DOCSLIB.ORG

AUDRONĖ EITMANAVIČIŪTĖ Education, Degrees Study Period

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
AUDRONĖ EITMANAVIČIŪTĖ Education, Degrees Study Period AUDRONĖ EITMANAVIČIŪTĖ Education, Study period Name and type of organization degrees providing education and training Qualification of soloist, 1978-1983 Lithuanian State Conservatory (now concertmaster, chamber ensemble Lithuanian Academy of Music and participant and teacher Theater (now LMTA) Soloist and teacher qualification 1983-1985 N.Rimsky Korsakov State Conservatory (now N.Rimsky Korsakov Academy of Music) (St. Petersburg, Russia) VMU Music Academy courses (3 years period) Subject title Study level Singing of concert genres bachelor master Song genre bachelor master Concert genres - Song, song cycles bachelor master Concert genres - cantata, oratorio bachelor master The development of opera art bachelor master Trends in modern pedagogy bachelor master Accompaniment bachelor master Employment and teaching experience Organization Dates Occupation or position Main activities and held responsibilities Vytautas Magnus University Academy 2018 to the Professor of the Revealing the stylistics of of Music (VMU MA) present Department of Singing performing vocal chamber music, vocal ensembles, vocal-instrumental ensembles of contemporary music and works of large vocal forms to bachelors and masters, introduction to the development of opera art and other genres of musical theatre, acquaintance with modern tendencies of vocal pedagogy, preparing students for international competitions and concerts. Vytautas Magnus University Academy 2011 – 2018 Associate Professor of Revealing the stylistics of of Music (VMU MA) the Department of performing vocal chamber Singing music, vocal ensembles, vocal-instrumental ensembles of contemporary music and works of large vocal forms to bachelors and masters, introduction to the development of opera art and other genres of musical theatre, acquaintance with modern tendencies of vocal pedagogy, preparing students for international competitions and concerts. Kaunas Faculty of the Lithuanian 1990 – 2011 Lecturer at the Revealing the stylistics of Academy of Music and Theater Department of Singing performing vocal chamber (LMTA KF) music, vocal ensembles, vocal-instrumental ensembles of contemporary music and works of large vocal forms to students, preparing students for international competitions and concerts. Lithuanian State Conservatory (now 1986 – 1991 Lecturer at the Teaching a concertmaster's Lithuanian Academy of Music and Department of subject to students Theater (now LMTA) Concertmaster Lithuanian State Conservatory (now 1986 – 1991 Concertmaster of the Accompanying students Lithuanian Academy of Music and Department of Singing during lectures, exams, Theater (now LMTA) concerts and competitions Kaunas State Musical Theater 1989 – 1990 Concertmaster, vocal Preparation of vocal parts teacher with theatre soloists Lithuanian TV and Radio Children's 1980 -1983 Piano teacher Teaching the subject of the Choir piano Membership in Member of the Board International Singers Association "Forgotten Opera" professional (Austria, Italy, Germany, Czech Republic, Poland, organizations and other Lithuania) artistic experience Member of the Board International Association of Music Educators "Music competitions, Pedagogy of the 21st Century" (Ukraine, Russia, Poland, masterclasses, seminars Armenia, Kazakhstan, Austria, Finland, Italy, Portugal, Lithuania, Belarus) Member of the Council Lithuanian Musicians' Union Chairman of the 1. Republican project intended for Kaunas Branch of Organizing Committee the Lithuanian Composers' Union 50 and and project manager composer V.Kuprevičius 120 - V.Kuprevičius' opera for children “Grasshopper and Ant” - Vytautas Magnus University, Kaunas State Musical Theatre, Kaunas Municipality, M. and K. Petrauskas Lithuanian Music Museum (2020- 2021) - director. 