The Cambridge Companion to Jm Coetzee
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David Grossman
DAVID GROSSMAN Hans Christian Andersen Author Award 2020 Nominated by IBBY Israel A statement on the Grossman contribution to literature for children and young people. David Grossman (born in Jerusalem, 1954) is a major figure in contemporary Hebrew literature. He writes for older and younger readers, in alternating order: Following every adult book, Grossman publishes a book for younger readers, followed by an adult book, etc. In his literary and journalistic writing Grossman does not shy away from complicated and controversial issues. He fights for the human rights of people of all ages, genders, and ethnicities. He is active in social justice causes and in peace initiatives between Arabs and Jews. In 1982 he published his first children’s book, Duel, about a twelve- year-old boy who makes friends with an elderly man in a nursing home. His writing for children and young adults encompasses a wide range of topics. In his picture books, he focuses on aspects of children’s daily life (Uri’s Special Language; A Brand-New Baby Brother) or their rich and wonderful imaginations, which can generate all sorts of fears (Itamar Walks on Walls; Itamar Meets a Rabbit, Itamar the Dream Hunter), worries (Don’t Worry Ruti, Itamar the Dream Hunter), or fantasies, sometimes involving imaginary friends (Hadas’ Friend). In Grossman’s picture books, the child’s world contains an empathic adult, the father, who respects the child, listens to him lovingly, and is able to suggest an unusual solution to the difficulty confronting the child, which the child is in turn quick to accept (the Itamar books; Who Wants a Piggy-Back?, Don’t Worry Ruti, etc.) In his writing for young adults Grossman deals with complicated issues, including ones that were considered taboo in the young adult Hebrew literature of their day. -
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
Visione Del Mondo
Weltanschauung - Visione del mondo Art Forum Würth Capena 14.09.09 – 07.08.10 Opere e testi di: Kofi Annan, Louise Bourgeois, Abdellatif Laâbi, Imre Bukta, Saul Bellow, John Nixon, Bei Dao, Xu Bing, Branko Ruzic, Richard von Weizsäcker, Anselm Kiefer, Hans-Georg Gadamer, Marcos Benjamin, Twins Seven Seven, Paavo Haavikko, Hic sunt leones, Nelson Mandela, Kyung Hwan Oh, Jean Baudrillard, Huang Yong Ping, Nagib Machfus, Inge Thiess-Böttner, Guido Ceronetti, Richard Long, Yasar Kemal, Igor Kopystiansky, Imre Kertèsz, Svetlana Kopystiansky, Kazuo Katase, Milan Kundera, Frederich William Ayer, Günter Uecker, Durs Grünbein, Mehmed Zaimovic, Enzo Cucchi, Vera Pavlova, Franz-Erhard Walther, Charles D. Simic, Horacio Sapere, Susan Sontag, Hidetoshi Nagasawa, George Steiner, Nicole Guiraud, Bernard Noël, Mattia Moreni, George Tabori, Richard Killeen, Abdourahman A. Waberi, Roser Bru, Doris Runge, Grazina Didelyte, Gérard Titus-Carmel, Edoardo Sanguineti, Mimmo Rotella, Adam Zagajewski, Piero Gilardi, Günter Grass, Anise Koltz, Moritz Ney, Lavinia Greenlaw, Xico Chaves, Liliane Welch, Fátima Martini, Dario Fo, Tom Wesselmann, Ernesto Tatafiore, Emmanuel B. Dongala, Olavi Lanu, Martin Walser, Roman Opalka, Kostas Koutsourelis, Emilio Vedova, Dalai Lama, Gino Gorza, Karlheinz Stockhausen, Robert Indiana, Nadine Gordimer, Efiaimbelo, Les Murray, Arthur Stoll, Mikhail Sergeyevich Gorbachev, Boris Orlov, Carlos Fuentes, Klaus Staeck, Alì Renani, Wolfang Leber, Alì Aramideh Ahar, Sogyal Rinpoche, Ulrike Rosembach, Andrea Zanzotto, Adriena Simotova, Jürgen -
Bollettino Novità
Bollettino Novità Biblioteca del Centro Culturale Polifunzionale "Gino Baratta" di Mantova 4' trimestre 2019 Biblioteca del Centro Culturale Polifunzionale "Gino Baratta" Bollettino novità 4' trimestre 2019 1 Le *100 bandiere che raccontano il mondo / DVD 3 Tim Marshall ; traduzione di Roberto Merlini. - Milano : Garzanti, 2019. - 298 p., [8] carte 3 The *100. La seconda stagione completa / di tav. : ill. ; 23 cm [creato da Jason Rothenberg]. - Milano : inv. 178447 Warner Bros. Entertainment Italia, 2016. - 4 DVD-Video (ca. 674 min. compless.) -.929.9209.MAR.TIM color., sonoro ; in contenitore, 19 cm. 1 v ((Caratteristiche tecniche: regione 2; 16:9 FF, adatto a ogni tipo di televisore; audio 2 The *100. La prima stagione completa / Dolby digital 5.1. - Titolo del contenitore. [creato da Jason Rothenberg]. - Milano : - Produzione televisiva USA 2014-2015. - Warner Bros. Entertainment Italia, 2014. Interpreti: Eliza Taylor, Bob Morley, Marie - 3 DVD-Video (circa 522 min) : Avgeropoulos. - Lingue: italiano, inglese; color., sonoro ; in contenitore, 19 cm. sottotitoli: italiano, inglese per non udenti ((Caratteristiche tecniche: regione 2; video + 1: The *100. 