1 Essay Deutsch D National Hearing Conservation Association Annual Conference , 2003, February, Dallas. Invited lecture. Invited Lay language paper presented at the 156th meeting of the Acoustical Society of America. Absolute pitch is associated with a large auditory digit span A clue to its genesis. Mozart Festival, Kennedy Center for the Performing Arts , 1998, Washington, D. 1983, November. Schiffman, Sensation and Perception. Heller and W. , and Dooley, K. Auditory Perception, Cognition and Action Meeting , 2002, November, Kansas City. Stereo TV, Invited presentation. Marks, The Unity of the Senses. Journal of the Acoustical Society of America , 1996, 99, 2482,. The pitch levels of female speech in two Chinese villages. , Sensation and Perception. Physics Today , 2010, February, 40-45,. Ear Club , 2004, May, Department of Psychology, University of California, Berkeley. Invited Lay language paper presented at the 148th meeting of the Acoustical Society of America, San Diego, November,. New York Oxford University Press. Mozart Festival, Kennedy Center for the Performing Arts , 1998, Washington, D. Basic Structure and Function in the Central Nervous System , 1974, New York MacMillan Co. Representation of pitch and pitch combinations. Invited Lay Language paper presented at the 149th Meeting of the Acoustical Society of America. and Deutsch, D. Musical space. Two issues at the interface between speech and music. Paper presented at the. Winter Conference on Brain Research , 1986, Keystone. International conference on Psychology and the Arts , 1983, Cardiff, Wales. Psychonomic Society Meeting , 1984, El Paso. Encyclopedia of Perception , 2009, 1, 160-164, Sage. Invited Presentation, Annual meeting of the. , Psychological Foundations of Musical Behavior. , and Dooley, K. 2004, November, San Diego. Generalizzione dell ottava e ritenzione dell informazione melodica. Journal of the Acoustical Society of America , 1974, 56, s25,. Quarterly Journal of Experimental Psychology , 1974, 26, 229-234,. Royal Society Discussion Meeting on Auditory Processing of Complex Sounds , 1991, Royal Society, London. McFadden Ed. Some new pitch paradoxes and their implications. Illusions in sound and music. , and Deutsch, D. In- ternational Library of Critical Writings in Psychology , 1993, Aldershot Edward Elgar Publishing. The Tritone Paradox and the Pitch Range of the Speaking Voice Reply to Repp. Hearing music in ensembles. Auditory illusions, handedness, and the spatial environment. Frontiers of Bioscience special issue , 2007, 12, 4473-4482,. Presented to the Society of Experimental Psychologists , 2003. The processing of pitch combinations. , 2002, 47, 410-412. Colloquium presentation. The Oxford Companion to the Mind , 1987, 61-63. Kubovy and J. Paradoxien der Tonhohenwahrnehmung. Bridgeman Eds. The tritone paradox Its presence and form of distribution in a general population. Absolute pitch among students in an American music conservatory Association with tone language fluency. A new pitch paradox. Auditory pattern recognition. Keynote panelist. JASA , 2021, April, 149, 2829,. Heller and W. Handbook of Perception and Action, Vol 1 , 1996, 1, 253-296, Academic Press. Knudsen Distinguished Lecture presented at the 161th Meeting of the Acoustical Society of America. Journal of the Acoustical Society of America , 1979, 65, s92,. Foreward to R. International Association of Empirical Aesthetics , 2008, August, Chicago. , 2005, 1, 307-341, Gottingen Hogrefe. A new pitch circularity illusion. Musical Intelligence. Tone language and absolute pitch Prevalence among American and Chinese conservatory students. Journal of the Acoustical Society of America , 2009, April, 125, 2683, Portland. Invited Address. Music and the Cognitive Sciences, Contemporary Music Review , 1989, Harwood Academic Publishers, London. Perception Psychophysics , 1972, 11, 411-412,. MIT Learning Workshop. The paradox of pitch circularity. 0 now from the Chrome Web Store. Reuben Van Fleet Theater Society for Amateur Scientists , 2001, November, San Diego. Workshop on Physical and Neuropsychological Foundations of Music , 1983, Ossiach, Austria. Royal Swedish Academy of Music , 1981, Stockholm, Sweden. International Conference on Psychology and the Arts , 1983, Cardiff, Wales. Journal of the Acoustical Society of America , 1984, 76, s77,. Grouping mechanisms in music. Dichotic listening to musical sequences Relationship to hemispheric specialization of function. Music perception. , and Sereno, M. Deutsch, D, Jiang, C. Deliege Eds. Audio Magazine , 1987, 36-48. Underwood Ed. Special session organizer. Journal of the Acoustical Society of America , 1983,. Nature , 1978, 274, 721,. Contemporary Psychology APA REVIEW