics , 2007, 32, 3-14,. Musical Structure and Cognition. In Oxford Bibliographies in Music. Short Term Memory , 1975, 107-151, New York Academic Press. Nickerson Ed. Science , 1978, 199, 559-560,. Attention and Performance VIII , 1980, 575-594,. Bilingual speakers perceive a musical illusion in accordance with their first language. Invited lecture. Encyclopedia of Human Intelligence , 1994, New York MacMillan. Bulletin of Psychology and the Arts , 2003, 4, 19-21. Noi theo thanh dieu. Music in the Social and Behavioral Sciences , 2014, Sage. Invited paper. Sternberg Ed. Explorations in Music, The Arts, and Ideas Essays in Honor of Leonard B. Processing of pitch combinations. Invited lecturer. Pomerantz Eds. and Fisher, Y. Absolute pitch among students at the Shanghai Conservatory of Music A large-scale direct-test study. Quarterly Journal of Experimental Psychology , 1978, 30, 282-287,. The organization of musical information. Journal of the Acoustical Society of America , 1986,. Annual Auditory Perception, Cognition, and Action Meeting, Long Beach , 2007, November,. Phantom Words, and Other Curiosities , 2003, La Jolla Philomel Records. The Internal Representation of Pitch Sequences in Tonal Music. Separate what and where decision mchanisms in processing a dichotic tonal sequence. Psychological Review , 1963, 70, 80-90,. The Musician s Guide to Acoustics. Ragozzine, F. Proceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music, Finland , 2009, 69-73,. Le Scienze, edizione italiana di Scientific American , 2010, November, 71,.

The octave illusion in relation to handedness and familial handedness background. Attention Some theoretical considerations.

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The internal representation of information in the form of hierarchies. American Psychological Association Symposium Of Musical Charms and Noisy Theories , 1981. , Perceptual Organization. Journal of the Acoustical Society of America , 1979, 65, 1353,. Interference in memory between tones adjacent in the musical scale. Stoﬀer and R. Music and Memory. The psychology of music section. Music Perception , 1991, 8, 335-347,. Journal of the Acoustical Society of America , 2017, June, 141,. Neuropsychology of Memory , 1984, 45-54, The Guiford Press. Invited speaker and symposium chair. 2004, May, San Francisco. The Times Higher Educational Supplement , 1985. Friedman Eds. Advances in Cognitive Psychology , 2010, 6, 15-22,. , 2005, 1, 343-372, Gottingen Hogrefe. Journal of the Acoustical Society of America , 2011, 129, 2245-2252,. Scientiﬁc American Library , 1983. Psychonomic Bulletin and Review , 2004, 11, 667-676,. Another way to prevent getting this page in the future is to use Privacy Pass. Invited Lay Language paper presented at the 149th Meeting of the Acoustical Society of America, Vancouver, May. The speech-to-song illusion. David Kung, How Music and Mathematics Relate, CD-ROM , Chantilly, VA The Teaching Company, Chantilly.

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Scientific American , 1975, 233, 92-104,. 3rd Edition Website , 2013, San Diego Elsevier. , Edelstein, M. Invited speaker. Stoffer and R. Selected Articles and Chapters. Musicophilia - Tales of Music and the Brain, Scientific American Mind , 2008,. Public Lecture, Reuben H. La rappresentazione interna delle sequenze sonore nella musica tonale. Journal of the Acoustical Society of America, 2013, 134, 3853-3859 Journal of the Xinghai Conservatory of Music , 2014,. and Dolson, M. The tritone paradox Some further geographical correlates. Panel Discussant. Musical space. The influence of melodic context on pitch recognition judgement. Underwood Ed. Session Convener. and Deutsch, D. Mothers and their children hear a musical illusion in strikingly similar ways. Nature , 1974, 251, 307-309,. The psychology of music. Margulis and E. Perfect pitch Language wins out over genetics. Journal of the Acoustical Society of America , 2009, 125, 2398-2403,.

Panel Discussant. Musical space. The inﬂuence of melodic context on pitch recognition judgement. Underwood Ed. Session Convener. and Deutsch, D. Mothers and their children hear a musical illusion in strikingly similar ways. Nature , 1974, 251, 307-309,. The psychology of music. Margulis and E. Perfect pitch Language wins out over genetics. Journal of the Acoustical Society of America , 2009, 125, 2398-2403,.

Mothers and their children hear a musical illusion in strikingly similar ways. Nature , 1974, 251, 307-309,. The psychology of music. Margulis and E. Perfect pitch Language wins out over genetics. Journal of the Acoustical Society of America , 2009, 125, 2398-2403,.

Margulis and E. Perfect pitch Language wins out over genetics. Journal of the Acoustical Society of America , 2009, 125, 2398-2403,.

The Biology of Music Making , 1984, Denver. The Psychology of Music, 3rd Edition , 2013, San Diego Elsevier.

The Psychology of Music, 3rd Edition , 2013, San Diego Elsevier. How-To-Write-A-Book-Essay-For-Dummies