Gil Evans Priestess Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Gil Evans Priestess mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Priestess Country: US Released: 1983 Style: Contemporary Jazz MP3 version RAR size: 1406 mb FLAC version RAR size: 1646 mb WMA version RAR size: 1638 mb Rating: 4.4 Votes: 113 Other Formats: DXD MPC MOD WAV AAC AUD VOC Tracklist Hide Credits Priestess 1 Alto Saxophone – Arthur Blythe, David SanbornTrumpet – Lew SoloffWritten-By – Billy 19:44 Harper Short Visit 2 12:07 Alto Saxophone – David SanbornWritten-By – John Simon Lunar Eclipse 3 4:24 Written-By – Masabumi Kikuchi Orange Was The Colour Of Her Dress Then Silk Blue 4 4:41 Tenor Saxophone – George AdamsWritten-By – Charles Mingus Companies, etc. Remixed At – Generation Sound Studios Mastered At – Sterling Sound Credits Alto Saxophone – Arthur Blythe, David Sanborn Arranged By – Gil Evans Bass – Steve Neil Cover [Design] – Peter Corriston Drums – Susan Evans* Engineer – Bud Graham, Lou Jannone, Russ Payne Executive-Producer [Executive Director] – Ron Goldstein* French Horn – John Clark Guitar – Keith Loving Mastered By – George Marino Mixed By [Remixed By] – Tony May Photography By – Deborah Feingold Piano – Gil Evans Producer – John Simon Producer [Production Assistant] – Bob Kuttruf Synthesizer, Clavinet – Pete Levin Tenor Saxophone – George Adams Trombone – Jimmy Knepper Trumpet – Ernie Royal, Marvin "Hannibal" Peterson* Trumpet, Trumpet [Piccolo] – Lew Soloff Tuba – Robert Stewart*, Howard Johnson Notes Recorded Live at St. George Church, NYC, May 13, 1977 by CBS Mobile Other versions Category Artist Title (Format) Label Category Country Year Priestess (LP, AN 1010 Gil Evans Antilles AN 1010 US 1983 Album) Priestess (LP, AN 1010 Gil Evans Antilles AN 1010 UK 1983 Album) Priestess = プリースティス J33D-20001 Gil Evans Antilles J33D-20001 Japan 1985 (CD, Album) I·205107, Priestess (LP, I·205107, Gil Evans Antilles, Antilles Spain 1983 I-205.107 Album) I-205.107 Priestess (Cass, Antilles, Antilles ANC 8717 Gil Evans ANC 8717 UK 1983 Album) New Directions Related Music albums to Priestess by Gil Evans Arthur Blythe - Basic Blythe Linda Evans - You Control Me The Gil Evans Orchestra - Plays The Music Of Jimi Hendrix Jim Norton Collective - Time Remembered: Compositions Of Bill Evans Brandon Evans - Solo Saxophone X901 Arthur Blythe - In The Tradition Gil Evans / Laurent Cugny / Big Band Lumiere - Golden Hair Arthur Blythe - Lenox Avenue Breakdown Arthur Blythe - Da - Da Gil Evans - Svengali.

Copy Link

Recommended publications

Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
[Show full text]
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
[Show full text]
Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long
MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler.
[Show full text]
Gil Evans Gil Evans & Ten Mp3, Flac, Wma
Gil Evans Gil Evans & Ten mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Gil Evans & Ten Country: US Released: 1957 Style: Big Band MP3 version RAR size: 1433 mb FLAC version RAR size: 1122 mb WMA version RAR size: 1191 mb Rating: 4.6 Votes: 687 Other Formats: MPC MMF AIFF APE MIDI RA MP2 Tracklist 1 Remember 4:55 2 Ella Speed 5:41 3 Big Stuff 4:50 4 Nobody`s Heart 4:15 5 Just One Of Those Things 4:20 6 If You Could See Me Now 4:10 7 Jambangle 4:50 Credits Bass – Paul Chambers Bassoon – Dave Kurtzer Drums – Nick Stabulas French Horn – Willie Ruff Piano – Gil Evans Saxophone – Steve Lacy, Zeke Tolin Trombone – Bart Varsalona, Jimmy Cleveland Trumpet – Jake Koven, Louis Mucci* Other versions Category Artist Title (Format) Label Category Country Year Gil Gil Evans & Ten PRLP 7120 Prestige PRLP 7120 US 1957 Evans (LP, Album) Gil Evans & Ten Gil PRSA 7120-6 (SACD, Hybrid, Prestige PRSA 7120-6 US 2003 Evans Mono) Gil Big Stuff (LP, New Jazz, 8215, NJLP 8215 8215, NJLP 8215 US 1965 Evans Album, RE) Prestige Gil Big Stuff (LP, New Jazz, 8215, NJLP 8215 8215, NJLP 8215 US 1959 Evans Album, RE) New Jazz Original Jazz OJC-5346, Gil Gil Evans & Ten OJC-5346, Classics, US 1989 PRESTIGE-7120 Evans (Cass, RE, Dig) PRESTIGE-7120 Prestige Related Music albums to Gil Evans & Ten by Gil Evans Bill Evans - 25 Evans Gil Evans Orchestra - Syntetic Evans Bill Evans - Bill Evans Peter Evans - Freddie Evans' Gospel Trio / Freddie Evans - I Got To Run To The City Four Square Gil Evans And Tadd Dameron - The Arrangers' Touch Bill Evans - At The Montreux Jazz Festival Gil Evans - Svengali The Evans Sisters / Dottie Evans - The Merle Evans Circus Band, Merle Evans -.