OF BOOKS. Absolute pitch among students at the Shanghai Conservatory of Music A large-scale direct-test study. , The Psychology of Attention. , The Psychology of Attention. Science , 1970, 168, 1604-1605,. Attention Some theoretical considerations. The phenomenology of musical hallucinations. Selected Invited Presentations. Mind, Life, Universe Conversations with great scientists of our time , 2007, 241-248, Chelsea Green Publishing Company, White River Junction, VT. Journal of the Acoustical Society of America , 1983, 73, 1865-1867,. On the opposite end of the spectrum are those papers written in German from my early undergraduate years -- please recall that I d only had three years of highschool German when I started writing those, so forgive any horrendous errors. Influence of relational context on pitch recognition as a function of retention interval. Psychology and Music. Journal of Shenghai Conservatory of Music , 2016, 4, 133-145,. Perception and Psychophysics , 1978, 24, 7-10,. Ear dominance depends on sequential, frequency-specific interactions between tones at the two ears. Music Recognition. Vietnamese translation of Speaking in tones. Journal of the Acoustical Society of America , 1978, 64, s146,. Short Term Memory , 1975, New York Academic Press. Invited Presentation. 2012, October, Kansas City. Response to Auditory Perception in Music Teaching and Learning by J. Grouping mechanisms in music. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. Absolute pitch, speech, and tone language Some experiments and a proposed framework. Review of Music and Memory An Introduction , by Bob Snyder. In Science and the Arts. Deutsch and J. Journal of the Acoustical Society of America , 1978, 63, s31,. Workshop on Drugs and Cognition. Music, Mind and Brain , 1982, 119-136, Plenum, New York. Gathering for Gardner 6 g4g6 , 2004, March, Atlanta. Pitch proximity in the grouping of simultaneous tones. Handedness and memory for tonal pitch. The psychology of music, 3rd Edition , 2013, 183-248, San Diego Elsevier. AAAS Annual Meeting , 1997, Seattle. The Psychology of Music, Ist Edition , Volume I, Japanese translation. International Library of Critical Writings in Psychology , 1993, Aldershot Edward Elgar Publishing. Octave equivalence in the processing of tonal sequences. The paradox of pitch circularity. Frontiers in Human Neuroscience , 2008, 1,. Special Issue of the Journal of the Audio Engineering Society , 1983,. Sensory Perception Laboratory Manual. Current Directions in Psychological Science , 2002, 11, 200-204,. Invited Presentation. Journal of Experimental Psychology Human Perception and Performance , 2004, 30, 355-364,. Language experience influences nonlinguistic pitch perception. Processi cognitivi in musica , 1986, 133-163, Milano, Franco Angeli Libri. Invited tutorial presentation. Some new pitch paradoxes and their implications. Journal of Acoustical Society of America , 2004, 116, 2580,. 1987, Nishimura Co. Psychonomic Society Meeting , 1983, San Diego. Reisberg Ed. Journal of the Acoustical Society of 2 America , 1989, 86, S17,. 72nd Audio Engineering Society Convention , 1982, Anaheim. Campbell and C. On-line perception of Mandarin Tones 2 and 3 Evidence from eye movements. Sound and Science Symposium , 2009, March, University of Califor- nia, Los Angeles. Computer evaluation of musical performance from the acoustic signal An exploratory study on performance anxiety. Narmour and R. Cognitive Processes in the Perception of Art , 1984, North Holland. Invited speaker. Bornstein Ed. La perception des structures musicales. Memory for auditory information. Mapping of Interactions in the Pitch Memory Store. Invited Presentation, Acoustical Society of America. A new pitch circularity illusion. , and Henthorn, T. Journal of the Acoustical Society of America , 2008, November, 124, 2471,. Perception Psychophysics , 1983, 34, 331-337,. Invited Presentation. Journal of the Acoustical Society of America , 2010, 128, 890-893,. If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. Review of Coren, S. Octave generalization and melody identification. , Griffiths, T. , Los Angeles. Scientific American Mind, 2010, July August, 36-43. Selected Conference Presentations. Encyclopedia of Psychology, Vol 1. Proceedings of the First International Conference on Music Perception and Cognit , 1989, 107-112, Kyoto, Japan. and Dolson, M. , Lenguaje musical y humano. 72nd Audio Engineering Society Convention , 1982, Anaheim. Auditory illusions and the brain. Memory and attention to music. This week s citation classic. Third Workshop on the Physical and Neuropsychological Foundations of Music , 1980, Ossiach, Austria. Recognition of durations embedded in temporal patterns.