2. Republican project for the Lithuanian Opera 100: staging of G.Verdi's opera “Traviata’ - Kaunas, Lithuania) - Vytautas Magnus University MA, M. and K. Petrauskas Lithuanian Music Museum, Kaunas c. municipality (2019-2020) - director. 3. Republican project - “I invite opera” - production of M.Petrauskas' opera “Eglė-snake Queen” - Vytautas Magnus University MA, Vievis Culture Centre, Kaunas State Musical Theatre, Lithuanian Culture Council (2018-2020) - director. 4. International Singers and Accompaniment Competition "Pearls of Art" (Kaunas, Lithuania) - 2018 – organizer 5. International project –production W.A.Mozart’s opera “The Little Marriage of Figaro” and organization of a concert tour - London (UK), Kaunas, Panevėžys, Druskininkai, Biržai, Rokiškis - Vytautas Magnus University, Salzburg Mozarteum, Kenneth more theatre (London, UK ) (2017-2019) 6. Republican project “Touch the Operetta” - staging of F.Lehar's operetta “Merry Widow” and organization of the tour - Vievis, Druskininkai, Telšiai, Kaunas, Šeduva - Vytautas Magnus University, Kaunas State Musical Theatre, Vievis Culture Centre, Lithuanian Culture Council (2017- 2018) – director 7. International competition of young singers "Song for the City" (Kaunas, Lithuania) (1997, 2007, 2009, 2011, 2013) - organizer. Member of Jury 1. International chamber music competition “Krasnodar Chamber” (Krasnodar, Russia) (2019). 2. International competition of singers and accompaniment "Pearls of Art" - (Kiev, Ukraine) (2017), (Kaunas) (2018). 3. International Z. Fibich Melodrama Competition (Czech Republic, Prague) (2013, 2015; 2017, 2019). 4. International Singers' Competition “Art of the 21st Century” (Italy, Lonigo) (2013 - 2019). 5. International Singers' Competition "Art and Pedagogy of the 21st Century" (Portugal, Madeira) - 2013, 2015, 2017, 2019) 6. International Singers Forum - Competition (Finland, Tampere) (2013 - 2020). 7. International Singers' Competition “Art of the 21st Century” (Klaipeda, Lithuania) (2015, 2017). 8. International Singers' Competition “Art of the 21st Century” (Kaunas, Lithuania) (2016). 9. International Opera Singers Competition “Forgotten Opera” (Karpacz, Poland) (2010, 2012, 2014, 2016, 2018, 2020). 10. International Singers' Competition "Window to Europe" (St. Petersburg, Russia) (2007, 2011, 2015, 2019). 11. Republican competition for young singers “Singing Youth” (Vilnius, Lithuania) - 2013 12. International competition of young singers "Song for the City" (Kaunas, Lithuania) (1997, 2007, 2009, 2011, 2013). 13. International Singers' Competition "Art of the 21st Century" (Kiev, Ukraine) (2010 - 2020). Implemented projects 1. Joint project with Kaunas boys and youth choir "Varpelis" and Wiesbaden boys' choir (conductor RBTvardy - Germany) – J.S.Bach, "Johannesspassion" - Vytautas Magnus University MA Great Hall, Biržai Sacred Music Festival (Pasvalys St. John the Baptist Church) Kaunas Church of the Resurrection (2017) Master class leader 1. For participants of vocal winter courses (Duszniki, Wroclaw, Poland) (2017 - 2020). 2. Seminar and master classes “The Significance of Singing in Music Education” for music teachers of art / music and general education institutions, Raseiniai School of Art (2019) 3. Participants of the International Music Festival Ars Musica (Suwalki, Poland) (2018). 4. Students and lecturers of the Department of Singing of the National Academy of Music of Kazakhstan (Astana, Kazakhstan) (2017). 5. Participants of the Young Singers Competition in Kohtla-Jarve (Kohtla-Jarve, Estonia) (2012, 2014, 2016). 6. Students and lecturers of the Department of Singing of the State M.Ipolitov-Ivanov Institute of Music Pedagogy (Moscow, Russia) (2010, 2016). 7. For students and teachers of music colleges of Kaliningrad region (Kaliningrad, Russia) (2013). 