The Effects of Repulping Variables on Deinking of Flexographic Inks

Total Page:16

File Type:pdf, Size:1020Kb

The Effects of Repulping Variables on Deinking of Flexographic Inks Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-1995 The Effects of Repulping Variables on Deinking of Flexographic Inks Sylvia Ciampa Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Wood Science and Pulp, Paper Technology Commons Recommended Citation Ciampa, Sylvia, "The Effects of Repulping Variables on Deinking of Flexographic Inks" (1995). Master's Theses. 4916. https://scholarworks.wmich.edu/masters_theses/4916 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE EFFECTS OF REPULPING VARIABLES ON DEINKING OF FLEXOGRAPHIC INKS by Sylvia Ciampa A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Science Department of Paper and Printing Science and Engineering Western Michigan University Kalamazoo, Michigan June 1995 ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Dr. Raymond L. Janes. Without his valuable suggestions, advice and guidance this study would not have been completed. I also would like to thank Dr. John Crowell for his valuable statistics assistance, Dr. Ellsworth Shriver and Dr. Raja Aravamuthan for their constant encouragement, and John Serafano for his help. Finally I would like to thank my parents for their great support and love. Sylvia Ciampa 11 THE EFFECTS OF REPULPING VARIABLES ON DEINKING OF FLEXOGRAPHIC INKS Sylvia Ciampa, M.S. Western Michigan University, 1995 The effectsof repulping variables (pH, surfactant concentration, time, and temperature) on deinking paper printed with flexographic ink were studied. A series of alcohol ethoxylate surfactants was evaluated. The one with HLB=ll.8 was selected for the majority of the study. pH was the variable that presented the greatest effect on repulping and . deinking. The brightness after repulping and the final brightness after deinking was significantly higher at pH 5 than at pH 9. Paper was repulped for 15, 25, and 40 minutes respectively. Highest brightness after repulping and highest gain in brightness by flotationwas observed after 15 minutes of repulping. No significant differences in deinking efficiency were found between 25 and 40 minutes repulping. A separate study found that most of the ink was rapidly redeposited on or within the fiber structure, with over 80% of the brightness loss occurring during the first 15 minutes of repulping. No significant differences in the units of brightness loss were found between the repulping times of 15 and 30 minutes. Paper which was aged for eight months deinked more easily than three months-aged paper. The improvement was especially significant when no surfactant was added or when a hydrophilic surfactant was used. TABLE OF CONTENTS ACKNOWLEDGMENTS .. .. .. .. .. .. ii LIST OF TABLES .......................................... vii LIST OF FIGURES ....................· ..................... i CHAPTER I. INTRODUCTION ..................................... 1 II. LITERATURE ANALYSIS .............................. 3 Deinking Fundamentals .............................. 3 Pulping or Repulping ............................. 3 Cleaning and Screening . .. .. .. 4 Washing Deinking ............................... 5 Flotation Deinking .............................. 6 Use of Surfactants .. .. .. .. .. .. 8 Flexographic Printing and Inks .. .. .. .. 10 Flexographic Printing Process . .. .. .. 10 Water-Based Flexographic Inks .................... 12 Wetting and Spreading .......................... 13 Deinking of Flexo Printed Papers ..................... 14 Difficulties in Deinking Water-based Flexo Printed Paper ............................. 14 Deinking Papers From Different Printing Processes ................· .............. 18 Ill Table of Contents--Continued CHAPTER Feasibility Studies on Flotation Deinking of Water-Based Inks ............................ 22 III. PROBLEM STATEMENT AND OBJECTIVE .............. 31 IV. EXPERIMENT ...................................... 33 Design ......................................... 33 Materials . .. .. .. .. .. .. 33 Ink ......................................... 33 Paper ....................................... 34 Surfactant ................................... 34 Equipment . .. .. .. .. .. .. 36 Flexographic Press . .. .. .. .. .. 36 Repulper .. .. .. .. .. .. 36 Flotation Cell . .. .. .. .. .. 37 Washer ..................................... 37 Methods ........................................ 37 Variables and Levels ........................... 37 Brightness Pads . .. .. .. .. .. .. 38 Gain in Units of Brightness ...................... 39 Yield ....................................... 