Press Release If Communication Design Award 2011 PR

Total Page:16

File Type:pdf, Size:1020Kb

Press Release If Communication Design Award 2011 PR PRESS KIT iF communication design award 2011 Contents PRESS INFORMATION [1] Press release iF communication design award 2011 PRESS INFORMATION [2] The 30 iF gold awards | Jury motivations PRESS INFORMATION [3] Schedule of upcoming iF events iF press office Cologne | Hannover Silke Becker, Sandy Pfessdorf Claudia Neumann Communication GmbH Eigelstein 103-113 50668 Cologne Germany phone +49.221.913949-0 fax +49.221.913949-19 [email protected] www.ifdesign.de PRESS INFORMATION [1] Hannover, 18 March 2011 “Outstanding design brings a smile to your face”: the verdict of the jury of the iF communication design award 2011 231 entries received the iF label for outstanding design in the field of communication. The best 30 of these, the iF gold awards, were an- nounced on 18 March 2011 at the awards ceremony at BMW World Mu- nich. Innovative concepts and technical perfection: a total of 861 entries from 27 countries were submitted to the iF communication design award 2011. The jury selected 231 to receive the coveted iF label for outstanding design and the best 30 of these were honored with an iF gold award. “Once again, it was obvi- ous that to merit an award you always need both an excellent concept and per- fect technical implementation”, said the jury. The jurors also stated: “Across the entries, we could see different disciplines coming together behind one idea. This means that it’s no longer about the lonely developer or designer sitting in front of their computers: instead it needs active teamwork and good team communica- tion to achieve the joint goal of creating something outstanding. It’s good to see such a trend.” Entries were evaluated in the categories 01. digital media, 02. product inter- faces, 03. print media, 04. crossmedia and 05. corporate architecture. Evaluation criteria included animation, atmosphere, interface and screen de- sign, usability, innovation, creativity and design quality, target audience specific communication and content, typography, uniqueness, corporate design, choice of material and finish, customer relevance, architecture, spatial concept and envi- ronmental impact. Winning an iF communication design award not only gives award winners points in the iF ranking, but also in the national rankings of PAGE and W&V Werben und Verkaufen magazines. The five categories at a glance: 01. digital media Corporate Websites. Public Service Websites. Community | Networking Websites. E-Zines | E-Papers. Online Shops | E-Commerce. Microsites. Web TV. Digital Ad- vertising. Online | Offline Applications. Mobile Applications. Moving Images. Crossmedia Digital. 02. product interfaces All graphical user interfaces. 03.print media Corporate Design. Information media. Advertising media. Corporate communica- tion. Product communication. Publishing. Typography. Photography. 04. crossmedia Advertising I Campaigns. Corporate design. 05. corporate architecture Exhibition | Trade Fair. Events. Shops | Showrooms. Architecture| Interior Design. Hotel | Spa | Hospitality. Communication media in architecture and public spaces. Interactive installations. The Jury The jury met at the Hannover exhibition center at the beginning of 2011. The jury members were: Mirko Debuan (Abian GmbH, Hannover/Germany), Makoto Imamura (Sony Ericsson UX Creative Design Center, Lund/Sweden), Prof. Oliver Kartak (Studio für Mediengestaltung, Vienna/Austria), Christine Hesse (Hesse Design GmbH, Düsseldorf/Germany), Bice Marceca (Boffi, Lentate Sul Seve- so/Italy), Andy Payne (Interbrand, London/United Kingdom), Susanne Schmid- huber (Schmidhuber + Partner, Munich/Germany), Sven Schnee (Gaggenau In- ternational, Munich/Germany), Prof. Rudolf Schricker (Atelier Prof. Rudolf Schricker, President BDIA, Stuttgart/Germany) and Valentin Spiess (iart interac- tive ag, Basle/Switzerland). The media partners of the iF communication design award 2011 are AXIS, the leading Japanese design magazine; PAGE, the leading design and publishing magazine and W&V, the German weekly for marketing, advertising, media and e-business. All entries to the iF communication design award will be published in the iF online exhibition, available from 18 March 2011 at: www.ifdesign.de. The iF communication design award yearbook 2011 will be available from 12 May 2011, published by iF DESIGN MEDIA GmbH, the iF-founded specialist in- ternational publisher for design and architecture. >> The registration deadline for the iF communication design award 2012 is 31 August 2011. The entry criteria are available from March 2011 at the iF website at: www.ifdesign.de. For further information and images contact: iF press office Cologne | Hannover Silke Becker, Sandy Pfessdorf Claudia Neumann Communication GmbH Eigelstein 103-113 50668 Cologne Germany phone +49.221.913949-0 fax +49.221.913949-19 [email protected] www.ifdesign.de PRESS INFORMATION [2] Hannover, 18 March 2011 Jury motivations on the 30 iF gold awards 01. digital media Category: digital media corporate websites Entry/Project: www.felixzawojski.de | Website Client/Company: Felix Zawojski Hotel, Karlovy Vary/CZECH REPUBLIC Design: Ilya Mikhailov, Valentin Loshchinin, Vasily Dubovoy, Art. Lebedev Studio, Moscow/RUSSIA “This site really makes you want to visit this hotel. It’s inviting and really gives the guest the feeling of being made welcome. And once you’re in the hotel you won’t get lost, since you can take a virtual tour of the whole space beforehand. An excellent hotel website!“ Category: digital media corporate websites Entry/Project: Weingut Josef Leitz | Website Client/Company: Weingut Josef Leitz, Rüdesheim am Rhein/GERMANY Design: Fuenfwerken Design AG, Wiesbaden/GERMANY “That’ll never work – oh, yes it will, and how! The entire contents of a corporate website on just one page. A site that’s like a good wine: structured, rich, full of variety and more. Fantastic!” Category: digital media corporate websites Entry/Project: www.weissenhorner.de | Website Client/Company: Weißenhorner Molkerei GmbH, Weißenhorn/GERMANY Design: Zum Kuckuck, Büro für digitale Medien, Würzburg/GERMANY “Transparency for a natural product, impressively put together on the website of the dairy manufacturer Weissenhorner. This makes it fun to find out where the milk actually comes from.” Category: digital media online | offline applications Entry/Project: Universum der Ozeane | Online Application / Game Client/Company: ZDF, HR Neue Medien, Mainz/GERMANY Design: Markus Schaefer, Isabelle Bentz, Christoph Frei, Hosoya Schaefer Architects AG, Zurich/SWITZERLAND | Patrik Svensson, Marcin Ignac, Jorgen Skogmo, Shiftcontrol, Copenhagen/DENMARK | Unity Studios ApS, Aarhus/DENMARK “This makes it real fun to explore the ocean. The avatars urge you on to delve and poke around and the 3D visuals intensify the thrill of discovery. A great op- portunity to dive into the undersea world.” Category: digital media moving images Entry/Project: THE GREEK CRISIS | Video Client/Company: Nomint Motion Design, Athen/GREECE Design: Nomint Motion Design, Athen/GREECE “THE GREEK CRISIS – this video contains some wonderful animation and convinc- ingly explains a highly complex aspect of the financial markets. It’s even fun hav- ing the credit crunch explained to you.” Category: digital media moving images Entry/Project: THE HOLY CHICKEN | Video Client/Company: Nomint Motion Design, Athen/GREECE Design: Nomint Motion Design, Athen/GREECE “This is about an animation brought to life by its impressive images. Even on re- peat viewings, you can always discover something new. A great iF gold award!” Category: digital media moving images Entry/Project: Nah am Kunden | Trade-fair clip Client/Company: Finanz Informatik, Münster/GERMANY Design: Christoph Beier (creative direction), Beierarbeit GmbH, Biele- feld/GERMANY | Juri Wiesner (production), Niklas Weise (direction), Ma- thias Schöningh (camera), Alex Kutka (editor), Cobblestone, Ber- lin/GERMANY “Funny and real. There’s no better and nicer way to communicate customer prox- imity than through the customers themselves. It’s the selection of personalities and the corresponding sound bites that give this piece its charm.” 