DOCSLIB.ORG

Sayumi Michishige 1 Sayumi Michishige

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sayumi Michishige 1 Sayumi Michishige Sayumi Michishige 1 Sayumi Michishige Sayumi Michishige Datos generales Nacimiento 13 de Julio de 1989 (23 años) Origen Ube, Yamaguchi, Japón Ocupación Cantante Información artística Otros nombres Sayumin, Shige-san, Sayu, Shige-pink Género(s) J-Pop Instrumento(s) Voz Período de actividad 2003 Discográfica(s) Zetima Miembros Morning Musume, Otomegumi, Ecomoni, H.P. All Stars Sayumi Michishige (Yamaguchi, Japón 13 de julio de 1989 - ) (en kanji, 道 重 さ ゆ み, Michishige Sayumi), es una idol japonesa lider del grupo musical Morning Musume. Datos personales • Nombre: Sayumi Michishige(道 重 さ ゆ み) • Sobrenombres: Sayumin, Shige-san, Sayu, Shige-pink, Sayusuke (solo por Risa Niigaki) • Fecha de nacimiento: 13 de julio de 1989 • Lugar de nacimiento: Ube prefectura de Yamaguchi, Japón • Tipo de Sangre: A • Estatura: 160 cm • Habilidades: Las matemáticas. • Aficiones: Las pegatinas, hablar. • Lema: Nunca rechazar un regalo. • Comida favorita: Spaghettis, el chocolate. • Colores favoritos: Rosa • Grupos en Hello! Project: • Morning Musume (2003-) • Otomegumi (2003) • Ecomoni • H.P. All Stars Sayumi Michishige 2 • v-u-den Biográfica Nacida el 13 de julio de 1989 en Ube, Prefectura de Yamaguchi, Japón, se unió a Morning Musume en el 2003 al mismo tiempo que Eri Kamei, Reina Tanaka y Miki Fujimoto. Hace su primera aparición pública con el sencillo Shabondama. En la audición que tuvo que pasar para unirse a Morning Musume, Tsunku comentó sobre ella que su canto era débil. Sayumi no poseía una gran voz ni era la mejor bailarina pero tsunku pensó que su belleza y su carisma así como su carácter iban muy bien con el grupo así Sayumi se convirtió en parte de Morning Musume. Aunque su lugar en el grupo es solo como voz de Apoyo, ultimamente desde la Salida de Rika Ishikawa de Morning Musume Sayumi pudo convertirse en una pieza clave dentro del grupo a ser tierna, femenina y ocupar el lugar de "Kawaii" que Rika dejo, con eso Sayumi en la actualidad posee mayor presencia en el escenario y en los conciertos ademas también de que ha hizo dúo con Koharu Kusumi llamado Rainbown Pink, en la que su Nickname es Shige-Pinku (ya en cada concierto al menos cantaban juntas una canción). Ella fue parte del subgrupo Otome Gumi y quizá estuvo mas colocada pues quizá por su imagen podía haber lucido mas en Sakura Gumi sin embargo dentro de Otome Gumi no logro destacar como otras de sus compañeras si lo hicieron como Risa Niigaki, Eri Kamei o Reina Tanaka. Sayumi no es ciertamente la mejor voz ni la mejor bailarina pero si debemos reconocer que es una de las chicas mas bellas y tiernas del grupo asi como que se esfuerza para tratar de seguir en la competencia con sus compañeras por tener su propio lugar dentro del grupo, cabe destacar que si bien no es una voz principal si ha logrado lucir cada ve mas y desde el CD Rainbown 7. Fue, junto a Rika Ishikawa, miembro de unidad del Haropro "Ecomoni", con la que hizo campaña para la defensa del medio ambiente. A partir del 2005 ha sido la tutora de la miembro de séptima generación Koharu Kusumi. Su frase mas conocida es "Usa-chan Peace" (de usagi, conejo en japonés), con la cual Sayumi suele identificarse. Diciendo "Usa-chan peace" hace versiones con sus dedos medio e índice y las coloca al lado de sus orejas. Sayumi es una de las integrantes de Hello! Project que mas polémica ha creado referente a que posee una gran cantidad de seguidores que la quieren y admiran pero también posee un séquito de fans molestos por que ella este en el grupo al considerarla la peor voz de todo Hello! Project y que solo es una Barbie Japonesa, sin embargo Sayumi a pesar de no ser la mejor a hecho mucho esfuerzo y a trabajado duro para poder ser una digna Morning Musume. El 18 de Mayo de 2012 ¡, Sayumi se convierte oficialmente en la Líder de Morning Musume, día en es que se graduó su Sempai