39 Improvement in Brightness Due to Reduction in Repulping Time . .. .. .. .. 39 IV Table of Contents--Continued CHAPTER Units of Brightness Loss ......................... 39 Percent of the Total Brightness Loss ................ 40 Rate of Brightness Loss .. .. .. .. 40 Percent Improvement in Brightness Due to Aging . 40 First Phase: Reproducibility of the Process .. 40 Second Phase: Selection of Surfactant . .. .. 40 Third Phase: Study of the Influence of Variables on Deinking ............................. 41 Fourth Phase: Ink Redeposition Versus Repulping Time ............................. 41 Fifth Phase: Influence of Time Lapsed Before Deinking . .. .. .. .. .. 44 V.RESULTS AND DISCUSSION .......................... 45 First Phase: Reproducibility of the Process .. .. 45 Second Phase: Selection of Surfactant . .. .. 45 Third Phase: Study of the Influence of Variables on Deinking .. .. .. .. 50 Fourth Phase: Ink Redeposition Versus Repulping Time . .. .. .. .. 64 Fifth Phase: Influence of Time Lapse Before Deinking . .. .. .. .. .. 69 VI. SUMMARY OF RESULTS ............................. 74 VII. CONCLUSIONS ..................................... 76 V Table of Contents--Continued CHAPTER VIII. RECOMMENDATIONS FOR FURTHER STUDY .......... 77 APPENDICES A. Pigment Particle Size . .. .. .. .. .. 78 B. Morden Laboratory "Slush-Maker" Procedure ................ 80 C. Laboratory-Scale Flotation Cell and Laboratory Sidehill Screen . .. .. .. .. .. 82 D. Procedure to Prepare Brightness Pads for Reflectance Testing . .. .. .. .. 85 E. Equations to Calculate Gain in Units of Brightness by ' Flotation and Washing, Yield, Improvement Due to Reduction in Repulping Time, Units of Brightness Loss, Percent of Total Brightness Loss, Rate of Brightness Loss, and Improvement in Brightness Due to Aging .. .. .. .. .. 88 REFERENCES ............................................ 92 VI LIST OF TABLES 1. Requirements for Flotation and for Flexo Printability . .. 8 2. Classification of Surfactant Types and Their Hydrophilic Groups . .. .. .. .. .. .. 10 3. Typical Flexographic Ink Composition . .. .. .. 14 4. Size, Number and Area of Ink Particles Depending on the Printing Process . .. .. .. .. .. 22 5. Composition of the Water-Based Flexo Ink No.1 . .. 34 6. Physical and Chemical Properties of NEODOL Alcohol Ethoxylates . .. .. .. .. .. .. 35 7. Levels of Variables for Repulping . .. .. .. .. .. 38 8. The 24 Factorial Design .. .. .. .. .. .. 42 9. Brightness (Units) Across the System, Standard Deviation Values (STD), and Coefficients of Variation( CV) . .. .. .. .. .. .. 46 10. Brightness Obtained Across the System and the Gain in Units of Brightness for Each Surfactant and No Surfactant at the "Low" Conditions .. .. .. 46 11. Brightness Across the System at the "Low" and "High" Conditions for the Surfactants With HLB=ll.8 and HLB= 14.5 ........................... 52 12. Brightness Across the System, Gain in Brightness Due to Flotation (F) and Washing (W) (Units, % ) and Yield . .. .. .. .. .. .. .. 54 13. Estimated Effect of the Variables on Repulping (Units), Gain by Flotation (F) and Gain by Washing (W), and on the Final Brightness . .. .. .. .. 60 vu List of Tables--Continued 14. Estimated Standard Errors of the Effect of the Variables . 60 15. Brightness Across the System, Gain in Units of Brightness by Flotation and Washing, and the Improvement in Units of Brightness When Repulping for 15 Instead of 25Minutes . .. .. .. .. 61 16. Brightness After Repulping and After Infinite Washing, Units of Brightness Loss Due to Ink Redeposition, Percent of Total Brightness Loss, and Rate of Brightness Loss for Inks no. 1 and no. 2 . .. .. 65 17. Brightness Across the System Three and Eight Months After Printing and Gain by Flotation and Washing in Units of Brightness ............................ 69 18. Improvement in Units of Brightness Due to Aging on Repulping, Flotation, Washing, and Final Brightness . .. .. .. .. .. 70 19. Brightness After Repulping Obtained Oven-Drying the Ink at 10 0°C for Different Periods of Time, and Improve­ ment (Units, % ) Due to 24Hours Drying (Original Ink Concentration = 0.5%) .. .. .. .. 72 20. Brightness (Units) on Both Plate and Filter Side Without or With the Screen . .. .. .. .. .. 90 Vlll LIST OF FIGURES 1. Basic Parameters of Ink for Flotation .. .. .. .. 7 2. A Flexographic Printing Unit . .. .. .. .. 11 3. Brightness Across System . .. .. .. .. .. 15 4. Particle Size Distribution at the Pulper . .. .. .. 16 5. Influence of Flexographic Newsprint .. .. .. .. 17 6. Redeposition Tests Results Showing Brightness Loss Due to Reduction in pH Using 0.25% of SDA-34 .....................................
