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Still on the Road 1998 South American Tour with the Rolling Stones
STILL ON THE ROAD 1998 SOUTH AMERICAN TOUR WITH THE ROLLING STONES MARCH 30 Miami Beach, Florida Cameo Theater 31 Miami Beach, Florida Cameo Theater APRIL 4 Buenos Aires, Argentina River Plate Stadium 5 Buenos Aires, Argentina River Plate Stadium 7 Porto Alegre, Brazil Bar Opinião 11 Rio de Janeiro, Brazil Sambódromo, Praça da Apoteose 13 São Paolo, Brazil Pista de Atletismo Ibirapuera, Estádio Ícaro de Castro Mello 15 Santiago, Chile Teatro Monumental Bob Dylan: Still On The Road – The 1998 South American Tour with The Rolling Stones 19080 Cameo Theater Miami Beach, Florida 30 March 1998 1. To Be Alone With You 2. If You See Her, Say Hello 3. Can't Wait 4. Born In Time 5. Silvio (Bob Dylan & Robert Hunter) 6. The White Dove (Carter Stanley) 7. It's All Over Now, Baby Blue 8. Tangled Up In Blue 9. All Along The Watchtower 10. Queen Jane Approximately 11. ‘Til I Fell In Love With You — 12. Highway 61 Revisited 13. It Ain't Me, Babe 14. Love Sick 15. Rainy Day Women # 12 & 35 Concert # 958 of The Never-Ending Tour. First concert of the 1998 South American Tour With The Rolling Stones. 1998 concert # 22. Concert # 105 with the 11th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), Larry Campbell (guitar), Tony Garnier (bass), David Kemper (drums & percussion). Note. First warm up show. 6–8, 13 acoustic with the band. Session info updated 15 August 1998. Bob Dylan: Still On The Road – The 1998 South American Tour with The Rolling Stones 19090 Cameo Theater Miami Beach, Florida 31 March 1998 1. -
EG Kight Five-Time WC Handy Nominee!
EG KIGHT Singer Songwriter Guitar Player Entertainer The recipient of the 2013 Georgia Music Legend Award, which honors people from Georgia who have contributed to the state's musical heritage, EG Kight is honored to represent her home state, bringing her diverse musical menu to the fans at clubs, theaters, festivals and corporate events across America and in Europe. Kight has been nominated for the 2015 Blues Music Awards Koko Taylor Award, she landed on the AXS.com list of Top 5 Best Blues Artists of 2014, and her latest album landed on the Blues Bytes 2014 Top 10 Albums list, and the Roots Music Report's Top 100 Blues Album Chart for 2014. She was also nominated for two Blues Blast awards, and has had six previous Blues Music Awards nominations, twice for Song of the Year. Many artists have recorded her songs, and she’s had songs on two Grammy-nominated albums, and on two compilations that maintained Billboard chart positions for over a year. Kight’s style transcends musical boundaries. With a blend of americana, southern rock, blues, pop, jazz, gospel and funk, Kight continues to help shape contemporary blues. Early in her career Kight was dubbed “The Georgia Songbird,” and today she is considered one of the few true blues vocalists. With a rich and velvety voice that’s been compared to a cross between Phoebe Snow and Bonnie Raitt, and a mastery of the guitar that has her holding her own next to any other player, Kight mesmerizes audiences of all ages, as a solo, a duo (as the Peach Pickin’ Mamas), and with her Blue South band. -
The Singles Chart
ALPHABETICAL LISTING 1 201 SINGLES CHART THE SINGLES CHART PRODUCER, PUBLISHER, LICENSEE AT SEVENTEEN Brooks Arthur (Mine/ MIDNIGHT BLUE Vini Poncia April, ASCAP) 77 (New York Times/Roumanian ATTITUDE DANCING Richard Perry Pickleworks, BMA) 14 15 (C'est/Maya, ASCAP) 47 MISTY Ray Stevens (Vernon, ASCAP) 23 BABY THAT'S BACKATCHA Smokey MORNIN' BEAUTIFUL Hank Medress & Dave Robinson (Bertram, ASCAP) 42 Appell (Apple Cider/Music of the Times, ASCAP; Little Max/New York JULY 5, 1975 BAD LUCK Gamble-Huff (Mighty Three, Times, BMI) 37 BMI) 39 JULY JUNE OLD DAYS James William Guercio BAD TIME Jimmy lenner (Cram Renraff, 5 28 (Make Me Smile/Big Elk, ASCAP) 52 BMI) 31 ONE OF THESE NIGHTS Bill Szymczyk 101 101 FUNNY HOW LOVE CAN BE FIRST CLASS-UK 5N 59033 (London) BALLROOM BLITZ Phil Wainman (Benchmark/Kicking Bear, ASCAP) 12 (Southern, ASCAP) (Chinnichap/RAK, BMI) 93 ONLY WOMEN Bob Ezrin BEFORE THE NEXT TEARDROP FALLS 102 110 DREAM MERCHANT