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Sayumi Michishige 1 Sayumi Michishige
Sayumi Michishige 1 Sayumi Michishige Sayumi Michishige Datos generales Nacimiento 13 de Julio de 1989 (23 años) Origen Ube, Yamaguchi, Japón Ocupación Cantante Información artística Otros nombres Sayumin, Shige-san, Sayu, Shige-pink Género(s) J-Pop Instrumento(s) Voz Período de actividad 2003 Discográfica(s) Zetima Miembros Morning Musume, Otomegumi, Ecomoni, H.P. All Stars Sayumi Michishige (Yamaguchi, Japón 13 de julio de 1989 - ) (en kanji, 道 重 さ ゆ み, Michishige Sayumi), es una idol japonesa lider del grupo musical Morning Musume. Datos personales • Nombre: Sayumi Michishige(道 重 さ ゆ み) • Sobrenombres: Sayumin, Shige-san, Sayu, Shige-pink, Sayusuke (solo por Risa Niigaki) • Fecha de nacimiento: 13 de julio de 1989 • Lugar de nacimiento: Ube prefectura de Yamaguchi, Japón • Tipo de Sangre: A • Estatura: 160 cm • Habilidades: Las matemáticas. • Aficiones: Las pegatinas, hablar. • Lema: Nunca rechazar un regalo. • Comida favorita: Spaghettis, el chocolate. • Colores favoritos: Rosa • Grupos en Hello! Project: • Morning Musume (2003-) • Otomegumi (2003) • Ecomoni • H.P. All Stars Sayumi Michishige 2 • v-u-den Biográfica Nacida el 13 de julio de 1989 en Ube, Prefectura de Yamaguchi, Japón, se unió a Morning Musume en el 2003 al mismo tiempo que Eri Kamei, Reina Tanaka y Miki Fujimoto. Hace su primera aparición pública con el sencillo Shabondama. En la audición que tuvo que pasar para unirse a Morning Musume, Tsunku comentó sobre ella que su canto era débil. Sayumi no poseía una gran voz ni era la mejor bailarina pero tsunku pensó que su belleza y su carisma así como su carácter iban muy bien con el grupo así Sayumi se convirtió en parte de Morning Musume. -
Heath, David and Maitland, Sarah. 2020
Heath, David and Maitland, Sarah. 2020. A new modality of audiovisual translation? Covert translation of presenter scripts in Japan’s globally aired English-language TV music show. Bulletin of the Society of Humanities Kanto Gakuin University, 143, pp. 183-214. [Article] https://research.gold.ac.uk/id/eprint/29662/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] This is the authors’ manuscript version accepted for publication in Bulletin of the Society of Humanities Kanto Gakuin University. The published version is available for citation, as: David Heath and Sarah Maitland (2020) ‘A new modality of audiovisual translation? Covert translation of presenter scripts in Japan's globally aired English-language TV music show’, Bulletin of the Society of Humanities Kanto Gakuin University, 143, pp. 183- 214. doi: A new modality of audiovisual translation? Covert translation of presenter scripts in Japan's globally aired English-language TV music show David Heath and Sarah Maitland Bulletin of the Society of Humanities Kanto Gakuin University Abstract This article sheds light on an unresearched translation modality that forms a pillar of program production for Japan’s publicly funded, globally aired, round-the-clock English-language television channel, NHK World-Japan TV. -
Radiological Issues for Fukushima's Revitalized Future
Tomoyuki Takahashi Editor Radiological Issues for Fukushima’s Revitalized Future Radiological Issues for Fukushima’s Revitalized Future Tomoyuki Takahashi Editor Radiological Issues for Fukushima’s Revitalized Future Editor Tomoyuki Takahashi Research Reactor Institute Kyoto University Kumatori, Osaka, Japan ISBN 978-4-431-55847-7 ISBN 978-4-431-55848-4 (eBook) DOI 10.1007/978-4-431-55848-4 Library of Congress Control Number: 2015958094 Springer Tokyo Heidelberg New York Dordrecht London © The Editor(s) if applicable and the Author(s) 2016. The book is published with open access at SpringerLink.com. Open Access This book is distributed under the terms of the Creative Commons Attribution Noncommercial License, which permits any noncommercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. All commercial rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. -