Recommended publications
  • Carbon Copy Invoice Templates
    Carbon Copy Invoice Templates Crushable and contradictory Rice carnifies almost even, though Dryke decolonises his Parmenides avow. Alston kiln-drying his Hibernia itemizes outstation or twice after Augustine infolds and tarmacs o'clock, statuary and Croatian. Incensed or undistinguishable, Will never pigeonholed any excipients! Simply customize with wedding business courage and contact details. Not ask how when get started? It helps us improve his content. Student name is required! These terms specify exactly the buyer has a maximum number of days in. Create your account and display now! Keep job details in one compact, the book! Need a cuddle to trial the material and disorder the print quality? Reach the customers that select most, common less. Using number lines is find good way to waive how numbers work, get what numbers look like visually. Also showing Reclaim and Fairdrop apps they will. Other file types may cause another delay. Learn better about sequential numbering. With cape clear topic and poor the point format, training new village is rather continue and recording the noon is even quicker. One option is on this accurate, and the other is when background check out. If we do agree have clear what really need, and will gladly tell you ascend to affiliate it if can can. If you had no account on Staples. CONTACT US: Lighthouse Printing, Inc. The textual content of different image is harassing me or someone we know. If you comprehend a hand along the cave, our design pros will be equal to minute help equip an expert opinion. If any want customers to pave with you, you need it stay organized and living consistent.
    [Show full text]
  • CHAPTER 47 PULP of WOOD OR of OTHER FIBROUS CELLULOSIC MATERIAL; WASTE and SCRAP of PAPER OR PAPERBOARD X 47-1 Note L
    )&f1y3X CHAPTER 47 PULP OF WOOD OR OF OTHER FIBROUS CELLULOSIC MATERIAL; WASTE AND SCRAP OF PAPER OR PAPERBOARD X 47-1 Note l. For the purposes of heading 4702, the expression "chemical wood pulp, dissolving grades" means chemical woodpulp having by weight an insoluble fraction of 92 percent or more for soda or sulfate woodpulp or of 88 percent or more for sulfite woodpulp after one hour in a caustic soda solution containing 18 percent sodium hydroxide (NaOH) at 20oC, and for sulfite woodpulp an ash content that does not exceed 0.15 percent by weight. )&f2y3X X 47-2 4701.00.00 00 4 Mechanical woodpulp................................ t....... Free Free 4702.00.00 Chemical woodpulp, dissolving grades............... ........ Free Free 20 9 Sulfite....................................... t 40 5 Sulfate or soda............................... t 4703 Chemical woodpulp, soda or sulfate, other than dissolving grades: Unbleached: 4703.11.00 00 9 Coniferous............................... t....... Free Free 4703.19.00 00 1 Nonconiferous............................ t....... Free Free Semibleached or bleached: 4703.21.00 Coniferous............................... ........ Free Free 20 3 Semibleached........................ t 40 9 Bleached............................ t 4703.29.00 Nonconiferous............................ ........ Free Free 20 5 Semibleached........................ t 40 1 Bleached............................ t 4704 Chemical woodpulp, sulfite, other than dissolving grades: Unbleached: 4704.11.00 00 8 Coniferous............................... t....... Free Free 4704.19.00 00 0 Nonconiferous............................ t....... Free Free Semibleached or bleached: 4704.21.00 00 6 Coniferous............................... t....... Free Free 4704.29.00 00 8 Nonconiferous............................ t....... Free Free 4705.00.00 00 0 Semichemical woodpulp.............................. t....... Free Free 4706 Pulps of other fibrous cellulosic material: 4706.10.00 00 7 Cotton linters pulp..........................