8. For students of the Gnesin Academy of Music (Moscow, Russia) (2013) 9. Participants of the International Singers' Competition "Art and Pedagogy of the 21st Century" (Portugal, Madeira) – (2013, 2015, 2017, 2019) 10. International Singers' Competition "Art of the 21st Century" (Kaunas, Lithuania) – (2016) 11.Participants of the Europian Youth Opera Festival Karkonosze - (Karpacz, Poland) (2011, 2013, 2015, 2017, 2019). 12. Participants of the International Singers' Competition "Art of the 21st Century" (Kiev, Ukraine) - (2010 - 2020). 13. For students and lecturers of the Singing Department of the I. Kotliarevsky Academy of Music (Kharkov, Ukraine) - (2012 - 2015, 2018). 14. M. Musorgsky Music Lyceum students and teachers (St. Petersburg, Russia) - (2015). 15. International Singers' Forum - for participants of the competition (Finland, Tampere) - (2013 - 2020). 16. Participants of the International Singers' Competition “Art of the 21st Century” (Italy, Lonigo) - (2013 - 2019). 17. Students and Lecturers, Department of Singing, Saint Xavier University (Chicago, USA), (1997). The most significant 1987- 2020 Stock and concert recordings on Lithuanian radio and TV artistic concerts, fund 2013 01 26 Great Hall of Columns (Moscow, Russia) - concert "Stars records, festivals of Romance": romances by Russian composers P. Tchaikovsky, S. Rachmaninof, A. Diubuk, G. Lishin, K. Molchanov, J. Davydov, F. Nadenenko (singer A. Apšega) 2013 02 13 International Forum "Interpretação Musical e padagogia", Palácio De Sâo Lorenço (Madeira, Portugal) - concert: G.Kuprevičius, V.Klova, D.Kairaitytė, G.Verdi, G.Puccini, J.Massenet, A.Rubinstein, R .Strauss vocal works (singer S. Martinaitytė) 2013 03 19 XXI International Music Festival for Youth "Kaliningrad Spring", Kaliningrad Philharmonic (Russia) - concert "Let's play music": WAMozart, C.Menotti, J.Meitus, K.Molchanof, A.Diubuk, A.Menken, E.Calmann, G .Verdi, G.Puccini, G.Rossini arias for operas, operettas and musicals (singers S.Martinaitytė,
Load more

Recommended publications
  • BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL
    BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL No. XXVIII July, 1966 Including the Report of the EXECUTIVE BOARD for the period July 1, 1964 to June 30, 1965 INTERNATIONAL FOLK MUSIC COUNCIL 21 BEDFORD SQUARE, LONDON, W.C.l ANNOUNCEMENTS CONTENTS APOLOGIES PAGE The Executive Secretary apologizes for the great delay in publi­ cation of this Bulletin. A nnouncements : The Journal of the IFMC for 1966 has also been delayed in A p o l o g i e s ..............................................................................1 publication, for reasons beyond our control. We are sorry for the Address C h a n g e ....................................................................1 inconvenience this may have caused to our members and subscribers. Executive Board M e e t i n g .................................................1 NEW ADDRESS OF THE IFMC HEADQUARTERS Eighteenth C onference .......................................................... 1 On May 1, 1966, the IFMC moved its headquarters to the building Financial C r i s i s ....................................................................1 of the Royal Anthropological Institute, at 21 Bedford Square, London, W.C.l, England. The telephone number is MUSeum 2980. This is expected to be the permanent address of the Council. R e p o r t o f th e E xecutiv e Board July 1, 1964-Ju n e 30, 1965- 2 EXECUTIVE BOARD MEETING S ta tem ent of A c c o u n t s .....................................................................6 The Executive Board of the IFMC held its thirty-third meeting in Berlin on July 14 to 17, 1965, by invitation of the International Institute for Comparative Music Studies and Documentation, N a tio n a l C ontributions .....................................................................7 directed by M.