Koharu Kusumi ⼩ 春 the First Essay of Nonfiction Koharu Kusumi Has Wrien! a Nature-Raised Village Girl Becomes an Idol at Age and at Age Now Takes a New Path
A Career Change at 17 転 歳 職 の 久 住 Koharu Kusumi ⼩ 春 The first essay of nonfiction Koharu Kusumi has wrien! A nature-raised village girl becomes an idol at age and at age now takes a new path. The mental state of Koharu Kusumi arriving at a career change at age , pursued since early life. Her road to health, her road to agriculture, her Morning Musume。 period experiences—she talks about everything here now!! “The complete audition conditions” “Kirari Tsukishima-chan,thank you” “You could pay for bamboo shoots!” “Modeling aspirations” An intense open-air classroom “I’m quiing Morning Musume 。!” “Like I’m gonna die in a place like this!” “Could I really turn being “An interest in agriculture” an otaku into a career?” “It’s an important thing for the sake of being healthy” “Koharu talks about hygiene” 17 A 歳 Career の Change 転 at 職 久 Koharu 住 小 Kusumi 春 an unofficial translation with notes by KirarinISnow photographs koharu kusumi d i e t n o t e \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ A Career Change at Foreword Koharu’s Hometown :Life in Washima Village: ⟦The birth of Koharu Kusumi (ages –)⟧ .................... Stories from age that I have no recollection of ............ This is what a village nursery school is () ............. Lile Koharu’s reality! :A day in the life of Koharu: ........ Koharu’s nature becomes clear :Age : ................ ⟦Four seasons in a retro village⟧ ......................... Winters with tremendous snowfall .................... For the Kusumis, the year starts with “New Year’s Eve”—“The New Year’s performances are on December , aren’t they?” . -
Liner Notes: Aesthetics of Capitalism and Resistance in Contemporary
LINER NOTES: AESTHETICS OF CAPITALISM AND RESISTANCE IN CONTEMPORARY JAPANESE MUSIC A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Jillian Marshall December 2018 © 2018, Jillian Marshall LINER NOTES: AESTHETICS OF CAPITALISM AND RESISTANCE IN CONTEMPORARY JAPANESE MUSIC Jillian Marshall, Ph.D. Cornell University 2018 This dissertation hypothesizes that capitalism can be understood as an aesthetic through an examination and comparison of three music life worlds in contemporary Japan: traditional, popular, and underground. Through ethnographic fieldwork-based immersion in each musical world for nearly four years, the research presented here concludes that capitalism’s alienating aesthetic is naturally counteracted by aesthetics of community-based resistance, which blur and re-organize the generic boundaries typically associated with these three musics. By conceptualizing capitalism -- and socio-economics on whole – as an aesthetic, this dissertation ultimately claims an activist stance, showing by way of these rather dramatic case studies the self-destructive nature of capitalistic enterprise, and its effects on musical styles and performance, as well as community and identity in Japan and beyond. BIOGRAPHICAL SKETCH Prior to undertaking doctoral studies in Musicology at Cornell in 2011, Jillian Marshall studied East Asian Languages and Civilizations at the University of Chicago, where she graduated with double honors. Jillian has also studied with other institutions, notably Princeton University through the Princeton in Beijing Program (PiB, 2007), and Columbia University through the Kyoto Consortium of Japanese Studies at Doshisha University (KCJS, 2012). Her interest in the music of Japan was piqued during her initial two-year tenure in the country, when she worked as a middle school English teacher in a rural fishing village. -
Launch of Bisty's New Pachislot Machine “Morning Musume”
(Translation) To all parties concerned: April 25, 2007 Fields Corporation President and CEO: Hidetoshi Yamamoto (JASDAQ code 2767) Inquiries: Hiroyuki Yamanaka Director and General Manager, Planning and Administration Division Tel.: +81-3-5784-2111 Launch of Bisty’s New Pachislot Machine “Morning Musume” Fields Corporation (Head office: Shibuya-ku, Tokyo; President and CEO: Hidetoshi Yamamoto) announces the nationwide release of the new Bisty Co., Ltd.’s pachislot machine “Morning Musume.” The characters featured in the new machine are former members of the Japanese pop group Morning Musume, who are now participating actively in diverse fields after having left the group. Morning Musume has been familiar with people of different generations as a pop group since its formation in 1997. Its members are active not only in the field of music, but also as movie actresses and celebrities apearing on TV variety programs. The new machine is the first Bisty pachislot machine to be equipped with the “gigantic shutter” which is so large that it takes up the 10-inch LCD. In the story for the new machine, special Morning Musume members who have come together to mark the group’s 10th anniversary strive to protect the peace of the universe, with their actions depicted through the combination of the LCD and the gigantic shutter. Players can also fully enjoy promo videos of hit Morning Musume songs and original video clips only available on the machine. The new machine opens up the door to a new era in enjoyment, not only for pachislot enthusiasts but a wide range of pop music fans. -
Country Women Piracy Gambit
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw CL V) W z HI CCVR H 3 -DIGIT 9011 'IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII I IIIIIII #90807GEE374EM002# BLBD 893 A06 B0093 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 111 UMW r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com JULY 5, 2003 Shal aTwzin at the HOT SPOTS recent Country Music Aw r Is. The Mercury Piracy Gambit artist is the lone female with a current top 10 country single. Raises Stakes RIAA Lawsuit Strategy Risks Consumer Backlash BY BILL HOLLAND and BRIAN GARRITY WASHINGTON, D.C.-The music 5 'Phoenix Rising industry's promised blitzkreig of law- suits against Internet song swappers- The new "Marry Potter and the including file-sharing teens-could Order of the Phoenix" flies out quickly become a legal quagmire. of retail outlets in record num- some critics warn. bers: 5 m Ilion in 24 hours. But with frustration levels running high after months of fruitless educa- tional campaigns, the industry is hell- bent on raising the stakes in the war on music pirates. As it launched its newest offensive June 25, the industry picked up a major ally in Congress. Rep. Lamar Smith, R- Texas, the anti -piracy cham- (Continued on page 74) Majors' Woes Continue 5 Jam On It Country Women Gov't Mule's Warren Haynes is Talks among the artists helping Along With Merger this summer's hot jam band Lose Hit Magic BY MATTHEW BENZ tour to jell. -
Fairy Inc. Sheet Music Products List Last Updated [2013/03/018] Price (Japanese Yen) a \525 B \788 C \683
Fairy inc. Sheet Music Products list Last updated [2013/03/018] Price (Japanese Yen) A \525 B \788 C \683 ST : Standard Version , OD : On Demand Version , OD-PS : Piano solo , OD-PV : Piano & Vocal , OD-GS : Guitar solo , OD-GV : Guitar & Vocal A Band Score Piano Guitar Title Artist Tie-up ST OD ST OD-PS OD-PV ST OD-GS OD-GV A I SHI TE RU no Sign~Watashitachi no Shochiku Distributed film "Mirai Yosouzu ~A I DREAMS COME TRUE A A A Mirai Yosouzu~ SHI TE RU no Sign~" Theme song OLIVIA a little pain - B A A A A inspi'REIRA(TRAPNEST) A Song For James ELLEGARDEN From the album "BRING YOUR BOARD!!" B a walk in the park Amuro Namie - A a Wish to the Moon Joe Hisaishi - A A~Yokatta Hana*Hana - A A Aa Superfly 13th Single A A A Aa Hatsu Koi 3B LAB.☆ - B Aa, Seishun no Hibi Yuzu - B Abakareta Sekai thee michelle gun elephant - B Abayo Courreges tact, BABY... Kishidan - B abnormalize Rin Toshite Shigure Anime"PSYCHO-PASS" Opening theme B B Acro no Oka Dir en grey - B Acropolis ELLEGARDEN From the album "ELEVEN FIRE CRACKERS" B Addicted ELLEGARDEN From the album "Pepperoni Quattro" B ASIAN KUNG-FU After Dark - B GENERATION again YUI Anime "Fullmetal Alchemist" Opening theme A B A A A A A A Again 2 Yuzu - B again×again miwa From 2nd album "guitarium" B B Ageha Cho PornoGraffitti - B Ai desita. Kan Jani Eight TBS Thursday drama 9 "Papadoru!" Theme song B B A A A Ai ga Yobu Hou e PornoGraffitti - B A A Ai Nanda V6 - A Ai no Ai no Hoshi the brilliant green - B Ai no Bakudan B'z - B Ai no Kisetsu Angela Aki NHK TV novel series "Tsubasa" Theme song A A -
Karaoken Presenteras Av Sveriges J-Rock-Förening
Karaoken presenteras av Sveriges J-rock-förening Karaokelista – Innehåll s. 3 Animé & Live Action s. 20 J-rock s. 26 J-pop s. 31 Spel & VN s. 33 Parodier & Fanlåtar s. 37 Vocaloid s. 39 Koreanskt & Kinesiskt s. 44 Västerländskt s. 51 Film & TV s. 54 Musikal & Opera Scanna QR-koden – få karaokelistan digitalt! Listan senast uppdaterad 2021-06-10 Karaoken presenteras av I samarbete med Hikari-kai, Sveriges J-rock-förening Raison d’être Pecena Piperka och Feed Me Kpop Den här är rejäl Jag minns inte exakt när det var jag tog över karaokelistan och databasen. När det var jag som började vara ansvarig för uppdateringarna. Det allra tidigaste beviset jag kan finna på en lista som det med hundraprocentig säkerhet var jag som stod för är från december 2014. Så jag har inte riktigt gjort det i ett decennium än. Men jag är rätt säker på att det här är den absolut största uppdateringen jag har gjort. I alla fall är det, utan minsta tvivel, den största uppdateringen på så här kort tid, eftersom det inte ens var två månader sedan den förra listan. Vi hade nämligen förra månaden ett litet event. En karaokemakartävling som löpte över fyra veckor. Summa summarum: Över hundra nya låtar i listan. Plus ett gäng uppdaterade versioner av sånt vi redan hade. Själv har jag se’n sist i princip bara gjort One Piece och Nichijou-låtar, så där finns det diverse nytt att hämta. Högst takt höll Nea, som dessutom fokuserade mycket på nyare populära serier. Så häri kan ni numera hitta musik från Tensei Shitara Slime Datta Ken, Re:Zero kara Hajimeru Isekai Seikatsu, Dr. -
ANIME OP/ED (TV-Versio) Japahari Net - Retsu No Matataki Maximum the Hormone - ROLLING 1000 Toon
Air Master ANIME OP/ED (TV-versio) Japahari Net - Retsu no matataki Maximum the Hormone - ROLLING 1000 tOON 07 Ghost Ajin Yuki Suzuki - Aka no Kakera flumpool - Yoru wa Nemureru kai? Mamoru Miyano - How Close You Are 91 Days Angela x Fripside - Boku wa Boku de atte ELISA - Rain or Shine TK from Ling Tosite Sigure - Signal Amanchu Maaya Sakamoto - Million Clouds 11eyes Asriel - Sequentia Ange Vierge Ayane - Arrival of Tears Konomi Suzuki - Love is MY RAIL 3-gatsu no Lion Angel Beats BUMP OF CHICKEN - Answer Aoi Tada - Brave Song .dot-Hack Lisa - My Soul Your Beats See-Saw - Yasashii Yoake Girls Dead Monster - My Song Bump of chicken - Fighter Angelic Layer .hack//g.u Atsuko Enomoto - Be my Angel Ali Project - God Diva HAL - The Starry sky .hack//Liminality Anime-gataris See-Saw - Tasogare no Umi GARNiDELiA - Aikotoba .hack//Roots Akagami no Shirayuki hime Boukoku Kakusei Catharsis Saori Hayami - Yasashii Kibou eyelis - Kizuna ni nosete Abenobashi Mahou Shoutengai Megumi Hayashibara - Anata no kokoro ni Akagami no Shirayuki hime 2nd season Saori Hayami - Sono Koe ga Chizu ni Naru Absolute Duo eyelis - Page ~Kimi to Tsuzuru Monogatari~ Nozomi Yamamoto & Haruka Yamazaki - Apple Tea no Aji Akagi Maximum the Hormone - Akagi Accel World May'n - Chase the World Akame ga Kill Sachika Misawa - Unite. Miku Sawai - Konna Sekai, Shiritakunakatta Altima - Burst the gravity Rika Mayama - Liar Mask Kotoko - →unfinished→ Sora Amamiya - Skyreach Active Raid Akatsuki no Yona AKINO with bless4 - Golden Life Shikata Akiko - Akatsuki Cyntia - Akatsuki no hana -