    [Show full text]
  • History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 Daily Museum Support Center Smithsonian Center for Materials Research and Education
    2001 RELACT Series The History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 daily Museum Support Center Smithsonian Center for Materials Research and Education Instructors: Birgit Reibland, Han Neevel, Julie Biggs, Margaret Cowan Additional Lecturers: Jacque Olin, Elissa O'Loughlin, Rachel-Ray Cleveland, Linda Stiber Morenus, Heather Wanser, Abigail Quandt, Christine Smith, Maria Beydenski, Season Tse, Elmer Eusman, Scott Homolka This 3-day course (offered twice in one week for 2 separate groups of participants) focuses on one of the most corrosive media problems found on documents and works of art on paper. The 2-day workshop and 1 interim day of lectures cover the production of inks from historic recipes; historic drawing and writing techniques; identification, examination and classification of deterioration; and the execution of treatment options, including the use of calcium phytate solution. The interim day of lectures will feature local and international conservators' research into the history and treatment of works with iron gall ink. The course represents the first time iron gall ink has been the primary focus of an international gathering in the United States. Registration deadline for the full course is July 1 or until the course is filled with qualified applicants; for the interim day of lectures only, participants have until August 29 to register. Limit for Interim Day of Lectures: 30 Lunch and handouts provided Cost: $ 75.00 Registration deadline August 29 The 3-day course is fully enrolled. Places still remain for the Interim Day of Lectures. Please contact Mary Studt, [email protected] or 301-238-3700 x149 for further information and application materials.
    [Show full text]
  • Waste Paper Derived Biochar for Sustainable Printing Products Staples Sustainable Innovation Laboratory Project SSIL16-002
    Waste Paper Derived Biochar for Sustainable Printing Products Staples Sustainable Innovation Laboratory Project SSIL16-002 Final Report Period of Performance: May 16, 2016 – December 31, 2017 Steven T. Barber and Thomas A. Trabold (PI) Golisano Institute for Sustainability Rochester Institute of Technology 1 A. Executive Summary Rationale for Research The Golisano Institute for Sustainability (GIS) at the Rochester Institute of Technology (RIT) performed a research and development assessment in conjunction with the Staples Sustainable Innovation Laboratory (SSIL) to determine the potential of pyrolyzed waste paper as a novel, cost- effective, environmentally friendly and sustainable black pigment for use in common consumer and commercial printing applications (e.g. inkjet, lithography and flexography). To do so, the primary focus of the project was the creation and testing of a stable form of elemental carbon called “biochar” (BC) to replace the heavy fuel oil derived “carbon black” (CB) pigment ubiquitously used in inks since the late 1800’s. Reducing the use of CB would lessen the demand for fossil fuels, decrease printing’s environmental impact and potentially save money since biochars are typically created from free or low cost waste feedstocks which would ordinarily be disposed. Prior published scientific research and patents demonstrated that biochars could be successfully made from box cardboard, paper towels and glossy paper. If paper waste biochars could then be successfully transformed into a sustainable black ink pigment replacement, significant commercial potential exists since the global printing ink market is forecasted to reach $23.8 billion by 2023 and consumers would like the option of a more ‘green’ alternative.
    [Show full text]
  • Preserving Your Memories Enjoy Your Favourite Photos Every Day with These Three Crafty Framing Projects
    Handmade Preserving your memories Enjoy your favourite photos every day with these three crafty framing projects. Words and styling Sarah Heeringa. Photography Amanda Reelick Photographs top left, centre and bottom middle by Sarah Heeringa Opposite page: Project #1: Hanging photo wall A simple and cost-effective photo display, ideal for when you cannot make multiple holes in the walls. This page, bottom left: Attach your hanging photo wall strings using a large, flat surface. Clockwise from middle right: Project #3: Photo gallery Use accent colours on selected frames; use paper templates when hanging photos; seal frames using picture framing tape. Top left, middle and main image: Project #2: Upcycle an old frame Dissasemble old frames to paint and re-assemble. 74 75 Handmade PROJECT #1 PROJECT #2 PROJECT #3 Hanging Upcycling Composing a photo wall an old frame photo gallery You need: You need: You need: · up to 20 square photographs (all 10cm x · a photograph · a second-hand picture frame · coordinated photo frames · dark thread 10cm) · white card, medium thickness, cut that includes an outer frame, firm backing · Blu-Tack · spirit level · roll of newsprint, into squares (8cm x 8cm) · white string · board and a mat or mounting board · glazier brown paper or newspaper · hammer and spray adhesive or glue stick · scissors and points or tiny nails · masking tape · wide nails · picture hanging hooks or adhesive ruler · A branch or length of bamboo brown picture framing tape · small pliers hanging strips · step-ladder or stool (paint white if you wish) · 1 metre of nylon line · hammer · nylon line · D-ring or small screws · small stones (optional) · Blu-Tack · small paintbrush · dropcloth · Resene Step 1: Pick photos Summer is great for Enamacryl enamel for the frame (I used taking photos, but how many of our images Step 1: Prepare and print images Resene Breathless) and Resene SpaceCote from this season or years past lie dormant on Adjust the photographs before printing to Flat for the mat (I used Resene Black White).