    [Show full text]
  • Annual Report 2014
    ANNUAL REPORT 2014 MUSIC OF KAZAKHSTAN OIL KAZTRANSOIL JSC TABLE OF CONTENTS MESSAGE FROM CHAIRMAN OF THE BOARD OF DIRECTORS //2 MESSAGE FROM CHAIRMAN OF THE MANAGEMENT BOARD //4 KEY FINANCIAL AND ECONOMIC PERFORMANCE INDICATORS //6 1. ABOUT THE COMPANY 4. CORPORATE GOVERNANCE 1.1. The Company’s history //12 4.1. General Meeting of Shareholders //45 1.2. The Company today //12 4.2. Board of Directors Report for 2014 //45 1.3. Key events in 2014 //14 4.2.1. Selection criteria of members of the Board of Directors //46 1.4. Business model //16 4.2.2. Composition of the Board of Directors //47 1.5. Organisational structure //18 4.2.3. Competence of the Board of Directors //50 1.6. Subsidiaries and jointly controlled entities //19 4.2.4. Responsibility of the Board of Directors //50 1.7. State regulation of the industry and tariffs //20 4.2.5. Information on meetings of the Board of Directors //50 1.8. Market review //21 4.2.6. Risk management and internal control //52 1.9. Development Strategy //22 4.2.7. Attendance at meetings of the Board of Directors //52 1.10. Information on securities //23 4.3. Information on activities of committees of the Board of Directors //52 4.3.1. Strategic Planning Committee //53 2. OPERATING ACTIVITIES 4.3.2. Nomination and Remuneration Committee //53 4.3.3. Internal Audit Committee //53 2.1. Oil transportation and water supply //26 4.4. Relationships with shareholders //54 2.2. Operation of main oil pipelines owned by third parties //26 4.4.1.
    [Show full text]
  • Current Directions in Ecomusicology
    Current Directions in Ecomusicology This volume is the first sustained examination of the complex perspectives that comprise ecomusicology—the study of the intersections of music/sound, culture/society, and nature/environment. Twenty-two authors provide a range of theoretical, methodological, and empirical chapters representing disciplines such as anthropology, biology, ecology, environmental studies, ethnomusicology, history, literature, musicology, performance studies, and psychology. They bring their specialized training to bear on interdisciplin- ary topics, both individually and in collaboration. Emerging from the whole is a view of ecomusicology as a field, a place where many disciplines come together. The topics addressed in this volume—contemporary composers and traditional musics, acoustic ecology and politicized soundscapes, mate- rial sustainability and environmental crisis, familiar and unfamiliar sounds, local places and global warming, birds and mice, hearing and listening, bio- music and soundscape ecology, and more—engage with conversations in the various realms of music study as well as in environmental studies and cultural studies. As with any healthy ecosystem, the field of ecomusicol- ogy is dynamic, but this edited collection provides a snapshot of it in a formative period. Each chapter is short, designed to be accessible to the non- specialist, and includes extensive bibliographies; some chapters also provide further materials on a companion website. An introduction and interspersed editorial summaries help guide readers through four current directions— ecological, fieldwork, critical, and textual—in the field of ecomusicology. Aaron S. Allen is Associate Professor of Musicology at the University of North Carolina at Greensboro, USA, where he is also director of the Envi- ronmental and Sustainability Studies Program.
    [Show full text]
  • SMITHSONIAN GLOBAL SOUND and APPLIED ETHNOMUSICOLOGY on the INTERNET David
    ABSTRACT Title of Document: “ALAN LOMAX'S iPOD?”: SMITHSONIAN GLOBAL SOUND AND APPLIED ETHNOMUSICOLOGY ON THE INTERNET David Font, Master of Arts, 2007. Directed By: Jonathan Dueck, PhD School of Music The phenomenon of digital music on the Internet marks a turning point in the way human beings make, listen to, and share music. Smithsonian Global Sound is, variously: 1) a digital music download service; 2) the central hub of a network of digital music archives; and 3) the Internet branch of Smithsonian Folkways Recordings. Like all things vital, Smithsonian Global Sound is also developing rapidly. This thesis synthesizes a brief history of the Smithsonian Global Sound project, explores some of the vital issues related to the project, and offers a series of observations and recommendations for the project's development. Tracing the roots of Smithsonian Global Sound back to early archival efforts by music scholars, Moses Asch’s Folkways Records, the acquisition of the Folkways catalog by the Smithsonian, and the development and launch of Smithsonian Global Sound, the project is examined as a example of applied ethnomusicology on the Internet. “ALAN LOMAX'S iPOD?”: SMITHSONIAN GLOBAL SOUND AND APPLIED ETHNOMUSICOLOGY ON THE INTERNET By David Font. Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2007 Advisory Committee: Professor Jonathan Dueck, Chair Professor Atesh Sonneborn Professor Robert Provine Professor Lawrence Witzleben © Copyright by David Font 2007 Table of Contents 1. Introduction 1 2. The Trouble with the Internet 4 3.