2. : episodi 1-4 / [creato 16:9, 1.85:1 adatto a ogni tipo di tv; da Jason Rothenberg]. - Milano : Warner audio Dolby digital 5.1, 2.0. - Titolo Bros. entertainment Italia, 2016. - 1 DVD- del contenitore. - Prima stagione in Video (ca. 172 min.) ; in contenitore, 13 episodi del 2014 della serie TV, 19 cm. ((Contiene: I 48 ; Una scoperta produzione USA. - Interpreti: Eliza Taylor, agghiacciante ; Oltre lapaura ; Verso la città Isaiah Washington, Thomas McDonell. - della luce. Lingue: italiano, inglese, francese, tedesco; inv. 180041 sottotitoli: italiano, inglese, tedesco per non udenti, inglese per non udenti, tedesco, DVFIC.HUNDR.1 francese, olandese, greco DVD 1 + 1: The *100'. -
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Search for Tomorrow. An Epimodernist Future for Literature Emmanuel Bouju Université de la Sorbonne Nouvelle abstract: “The Future is in the way things are,” says “the Minister of the Future,” Timothy Morton, in a recent exhibition at the Centre de cultura contemporània de Barcelona, After the End of the World. Search for tomorrow: it’s already here and now. So how does contemporary literature address and envision the very possibility of a future as such? This essay argues that there is a reneweddiagonal force of the contem- porary called epimodernism. The epimodernist values are superficiality, secrecy, energy, acceleration, credit, and consistency. These six values are necessary for envisioning any future that doesn’t involve hyperfinance, rating agencies, systematic calculation of behaviors—and their consequences for politics. hen i first heard of the topic for the preparatory workshop of this issue of Dibur Literary Journal, it was said to be “contemporary visions of the future in liter- ature and art.” I don’t know why (maybe because I wanted it to be so) I thought it meantW not “visions of the future in literature and art” (the future within literature, “le futur dans la littérature” in French) but “visions of the future of literature and art” (le futur de la littérature), as in “this literature has no future” (cette littérature n’a pas d’avenir). I’m French. So I was quite optimistic. I do have a vision of the “future of literature and art.” But then I received another e-mail, with the final title: “Contemporary Visionsof the Future.” And I realized it was all about the future in works of literature and art. -
History Workshop
UNIVERSITY OF THE WITWATERSR AND, JOHANNESBURG HISTORY WORKSHOP STRUCTURE AND EXPERIENCE IN THE MAKING OF APARTHEID 6-10 February 1990 AUTHOR: Kelwyn Sole TITLE: "This Time Set Again" : the Temporal and Political Conceptions of Serote's To Every Birth Its Blood J til I US 'jO 10:1-4 LK i UPpL.fr '.HilPUi Fa- lid "This Time Set Again": the Temporal and Political Concept iona':.ipf{' .' Serote's To Every Birth Ita Blood .''!'.,,; Mongane Wally Serote is recognised primarily as a poet,and his six volumes of poetry to date have received acclaim both in South Africa and internationally. His single.novel,has,however.provoked a more equivocal response from critics. Some have praised the work. Doriane Barboure believe3 it 'the most powerful and penetrating exploration of the Power period' in South Africa (Barboure:17 2>i and Jane Glegg claims that Serote manages to write about a whole community involved in political struggle in a manner which shows up the failure of English working class novel- ists to do the same (Glegg; 3-1). Other critics have,however,been less convinced. Lewis Nkosi feels the work 'too chaotic,too; dispersed,to offer anything more solid •than mere moments' I .Nkosi :A 5 ).; Barbara Harlow states that the novel remains content with the portrayal of racial conflict in the coun- try,with little attempt to show internal contradictions within the black community itself IHarlow:,IO8); and Njabulo Ndebele remarks t hat ,r)p«r>i t»» thf siithfir's.nttM'ots to rl<»a 1. with the everydav con- cerns of people within a broader political canvas,in the end 'the spectacle takes over and the novel throws away the vitality of the tension generated by the dialectic between the personal and the public' (Ndebele:156). -
Desde Las Orillas Del Sena Tomo XI Serie “Cartas a Ofelia”