    [Show full text]
  • Corrugated Board Structure: a Review M.C
    ISSN: 2395-3594 IJAET International Journal of Application of Engineering and Technology Vol-2 No.-3 Corrugated Board Structure: A Review M.C. Kaushal1, V.K.Sirohiya2 and R.K.Rathore3 1 2 Assistant Prof. Mechanical Engineering Department, Gwalior Institute of Information Technology,Gwalior, Assistant Prof. Mechanical Engineering 3 Departments, Gwalior Engineering College, Gwalior, M. Tech students Maharanapratap College of Technology, Gwalior, [email protected] [email protected] [email protected] ABSTRACT Corrugated board is widely used in the packing industry. The main advantages are lightness, recyclability and low cost. This makes the material the best choice to produce containers devoted to the shipping of goods. Furthermore examples of structure design based on corrugated boards can be found in different fields. Structural analysis of paperboard components is a crucial topic in the design of containers. It is required to investigate their strength properties because they have to protect the goods contained from lateral crushing and compression loads due to stacking. However in this paper complete and detailed information are presented. Keywords: - corrugated boards, recyclability, compression loads. Smaller flutes offer printability advantages as well as I. INTRODUCTION structural advantages for retail packaging. Corrugated board is essentially a paper sandwich consisting of corrugated medium layered between inside II. HISTORY and outside linerboard. On the production side, corrugated In 1856 the first known corrugated material was patented is a sub-category of the paperboard industry, which is a for sweatband lining in top hats. During the following four sub-category of the paper industry, which is a sub-category decades other forms of corrugated material were used as of the forest products industry.
    [Show full text]
  • Q2 2021 Presentation 16 July 2021
    Q2 2021 presentation 16 July 2021 Follow us on LinkedIn www.norskeskog.com Sustainable and innovative industry ENTERING Biochemicals 1,000 tonnes of 500 tonnes of 300 tonnes of ▪ Leading publication paper producer with five & materials biochemicals capacity1 CEBINA capacity CEBICO capacity (pilot) industrial sites globally Q1 2023 Q4 2021 ▪ Ongoing transition into higher growth and ENTERING higher value markets Renewable Interliner 760k tonnes of ~200k tonnes of ▪ Becoming a leading independent European packaging containerboard capacity Interliner capacity recycled containerboard company in 2023 Q4 2022 ▪ Packaging market growth and margin EXPANDING outlook strengthened since announcement Waste-to- Green bio- Sustainable energy plant mass energy ▪ High return waste-to-energy project +400 GWh of waste- ~425 GWh of wood ~28 GWh of biogas ~1,000 GWh of biomass energy based energy capacity pellets capacity energy capacity energy capacity2 improving green energy mix in Q2 2022 Q2 2022 ▪ Promising biochemicals and materials projects spearheaded by Circa PRESENT ▪ Industrial sites portfolio provide foundation for Publication 1,400k tonnes of 400k tonnes of 360k tonnes of further industrial development paper Newsprint capacity LWC capacity SC capacity Under construction Date Estimated start-up date 2 1) Norske Skog is the largest shareholder with ~26% ownership position in Circa; 2) Installed capacity for biofuel and waste from recycled paper of 230 MW Second quarter in brief Final investment decision made for Golbey conversion to containerboard
    [Show full text]
  • What Happens to Cellulosic Fibers During Papermaking and Recycling? a Review