    [Show full text]
  • Recent Publications in Music 2012
    1 of 149 RECENT PUBLICATIONS IN MUSIC 2012 Compiled and edited by Geraldine E. Ostrove and David Sommerfield This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2011. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in conjuction with Fontes artis musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compilers welcome inquiries from bibliographers in countries not presently represented. CONTRIBUTORS. Argentina: Estela Escalada Japan: SEKINE Toshiko Australia: Julia Mitford Kenya: Santie De Jongh Austria: Thomas Leibnitz Malawi: Santie De Jongh Belgium: Johan Eeckeloo Mexico: Daniel Villanueva Rivas, María Del China: Katie Lai Consuelo García Martínez Croatia: Žeiljka Radovinović The Netherlands: Joost van Gemert Denmark: Anne Ørbæk Jensen New Zealand: Marilyn Portman Estonia: Katre Rissalu Nigeria: Santie De Jongh Finland: Tuomas Tyyri Russia: Lyudmila Dedyukina France: Élisabeth Missaoui Serbia: Radmila Milinković Germany: Susanne Hein South Africa: Santie De Jongh Ghana: Santie De Jongh Spain: José Ignacio Cano, Maria José Greece: Alexandros Charkiolakis González Ribot Greenland: Anne Ørbæk Jensen Taiwan: Katie Lai Hong Kong: Katie Lai Turkey: Senem Acar, Paul Alister Whitehead Hungary: SZEPESI Zsuzsanna Uganda: Santie De Jongh Iceland: Bryndis Vilbergsdóttir United Kingdom: Rupert Ridgewell Ireland: Roy Stanley United States: Karen Little, Lindsay Hansen Italy: Federica Biancheri Uruguay: Estela Escalada With thanks for assistance with translations and transcriptions to Kersti Blumenthal, Ana Cristán, Paul Frank, Irina Kirchik, Everette Larson, Miroslava Nezar, Joan Weeks, and Thompson A.
    [Show full text]
  • Development of the Piano Performing School in the Republic of Kazakhstan (1980-2016)
    Anais da Academia Brasileira de Ciencias (2017) 89 (2): 1360-1371 (Annals of the Brazilian Academy of Sciences) Printed version ISSN 0001-3765 / Online version ISSN 1678-2690 http://scielo.br.com/en/scielo.php/script=sci_serial&pid=0001-65&nrm=iso www.scielo.br/aabc Development of the piano performing school in the Republic of Kazakhstan (1980-2016) MAIRA SAPIEVA1, SALTANAT JAKAEVA2, KUNSULU ZHAKAEVA3, SULUSHASH AJSINA4 and LILIYA SAYATULEKOVA5 1Candidate of Pedagogical Sciences, Head of the Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-771-429-64-08 2Associate Professor, Candidate of Pedagoogical Sciences, Management chief on socially- educator work of КSPI, Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-775-822-50-78 3Senior Lecturer, Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-705-450-75-55 4Senior Lecturer, Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-777-279-35-97 5Senior Lecturer, Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-705-109-42-17 ABSTRACT The piano school in the Republic of Kazakhstan began to be formed in the 30s of the last century, in connection with the accession of Kazakhstan to Russia. Prior to this period, the piano education was of a nature of amateur music making, and learning to play the instrument was carried out privately. For less than 100 years the piano school of Kazakhstan has reached a high level: the names of Kazakh pianists - Guldana Zholymbetova, Zhaniya Aubakirova, Amir Tebenikhin, Yerzhan Temirzhanov, Gulzhamilya Kadyrbekova and others - are known abroad.