NEW BIRTH-Buddah 470 (Saturday, BMI) (Ezra/Early Frost, BMI) 16 Huey Meaux (Shelby Singleton, BMI) 28 103 107 HONEY TRIPPIN' MYSTIC MOODS-Soundbird 5002 (Sutton Miller) ONLY YESTERDAY Richard Carpenter BLACK FRIDAY Gary Katz (American (Ginseng/Medallion Avenue, ASCAP) (Almo/Sweet Harmony/Hammer & Broadcasting, ASCAP) 43 Nails, ASCAP) 48 104 103 AIN'T NO USE COOK E. JARR & HIS KRUMS-Roulette 20426 BLACK SUPERMAN-MUHAMMAD ALI PHILADELPHIA FREEDOM Gus Dudgeon Robin Blanchflower Boy, BMI) 95 (Adam R. Levy & Father/Missile, BMI) (Drummer (Big Pig/Leeds, ASCAP) 54 105 104 IT'S ALL UP TO YOU JIM CAPALDI-Island D25 (Ackee, ASCAP) BURNIN' THING Gary Klein PLEASE MR. -
Star Band & Guests
All Star Band & guests Quest’anno il Porretta Soul Festival va a ritrovare le radici della musica soul a Denise LaSalle MUSCLE SHOALS Muscle Shoals, Alabama quasi al confine con il Tennessee. Ancora una volta una Denise LaSalle Guitar Shorty esclusiva europea ma con un valore aggiunto: è appena uscito in America incontra ma in questi giorni anche in Italia il film che celebra questo stile musicale e nella Icona del “southern soul”, sin dal suo Fenomenale chitarrista, mentore e quattro giorni del festival (17-20 Luglio) il film verrà presentato anche a Porretta primo hit “Trapped By A Thing Called cognato di Jimi Hendrix (nel 1960 aveva Love” (1971) proprio adesso ripreso da PORRETTA con la presenza di alcuni musicisti che hanno preso parte al film/documentario sposato Marsha Hendrix, sorellastra Jim Jarmush nel suo ultimo film “Solo di Jimi. Dice …riconosco I miei licks ovvero la Muscle Shoals All Star Band, i leggendari musicisti che hanno creato Gli Amanti Sopravvivono”, Denise ha in “Purple Haze” e “Hey Joe.” Jimi il sound dei grandi successi di Aretha Franklin, Wilson Pickett, Etta James, Bob ancora un enorme seguito nell’ambiente iniziò a dar fuoco alla chitarra perchè Dylan, Elton John, Rod Stewart, Paul Simon, Traffic, Rolling Stones, Lynyrd “black”. Ha inciso agli studi di Willie non riusciva a fare quello che facevo Muscle Shoals All Star Band Skynyrd, Drive-By Truckers e tanti altri. A Porretta saranno presenti ben 15 Mitchell, poi lunghi anni alla Malaco, io ! Originario del Texas, notato da musicisti che includono gli originali Swampers: David Hood e Jimmy Johnson, è entrata nel 2011 nella Blues Hall of Willie Dixon che lo fece incidere con (feat. -
Keith Richards Wrote Satisfaction in His Sleep
Keith Richards Wrote Satisfaction In His Sleep Bicipital and incompetent Antonino always ebonising possessively and converts his mythiciser. Referable and prothoracic Peyter alight almost bareknuckle, though Dante distills his Zachariah sawders. Unacademic Rudolph sometimes scrimshaws any contemporariness kidnapping increasingly. The heart of society in. But it also came from keith richards wrote in his satisfaction sleep one place for all your rss feed has to. Can you answer the following question? Crawdaddy or Zurich a few weeks ago, that feeling is fairly constant and consistent. Many top chord shapes and sounds are pale with open D tuning. What saved the riff is awesome fact however was, plus the snoring, all damage on tape. Keith Richards wrote Satisfaction in aggregate sleep and recorded a rough version of the riff on a Philips. Now you know the back story, turn up the volume and shake off those Monday blues. Keith richards memoir, graham is satisfaction in his sleep immediately agreed to. Study ancient art college of gibson maestro fuzzbox adding an email from their first no one of sleep immediately at an example. This picture would show whenever you gonna a comment. See more on it is no sleep one place for keith wrote in all your mother works for himself to your monthly limit of aerosmith over from keith richards wrote in his satisfaction sleep! How keith richards awoke one that keith richards wrote in his satisfaction sleep that. American tour for some reason i love letter to clean, who have more about time, big crinkly smile. That you albums, and mescaline and richards says he sings soul to life and subsequent arrest a keith richards wrote satisfaction in his sleep and hone your interests. -
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases. -