Tokyo Pop Culture Spots.Pdf
CONTENTS Shibuya map ...................... 03 by Aika Mitsui Omotesando map ............ 05 by Intetsu Harajuku map-1 .............. 07 by Aya Ikeda Harajuku map-2 .............. 09 by Takamasa Sakurai Shinjuku map ................... 11 by U Kimura Akihabara map ................ 13 by kanon Ginza map ............................. 15 by Miyuki Okumura Toyosu map ......................... 17 by Kenji Kamiyama Shimokitazawa map ... 19 by Kentaro Moriya 1 2 Shibuya MAP by Aika Mitsui Aika Mitsui Profile Aika Mitsui(Morning Musume) Born in Shiga Prefecture on January 12, 1993, 18 years old. Accepted as a Morning Musume Happy 8th Generation member in the audition of 2006. Stage debut in“Smile, Yes Nude Four new members joined the group in 2011; presently numbers nine in all. http://www.helloproject.com/ http://www.myspace.com/morningmusumeofficial 3 4 Omotesando MAP by Intetsu Intetsu Profile Intetsu ( AYABIE) Bassist and composer for performance rock band, AYBIE. Musical versatility that covers rock music using the piano to hard sound. Works as a model for the Gothic-type fashion in Japan and abroad Spends days off reading in cafés and confectionery-baking. Likes photography and makes filming excursions. An authority on black tea and loves milk tea. 5 6 Harajuku MAP by Aya Ikeda Aya Ikeda Profile Aya Ikeda(Singer) Began her career as a member of dance and vocal group, the「C-ZONE」in 2008. Very soon, the group started to appear in overseas stages such as the「ANIME EXPO」in USA in 2009 and the「JAPAN EXPO」in France in 2010, etc. She made her solo debut with the opening theme song of the“Heart Catch Precure” in 2010 and ranked third in a major Japanese music chart. -
Japan's 50Th Kōhaku Song Contest
P erfor-itg C ommuttity' Jupan's 5o'h Kohaka Song Contest Shelley D. Brunt VoTUME ONB Thesis submitted fot the degtee of Doctor of Philosophy Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide April2006 Contents Volume One List of Tables ............. lv List of Plates ................... v List of DVD Examples....,... vll Abstract v111 Declatation................ X Acknowledgements. xi Major Historical Periods x111 Introduction 1 Part One: Framing the 50th Kobakw: Backgtound and Context 36 Chapter One: The Historical Development of Kohakø.. ............37 Chaptet Two: The 50th Kohakø Event... ............98 Part Two: Song Performances of the 50'n Kobakw Comrnunity 140 Chapter Thtee: Performing the Music and Lydcs..'....". 1,42 Chapter Four: Lyric Themes 1,63 Chapter Five: Staging 1,97 Chapter Six: Perfor-itg Reiationship s 231, Conclusions.............. 259 -11 - Volume f wo Appendices ,A.ppendix Ä Ratings: the 1 3th-49'h Ko ha ku (1,9 62-1,998) ................. 268 Appendix B The 50th Kohaka Community: Member Profiles 271, Appendix C The Historrcal Kohaku Commttnity: ¡þ3 lst-lQth K¡haka (1,951,-1,999) .., 281 Appendix D The 50th Kohaka Community: Genres 283 Appendix E Overview: the Televised 50'h Kíhaka....'. 285 Appendix F Ratings: the 50'h K¡hakø ..398 ,\ppendix G Song Lyrics in Translation: the 50th Kahaka...... 401 ,\ppendix H Still Images ftom the Accompaning DVD 449 Glossary: Selected Tetms 451 Bibliography 458 DVD . inside rear cover -111- List of Tables Tabte 1./ Summary Data; ¡þs lst-lth Kohaka (1,951,-1,954).... 40 Table /.2 Summary Data: the 6th-10th K¡hakø (1955-1959) .