    PEER-REVIEWED REVIEW ARTICLE ncsu.edu/bioresources WHAT HAPPENS TO CELLULOSIC FIBERS DURING PAPERMAKING AND RECYCLING? A REVIEW Martin A. Hubbe,* Richard A. Venditti, and Orlando J. Rojas Both reversible and irreversible changes take place as cellulosic fibers are manufactured into paper products one or more times. This review considers both physical and chemical changes. It is proposed that by understanding these changes one can make better use of cellulosic fibers at various stages of their life cycles, achieving a broad range of paper performance characteristics. Some of the changes that occur as a result of recycling are inherent to the fibers themselves. Other changes may result from the presence of various contaminants associated with the fibers as a result of manufacturing processes and uses. The former category includes an expected loss of swelling ability and decreased wet-flexibility, especially after kraft fibers are dried. The latter category includes effects of inks, de-inking agents, stickies, and additives used during previous cycles of papermaking. Keywords: Paper recycling, Drying, Deinking, Hornification, Inter-fiber bonding, Refining, Fines, Fiber length, Conformability Contact information: Department of Forest Biomaterials Science and Engineering, Box 8005, North Carolina State University, Raleigh, NC 27695-8005, USA; *Corresponding author: [email protected] INTRODUCTION Cellulosic fibers can change significantly when formed into a wet web of paper and subsequently subjected to such processes as pressing, drying, printing, storage, repulping, and deinking. Some of the changes can be subtle. Often it is possible to substitute recovered fibers in place of virgin fibers used for the production of paper or paperboard. On the other hand, characteristic differences between recycled fibers and virgin fibers (fresh from pulping wood, not recycled) can be expected; many of these can be attributed to drying.
    [Show full text]
  • Deinking of Screen-Printed Electrodes Printed on Invasive Plant-Based Paper
    sustainability Article Article DeinkingDeinking of of Screen-Printed Screen-Printed Electrodes Printed on InvasiveInvasive Plant-Based Plant-Based Paper UrškaUrška Kav Kavˇciˇc*čič *, Igor, Igor Karlovits Karlovits and and Janja Janja Zule Zule PulpPulp and and Paper Paper Institute, Institute, Bogiši Bogiši´ceva8,ćeva 8, 1000 Ljubljana, Slov Slovenia;enia; igor.karlovits@icp-lj. [email protected] (I.K.); janja.zule@icp- [email protected] (J.Z.) (J.Z.) * Correspondence: [email protected] Received: 21 January 2020; Accepted: 6 February 2020; Published: date Received: 21 January 2020; Accepted: 9 February 2020; Published: 12 February 2020 Abstract: The deinking of paper-based printed electronics is a growing concern regarding the Abstract: The deinking of paper-based printed electronics is a growing concern regarding the increase increase of printed electronics products. The benefits of using paper-based substrates instead of of printed electronics products. The benefits of using paper-based substrates instead of polymer polymer or ceramic for the single-use printed electrodes can contribute to sustainability goals. The or ceramic for the single-use printed electrodes can contribute to sustainability goals. The use of use of invasive plant species for making paper substrates for printed electronics is a unique invasive plant species for making paper substrates for printed electronics is a unique opportunity opportunity to have several environmental benefits. In this study, the recycling issue of these to have several environmental benefits. In this study, the recycling issue of these products through products through the use of the deinking technique was evaluated. Screen-printed electrodes the use of the deinking technique was evaluated.