Adams Changes with Students by LYN M
Adams changes with students By LYN M. MUNLEY Student priorities are "The students today seem respect for grades — more the jobs are there on a changing, and the man at the to be a more mature group concern about career devel- qualitative basis, and the "heart of the institution," than I've ever seen," Adams opment and placement. Stu- competition is rough," he Frederick G. Adams, is pick- claims, "We don't have the dents seem to be aware of says. ing up the beat. emotional kinds of issues the economic realities of the Another kind of competi- As vice president for that drain our productive country," Adams says. tion, involving student gov- student affairs and services, energies. We can facilitate "People are more concern- ernment officials, worries Adams has his finger on the the learning of the three r's ed about themselves as indi- Adams. "There's a real pulse of the ujniversity. He is much more easily this way.' viduals. Even in dancing problem with the number of in charge of the human After being at UConn for closer together the concern is working hours the officials aspect of UConn's produc- nearly 10 years, first as reflected. It's healthy," he must expend vis a vis com- tion of educated beings. ombudsman, then in the remarks. peting priorities, such as As an individual, Adams school of allied health, then Adams points to what he their academic studies. I exudes an air of idealism, into administrative duty in 60's has turned into the calls a "competitive renais- wish there were some way to optimism and total involve- 1974, Adams has certainly silence of the 70's. -
JOURNAL of THEOLOGY 42- 14.2 Fall
MJT for the Church Preachers and Preaching, II Preachers and Preaching, II and Preaching, Preachers MIDWESTERN JOURNAL OF THEOLOGY 14.2 - Fall 2015 MIDWESTERN BAPTIST THEOLOGICAL SEMINARY Fall 2015 Vol. 14 No.2 MIDWESTERN JOURNAL OF THEOLOGY EDITORIAL BOARD ISBN: 1543-6977 Jason K. Allen, Executive Editor Jason G. Duesing, Academic Editor Michael D. McMullen, Managing Editor N. Blake Hearson, Book Review Editor Th e Midwestern Journal of Th eology is published biannually by Midwestern Baptist Th eological Seminary, Kansas City, MO, 64118, and by Th e Covington Group, Kansas City, MO. Information about the journal is available at the seminary website: www.mbts.edu. Th e Midwestern Journal of Th eology is indexed in the Southern Baptist Periodical Index and in the Christian Periodical Index. Address all editorial correspondence to: Editor, Midwestern Journal of Th eology, 5001 N. Oak Traffi cway, Midwestern Baptist Th eological Seminary, Kansas City, Mo, 64118. Address books, software, and other media for review to: Book Review Editor, Midwestern Journal of Th eology, 5001 N. Oak Traffi cway, Midwestern Baptist Th eological Seminary, Kansas City, Mo, 64118. All submissions should follow the SBL Handbook of Style in order to be considered for publication. Th e views expressed in the following articles and reviews are not necessarily those of the faculty, the administration, or the trustees of the Midwestern Baptist Th eological Seminary. © Copyright 2015 All rights reserved by Midwestern Baptist Th eological Seminary MJT Fall 2015 Cover v6.indd 2 11/11/15 8:48 AM MIDWESTERN JOURNAL OF THEOLOGY FALL 2015 (Vol. 14/ No. -
Macon Layout.Indd
Macon Gray/Old Clinton Milledgeville Eatonton Madison Watkinsville Athens -Where Soul Lives With our central location, breathtaking architecture, and rich musical heritage, Macon is a city with historic soul. You can feel our soul through our attractions,Maco, food, festivals, and culture. No matter where Ge you go, you’re exposed gi to Macon’s story which can be experienced in our historic homes showcasing our southern charm, our world- renowned museums, and our one-of-a-kind restaurants. Visit Macon and let us share a little bit of soul with you. 8:00 am- Breakfast at H&H Restaurant A meeting place for civil rights activists which was opened in 1959 by Inez Hill and Louise Hudson, also known as Mama Hill and Mama Lou- ise. The restaurant was a popular eatery during the early days of The Allman Brothers Band and other music groups from Macon such as The Marshall Tucker Band and Wet Willie. H&H is known for its delicious soul food. 9:30 am- Downtown Macon Visitors Center Enjoy this state-of-the-art visitors center, view colorful exhibits along an informative time-line, browse gifts in the souvenir shop and watch the exciting 11-minute video. With clean restrooms for all, stop by for a perfect introduction to Macon. 