02. product interfaces Category: product interfaces Entry/Project: User Interface for “a” NEX-5 / NEX-3 Digital camera | User in- terface for digital camera Client/Company: SONY Corporation, Tokyo/JAPAN Design: Mitsuo Okumura, Nobuki Furue, Keishi Tsuchiya, Ayaka Tamura, Junichi Nagahare, SONY Creativeworks Corporation, Tokyo/JAPAN | Masahiro Takahashi, Daisuke Yoshimori, Masayuki Sasaki, SONY Corpora- tion, Tokyo/JAPAN | Sheng Wang, SONY (China) Ltd. CC-Creative Center, Shanghai/CHINA “It’s nice to see that, in this age of the touch-screen interface, the mechanical click-wheel is still being deployed. Together with the clear menu structure and the brilliant graphics this delivers great ease of use. That’s how it should be.” Category: product interfaces Entry/Project: KHS Human Machine Interface (HMI) | Innovative Interface Client/Company: KHS GmbH, Dortmund/GERMANY | Fraunhofer Institut IAO (concept), Stuttgart/GERMANY Design: Prof. Jürgen Späth, Rainer Beihofer, Christoph Maurer, Projekt Tri- angle Design Studio, Stuttgart/GERMANY “An extremely intuitive concept combined with clear symbolism. The user profiles allow anyone using this interface to concentrate only on what’s necessary, avoid- ing leading people astray with unnecessary functions.” Category: product interfaces Entry/Project: Intelligent Internet 3D TV including remote control | User In- terface Client/Company: Qingdao Haier Electronics Co., Ltd.,
Recommended publications
  • 04 PR Awards Ceremony If Packaging Design Award 2014
    PRESS RELEASE [4] Hannover/Munich, 28 February 2014 The winners of the iF packaging design award 2014 are honoured for their intelligent and sustainable concepts Jury recognition for intelligent and sustainable concepts: 95 entries to the iF packaging design award 2014 have been awarded the coveted iF label. The expert jury was particularly impressed with 5 entries whose consistently implemented design and focus on good usability was acknowledged with an iF gold award. iF CEO Ralph Wiegmann presented the gold award winners with the coveted trophy at the iF design awards night on 28 February 2014 at BMW Welt in Munich. The iF packaging design award is one of the three competitions in the iF design awards where manufacturers and designers from all over the world face up to the competition. Altogether, 4,615 entries from the areas of product design, communication design and packaging design were entered into the iF design awards 2014, with 1,626 entries being recognized with the coveted iF label and with a total of 75 products receiving an iF gold award 2014. The jury of the iF packaging design award 2014 observed a consistently high level of quality in this year’s entries, proving that, today, high standards are being applied globally. South Korea put in a particularly strong performance with as many as three of the five iF gold awards going to South Korean products. The experts were impressed with the wealth of original, practical and innovative packaging designs, since packaging has long become much more than just a protective skin for a product: it is a design discipline in its own right, where communication and product design are combined in intelligent ways to achieve outstanding results.
    [Show full text]
  • Der If Product Design Award 2007 – Alphabetisch Sortierte
    Columbus McKinnon won an iF DESIGN AWARD 2018 Hannover, 09.03.2018 – Columbus McKinnon was a winner of this year’s iF DESIGN AWARD, a world-renowned design prize. The winning product, the ratchet lever hoist Yale ERGO360, won in the discipline ‘Product’, in the ‘1.21 Industry / Skilled Trades’ category. Each year, the world’s oldest independent design organization, Hannover-based iF International Forum Design GmbH, organizes the iF DESIGN AWARD. The ratchet lever hoist Yale ERGO360 won over the 63-member jury, made up of independent experts from all over the world, with its innovative handling and its work relief. The competition was intense: over 6,400 entries were submitted from 54 countries in hopes of receiving the seal of quality. More information about the ratchet lever hoist Yale ERGO360 can be found in the “Design Excellence” section of the iF WORLD DESIGN GUIDE. About Columbus McKinnon The American company has been producing hoists since 1875 and has been operating in Europe for over 100 years. Today, Columbus McKinnon is a leading global supplier of material handling products and services for lifting, pulling and lashing loads. The core offer includes hoists, cranes, load handling products and slings. Against the background of a successful, 140-year tradition, the group is focused on meeting the ever-growing demands of industry and professional users with outstanding product, service and process quality, thereby guaranteeing cost-effective and safe use of the products. Key brands include Yale, Pfaff-silberblau and Stahl CraneSystems. About the iF DESIGN AWARD For 65 years, the iF DESIGN AWARD has been recognized as an arbiter of quality for exceptional design.