    [Show full text]
  • Серия Общественных И Гуманитарных Наук  Series of Social and Human Sciences
    ISSN 2224-5294 ҚАЗАҚСТАН РЕСПУБЛИКАСЫ ҰЛТТЫҚ ҒЫЛЫМ АКАДЕМИЯСЫНЫҢ АБАЙ АТЫНДАҒЫ ҚАЗАҚ ҰЛТТЫҚ ПЕДАГОГИКАЛЫҚ УНИВЕРСИТЕТІНІҢ Х А Б А Р Л А Р Ы ИЗВЕСТИЯ N E W S НАЦИОНАЛЬНОЙ АКАДЕМИИ НАУК OF THE NATIONAL ACADEMY OF SCIENCES РЕСПУБЛИКИ КАЗАХСТАН OF THE REPUBLIC OF KAZAKHSTAN КАЗАХСКИЙ НАЦИОНАЛЬНЫЙ ABAY KAZAKH NATIONAL ПЕДАГОГИЧЕСКИЙ УНИВЕРСИТЕТ ИМ. АБАЯ PEDAGOGICAL UNIVERSITY ҚОҒАМДЫҚ ЖƏНЕ ГУМАНИТАРЛЫҚ ҒЫЛЫМДАР СЕРИЯСЫ СЕРИЯ ОБЩЕСТВЕННЫХ И ГУМАНИТАРНЫХ НАУК SERIES OF SOCIAL AND HUMAN SCIENCES 3 (319) МАМЫР – МАУСЫМ 2018 ж. МАЙ – ИЮНЬ 2018 г. MAY – JUNE 2018 1962 ЖЫЛДЫҢ ҚАҢТАР АЙЫНАН ШЫҒА БАСТАҒАН ИЗДАЕТСЯ С ЯНВАРЯ 1962 ГОДА PUBLISHED SINCE JANUARY 1962 ЖЫЛЫНА 6 РЕТ ШЫҒАДЫ ВЫХОДИТ 6 РАЗ В ГОД PUBLISHED 6 TIMES A YEAR АЛМАТЫ, ҚР ҰҒА АЛМАТЫ, НАН РК ALMATY, NAS RK Известия Национальной Академии наук Республики Казахстан Б а с р е д а к т о р ҚР ҰҒА құрметті мүшесі Балықбаев Т.О. Р е д а к ц и я а л қ а с ы: экон. ғ. докторы, проф., ҚР ҰҒА академигі Баймұратов У.Б.; тарих ғ. докторы, проф., ҚР ҰҒА академигі Байпақов К.М.; филос. ғ.докторы, проф., ҚР ҰҒА академигі Есім Г.Е.; фил. ғ. докторы,, проф., ҚР ҰҒА академигі Қирабаев С.С.; эк. ғ. докторы, проф., ҚР ҰҒА академигі Қошанов А.К.; эк.ғ. докторы, проф., ҚР ҰҒА академигі Нəрібаев К.Н. (бас редактордың орынбасары); филос. ғ.докторы, проф., ҚР ҰҒА академигі Нысанбаев А.Н.; заң ғ. докторы, проф., ҚР ҰҒА академигі Сəбікенов С.Н.; заң ғ. докторы, проф., ҚР ҰҒА академигі Сүлейменов М.К.; эк. ғ. докторы, проф., ҚР ҰҒА академигі Сатыбалдин С.С.; тарих ғ.
    [Show full text]
  • The Influence of Kazakh Folklore on The
    THE INFLUENCE OF KAZAKH FOLKLORE ON THE DEVELOPMENT OF VIOLIN PERFORMANCE IN KAZAKHSTAN A Monograph Submitted to the Temple University Graduate Board In partial fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS by Aisha Dossumova May, 2016 Examining Committee Members: Dr. Charles Abramovic, Advisory Chair, Keyboard Department (Piano) Dr. Eduard Schmieder, Artistic Director for Strings (Violin) Dr. Vladimir Dyo, Instrumental Studies Department (Violin) Dr. Edward D. Latham, Music Studies Department (Music Theory) ABSTRACT The purpose of this monograph is to promote Kazakh violin repertoire by focusing on the influence of Kazakh folklore on the development of violin performance in Kazakhstan in the beginning of the twentieth century. The monograph will include a brief discussion of the history of Kazakhstan, a historical background of folk music and its importance to the development of violin performance in Kazakhstan, a discussion of Kazakh folk strings instruments in relation to violin performance in Kazakhstan, and discussion of selected violin works by Kazakh composers with strong folk influences. A catalogue of violin works of Kazakhstan that use folkloric material will be provided as well. In my study I will rely on available sources, including books, articles, dissertations, reviews, recordings, visual materials and musical scores. I hope my monograph will help to introduce, promote and give a better understanding of Kazakh violin repertoire to English-speaking scholars and musicians. ii In memory of my father Akylbek Dossumov iii ACKNOWLEDGMENTS First I would like to thank my advisor, Dr. Charles Abramovic for his excellent guidance and support. His valuable comments and suggestions helped me to complete this work.