[Show full text]
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
[Show full text]
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
[Show full text]
The Modality of Miles Davis and John Coltrane14
CURRENT A HEAD ■ 371 MILES DAVIS so what JOHN COLTRANE giant steps JOHN COLTRANE acknowledgement MILES DAVIS e.s.p. THE MODALITY OF MILES DAVIS AND JOHN COLTRANE14 ■ THE SORCERER: MILES DAVIS (1926–1991) We have encountered Miles Davis in earlier chapters, and will again in later ones. No one looms larger in the postwar era, in part because no one had a greater capacity for change. Davis was no chameleon, adapting himself to the latest trends. His innovations, signaling what he called “new directions,” changed the ground rules of jazz at least ﬁ ve times in the years of his greatest impact, 1949–69. ■ In 1949–50, Davis’s “birth of the cool” sessions (see Chapter 12) helped to focus the attentions of a young generation of musicians looking beyond bebop, and launched the cool jazz movement. ■ In 1954, his recording of “Walkin’” acted as an antidote to cool jazz’s increasing deli- cacy and reliance on classical music, and provided an impetus for the development of hard bop. ■ From 1957 to 1960, Davis’s three major collaborations with Gil Evans enlarged the scope of jazz composition, big-band music, and recording projects, projecting a deep, meditative mood that was new in jazz. At twenty-three, Miles Davis had served a rigorous apprenticeship with Charlie Parker and was now (1949) about to launch the cool jazz © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM movement with his nonet. wwnorton.com/studyspace 371 7455_e14_p370-401.indd 371 11/24/08 3:35:58 PM 372 ■ CHAPTER 14 THE MODALITY OF MILES DAVIS AND JOHN COLTRANE ■ In 1959, Kind of Blue, the culmination of Davis’s experiments with modal improvisation, transformed jazz performance, replacing bebop’s harmonic complexity with a style that favored melody and nuance.
[Show full text]
Teacher Resource: Jazz and Miles Davis Notes
Supplement 9R―Teacher Resource: Jazz and Miles Davis Notes REF # 1 Page # Episode 1 REF # 1 Page # Episode 1 Improvised art Conversation in the language of music REF # 1 Page # Episode 1 REF # 1 Page # Episode 1 American music Rooted in the blues Changes every night REF # 1 Page # Episode 1 REF # 1 Page # Episode 1 “Jazz washes away the Individualism dust of everyday life.” Requires confidence Art Blakey (Drummer) and talent REF # 1 Page # Episode 1 REF # 1 Page # Episode 1 Pioneer/explorer Who are these Experimenter/scientist musicians? From J. Moreillon, Collaborative Strategies for Teaching Reading Comprehension (Chicago: ALA Editions, 2007). Licensed under 1 the Creative Commons Attribution-Noncommercial-Share Alike 2.5 License: http://creativecommons.org/licenses/by-nc-sa/2.5/. Supplement 9R―Teacher Resource: Jazz and Miles Davis Notes (cont.) REF # 1 Page # Episode 1 REF # 1 Page # Episode 1 New Orleans 1817—blacks sing and All nationalities dance in Congo Square Most musical city REF # 1 Page # Episode 1 REF # 1 Page # Episode 1 Complex rhythms Work songs Glimpse of Africa Spirituals Call/response REF # 1 Page # Episode 1 REF # 1 Page # Episode 1 Brass bands Races integrated— Parades neighborhoods Music/dancing Music REF # 1 Page # Episode 1 REF # 1 Page # Episode 1 Primary source Exciting sounds documents—photos From J. Moreillon, Collaborative Strategies for Teaching Reading Comprehension (Chicago: ALA Editions, 2007). Licensed under 2 the Creative Commons Attribution-Noncommercial-Share Alike 2.5 License: http://creativecommons.org/licenses/by-nc-sa/2.5/. Supplement 9R―Teacher Resource: Jazz and Miles Davis Notes (cont.) REF # 2 Page # Dedication REF # 2 Page # 4 M.D.
[Show full text]
John Bailey Randy Brecker Paquito D'rivera Lezlie Harrison
192496_HH_June_0 5/25/18 10:36 AM Page 1 E Festival & Outdoor THE LATIN SIDE 42 Concert Guide OF HOT HOUSE P42 pages 30-41 June 2018 www.hothousejazz.com Smoke Jazz & Supper Club Page 17 Blue Note Page 19 Lezlie Harrison Paquito D'Rivera Randy Brecker John Bailey Jazz Forum Page 10 Smalls Jazz Club Page 10 Where To Go & Who To See Since 1982 192496_HH_June_0 5/25/18 10:36 AM Page 2 2 192496_HH_June_0 5/25/18 10:37 AM Page 3 3 192496_HH_June_0 5/25/18 10:37 AM Page 4 4 192496_HH_June_0 5/25/18 10:37 AM Page 5 5 192496_HH_June_0 5/25/18 10:37 AM Page 6 6 192496_HH_June_0 5/25/18 10:37 AM Page 7 7 192496_HH_June_0 5/25/18 10:37 AM Page 8 8 192496_HH_June_0 5/25/18 11:45 AM Page 9 9 192496_HH_June_0 5/25/18 10:37 AM Page 10 WINNING SPINS By George Kanzler RUMPET PLAYERS ARE BASI- outing on soprano sax. cally extroverts, confident and proud Live 1988, Randy Brecker Quintet withT a sound and tone to match. That's (MVDvisual, DVD & CD), features the true of the two trumpeters whose albums reissue of a long out-of-print album as a comprise this Winning Spins: John Bailey CD, accompanying a previously unreleased and Randy Brecker. Both are veterans of DVD of the live date, at Greenwich the jazz scene, but with very different Village's Sweet Basil, one of New York's career arcs. John has toiled as a first-call most prominent jazz clubs in the 1980s trumpeter for big bands and recording ses- and 1990s.
[Show full text]
Jazz at the Crossroads)
MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs.
[Show full text]
OBITUARY: HORST LIEPOLT 1927-2019 by Eric Myers ______
OBITUARY: HORST LIEPOLT 1927-2019 by Eric Myers __________________________________________________________ [The jazz promoter Horst Liepolt was born in Berlin, Germany, on July 27, 1927. He died in New York, USA, on January 9, 2019, aged 91.This is a longer version of the obituary which was published in The Australian newspaper on January 15, 2019.] nfluential in three cities — Melbourne, Sydney and New York — Horst Liepolt came from an artistic family. His grandfather was a classical oboe player from I Sweden, who migrated to Germany to join the Berlin Philharmonic, and his mother a concert pianist. His father was a writer. Liepolt (right) pictured here with the trumpeter Dizzy Gillespie… The young Horst was uninterested in classical music, and frequently fell asleep at the classical concerts to which he was dragged by his mother. Still, as a child, he was into sound. In an interview in 1979, he told me: “I used to really dig the bells ringing in the churches in Berlin — just the sound of them — at the time after everybody had knocked off work, before the night-life started, at a time when all cities are quiet, except maybe in the pubs”. He grew up in Nazi Germany, where the government was opposed to jazz. Still he listened to jazz records with friends and, during the war years, spent time in underground jazz clubs in Berlin. He was turned on to jazz in 1944, a time in Germany history when Allied bombers were flattening Berlin, shortly before Hitler retired to his bunker, near the end of the war.
[Show full text]
Kankawa B-III Mp3, Flac, Wma
Kankawa B-III mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: B-III Country: Europe Released: 1997 Style: Jazz-Funk, Jazz-Rock MP3 version RAR size: 1809 mb FLAC version RAR size: 1390 mb WMA version RAR size: 1165 mb Rating: 4.3 Votes: 380 Other Formats: WAV DTS TTA FLAC RA MP4 AU Tracklist 1 St. Louis Blues 2 Stone Free 3 Hey Joe 4 Cat Street (CBA Remix) 5 Talkin' Bout Mr. K (N.J. Remix) 6 Impressions 7 Family 8 Tokyo Intro 9 Tokyo 10 Green Onions 11 Plant A tree, Plant Love Credits Acoustic Bass – Charles Fambrough Alto Saxophone – Chris Hunter, David Sanborn Baritone Saxophone – Ronnie Cuba Drums – Dennis Chambers, Lenny White Electric Bass – Anthony Jackson, Tony Levin Guitar – Hiram Bullock, Kevin Kuhn , Nick Moroch Mixed By – Alan Mayerson Organ – Kankawa Producer, Piano, Synthesizer – Pete Levin Recorded By – Alec Head, Bruce Miller, Cynthia Daniels, Will Schillinger Shakuhachi – Ronnie Nyogetsu Seldin Tenor Saxophone – Lou Marini Trombone – Jon Vanhala Trumpet – Jon Faddis, Lew Soloff Tuba – Howard Johnson Vocals – Britt Savage , Corey Glover, Joe Lynn Turner Other versions Category Artist Title (Format) Label Category Country Year VICP-60053 Kankawa B-III (CD, Album) Victor VICP-60053 Japan 1997 Related Music albums to B-III by Kankawa Ray Guntrip And Tina May - Out Of The Blue Paul Butterfield's Better Days - Paul Butterfield's Better Days Barbara Dennerlein - Take Off! Michael Pedicin, Jr. - Michael Pedicin, Jr. Sir Charles Thompson & Coleman Hawkins - For The Ears Nicki Richards - Naked (To The World) Brooks Strause - Dead Animals Gil Evans & The Monday Night Orchestra - Live At Sweet Basil Part 2 Gil Evans & The Monday Night Orchestra - Live At Sweet Basil Gil Evans - Svengali.
[Show full text]