    [Show full text]
  • SIRIUS Safety Integrated Quick Search Catalogue 2018
    SIRIUS Safety Integrated Quick search catalogue 2018 siemens.co.uk/safety Table of contents 3 Contact information 4 Product Guide 6 Safety relays 7 Paramaterisable safety relays 8 Motor Starters 10 Position switches and safety position switches 13 Gate lock switches 14 Gate monitoring switches 14 Cable-operated switches 16 Hinge switches 16 Foot switches 16 Two-hand operation consoles 17 Signalling columns 18 Non-contact safety switches 18 (Emergency-stop) pushbuttons & signalling lamps - flush mount 21 (Emergency-stop) pushbutton enclosures - surface mount 22 Pushbuttons with Profinet 24 Application examples & reference materials 33 SIRIUS 3TK28 to 3SK1 conversion chart 34 Safety lifecycle services 34 AS-interface - ASIsafe safety module 34 Failsafe motor management system 34 Failsafe controllers 36 Failsafe drives 37 Safety Evaluation Tool: Online SIL (EN 62061) and PL (EN ISO 13849) calculation for safety functions 37 Functional connection examples for machine safety applications 37 B10 values of SIRIUS components Prices valid until 30/09/2018 2 SIRIUS Safety Integrated quick-search catalogue 2018 Contact information Sales office Free online tool ¡ Prices / delivery times A safe machine concept without detours! ¡ Technical questions ¡ Repairs / returns ¡ Determines SIL ¡ Determines PL UK: 08458 507600 IRE: 1890 507600 www.siemens.com/safety-evaluation-tool E-mail: [email protected] (Product Sales, Quotes, Order & Delivery) Technical Support hotline ¡ Technical support ¡ FAQ ¡ Service UK: 08458 507600 IRE: 1890 507600 Email:
    [Show full text]
  • If PRODUCT DESIGN AWARD 2013 Information for Your Participation
    Hansgrohe AG Loewe AG Daimler AG iF PRODUCT DESIGN AWARD 2013 Information for your participation Royal Phillips Design N.V. Panasonic Cooperation Whirlpool Cooperation iF product design award | iF design awards 02 iF Jury 03 EXCELLENT MARKETING FOR INNOVATION THE SUMMIT FOR DESIGN EXCELLENCE The iF product design award is one of the most important design awards worldwide. Evaluating design quality is not an easy task. The question as to what defi nes good design With the iF label, participating manufacturers, developers and designers will be able to will yield many diff erent answers. There are a number of preconditions that must be met present a strong incentive to buy their products. Since 1953, the iF label has been used as for being able to evaluate good design: comprehensive expert knowledge, the ability to a marketing tool for excellent products – ranging from A for automobiles to Z for zip locks intuit future trends and many years of experience. – and has received a great deal of attention in the media and from the general public. Participants have included large international corporations as well as small to medium sized companies and design studios. Design accompanies and surrounds us everywhere. Good design mirrors human qualities: it can be bold, intelligent and passionate. It can be humorous, serious and confi dent. Since 1953, good design can also be award-winning design – honored with an iF design award. Braun Design Sam Hecht REGISTRATION WILL BE OPEN UNTIL Ineke Hans James Irvine Each year, iF invites some of the internationally most renowned personalities from the 19 SEPTEMBER 2012 areas of design, business and industry, and education to take part in a three-day jury session.
    [Show full text]
  • 03 PR Awards Ceremony If Communication Design Award 2014
    PRESSEINFORMATION [3] Hannover/Munich, 28 February 2014 Courage instead of convention: The winners of the iF communication design award 2014 are honoured at the BMW Welt in Munich Whether it’s a website, an annual report or an advertising campaign, those who want to communicate their message clearly and creatively must stand out from the crowd. A high-level jury of international design experts recognized 311 such entries in the iF communication design award 2014. The jury was especially impressed by 20 entries whose extraordinary design quality deserved special recognition with an iF gold award. The awards ceremony, the iF design awards night, took place on 28 February 2014 at BMW Welt in Munich where iF CEO Ralph Wiegmann presented the winners with the coveted trophy. From a total of 1,102 entries in the iF communication design award 2014, 311 were recognized with the iF label. The participants, who came from 28 countries, included advertising agencies, communication designers, manufacturers, designers, architects and interior designers. “We were thrilled by the courage of many participants who dared to take a new idea and start from scratch, thus developing totally new approaches. Our means of communication are changing dramatically each year, with ‘new’ becoming ‘old’ within the blink of an eye. If companies want to be cutting-edge and want to remain relevant players, they have to be prepared to constantly reconsider their communication channels and, if necessary, to leave behind conventional technologies and concepts. Those who’ve done this successfully this year have submitted extraordinary entries and have been recognized with an iF communication design award 2014”, said the jurors of this year’s awards.
    [Show full text]
  • Business Model Innovation Between Tangible and Intangible Products
    Proceedings of the 11th Annual International Conference on Industrial Engineering and Operations Management Singapore, March 7-11, 2021 Business Model Innovation between Tangible and Intangible Products CHEN Si Graduate School of Business and Finance, Waseda University Tokyo, 1698050, Japan Faculty of Education Sciences, East China Normal University Shanghai, 200062, China [email protected] NAGASAWA Shin’ya Graduate School of Business and Finance, Waseda University Tokyo, 1698050 Japan [email protected] Abstract Highly valued in technology enhancement or product design, the business models of tangible and intangible products, however, are less concerned by academic researchers and entrepreneurial practices. The definition, characteristics and structure of these business models are still ambiguous. This article synthesizes the literature and draws conclusions. Combined with strategic design thinking, two core models are proposed for the two product types. These two business models, BMTP and BMIP, are illustrated by using four representative design companies as cases analysis. Implementation underpinnings of entrepreneurship education in Design Disciplines are explored in the suggestion part. Keywords: business model innovation, tangible and intangible products, entrepreneurship, strategy 1. Introduction A great increase on entrepreneurship in the field of technology turned up globally in the past thirty years, especially about the huge economic market and business trading platform to everyone. However, entrepreneurship and its education of tangible and intangible products are still in an unsystematic industrial chain, not merely for most designers usually concentrate on their products design, but also for they are totally unfamiliar with the knowledge of business as well as the entrepreneurship education in Design disciplines is in its infancy. As we know, the term “design” covers a wide range of disciplines, some of the common ones are architecture, engineering, exhibition, fashion, visual communications, interiors, multimedia, packaging.
    [Show full text]
  • Architecture Landscape Architecture Design
    Birkhäuser Verlag Lars Müller Publishers Springer Wien New York avedition Princeton Architectural Press ARCHITECTURE LANDSCAPE ARCHITECTURE DESIGN New Titles Spring 2009 CONTENT Scale: Open | Close Tadao Ando Art and Architecture On site see page 4 see page 17 see page 19 see page 23 BIRKHÄUSER ARCHITECTURE LANDSCAPE ARCHITECTURE DESIGN Construction/Materials 22 The Venetian City Garden 24 Limited Edition 4 Scale: Open | Close 22 Recent Waterscapes 26 Pattern 6 Detail Practice: Acoustics and Sound 23 On site 27 Hidden Forms Insulation 28 Pierre Charpin 7 Refurbishment Construction Manual 28 iF yearbook product 2009 8 Prefabricated Systems 29 Design Award of the Federal 9 Smart Surfaces – and their Republic of Germany 2009 Application in Architecture and 29 form - The Making of Design Design 10 Building Integrated Photovoltaics 11 Building with Earth Types/Functions 12 Living for the Elderly 13 New Forms of Collective Housing in Europe 14 In Detail: Exhibitions and displays Basics 15 Basics Urban Analysis 15 Basics Barrier-free Planning 15 Basics Facade Layers Architects/Buildings 16 The Rhetoric of Modernism - Le Corbusier as a Lecturer 17 Tadao Ando 18 Gatermann + Schossig 18 91° Theory/History 19 Art and Architecture Cities/Regions/Urbanism 20 Quartier Ecoparc / Ecoparc Quarter 20 ’scape 21 Small Town Sustainability CONTENT Limited Edition Allied Works Fashionable The Wayfinding see page 24 Architectue Technology Handbook see page 34 see page 39 see page 45 LARS MÜLLER PUBLISHERS SPRINGER WIEN NEW YORK PRINCETON ARCHITECTURAL PRESS
    [Show full text]
  • Meet the Designers Environmental Considerations Fully Recyclable Aluminum Water-Based Paint Leds Do Not Contain Mercury
    Meet the Designers Environmental Considerations Fully recyclable aluminum Water-based paint LEDs do not contain mercury Low power consumption 12.5” LEED credit eligibility 56.75” Details 24.5” 32.25” Light Defying Gravity 6 W Koncept was born in 2002 when industrial designer Peter Ng and his two 360 lumens 12.5” sons, Kenneth Ng and Edmund Ng, joined forces in order to harness 50,000 hours lifespan years of manufacturing and industrial design experience. Cool models: 4,500 K 7.5” 10” Equo Warm models: 3,500 K 32” 32” The Koncept team has since designed a range of products that have Continuous dimming By Peter Ng, Kenneth Ng, Edmund Ng significantly influenced the LED task lighting industry. Their works have 10’ cord iF product design award 2012 been featured in major press such as TIME Magazine, Oprah Magazine and Black, Silver, Orange, Chrome KONCEPT WAN Awards Shortlisted 2012 Interior Design Magazine. Koncept has earned over 50 international design Available as a desk or floor lamp Interior Design’s Best of Year 2011 Product awards to date, including the Red Dot Design Award, iF Design Award, and JDP’s Good Design Award 2011 the Good Design Award. Koncept 429 E. Huntington Drive, Monrovia, CA 91016 Bloom Award Winner 2011 T 323.261.8999 red dot: product design winner 2011 Embracing modern, minimalist lines while maintaining rich functionalities, F 323.261.8998 Next Generation Luminaires “Best in Class” Winner 2010 Koncept's designs strike the perfect balance between form and function. koncept.com/Equo [email protected] Spark Award – Bronze 2010 Chicago Athenaeum’s GOOD DESIGN Award 2010 ADEX Platinum Award 2010 Feather-light Touch A light, one finger touch allows you to direct the light exactly where you need it Unique Silhouette Available as a desk or floor lamp, the lithe body of this extraordinary lamp rests delicately on a slim support bar No Burnouts LEDs rated for 50,000 hours of use – Delicate Balance that’s 8 hours a day for 17 years Ingenious counterbalance design ensures the LED head stays at any desired angle.
    [Show full text]
  • Form Follows Function
    DESIGN OPERATION MAINTENANCE INSTRUMENTATION/PROCESSAUTOMATION CHEMICAL PHARMA/ FOOD/ OIL/ WATER/ BIOBIOTTEECCHH BEVERAGE GAS WASTEWATER Form followsfunction In engineering products,good looksshouldnot be just skin deep Attractive design is the rule in consu- Wika : mer goods, but in most industrial pro- es ducts it still plays a subordinate role. Pictur As a result, many products do not look at all in a way that matches their “all new” performance. The example of the new PSD-30 pressure switch from Wika illustrates the product design cycle, and shows that good design and high functionality need not con- tradict one another; instead, form follows function. EUGENGASSMANN In the German language the word “design” has a fairly narrow meaning: The product must meet the demands of the target application, so the conscious design of the look of things. In exact knowledge of the application and the user environment is vital. English, on the other hand, “design” applies to both functional construction and external appearance. This linguistic separation of external appearance and internal function is that good design is nothing less but the highly formalized, also involves emotions and still present in the minds of many design translation of functional specifications. When the weighing of opportunities and risks. departments in industry. The result is a com- it expresses and supports functionality, de- Important questions to do with trust and plete misunderstanding of the maxim coined sign becomes a selling point. confidence are: How reliable is the supplier? by architects of the Modernist school: “form How will they react if demands change? How follows function”. Againstthe barricades exacting are they in terms of quality? The “Form follows function” does not imply A lasting change in attitudes to industrial same applies when evaluating the perfor- that external design is subordinate to the design must begin with a cultural change in mance of a product.
    [Show full text]
  • MUSIC in the RENAISSANCE Western Music in Context: a Norton History Walter Frisch Series Editor
    MUSIC IN THE RENAISSANCE Western Music in Context: A Norton History Walter Frisch series editor Music in the Medieval West, by Margot Fassler Music in the Renaissance, by Richard Freedman Music in the Baroque, by Wendy Heller Music in the Eighteenth Century, by John Rice Music in the Nineteenth Century, by Walter Frisch Music in the Twentieth and Twenty-First Centuries, by Joseph Auner MUSIC IN THE RENAISSANCE Richard Freedman Haverford College n W. W. NORTON AND COMPANY Ƌ ƋĐƋ W. W. Norton & Company has been independent since its founding in 1923, when William Warder Norton and Mary D. Herter Norton first published lectures delivered at the People’s Institute, the adult education division of New York City’s Cooper Union. The firm soon expanded its program beyond the Institute, publishing books by celebrated academics from America and abroad. By midcentury, the two major pillars of Norton’s publishing program—trade books and college texts— were firmly established. In the 1950s, the Norton family transferred control of the company to its employees, and today—with a staff of four hundred and a comparable number of trade, college, and professional titles published each year—W. W. Norton & Company stands as the largest and oldest publishing house owned wholly by its employees. Copyright © 2013 by W. W. Norton & Company, Inc. All rights reserved Printed in the United States of America Editor: Maribeth Payne Associate Editor: Justin Hoffman Assistant Editor: Ariella Foss Developmental Editor: Harry Haskell Manuscript Editor: Bonnie Blackburn Project Editor: Jack Borrebach Electronic Media Editor: Steve Hoge Marketing Manager, Music: Amy Parkin Production Manager: Ashley Horna Photo Editor: Stephanie Romeo Permissions Manager: Megan Jackson Text Design: Jillian Burr Composition: CM Preparé Manufacturing: Quad/Graphics-Fairfield, PA A catalogue record is available from the Library of Congress ISBN 978-0-393-92916-4 W.
    [Show full text]
  • ISBN 978-0-475 12401-2 Stephen
    SCHOOL OF MANAGEMENT WORKING PAPER SERIES 01-12 IS GOOD DESIGN REALLY GOOD BUSINESS? ISSN 1179-3023 (online) ISBN 978-0-475 12401-2 Stephen Cummings, Margaret Petty, Ben Walker School of Management Victoria University of Wellington PO Box 600 Wellington 6140 New Zealand Email: [email protected] Tel: + 64 4 463 6931 Fax: + 64 4 463 5084 For more information about the School of Management Working Paper Series: www.victoria.ac.nz/som 2 Working Paper Series __________________________ ABSTRACT „Good design‟ is increasingly regarded as a vital one-size-fits-all solution to the strategic challenges of 21st century business. In the last decade many studies have promoted the importance of good design in improving firms‟ attractiveness to the market and profitability, and enhancing industry productivity and economic development. In concert with this push, „design thinking‟ has become the „next big thing‟ in business. However, there is little hard evidence to support claims that good design is necessarily good business, with partial analysis or anecdotal reference to particular companies generally employed instead to buttress such claims. This paper contrasts the share prices of firms that have won highly regarded design awards with average share price movements in NZ, Australia, the United States and the UK. Contrary to earlier research, we found that winning design awards does not lead to above average performance in NZ, Australia or the UK. However, there was some positive effect in the US where the market listings are more internationally diverse. As a result, we raise questions about the assumption that good design is good business, and outline the implications for theory building and practice.
    [Show full text]
  • Hitachi Projects Design Excellence
    Hitachi Projects Design Excellence Good Design Award 2012 and Product Design Award 2013 Praise the Design of Hitachi’s LCD 8000 Series Projectors 24 January 2013, AUSTRALIA – Awarded for their slim and contemporary design, superior quality and design excellence, Hitachi’s LCD 8000 series projectors have been recognised with two internationally-renowned design awards: Good Design Award 2012 and Product Design Award 2013. The Good Design Award is a comprehensive program for the evaluation and encouragement of design organized by Japan Institute of Design Promotion (JDP). The Good Design Award has been given to outstanding designs for more than 50 years in the pursuit of prosperous lives and industrial development. The International Forum (iF) awarded Hitachi with an iF Award for good design for its LCD 8000 series projectors. Established in 1953, the iF Product Design Award is today among the most important awards for innovative product design. Bill Christoforou, marketing manager at Hitachi Australia, explains the importance of such awards: “These most recent awards reinforce our belief that Hitachi stands for quality and product design excellence. Customers are now looking for attractive industrial design and usability in equal measure and the awards recognize the lengths we’ve gone to ensure our products will not only give them the functionality and technical specifications they require, but a product that will be forward- compatible.” Hitachi’s LCD 8000 series projectors have been designed to provide maximum presentation impact in mid to large venues. The LCD 8000 series projectors including the CP-WU8450, CP-WX8255and CP- X8160 are suited to venues such as lecture theatres, function rooms, auditoriums and interactive shopping experiences.
    [Show full text]