    [Show full text]
  • Embassy of India ASTANA NEWSLETTER
    Embassy of India ASTANA NEWSLETTER Volume 3, Issue 1 January 16, 2017 Prime Minister Modi Inaugurates Pravasi Bharatiya Divas in Bengaluru Prime Minister Shri Narendra Modi inaugurated the 14th Embassy of India Pravasi Bharatiya Divas (PBD) Convention held in Bengaluru from Janu- ary 7-9, 2017 on the theme "Redefining Engagement with the Indian ASTAN Diaspora”. Prime Minister of Portugal Dr. Antonio Costa graced the Inside this issue: occasion as the Chief Guest. The PBD is held on 9th January every year. Mahatma Gandhi returned from South Africa to India on this day Prime Minister Modi Inaugurates 1-2 in 1915. Pravasi Bharatiya Divas in Benga- luru In his key note address, Prime Minister Modi said that there are over 30 million Overseas Indians living Prime Minister of Portugal Visits 2 abroad and they represent the best of Indian culture, ethos and values. He hailed them as role models for other India immigrant communities abroad with their hard-work, discipline, law-abiding and peace loving nature. He noted that the remittance of close to US$ 69 billion per annum by the overseas Indians makes an invaluable contribution to the President of Kenya Visits India 3 Indian economy. President of Rwanda Visits India 3 President Nazarbayev Congratu- 4 He reaffirmed that the welfare and safety of all Indians abroad is the top priority of the government. He lates Kazakhstanis on New Year highlighted the various steps taken to strengthen the administrative arrangements for the welfare of overseas Indi- 2017 ans such as timely consular services, legal advice, medical assistance, provision of shelter, and transportation of mor- Policy Address by President Naz- 4 tal remains to India.
    [Show full text]
  • Vol. 42.2 March 2008
    SEM Newsletter Published by the Society for Ethnomusicology Volume 42 Number 2 March 2008 Conversations car today, I hope my iPod wouldn’t have, at and carefully than the last, always address- By Deborah Wong, SEM President that moment, anything particularly embar- ing the biggest and most pressing issues in rassing on it (like the two Donna Summer ethnomusicology, always in the most erudite Today was a good day, full of the things songs that I especially love). terms. Those columns will surely be cited that an ethnomusicologist might do. This is my first column written as the and quoted and may well become definitive I started the morning by walking for SEM President and it’s taken me some statements on some significant matters, from exercise in my neighborhood (as I do almost months to decide what purpose and tone I interdisciplinarity, to cultural translation, to every morning), plugged into my iPod. want this column to have. I have big shoes to cosmopolitanism and beyond. I’ve only had an iPod for a year and half fill: Past President Phil Bohlman’s columns Several months ago I walked through but it has become a treasured belonging; it were gems, each one written more beautifully Midwestern woods on a hot early autumn reacquainted me with the pleasures of lis- Continued on page 4 tening. My 30G video iPod is always nearly full, bursting at the seams, stuffed full of podcasts, albums from my own collection, and Florida. Over the past two decades, he friends’ mixes, free stuff from the iTunes Stephen Stuempfle has assisted a variety of arts and historical store, and materials for my classes.