    [Show full text]
  • TECHNICAL REPORT – PATENT ANALYSIS Enhancing Productivity in the Indian Paper and Pulp Sector
    TECHNICAL REPORT – PATENT ANALYSIS Enhancing Productivity in the Indian Paper and Pulp Sector 2018 TABLE OF contEnts ACKNOWLEDGEMENTS 10 EXECUTIVE SUMMARY 11 1 INTRODUCTION 13 2 OVERVIEW OF THE PULP AND PAPER SECTOR 15 2.1. Status of the Indian Paper Industry 15 2.2. Overview of the Pulp and Papermaking Process 20 2.3. Patenting in the Paper and Pulp Industry: A Historical Perspective 22 2.4. Environmental Impact of the Pulp and Paper Industry 25 3 METHODOLOGY 27 3.1. Search Strategy 27 4 ANALYSIS OF PATENT DOCUMENTS USING GPI 31 4.1. Papermaking; Production of Cellulose (IPC or CPC class D21) 31 4.2. Analysis of Patenting Activity in Different Technology Areas using GPI 38 5 ANALYSIS OF THE INDIAN PATENT SCENARIO WITHIN THE CONTEXT OF THIS REPORT 81 5.1. Analysis of Patents Filed in India 81 6 CONCLUDING REMARKS 91 REFERENCES 93 ANNEXURE 94 Annexure 1. Technologies related to paper manufacturing 94 Annexure 2. Sustainable/green technologies related to pulp and paper sector 119 Annexure 3. Emerging Technology Areas 127 List OF FIGURES Figure 2.1: Geographical Spread of Figure 4.11: (d) Applicant vs. Date of Indian Paper Mills .................................16 Priority Graph: Paper-Making Machines Figure 2.2: Share of Different Segments and Methods ........................................42 in Total Paper Production .......................19 Figure 4.11: (e) Applicant vs. Date of Figure 2.3: Variety Wise Production of Priority Graph: Calendars and Accessories ..43 Paper from Different Raw Materials ........19 Figure 4.11: (f) Applicant vs. Date of Figure 2.4: Different Varieties of Paper Priority Graph: Pulp or Paper Comprising Made from Various Raw Materials ..........19 Synthetic Cellulose or Non-Cellulose Fibres ..43 Figure 2.5: Diagram of a Process Block Figure 4.11: (g) Applicant vs.
    [Show full text]
  • ANNUAL REPORT 1997 1 Main Figures Per Area
    NORSKE SKOG ANNUAL REPORT 1997 1 Main figures per Area 1997 1996 1995 1994 1993 1992 1991 1990 1989 Area Paper Operating revenue NOK million 9,284 9,493 8,066 5,831 4,731 4,773 5,855 6,733 5,768 Operating profit NOK million 1,134 2,078 1,708 454 469 95 656 721 398 Operating margin % 12.2 21.9 21.2 7.8 9.9 2.0 11.2 10.7 6.9 Area Fibre Operating revenue NOK million 1,376 1,222 2,171 1,498 1,052 1,202 1,247 1,709 2,025 Operating profit NOK million 49 -127 682 178 -187 -176 -164 327 615 Operating margin % 3.6 -10.4 31.4 11.9 -17.8 -14.6 -13.2 19.1 30.4 Area Building Materials Operating revenue NOK million 2,667 2,579 2,333 2,048 1,704 1,688 1,725 1,960 1,911 Operating profit NOK million -16 27 96 146 85 64 9 107 93 Operating margin % -0.6 1.0 4.1 7.1 5.0 3.8 0.5 5.5 4.9 Operating revenue per market Operating revenue per product Rest of Other world 8% 2% Pulp 8% Norway 23% Newsprint Special grades 1% USA 10% 40% SC magazine paper 20% Other Europe 25% Germany 15% LWC magazine paper 9% UK 11% France 8% Building materials 20% 2 NORSKE SKOG ANNUAL REPORT 1997 1997 Highlights Price decline caused weaker result Growth in sawn timber Expansion in Eastern Europe Prices of paper and pulp fell during the In September, Norske Skog took over In November, Norske Skog took over first quarter of 1997.
    [Show full text]
  • Matting and Framing
    Matting and Framing Ford Conservation Center 2017 Basics of Matting and Framing Matting and framing is used to display, store, and safeguard works of art of pa- per, archives, and family documents. Proper matting and framing can help to protect these items from deterioration due to changing relative humidity, light exposure, handling, and other sources of damage. The following information is intended to explain the basics of mat- ting, framing, and hanging art or other paper-based items. Consult a conserva- tor for specific questions. See a framer you trust for help with your matting and framing needs. Inside this issue: M a t t i n g Matting 1 Matting, matboard, or mat (all used window mat held together with a Hinging 2 interchangeably) is flat, paper- strip of linen tape. The object is at- based material used to separate art tached to the back mat with hinges Adhesives 2 from a frame. Matboard is used to made of special Japanese tissue securely house works on paper. paper. Hinging is preferred over Framing 3 Matboard comes in various sizes, commercial tapes because it allows colors, weights and types of materi- for easy removal of the object with Hanging 4 al. minimal use of adhesive. The win- dow mat construction allows the A mat for an object is a series of Consulting a Conser- 5 object to be seen while protecting vator pieces constructed to protect the it from handling while the back Additional Resources 5 object. It includes a back mat and mat provides structural support for Matting and Framing the object.
    [Show full text]