Desde las orillas del Sena Tomo XI Serie “Cartas a Ofelia” Félix José Hernández Desde las orillas del Sena A Don Santiago Lázaro Requeiro y Doña Fortuna Dueñas. 2 Desde las orillas del Sena Miguel de Cervantes Saavedra "La Libertad, Sancho, es uno de los más preciosos dones que a los hombres dieron los cielos; con ella no pueden igualarse los tesoros que encierra la tierra ni el mar encubre; por la libertad así como por la honra se puede y debe aventurar la vida, y, por el contrario, el cautiverio es el mayor mal que puede venir a los hombres". Miguel de Cervantes Saavedra. 3 Desde las orillas del Sena Mis Memorias de Exilio París, 1 de mayo de 2016. Queridos amigos: El origen de Cartas a Ofelia está en las narraciones surgidas inicialmente a partir de las cartas que escribía cada semana a mi madre, Ofelia Valdés Ríos, contándole mis experiencias del exilio parisino. En ellas cuento lo que veo y siento: filmes, obras de teatro, museos, exposiciones, los libros que leo, las relaciones con los galos, la sociedad francesa, la política, Cuba vista desde aquí, los viajes por 66 países a lo largo de estos 35 años, mis éxitos y mis fracasos, mis nostalgias y mi amor por la Libertad, las relaciones con personalidades del exilio, mi trabajo en el Instituto y en la Universidad como profesor de Civilización Latinoamericana, las relaciones con colegas, alumnos y 4 Desde las orillas del Sena estudiantes, etc., en resumen, es la experiencia vivida por una familia cubana en todos estos años. -
Austen Belano Burke Bussani Butler Marrone Orlando Pavolini
Novembre 2010 Anno XXVJI-N. 11 Austen Belano Marrone Burke Orlando Bussani Pavolini Butler Roché Starnone Dumas Tatafiore Tellkamp Van Niekerk LIBRO DEL MESE: quel rissoso, trasversale, onnivoro OdB INTELLIGENCE: chi racconta e chi manipola, di FABIO MINI Quando la LINGUA ferisce e discrimina Come un REGIME blandisce gli INTELLETTUALI www. Un di ceonì ine. co m MENSILE D'INFORMAZIONE - POSTE ITALIANE s.p.a SPED. N ABB POST. DI. 353/2003 (conv in L 27/02/2004 n" 46] art. I, comma ì, DCB Torino ISSN'0393-3903 Editoria Come nasce un caso letterario A partire da questo di ottobre (cfr. "L'Indice" numero dell'"Indice" il di- 2010, n. 10, p. I), scriveva di Gian Carlo Ferretti segno di Franco Matticchio (tra tante possibili e amene qui a fianco segnalerà le attività...) "preferisco con- n best seller, un "caso" e, ricerca recente già nel suo titolo: recensioni o gli articoli che frontare la mia intelligenza Uin generale, un successo li- Non è un caso che sia successo. potranno essere commenta- - se ne ho - con quella di brario o letterario, sono sempre Storie editoriali di best seller ti sul sito. Non è una novità qualcuno che ha dato segni difficili da spiegare. Si incontra- (pp. 144, € 8, Educatt, Milano assoluta, perché in realtà di averla". Questa semplice no e scontrano in proposito in- 2010). Titolo brillante, giocato molti lettori già scrivevano affermazione sintetizza l'in- terpretazioni diverse e opposte. sulla implicita possibilità-neces- ai recensori attraverso la tento di questa operazione, Anche questo primo articolo (al sità di non considerare il succes- mail pubblicata in calce ai ma a ben vedere incarna so (e il caso) come indecifrabile loro testi, ma si è trattato di anche il senso profondo di quale ne seguirà un altro nel questo giornale da sempre. -
Karina Van Dalen-Oskam
Karina van Dalen-Oskam Huygens Institute for the History of the Netherlands (Royal Netherlands Academy of Arts and Sciences), The Hague Personal names in literature: a quantitative approach1 1 Introduction Is it possible to write a novel that does not have a single personal name in it? Or better perhaps: a readable novel? Undoubtedly there are more, but I know of only one that does not contain any names, be it personal, geographical, or other: Blindness, a novel by the Portugese 1998 Nobel Prize winner José Saramago. The novel describes how an unexplained mass epidemic of blindness afflicts nearly everyone in an unnamed city and depicts the horrible social breakdown that follows. The epidemic ends just as sudden and unexplained as it started. The characters in this novel do not get a name, but they are described with a noun phrase referring to what they are: the doctor, the doctor’s wife, the first blind man, the old man with the black eyepatch, the girl with dark glasses, the boy with the squint.2 Formally these noun phrases are not names but they are uniquely referring in the story world of the novel and thus share an important function with names. The avoidance of names has a clear function in the story, as can be illustrated with a quotation from the first part of the novel. Most of the main characters, being the very first group of people that went blind, have been placed in quarantine in an asylum. When a new group of blind men and women arrive in their ward, The doctor's wife remarked, It would be best if they could be counted and each person gave their name. -