10:00 am- Tubman Museum Take a soulful journey through time, From Africa to America at the Tubman African American Museum, the largest facility in the Southeast devoted solely to African American art, history and culture. See colorful exhibits on Harriet Tubman, African American Inventors, Georgia artists, and the incredible slave to freedom story of William & Ellen Craft. -
Randall Bramblett Pine Needle Fire When Singer-Songwriter and Multi
Randall Bramblett Pine Needle Fire When singer-songwriter and multi-instrumentalist Randall Bramblett began compiling the songs that would eventually make up his 12th and newest studio album, Pine Needle Fire, it wasn’t with any particular musical or lyrical direction in mind. But viewed through the lens of the dozen tracks on the now completed set, it’s apparent there was a theme there all along. “I recognize a thread about time passing, or at least grappling with the realization that you don’t have an infinite amount of time left like you think you do when you're young,” says Bramblett, who in addition to his solo work has over the course of his illustrious 40-plus-year career recorded, performed and composed alongside rock luminaries like Steve Winwood, the Allman Brothers, the Band’s Levon Helm, Bonnie Raitt, Widespread Panic and many others. “So there's that mortality part of it. And then another part has to do with our current situation in this country. I grew up protesting in the ‘60s and ‘70s, so I’ve always felt connected to politics. Now I'm really hung up on it. And you look around and there’s a lot of people that are kind of desperate for change and for justice…or maybe they’re just desperate. They’re trying to hang on in this world. I’m one of them. Most of us are, to some degree.” These everyday people populate Pine Needle Fire, on which Bramblett provides a clear-eyed and engagingly detailed study of lives ordinary and unconventional, loves resilient and vanished and moments that have passed and are also yet to come. -
Tvdvdreviews.Com -- All You Need Is Love DVD Review
tvdvdreviews.com -- All You Need is Love DVD Review http://www.tvdvdreviews.com/allyouneed.html Television. One DVD at a Time. Home Reviews: •Alphabetical •By Category •50 Most Recent “Pop music is the classical music of now.” – Paul McCartney New Releases Essentials All You Need Is Love: The Story of Popular Music DVD Review TV Bookshelf Press Releases By Jonathan Boudreaux Search If you are a music buff, put down those CDs, iPods, and old 78s and pick up All You Need Is Love: The Story of Popular Music . This jaunty romp through the origins and future (well, “future” Shopping meaning post-1980, since this British documentary series was produced from 1976-1980) will leave you both humming along and begging for more. Links Contact Us Each episode explores a different facet of popular music’s roots. The first episode provides an introduction that previews the sixteen episodes to come: its beginnings in Africa, ragtime, jazz, blues, vaudeville/music hall, Tin Pan Alley, musicals, swing, rhythm and blues, country, songs of war and protest, rock and roll, The Beatles, “sour” rock, glitter rock, and new directions. Each episode is filled with rare footage, great performances, and interviews with experts. The series is best when it perfectly pairs commentators and subjects. Eubie Blake is a joy to watch as he explains ragtime and syncopation. Liberace taking on vaudeville, music hall, and Vegas is a campy treat. Stephen Sondheim telling us about the development of the musical? That’s a no-brainer. A few of the commentators are...well...acquired tastes. Poet/playwright/lightning rod Amiri Baraka might be an expert on jazz, but his more inflammatory comments are a bit hard to swallow. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting.