Business Model Innovation Between Tangible and Intangible Products
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04 PR Awards Ceremony If Packaging Design Award 2014
PRESS RELEASE [4] Hannover/Munich, 28 February 2014 The winners of the iF packaging design award 2014 are honoured for their intelligent and sustainable concepts Jury recognition for intelligent and sustainable concepts: 95 entries to the iF packaging design award 2014 have been awarded the coveted iF label. The expert jury was particularly impressed with 5 entries whose consistently implemented design and focus on good usability was acknowledged with an iF gold award. iF CEO Ralph Wiegmann presented the gold award winners with the coveted trophy at the iF design awards night on 28 February 2014 at BMW Welt in Munich. The iF packaging design award is one of the three competitions in the iF design awards where manufacturers and designers from all over the world face up to the competition. Altogether, 4,615 entries from the areas of product design, communication design and packaging design were entered into the iF design awards 2014, with 1,626 entries being recognized with the coveted iF label and with a total of 75 products receiving an iF gold award 2014. The jury of the iF packaging design award 2014 observed a consistently high level of quality in this year’s entries, proving that, today, high standards are being applied globally. South Korea put in a particularly strong performance with as many as three of the five iF gold awards going to South Korean products. The experts were impressed with the wealth of original, practical and innovative packaging designs, since packaging has long become much more than just a protective skin for a product: it is a design discipline in its own right, where communication and product design are combined in intelligent ways to achieve outstanding results. -
Der If Product Design Award 2007 – Alphabetisch Sortierte
Columbus McKinnon won an iF DESIGN AWARD 2018 Hannover, 09.03.2018 – Columbus McKinnon was a winner of this year’s iF DESIGN AWARD, a world-renowned design prize. The winning product, the ratchet lever hoist Yale ERGO360, won in the discipline ‘Product’, in the ‘1.21 Industry / Skilled Trades’ category. Each year, the world’s oldest independent design organization, Hannover-based iF International Forum Design GmbH, organizes the iF DESIGN AWARD. The ratchet lever hoist Yale ERGO360 won over the 63-member jury, made up of independent experts from all over the world, with its innovative handling and its work relief. The competition was intense: over 6,400 entries were submitted from 54 countries in hopes of receiving the seal of quality. More information about the ratchet lever hoist Yale ERGO360 can be found in the “Design Excellence” section of the iF WORLD DESIGN GUIDE. About Columbus McKinnon The American company has been producing hoists since 1875 and has been operating in Europe for over 100 years. Today, Columbus McKinnon is a leading global supplier of material handling products and services for lifting, pulling and lashing loads. The core offer includes hoists, cranes, load handling products and slings. Against the background of a successful, 140-year tradition, the group is focused on meeting the ever-growing demands of industry and professional users with outstanding product, service and process quality, thereby guaranteeing cost-effective and safe use of the products. Key brands include Yale, Pfaff-silberblau and Stahl CraneSystems. About the iF DESIGN AWARD For 65 years, the iF DESIGN AWARD has been recognized as an arbiter of quality for exceptional design. -
The Evolution of Streetwear
The Evolution of Streetwear The newfound reality of Streetwear and its luxury-like management Trabalho Final na modalidade de Dissertação apresentado à Universidade Católica Portuguesa para obtenção do grau de mestre em Marketing por Miguel Lobo de Macedo sob orientação de Professora Doutora Joana César Machado Universidade Católica, Faculdade de Economia e Gestão, Maio de 2015 Acknowledgements Máximo 1 página (facultativo) Abstract Purpose: To explore the critical dimensions of successful streetwear brands and how they garner customers’ attention, devotion and regard for the brand. Ultimately, the goal is to compare the anatomy of a streetwear brand to that of a luxury fashion brand and analyze the main differences and similarities between the two in order to understand how a streetwear brand, Supreme, operates in its niche market. By using a case study approach, this study plans on analyzing the newfound reality of streetwear, the reasons for its unprecedented consumption and what the biggest brands in this industry do in order to appeal, constantly, to different crowds: the devoted followers and the fashion-driven consumers. With this in mind, the study intends to validate the relevancy of these streetwear labels in today’s luxury fashion markets. Findings: The aspirational consumer of today’s streetwear will be the aspirational consumer of the eventual luxury market of tomorrow. I understand that there is still a lot to be studied within this streetwear industry but believe to have validated the importance of these brands in the purchasing intention of today’s consumers, by deconstructing the brands. Three important levels of analysis cement my study. -
How Fashion Erased the Politics of Streetwear in 2017
City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-15-2017 Mask On: How Fashion Erased the Politics of Streetwear in 2017 Frances Sola-Santiago How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/219 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Mask On: How Fashion Erased the Politics of Streetwear in 2017 By Frances Sola-Santiago Hip-hop culture dominated the fashion zeitgeist in 2017. From a Louis Vuitton and Supreme collaboration to Gucci’s support of Harlem designer Dapper Dan’s store reopening, the fashion industry welcomed Black culture into the highest echelons of high fashion. Rapper Cardi B became the darling of New York Fashion Week in September after being rejected by designers throughout most of her career. Marc Jacobs traded the runway for the street, staging a show that included bucket hats, oversized jackets, and loads of corduroy on a large number of models of color. But while the industry appeared to diversify by acknowledging the indomitable force of hip-hop culture, it truly didn’t. The politics of hip-hop and Black culture were left out of the conversation and the players behind-the-scenes remained a homogeneous mass of privileged white Westerners. Nearly every high fashion brand this year capitalized on streetwear— a style of clothing born out of hip-hop culture in marginalized neighborhoods of New York City and Los Angeles, and none recognized the historical, cultural, and political heritage that made streetwear a worldwide phenomenon, symbolizing power and cool. -
SIRIUS Safety Integrated Quick Search Catalogue 2018
SIRIUS Safety Integrated Quick search catalogue 2018 siemens.co.uk/safety Table of contents 3 Contact information 4 Product Guide 6 Safety relays 7 Paramaterisable safety relays 8 Motor Starters 10 Position switches and safety position switches 13 Gate lock switches 14 Gate monitoring switches 14 Cable-operated switches 16 Hinge switches 16 Foot switches 16 Two-hand operation consoles 17 Signalling columns 18 Non-contact safety switches 18 (Emergency-stop) pushbuttons & signalling lamps - flush mount 21 (Emergency-stop) pushbutton enclosures - surface mount 22 Pushbuttons with Profinet 24 Application examples & reference materials 33 SIRIUS 3TK28 to 3SK1 conversion chart 34 Safety lifecycle services 34 AS-interface - ASIsafe safety module 34 Failsafe motor management system 34 Failsafe controllers 36 Failsafe drives 37 Safety Evaluation Tool: Online SIL (EN 62061) and PL (EN ISO 13849) calculation for safety functions 37 Functional connection examples for machine safety applications 37 B10 values of SIRIUS components Prices valid until 30/09/2018 2 SIRIUS Safety Integrated quick-search catalogue 2018 Contact information Sales office Free online tool ¡ Prices / delivery times A safe machine concept without detours! ¡ Technical questions ¡ Repairs / returns ¡ Determines SIL ¡ Determines PL UK: 08458 507600 IRE: 1890 507600 www.siemens.com/safety-evaluation-tool E-mail: [email protected] (Product Sales, Quotes, Order & Delivery) Technical Support hotline ¡ Technical support ¡ FAQ ¡ Service UK: 08458 507600 IRE: 1890 507600 Email: -
To Innovate Chinese Artistic and Popular Culture and to Create Design and Brand of Fashion Products
2019 International Conference on Education, Management, Social Science and Humanities Research (EMSSHR 2019) To Innovate Chinese Artistic and Popular Culture and to Create Design and Brand of Fashion Products Wang Shiyin, Qiang Mo* Guangzhou Academy of Fine Arts, 510066 *Corresponding author Keywords: The Method of Innovation, Fashion Cultural Products Derived from Art, The Construction of Brands, Core Value in Brand Abstract: On the basis of studying and combing out traditional cultural elements, this paper pays attention to the cultural connotation of Chinese classical design, updates the concept of innovative design, and reflects the cultural consciousness and self-confidence of artistic design and inject and applies national cultural elements to the design innovation practice of fashion art derivatives in order to explore the possibility of establishing a brand operation in the fashion art derivative market. The research method adopts the status analysis of domestic and foreign art and fashion design products, takes successful brand cases as examples, analyzes and discusses the design of representative popular logo products from the perspective of overall understanding and the whole environment, explores new design innovation methods, and puts forward theoretical basis for innovative brand strategy planning. Under the present background of cultural communication and the exchange of the sharp collision, problems that it is worth us to think mainly include the traditional craft and modern pop art, folk tradition and regional culture, the progress of science and technology and the humanities spirit, etc. These knowledges will undoubtedly directly affect people's real life and consumption idea, at the meanwhile, it can inspire creative inspiration and designers of fashion product innovation, and can become the art designer innovation inexhaustible creative driving power. -
If PRODUCT DESIGN AWARD 2013 Information for Your Participation
Hansgrohe AG Loewe AG Daimler AG iF PRODUCT DESIGN AWARD 2013 Information for your participation Royal Phillips Design N.V. Panasonic Cooperation Whirlpool Cooperation iF product design award | iF design awards 02 iF Jury 03 EXCELLENT MARKETING FOR INNOVATION THE SUMMIT FOR DESIGN EXCELLENCE The iF product design award is one of the most important design awards worldwide. Evaluating design quality is not an easy task. The question as to what defi nes good design With the iF label, participating manufacturers, developers and designers will be able to will yield many diff erent answers. There are a number of preconditions that must be met present a strong incentive to buy their products. Since 1953, the iF label has been used as for being able to evaluate good design: comprehensive expert knowledge, the ability to a marketing tool for excellent products – ranging from A for automobiles to Z for zip locks intuit future trends and many years of experience. – and has received a great deal of attention in the media and from the general public. Participants have included large international corporations as well as small to medium sized companies and design studios. Design accompanies and surrounds us everywhere. Good design mirrors human qualities: it can be bold, intelligent and passionate. It can be humorous, serious and confi dent. Since 1953, good design can also be award-winning design – honored with an iF design award. Braun Design Sam Hecht REGISTRATION WILL BE OPEN UNTIL Ineke Hans James Irvine Each year, iF invites some of the internationally most renowned personalities from the 19 SEPTEMBER 2012 areas of design, business and industry, and education to take part in a three-day jury session. -
Universitas Katolik Parahyangan Fakultas Ilmu Sosial Dan Ilmu Politik Program Ilmu Administrasi Bisnis
Universitas Katolik Parahyangan Fakultas Ilmu Sosial dan Ilmu Politik Program Ilmu Administrasi Bisnis Terakreditasi A SK BAN –PT NO: 468/SK/BAN-PT/Akred/S/XII/2014 Pengaruh Co-Branding Louis Vuitton dan Supreme Terhadap Minat Pembelian Konsumen di Bandung dan Jakarta Skripsi Oleh Yen Manda 2015320086 Bandung 2019 Universitas Katolik Parahyangan Fakultas Ilmu Sosial dan Ilmu Politik Program Ilmu Administrasi Bisnis Terakreditasi A SK BAN –PT NO: 468/SK/BAN-PT/Akred/S/XII/2014 Pengaruh Co-Branding Louis Vuitton dan Supreme Terhadap Minat Pembelian Konsumen di Bandung dan Jakarta Skripsi Oleh Yen Manda 2015320086 Pembimbing Fransiska Anita Subari, S.S., M.M. Bandung 2019 ABSTRAK Nama : Yen Manda NPM : 2015320086 Judul : Pengaruh Co-Branding Louis Vuitton dan Supreme Terhadap Minat Pembelian Konsumen di Bandung dan Jakarta Untuk memenangkan persaingan, merek-merek mempertimbangkan untuk berkolaborasi dengan satu atau lebih merek untuk membangun kekuatan baru di pasar akhir-akhir ini. Beberapa ahli mengatakan bahwa Co-Branding dapat berhasil jika satu merek berkolaborasi dengan merek kuat lain yang memiliki karakteristik yang mirip atau cocok dengan merek induk. Merek terkenal, Louis Vuitton (LV), telah melakukan Co-Branding. Yang menarik adalah, meskipun memilih merek lain dari segmentasi serupa, LV yang mewah memilih Supreme, merek fashion pakaian jalanan atau streetwear yang terkenal secara global. Penelitian ini bertujuan untuk mengetahui bagaimana pengaruh Co-Branding Louis Vuitton dan Supreme terhadap minat pembelian konsumen pada 100 orang yang mengetahui kedua merek tersebut. Co-Branding dapat diukur melalui dimensi familiarity, attitudes toward the partner brands, dan perceived fit between the partner brands. Melalui penelitian secara kuantitatif, data kemudian diolah untuk diketahui korelasinya antar dua variabel. -
Limited Edition: Collaborations Between Luxury Brands Alice Fregne, Linnea Björck, Lusiyana Dimitrova
Limited Edition: Collaborations between luxury brands By: Alice Fregne, Linnea Björck, Lusiyana Dimitrova Limited edition: Collaborations between luxury brands Alice Fregne, Linnea Björck, Lusiyana Dimitrova Purpose: The purpose of this paper is to see what luxury brands gain from a limited-edition collaboration in terms of segment, positioning and target group and based on the identity prism, see what characteristics that are transferred from and to the brands in the collaboration. Design/methodology/approach: First a literature review is presented with relevant theories for the purpose of the paper. Luxury brands, co-branding, limited edition and brand identity are concepts of interest that are described and analyzed. Multiple case-studies were conducted and analyzed based on secondary data from websites in combination with academic articles and literature to be able to answer the research question. Findings: It is possible to draw some cross-case conclusions regarding reaching a new target group, however, we cannot determine whether this is also valid long-term or just during the collaboration. For two of the cases, a new segment was reached through the collaboration hence creating potential customers for both brands in the future. Regarding the positioning in customers' minds, it is difficult to say without collecting information from them, nevertheless, we can see that some brand characteristics have the potential to be transferred from and to the brands in the collaboration that they can benefit from long-term. Research limitations: The study is based on secondary data; therefore, it is difficult to determine if the limited-edition collaborations affected the brand characteristics from the senders’ side. -
03 PR Awards Ceremony If Communication Design Award 2014
PRESSEINFORMATION [3] Hannover/Munich, 28 February 2014 Courage instead of convention: The winners of the iF communication design award 2014 are honoured at the BMW Welt in Munich Whether it’s a website, an annual report or an advertising campaign, those who want to communicate their message clearly and creatively must stand out from the crowd. A high-level jury of international design experts recognized 311 such entries in the iF communication design award 2014. The jury was especially impressed by 20 entries whose extraordinary design quality deserved special recognition with an iF gold award. The awards ceremony, the iF design awards night, took place on 28 February 2014 at BMW Welt in Munich where iF CEO Ralph Wiegmann presented the winners with the coveted trophy. From a total of 1,102 entries in the iF communication design award 2014, 311 were recognized with the iF label. The participants, who came from 28 countries, included advertising agencies, communication designers, manufacturers, designers, architects and interior designers. “We were thrilled by the courage of many participants who dared to take a new idea and start from scratch, thus developing totally new approaches. Our means of communication are changing dramatically each year, with ‘new’ becoming ‘old’ within the blink of an eye. If companies want to be cutting-edge and want to remain relevant players, they have to be prepared to constantly reconsider their communication channels and, if necessary, to leave behind conventional technologies and concepts. Those who’ve done this successfully this year have submitted extraordinary entries and have been recognized with an iF communication design award 2014”, said the jurors of this year’s awards. -
Christopher Wool Bibliography
G A G O S I A N Christopher Wool Bibliography Selected Books and Catalogues: 2018 Wool, Christopher. Yard. Berlin: Holzwarth Publications. 2017 Siegel, Katy and Christopher Wool. Painting Paintings (David Reed) 1975. New York: Gagosian. Wool, Christopher. Westtexaspsychosculpture. Berlin: Holzwarth Publications. 2013 Brinson, Katherine et al. Christopher Wool. New York: Guggenheim Museum Publications. 2012 Cherix, Christophe. Print/Out: 20 Years in Print. New York: The Museum of Modern Art. Corbett, John and Fabrice Hergott. Christopher Wool. Berlin: Holzwarth Publications. ----------. The Painting Factory: Abstraction After Warhol. Los Angeles: The Museum of Contemporary Art. 2011 ----------. Art in the Streets. New York: Skira Rizzoli Publications, Inc. in association with the Museum of Contemporary Art, Los Angeles. Barrett, Terry. Making Art: Form and Meaning. New York: McGraw Hill Companies, Inc. ----------. Defining Contemporary Art – 25 Years in 200 Pivitol Artworks. London: Phaidon Press Limited. Doring, Jurgen. Power to the Imagination: Artists, Posters and Politics. Munich: Hirmer Verlag GmbH. Holzwarth, Hans Werner, and Laszlo Taschen, eds. Modern Art Volume 2: 1945-2000. Cologne: Taschen, 2011. Molesworth, Helen. This Will Have Been: Art, Love & Politics in the 1980s. New Haven and London: Museum of Contemporary Art Chicago and Yale University Press. Pincio, Tommaso. Christopher Wool: Roma Termini. New York: Gagosian Gallery. ----------. Peace Press Graphics: Art in the Pursuit of Social Change. Long Beach: University Art Museum, California State University. 2010 Bondaroff, Aaron, Glenn O’Brien, and James Jebbia. Supreme. New York: Rizzoli International Publications. Cooke, Lynne, Douglas Crimp, and Kristin Poor. Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present. Madrid: Museo Nacional Centro de Arte Reina Sofia. -
Architecture Landscape Architecture Design
Birkhäuser Verlag Lars Müller Publishers Springer Wien New York avedition Princeton Architectural Press ARCHITECTURE LANDSCAPE ARCHITECTURE DESIGN New Titles Spring 2009 CONTENT Scale: Open | Close Tadao Ando Art and Architecture On site see page 4 see page 17 see page 19 see page 23 BIRKHÄUSER ARCHITECTURE LANDSCAPE ARCHITECTURE DESIGN Construction/Materials 22 The Venetian City Garden 24 Limited Edition 4 Scale: Open | Close 22 Recent Waterscapes 26 Pattern 6 Detail Practice: Acoustics and Sound 23 On site 27 Hidden Forms Insulation 28 Pierre Charpin 7 Refurbishment Construction Manual 28 iF yearbook product 2009 8 Prefabricated Systems 29 Design Award of the Federal 9 Smart Surfaces – and their Republic of Germany 2009 Application in Architecture and 29 form - The Making of Design Design 10 Building Integrated Photovoltaics 11 Building with Earth Types/Functions 12 Living for the Elderly 13 New Forms of Collective Housing in Europe 14 In Detail: Exhibitions and displays Basics 15 Basics Urban Analysis 15 Basics Barrier-free Planning 15 Basics Facade Layers Architects/Buildings 16 The Rhetoric of Modernism - Le Corbusier as a Lecturer 17 Tadao Ando 18 Gatermann + Schossig 18 91° Theory/History 19 Art and Architecture Cities/Regions/Urbanism 20 Quartier Ecoparc / Ecoparc Quarter 20 ’scape 21 Small Town Sustainability CONTENT Limited Edition Allied Works Fashionable The Wayfinding see page 24 Architectue Technology Handbook see page 34 see page 39 see page 45 LARS MÜLLER PUBLISHERS SPRINGER WIEN NEW YORK PRINCETON ARCHITECTURAL PRESS