Risa Niigaki, y su kouhai Aika Mitsui. Películas • Hoshisuna no Shima, Watashi no Shima - Island Dreamin' (2004) • Tottoko Hamutaro Hamham Paradichu! Hamutaro to Fushigi no Oni no Ehonto (2005). • Cyborg Shibata 3 Musicales • Ribbon no kishi (2006) • Cinderella The Musical (2008) • Ojigi de shape up (2009) Sayumi Michishige 3 Photobooks • Hello Hello (2003) Eri Kamei & Reina Tanaka • Michishige Sayumi (2004) • Angels (2005) • Doukei (2007) • Love!HEllo Sayumi Michishige(2007) • Sousou (2007) • Love letter(2008) • 20Sai 7/13 (2009) • La (2010) • Sayumiglandoll (2011) DVD • 17~Love Hello! Michishige Sayume DVD ~(2007) • Love Story (2008) • 20`s time (2009) Curiosidades • Tiene un hermano mayor y una hermana mayor. • Hizo una estrecha amistad con Eri Kamei en el campamento de entrenamiento, durante la audición de la sexta generación. • Es notoria por no haber cambiado el estilo de su cabello, en términos de corte o color desde que se unió. • Fue la mentora de Koharu Kusumi • Su lema es "Usa-chan ¡Peace!", lo dice mientras sostiene dos signos de paz al lado de su cabeza, como orejas de conejo. • Ella ganó un premio por ejercicios aeróbicos en la escuela primaria, y también tomó clases de piano. • Antes de unirse a Morning Musume, ella admiraba a Takahashi Ai y Rika Ishikawa. • Su padre es un investigador de la compañía química Ube Industries. • Es conocida por ser la miembro más narcisista. • En una entrada de su blog, llamó a Eri Kamei "Mi amor". • A ella le encanta Ai Takahashi. • Es conocida por tratar de besar a las otras miembros durante los conciertos, sobre todo a Ai Takahashi. • Ella llama a Erina Ikuta su rival. • Después de que Junjun se tiñó el pelo de color marrón en 2010 y cuando Morning Musume sólo tenía cinco miembros a finales de diciembre de 2010 (antes de la unión de la 9na generación), era la única miembro que tenía el pelo negro. • Junto con Eri Kamei y Reina Tanaka, produjeron un video musical, donde salen ellas cantando su canción de audición, Do It Now! • En Yorosen, la enseñó a Cute acerca de los ferrocarriles. • Cuando se le preguntó quién sería si ella podría ser otro miembro de Hello!Project, dijo Suzuki Airi, porque "quería que sentirse bien, cantando canciones con encanto, al igual que ella!". • Cuando Niigaki Risa se convirtió en el líder de Morning Musume y Hello!Proyect, se suponía que Sayumi era a la que le correspondía el Sub-Líderazgo de Morning Musume, pero hubo discusiones acerca de la situación. Sayumi es mayor de Reina Tanaka, pero Tsunku y los aficionados, dijeron que Reina sería mejor Sub-Líder. Tsunku sabía que vendrían los debates sobre este tema, por lo que decidió que no habría sub-líder por ahora. Ni Michishige Sayumi o Reina Tanaka serían sub-líder. Sayumi Michishige 4 • Mari Yaguchi la llamaba Sayu-rin. • Estaba en Yorosen junto con Cute y Musume Morning • Fue revelado por Tsunku en Music Fighter que su habilidad de cantar es inferior y que ella fue escogida por su punto de encanto. Sin embargo, ella quiere cantar y le pidió a Tsunku para que le diera más partes de canto. Fuentes y contribuyentes del artículo 5 Fuentes y contribuyentes del artículo Sayumi Michishige Fuente: http://es.wikipedia.org/w/index.php?oldid=64779616 Contribuyentes: Bucho, Camilo, Claudia1034, Clouded, Dhidalgo, Dodo, Elnole, Maleiva, Martinetekun, Matdrodes, Moscowconnection, Oxana879, Reinashan, Spe3rx, Xacur, Xamuhinamorix, Yagamichega, Yakuchang, 37 ediciones anónimas Fuentes de imagen, Licencias y contribuyentes Archivo:Morning Musume 20100703 Japan Expo 18.jpg Fuente: http://es.wikipedia.org/w/index.php?title=Archivo:Morning_Musume_20100703_Japan_Expo_18.jpg Licencia: GNU Free Documentation License Contribuyentes: Georges Seguin (Okki) Archivo:Flag of Japan.svg Fuente: http://es.wikipedia.org/w/index.php?title=Archivo:Flag_of_Japan.svg Licencia: Public Domain Contribuyentes: Various Licencia Creative Commons Attribution-Share Alike 3.0 Unported //creativecommons.org/licenses/by-sa/3.0/.
Load more

Recommended publications
  • Heath, David and Maitland, Sarah. 2020
    Heath, David and Maitland, Sarah. 2020. A new modality of audiovisual translation? Covert translation of presenter scripts in Japan’s globally aired English-language TV music show. Bulletin of the Society of Humanities Kanto Gakuin University, 143, pp. 183-214. [Article] https://research.gold.ac.uk/id/eprint/29662/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] This is the authors’ manuscript version accepted for publication in Bulletin of the Society of Humanities Kanto Gakuin University. The published version is available for citation, as: David Heath and Sarah Maitland (2020) ‘A new modality of audiovisual translation? Covert translation of presenter scripts in Japan's globally aired English-language TV music show’, Bulletin of the Society of Humanities Kanto Gakuin University, 143, pp. 183- 214. doi: A new modality of audiovisual translation? Covert translation of presenter scripts in Japan's globally aired English-language TV music show David Heath and Sarah Maitland Bulletin of the Society of Humanities Kanto Gakuin University Abstract This article sheds light on an unresearched translation modality that forms a pillar of program production for Japan’s publicly funded, globally aired, round-the-clock English-language television channel, NHK World-Japan TV.
    [Show full text]
  • Koharu Kusumi ⼩ 春 the First Essay of Nonfiction Koharu Kusumi Has Wrien! a Nature-Raised Village Girl Becomes an Idol at Age  and at Age  Now Takes a New Path
    A Career Change at 17 転 歳 職 の 久 住 Koharu Kusumi ⼩ 春 The first essay of nonfiction Koharu Kusumi has wrien! A nature-raised village girl becomes an idol at age and at age now takes a new path. The mental state of Koharu Kusumi arriving at a career change at age , pursued since early life. Her road to health, her road to agriculture, her Morning Musume｡ period experiences—she talks about everything here now!! “The complete audition conditions” “Kirari Tsukishima-chan,thank you” “You could pay for bamboo shoots!” “Modeling aspirations” An intense open-air classroom “I’m quiing Morning Musume ｡!” “Like I’m gonna die in a place like this!” “Could I really turn being “An interest in agriculture” an otaku into a career?” “It’s an important thing for the sake of being healthy” “Koharu talks about hygiene” １７ A 歳 Career の Change 転 at 職 久 Koharu 住 小 Kusumi 春 an unofficial translation with notes by KirarinISnow photographs koharu kusumi d i e t n o t e \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ · \ · [ A Career Change at Foreword Koharu’s Hometown :Life in Washima Village: ⟦The birth of Koharu Kusumi (ages –)⟧ .................... Stories from age that I have no recollection of ............ This is what a village nursery school is () ............. Lile Koharu’s reality! :A day in the life of Koharu: ........ Koharu’s nature becomes clear :Age : ................ ⟦Four seasons in a retro village⟧ ......................... Winters with tremendous snowfall .................... For the Kusumis, the year starts with “New Year’s Eve”—“The New Year’s performances are on December , aren’t they?” .
    [Show full text]
  • Liner Notes: Aesthetics of Capitalism and Resistance in Contemporary
    LINER NOTES: AESTHETICS OF CAPITALISM AND RESISTANCE IN CONTEMPORARY JAPANESE MUSIC A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Jillian Marshall December 2018 © 2018, Jillian Marshall LINER NOTES: AESTHETICS OF CAPITALISM AND RESISTANCE IN CONTEMPORARY JAPANESE MUSIC Jillian Marshall, Ph.D. Cornell University 2018 This dissertation hypothesizes that capitalism can be understood as an aesthetic through an examination and comparison of three music life worlds in contemporary Japan: traditional, popular, and underground. Through ethnographic fieldwork-based immersion in each musical world for nearly four years, the research presented here concludes that capitalism’s alienating aesthetic is naturally counteracted by aesthetics of community-based resistance, which blur and re-organize the generic boundaries typically associated with these three musics. By conceptualizing capitalism -- and socio-economics on whole – as an aesthetic, this dissertation ultimately claims an activist stance, showing by way of these rather dramatic case studies the self-destructive nature of capitalistic enterprise, and its effects on musical styles and performance, as well as community and identity in Japan and beyond. BIOGRAPHICAL SKETCH Prior to undertaking doctoral studies in Musicology at Cornell in 2011, Jillian Marshall studied East Asian Languages and Civilizations at the University of Chicago, where she graduated with double honors. Jillian has also studied with other institutions, notably Princeton University through the Princeton in Beijing Program (PiB, 2007), and Columbia University through the Kyoto Consortium of Japanese Studies at Doshisha University (KCJS, 2012). Her interest in the music of Japan was piqued during her initial two-year tenure in the country, when she worked as a middle school English teacher in a rural fishing village.
    [Show full text]
  • Fall Issue of Pacific Bridge, the “Politics Issue,”
    p page 1 acificibridge page 1 The Politics Issue Alumni Adventures in Japanese Politics We didn’t go over there to run for office or start a revolution, but sometimes politics had a way of finding us. Here are some of the best stories from fellow alums. “Like Arnold Schwarzenegger” On JET, I lived in a very small town in a very small prefecture, Nichinan-cho in Tottori-ken. One of those places where everybody knows everybody, and as the resident gaijin, everybody knew me. I knew the mayor, the council members, and all of the other politicians in town (along with the shop owners, garbage men, policemen, and little old ladies in their gardens). It wasn’t until I returned to America, however, that I really learned how close-knit Tottori-ken really is. A few years ago, I was at the JETAA Welcome Back Reception chatting with some JET alums new and old, when one of the staff pulled me over and said, “Kurara-san, you used to live in Tottori, right? There is someone else here from Tottori, you should meet him.” So I wandered over to this newcomer to say some “Yoroshikus.” The Japanese man I introduced myself to looked vaguely familiar, but I didn’t really pay much attention to it (he was, after all, another Japanese man in a suit; perhaps they were starting to blend together in my mind?). So I said I used to live in Nichinan-cho, expecting him to say “doko?” Which is the response I typically get when I mention my lovely town.
    [Show full text]
  • Launch of Bisty's New Pachislot Machine “Morning Musume”
    (Translation) To all parties concerned: April 25, 2007 Fields Corporation President and CEO: Hidetoshi Yamamoto (JASDAQ code 2767) Inquiries: Hiroyuki Yamanaka Director and General Manager, Planning and Administration Division Tel.: +81-3-5784-2111 Launch of Bisty’s New Pachislot Machine “Morning Musume” Fields Corporation (Head office: Shibuya-ku, Tokyo; President and CEO: Hidetoshi Yamamoto) announces the nationwide release of the new Bisty Co., Ltd.’s pachislot machine “Morning Musume.” The characters featured in the new machine are former members of the Japanese pop group Morning Musume, who are now participating actively in diverse fields after having left the group. Morning Musume has been familiar with people of different generations as a pop group since its formation in 1997. Its members are active not only in the field of music, but also as movie actresses and celebrities apearing on TV variety programs. The new machine is the first Bisty pachislot machine to be equipped with the “gigantic shutter” which is so large that it takes up the 10-inch LCD. In the story for the new machine, special Morning Musume members who have come together to mark the group’s 10th anniversary strive to protect the peace of the universe, with their actions depicted through the combination of the LCD and the gigantic shutter. Players can also fully enjoy promo videos of hit Morning Musume songs and original video clips only available on the machine. The new machine opens up the door to a new era in enjoyment, not only for pachislot enthusiasts but a wide range of pop music fans.
    [Show full text]
  • Country Women Piracy Gambit
    $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw CL V) W z HI CCVR H 3 -DIGIT 9011 'IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII I IIIIIII #90807GEE374EM002# BLBD 893 A06 B0093 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 111 UMW r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com JULY 5, 2003 Shal aTwzin at the HOT SPOTS recent Country Music Aw r Is. The Mercury Piracy Gambit artist is the lone female with a current top 10 country single. Raises Stakes RIAA Lawsuit Strategy Risks Consumer Backlash BY BILL HOLLAND and BRIAN GARRITY WASHINGTON, D.C.-The music 5 'Phoenix Rising industry's promised blitzkreig of law- suits against Internet song swappers- The new "Marry Potter and the including file-sharing teens-could Order of the Phoenix" flies out quickly become a legal quagmire. of retail outlets in record num- some critics warn. bers: 5 m Ilion in 24 hours. But with frustration levels running high after months of fruitless educa- tional campaigns, the industry is hell- bent on raising the stakes in the war on music pirates. As it launched its newest offensive June 25, the industry picked up a major ally in Congress. Rep. Lamar Smith, R- Texas, the anti -piracy cham- (Continued on page 74) Majors' Woes Continue 5 Jam On It Country Women Gov't Mule's Warren Haynes is Talks among the artists helping Along With Merger this summer's hot jam band Lose Hit Magic BY MATTHEW BENZ tour to jell.
    [Show full text]
  • Fairy Inc. Sheet Music Products List Last Updated [2013/03/018] Price (Japanese Yen) a \525 B \788 C \683
    Fairy inc. Sheet Music Products list Last updated [2013/03/018] Price (Japanese Yen) A \525 B \788 C \683 ST : Standard Version , OD : On Demand Version , OD-PS : Piano solo , OD-PV : Piano & Vocal , OD-GS : Guitar solo , OD-GV : Guitar & Vocal A Band Score Piano Guitar Title Artist Tie-up ST OD ST OD-PS OD-PV ST OD-GS OD-GV A I SHI TE RU no Sign~Watashitachi no Shochiku Distributed film "Mirai Yosouzu ~A I DREAMS COME TRUE A A A Mirai Yosouzu~ SHI TE RU no Sign~" Theme song OLIVIA a little pain - B A A A A inspi'REIRA(TRAPNEST) A Song For James ELLEGARDEN From the album "BRING YOUR BOARD!!" B a walk in the park Amuro Namie - A a Wish to the Moon Joe Hisaishi - A A~Yokatta Hana*Hana - A A Aa Superfly 13th Single A A A Aa Hatsu Koi 3B LAB.☆ - B Aa, Seishun no Hibi Yuzu - B Abakareta Sekai thee michelle gun elephant - B Abayo Courreges tact, BABY... Kishidan - B abnormalize Rin Toshite Shigure Anime"PSYCHO-PASS" Opening theme B B Acro no Oka Dir en grey - B Acropolis ELLEGARDEN From the album "ELEVEN FIRE CRACKERS" B Addicted ELLEGARDEN From the album "Pepperoni Quattro" B ASIAN KUNG-FU After Dark - B GENERATION again YUI Anime "Fullmetal Alchemist" Opening theme A B A A A A A A Again 2 Yuzu - B again×again miwa From 2nd album "guitarium" B B Ageha Cho PornoGraffitti - B Ai desita. Kan Jani Eight TBS Thursday drama 9 "Papadoru!" Theme song B B A A A Ai ga Yobu Hou e PornoGraffitti - B A A Ai Nanda V6 - A Ai no Ai no Hoshi the brilliant green - B Ai no Bakudan B'z - B Ai no Kisetsu Angela Aki NHK TV novel series "Tsubasa" Theme song A A
    [Show full text]
  • Karaoken Presenteras Av Sveriges J-Rock-Förening
    Karaoken presenteras av Sveriges J-rock-förening Karaokelista – Innehåll s. 3 Animé & Live Action s. 20 J-rock s. 26 J-pop s. 31 Spel & VN s. 33 Parodier & Fanlåtar s. 37 Vocaloid s. 39 Koreanskt & Kinesiskt s. 44 Västerländskt s. 51 Film & TV s. 54 Musikal & Opera Scanna QR-koden – få karaokelistan digitalt! Listan senast uppdaterad 2021-06-10 Karaoken presenteras av I samarbete med Hikari-kai, Sveriges J-rock-förening Raison d’être Pecena Piperka och Feed Me Kpop Den här är rejäl Jag minns inte exakt när det var jag tog över karaokelistan och databasen. När det var jag som började vara ansvarig för uppdateringarna. Det allra tidigaste beviset jag kan finna på en lista som det med hundraprocentig säkerhet var jag som stod för är från december 2014. Så jag har inte riktigt gjort det i ett decennium än. Men jag är rätt säker på att det här är den absolut största uppdateringen jag har gjort. I alla fall är det, utan minsta tvivel, den största uppdateringen på så här kort tid, eftersom det inte ens var två månader sedan den förra listan. Vi hade nämligen förra månaden ett litet event. En karaokemakartävling som löpte över fyra veckor. Summa summarum: Över hundra nya låtar i listan. Plus ett gäng uppdaterade versioner av sånt vi redan hade. Själv har jag se’n sist i princip bara gjort One Piece och Nichijou-låtar, så där finns det diverse nytt att hämta. Högst takt höll Nea, som dessutom fokuserade mycket på nyare populära serier. Så häri kan ni numera hitta musik från Tensei Shitara Slime Datta Ken, Re:Zero kara Hajimeru Isekai Seikatsu, Dr.
    [Show full text]
  • ANIME OP/ED (TV-Versio) Japahari Net - Retsu No Matataki Maximum the Hormone - ROLLING 1000 Toon
    Air Master ANIME OP/ED (TV-versio) Japahari Net - Retsu no matataki Maximum the Hormone - ROLLING 1000 tOON 07 Ghost Ajin Yuki Suzuki - Aka no Kakera flumpool - Yoru wa Nemureru kai? Mamoru Miyano - How Close You Are 91 Days Angela x Fripside - Boku wa Boku de atte ELISA - Rain or Shine TK from Ling Tosite Sigure - Signal Amanchu Maaya Sakamoto - Million Clouds 11eyes Asriel - Sequentia Ange Vierge Ayane - Arrival of Tears Konomi Suzuki - Love is MY RAIL 3-gatsu no Lion Angel Beats BUMP OF CHICKEN - Answer Aoi Tada - Brave Song .dot-Hack Lisa - My Soul Your Beats See-Saw - Yasashii Yoake Girls Dead Monster - My Song Bump of chicken - Fighter Angelic Layer .hack//g.u Atsuko Enomoto - Be my Angel Ali Project - God Diva HAL - The Starry sky .hack//Liminality Anime-gataris See-Saw - Tasogare no Umi GARNiDELiA - Aikotoba .hack//Roots Akagami no Shirayuki hime Boukoku Kakusei Catharsis Saori Hayami - Yasashii Kibou eyelis - Kizuna ni nosete Abenobashi Mahou Shoutengai Megumi Hayashibara - Anata no kokoro ni Akagami no Shirayuki hime 2nd season Saori Hayami - Sono Koe ga Chizu ni Naru Absolute Duo eyelis - Page ~Kimi to Tsuzuru Monogatari~ Nozomi Yamamoto & Haruka Yamazaki - Apple Tea no Aji Akagi Maximum the Hormone - Akagi Accel World May'n - Chase the World Akame ga Kill Sachika Misawa - Unite. Miku Sawai - Konna Sekai, Shiritakunakatta Altima - Burst the gravity Rika Mayama - Liar Mask Kotoko - →unfinished→ Sora Amamiya - Skyreach Active Raid Akatsuki no Yona AKINO with bless4 - Golden Life Shikata Akiko - Akatsuki Cyntia - Akatsuki no hana
    [Show full text]
  • Tokyo Pop Culture Spots.Pdf
    CONTENTS Shibuya map ...................... 03 by Aika Mitsui Omotesando map ............ 05 by Intetsu Harajuku map-1 .............. 07 by Aya Ikeda Harajuku map-2 .............. 09 by Takamasa Sakurai Shinjuku map ................... 11 by U Kimura Akihabara map ................ 13 by kanon Ginza map ............................. 15 by Miyuki Okumura Toyosu map ......................... 17 by Kenji Kamiyama Shimokitazawa map ... 19 by Kentaro Moriya 1 2 Shibuya MAP by Aika Mitsui Aika Mitsui Profile Aika Mitsui(Morning Musume) Born in Shiga Prefecture on January 12, 1993, 18 years old. Accepted as a Morning Musume Happy 8th Generation member in the audition of 2006. Stage debut in“Smile, Yes Nude Four new members joined the group in 2011; presently numbers nine in all. http://www.helloproject.com/ http://www.myspace.com/morningmusumeofficial 3 4 Omotesando MAP by Intetsu Intetsu Profile Intetsu ( AYABIE） Bassist and composer for performance rock band, AYBIE. Musical versatility that covers rock music using the piano to hard sound. Works as a model for the Gothic-type fashion in Japan and abroad Spends days off reading in cafés and confectionery-baking. Likes photography and makes filming excursions. An authority on black tea and loves milk tea. 5 6 Harajuku MAP by Aya Ikeda Aya Ikeda Profile Aya Ikeda（Singer） Began her career as a member of dance and vocal group, the「C-ZONE」in 2008. Very soon, the group started to appear in overseas stages such as the「ANIME EXPO」in USA in 2009 and the「JAPAN EXPO」in France in 2010, etc. She made her solo debut with the opening theme song of the“Heart Catch Precure” in 2010 and ranked third in a major Japanese music chart.