    [Show full text]
  • __Pkinventory ID Image Item Name Original Name Transliterated
    __pkInventory ID Image Item Name Original Name Transliterated Category _fkCountry ID _fkLanguage ID English? Old Item # Artist_Author Description Producer_Publisher Year Made Length Tags Price Location YTURKPURS01A Bag/Purse DTIBTOLDD01A Old Dog Khyi Ragan DFINLAMBU01A 4908.jpg Ambush Rukajärven tie DFINLHOME01A 5058.jpg The Home of Dark Tummien perhosten DHUNGCONT01A ControlButterflies Kontrollkoti Kontroll DHUNGESCP01A 3134.jpg Escape From Recsk Szökés Szokes DHUNGMOSZ01A 4928.jpg Moszkva Ter DHUNGWITN01A 4909.jpg The Witness A tanú BAFGHTHRE01A 3101.jpg Three Cups of Tea DHUNGFIRE01A 4980.jpg 25 Fireman\'s Street DHUNGFREE01A 3138.jpg Freedom\'s Fury DKAZKTULP01A 5025.jpg Tulpan DTIBTCRYS01A 3104.jpg Tibet: Cry of the Snow Lion DTIBTSALT01A 3103.jpg The Saltmen of Tibet DXINJCOND01A 3114.jpg The 10 Conditions of Love DXINJKORE01A Koresh Kosen DXINJTGHT01A On a Tightrope BTRKMRUHN03A 4404.jpg Ruhnama, Second Book BAFGHTHRY01A 3100.jpg Three Cups of Tea: Young DESTOSING01A 4907.jpg OsamaReader\'s Edition DESTOSING01A 4954.jpg The Singing Revolution Bacheha-ye Aasman ﺑﭽﻪﻫﺎﯼ ﺁﺳﻤﺎﻥ DIRANCHLD01A 4969.jpg Children of Heaven Ra'ye makhfi ﺭﺃﯼ ﻣﺨﻔﯽ DIRANSECR01A Secret Ballot DKYRGDZHA01A 5024.jpg Dzhamiliya DMONGKHAD01A Khadak DMONGKUND01A 4967.jpg Kundun DREGLUNA01A 3097.jpg Luna Papa DTAJKSLNC01A 4962.jpg The Silence BTURKTURK01A 4160 (Custom).jpg Turkish Turkce BKAZKSLNT01A 3090.jpg The Silent Steppe: The BREGALNG01A 4036.jpg AlongMemoir the of Greata Kazakh Silk RoadNomad по Великому po Velikomu BREGARAL02A 4060.jpg Aral Sea Tragedy, c.1
    [Show full text]
  • Kazakh Music Culture on the Globalization Crossroads: Ethnic Traditions Versus Composer School in Intercultural Interaction
    ISSN 1991-3494 2. 2020 BULLETIN OF NATIONAL ACADEMY OF SCIENCES OF THE REPUBLIC OF KAZAKHSTAN ISSN 1991-3494 Volume 2, Number 384 (2020), 185 - 193 https://doi.org/10.32014/2020.2518-1467.58 UDC 78.03 (574) МРНТИ 18.41.09 A. Raimkulova The Ministry of Culture and Sport of the Republic of Kazakhstan, Nur-Sultan, Kazakhstan. E-mail: [email protected] KAZAKH MUSIC CULTURE ON THE GLOBALIZATION CROSSROADS: ETHNIC TRADITIONS VERSUS COMPOSER SCHOOL IN INTERCULTURAL INTERACTION Abstract. At the present stage, Kazakh musical culture is heterogeneous. It represents traditions coexisting at the same time and interacting with each other: Kazakh ethnic and newly established composer school (tradition). Examining changes in cultural landscapes of the 20th century I reveal the peculiarities of interaction and dialogue between two kinds of culture: ethnic and global (endogenous and exogenous). The procedures include the complex study of the history of Kazakh culture in the 20th century, stylistic analysis of traditional and composer’s music, semiotic approach to intercultural interaction, as far as a comparative analysis of oral and written music of 19th and 20th centuries. On one hand, dramatic changes in the structure of music culture were caused by external objective reasons: new industrial and postindustrial civilization phases (urbanization and information technologies); intensification of interaction with western (mainly Russian) cultures, etC. On the other hand, some changes were inspired by inner factors: diverse development of local song and kui (dombyra piece) traditions; Soviet cultural policy. As a result new type (or layer) of national culture - Kazakh Composers’ music - appeared. It was connected with the formation of a national style based on transcriptions and borrowing.
    [Show full text]