Poetry (Theory)
POETRY (THEORY) Radio Broadcast 23 Sept 18:00 -19:00 STUDY NOTES Poetry analysis is often the basis for teaching literature in the classroom. If you've been to school, you've probably had to study some form of literature, and your teacher has almost certainly demonstrated the analysis of poetry or even asked you to do it. It can seem like a frightening task, but if you've looked at the way poets use language and you make an effort to understand some the things that might have been happening in history at the time the poet was writing, you've already got an edge. How to analyse poems Read the poem more than once. Use a dictionary when you find a word about whose meaning you are unsure. Read the poem slowly. Pay attention to what the poem is saying; do not be distracted by the rhyme and rhythm of the poem. Try reading the poem out loud to get a sense of the way the sounds of the poem affect its meaning. Six Easy Ways To Understand Poetry: Read the poem all the way through. It might be tempting to stop and puzzle over any tricky bits, but by reading the poem all the way through, you should be able to pick up the overall idea the poet is trying to convey. Consider the subject matter - what the poem is literally about - as well as any themes that emerge - these are the ideas that the poet wants you to think about after reading the poem. What is the mood of the poem? Think about how the writer wants you to feel at the end of the poem. -
Saskia Lourens Writing His-1
UvA-DARE (Digital Academic Repository) Writing history : national identity in André Brink's post-apartheid fiction Lourens, S.T. Publication date 2009 Document Version Final published version Link to publication Citation for published version (APA): Lourens, S. T. (2009). Writing history : national identity in André Brink's post-apartheid fiction. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:30 Sep 2021 WRITING HISTORY: NATIONAL IDENTITY IN ANDRÉ BRINK’S POST-APARTHEID FICTION ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. D. C. van den Boom ten overstaan van een door het college voor promoties ingestelde commissie, in het openbaar te verdedigen in de Aula der Universiteit op woensdag 28 oktober 2009, te 10:00 uur door Saskia Theodora Lourens geboren te Port Elizabeth, Zuid Afrika 1 Promotiecommissie Promotor: prof. -
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Yale university press Fall/Winter 2020 Marcus Carey Batchelor Bate Under the Red White A Little History of The Art of Solitude Radical Wordsworth and Blue Poetry Hardcover Hardcover Hardcover Hardcover 978-0-300-25093-0 978-0-300-16964-5 978-0-300-22890-8 978-0-300-23222-6 $23.00 $35.00 $26.00 $25.00 Unwin/Tipling Delbanco Leibovitz Campbell Flights of Passage Why Writing Matters Stan Lee Year of Peril Hardcover Hardcover Hardcover Hardcover 978-0-300-24744-2 978-0-300-24597-4 978-0-300-23034-5 978-0-300-23378-0 $40.00 $26.00 $26.00 $30.00 Van Engen Reynolds Taylor Musonius Rufus City on a Hill Allah Sons of the Waves That One Should Hardcover Hardcover Hardcover Disdain Hardships 978-0-300-22975-2 978-0-300-24658-2 978-0-300-24571-4 Hardcover $30.00 $30.00 $30.00 978-0-300-22603-4 $22.00 RECENT GENERAL INTEREST HIGHLIGHTS Yale university press FALL/WINTER 2020 GENERAL INTEREST 01 JEWISH LIVES® 24 MARGELLOS WORLD REPUBLIC OF LETTERS 26 SCHOLARLY AND ACADEMIC 56 PAPERBACK REPRINTS 73 ART + ARCHITECTURE A 1 front cover illustration: Via Roma, Genoa, Italy, ca. 1895. From Stories for the Years, page 28 “This book is superb, utterly FROM TAKE ARMS AGAINST A SEA OF TROUBLES: convincing, and absolutely invigorating. Bloom’s final argument with mortality What you read and how deeply you read matters almost as much as how you ultimately has a rejuvenating love, work, exercise, vote, practice charity, strive for social justice, cultivate effect upon the reader, kindness and courtesy, worship if you are capable of worship.