    [Show full text]
  • J-MELO Special “What Is LOVE?” ～Number-One Song Created with Fans in the World～
    （Press Release） J-MELO Special “What is LOVE?” ～Number-one song created with fans in the world～ NHK WORLD TV st May 31 (Sat) 09:10~09:55, 15:10~15:55, 21:10~21:55 st June 1 (Sun) 03:10~03:55 (JST) TOKYO, May 12th- “What is LOVE?”, the opening theme of “J-MELO” sung by “Morning Musume。'14”, a popular girls’ dance unit, reached number one on Japan’s music chart in January this year. “J-MELO” is a long-running music program of NHK WORLD TV. The song was created based on messages from about 700 NHK WORLD TV viewers in more than 60 countries and regions, sent in response to questions posed by famous music producer “Tsunku♂” --- such as “What is love?” and “What does it mean to live?”. “Love is something (that) doesn't need to pay back. It can be in one direction, but it also can be bidirectional” female/China- “You feel truly alive by never giving up and always trying new things” -female/U.S.A Some of the messages were surprisingly long, reminding us of young people’s willingness to share their feelings through music. The song became even more popular, as a lot of videos were posted showing viewers singing and dancing to the tune. This edition of the program offers interviews with “Tsunku♂” and the members, while showing how the song was created with comments from viewers around the world. It also explores the potential of music in connecting people, drawing on the high profile overseas of “Morning Musume。'14” and on the emotions of music fans captivated by this song.
    [Show full text]
  • 。Morning Musume: with a Little Effort, Anyone Can Shine the Group of Teen Pop Stars Known As Morning Musume Has Matter How Hard We Try, Will Never Be Prodigies
    The Japan Forum Newsletter No.30 September 2003 Japanese Culture Now むすめ モーニング娘。Morning Musume: With a little effort, anyone can shine The group of teen pop stars known as Morning Musume has matter how hard we try, will never be prodigies. Everyone, brought high spirits and optimism to Japan as the country lan- however, has at least one strong suit. And depending on guishes in a long-drawn-out recession. With sales topping 1.6 the effort invested in those abilities, I believe anyone can million CDs for their hit single “Love Machine” in 1999, the excel and even beat out the natural prodigies of the world. group has hooked a broad fan base, from children to adults. Most important is how you go about finding and cul- Morning Musume is composed of teenage girls who don’t tivating your particular strengths. If you can discover what make the final round in the television program ASAYAN, you have a knack for and develop it yourself, people which features aspiring young music stars auditioning for a around you, even if they think you odd at first, will even- chance at fame and fortune. In other words, the group is “a tually come to appreciate the appeal that your special abil- collection of scraps from the cutting-room floor.” What has ity gives you. It does not matter how many deficiencies or transformed these girls into a group of popular teen idols is complexes you have, as long as you excel in at least one their producer Tsunku, who composes the group’s songs and area.” writes the lyrics himself.
    [Show full text]