Vol. 42.2 March 2008
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Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Keene Elementary Already Over Capacity Effect, the District Has Been .Weasels Parents Say Devel Unable to Comply, Due to a Lack of Classroom Space
.++• Greater Newark's Hometown Newspaper Since 1910 .++• 93rd Year, Issue 7 ©2001 March 6, 2002 Newark, Delaware • 50¢ Views of On the job seaside on State tourneys at DelDOT. exhibit. under way. Page 6 PAGE ., Page 12 UpFRONf Keene Elementary already over capacity effect, the district has been .Weasels Parents say devel unable to comply, due to a lack of classroom space. opers plan more Parents at the meeting were ·on the . concerned that developers are than 3,700 new planning to build an estimated homes in district's 3,700 new homes in Christina internet district's southern portion over southern portion the next few years, further By JIM STREIT crowding the school. By KATY CIAMARICONE NEWARK POST STAFF WRITER "Someone needs to sit (devel opers) down and tell them, 'Hey, NEWARK POST STAFF WRITER N Monday, I ran into this is causing a problem, ", said Edgar Johnson at the eene . Elementary Anthony Monico, parent of two O Keene students. "I urge you to McDonald's restaurant K School, open only six near our offices here in the months, is already take your concerns with urban beautiful Robscott Building. bursting at the seams. sprawl to your state representa Edgar is the University of Parents who attended a recent tives, so they can take them down Delaware's athletic director. As Christina District town meeting to Dover." a result, he's at the school on Route 40 ·in But the problem is not a new stuck right in Glasgow wanted to know why one, according to George Evans, the middle of the school is 87 students over Christina school board president. -
BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL
BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL No. XXVIII July, 1966 Including the Report of the EXECUTIVE BOARD for the period July 1, 1964 to June 30, 1965 INTERNATIONAL FOLK MUSIC COUNCIL 21 BEDFORD SQUARE, LONDON, W.C.l ANNOUNCEMENTS CONTENTS APOLOGIES PAGE The Executive Secretary apologizes for the great delay in publi cation of this Bulletin. A nnouncements : The Journal of the IFMC for 1966 has also been delayed in A p o l o g i e s ..............................................................................1 publication, for reasons beyond our control. We are sorry for the Address C h a n g e ....................................................................1 inconvenience this may have caused to our members and subscribers. Executive Board M e e t i n g .................................................1 NEW ADDRESS OF THE IFMC HEADQUARTERS Eighteenth C onference .......................................................... 1 On May 1, 1966, the IFMC moved its headquarters to the building Financial C r i s i s ....................................................................1 of the Royal Anthropological Institute, at 21 Bedford Square, London, W.C.l, England. The telephone number is MUSeum 2980. This is expected to be the permanent address of the Council. R e p o r t o f th e E xecutiv e Board July 1, 1964-Ju n e 30, 1965- 2 EXECUTIVE BOARD MEETING S ta tem ent of A c c o u n t s .....................................................................6 The Executive Board of the IFMC held its thirty-third meeting in Berlin on July 14 to 17, 1965, by invitation of the International Institute for Comparative Music Studies and Documentation, N a tio n a l C ontributions .....................................................................7 directed by M. -
Annual Report 2014
ANNUAL REPORT 2014 MUSIC OF KAZAKHSTAN OIL KAZTRANSOIL JSC TABLE OF CONTENTS MESSAGE FROM CHAIRMAN OF THE BOARD OF DIRECTORS //2 MESSAGE FROM CHAIRMAN OF THE MANAGEMENT BOARD //4 KEY FINANCIAL AND ECONOMIC PERFORMANCE INDICATORS //6 1. ABOUT THE COMPANY 4. CORPORATE GOVERNANCE 1.1. The Company’s history //12 4.1. General Meeting of Shareholders //45 1.2. The Company today //12 4.2. Board of Directors Report for 2014 //45 1.3. Key events in 2014 //14 4.2.1. Selection criteria of members of the Board of Directors //46 1.4. Business model //16 4.2.2. Composition of the Board of Directors //47 1.5. Organisational structure //18 4.2.3. Competence of the Board of Directors //50 1.6. Subsidiaries and jointly controlled entities //19 4.2.4. Responsibility of the Board of Directors //50 1.7. State regulation of the industry and tariffs //20 4.2.5. Information on meetings of the Board of Directors //50 1.8. Market review //21 4.2.6. Risk management and internal control //52 1.9. Development Strategy //22 4.2.7. Attendance at meetings of the Board of Directors //52 1.10. Information on securities //23 4.3. Information on activities of committees of the Board of Directors //52 4.3.1. Strategic Planning Committee //53 2. OPERATING ACTIVITIES 4.3.2. Nomination and Remuneration Committee //53 4.3.3. Internal Audit Committee //53 2.1. Oil transportation and water supply //26 4.4. Relationships with shareholders //54 2.2. Operation of main oil pipelines owned by third parties //26 4.4.1. -
Films from the Lumière Brothers
Monday, September 8:00 PM Films from Edison Studios (U.S.A.) 9:30 PM Films from the Lumière Brothers (France) 10:00 PM The Story of Film – Episode One, 1895 - 1918: The World Discovers a New Art Form Form (’12) 11:15 PM A Trip to the Moon (1902) (France) 11:30 PM Alice Guy Blaché Shorts (U.S.A.) Falling Leaves (1912) Canned Harmony (1912) A House Divided (1913) 12:30 AM The Squaw Man (’14) (U.S.A.) 2:00 AM The Birth of a Nation (’15) (U.S.A.) 5:15 AM Orphans of the Storm (’21) (U.S.A.) Tuesday, September 3 8:00 PM Intolerance (’16) (U.S.A.) 11:30 PM Way Down East (’20) (U.S.A.) 2:00 AM Haxan (’22) (Sweden/Denmark) 4:00 AM The Story of Film – Episode One, 1895 - 1918: The World Discovers a New Art Form (’12) 5:15 AM The Phantom Carriage (’22) (Sweden) 7:15 AM The Wind (’28) (U.S.A.) Monday, September 9 8:00 PM One Week (’20) (U.S.A.) 8:30 PM The Three Ages (’23) (U.S.A.) 10:00 PM The Story of Film – Episode Two, 1918 - 1928: The Triumph of American Film and the First of Its Rebel (’12) 11:15 PM The General (’27) (U.S.A.) 12:45 AM The Kid (’21) (U.S.A.) 1:45 AM City Lights (’31) (U.S.A.) 3:30 AM Never Weaken (’21) (U.S.A.) 4:15 AM Safety Last (’23) (U.S.A.) Tuesday, September 10 8:00 PM Nanook of the North (’22) (U.S.A.) 9:15 PM The Thief of Bagdad (’24) (U.S.A.) 11:15 PM The Passion of Joan of Arc (’28) (France) 1:15 AM The Crowd (’28) (U.S.A.) 3:15 AM The Story of Film - Episode Two, 1918 - 1928: The Triumph of American Film and the First of Its Rebels (’12) 4:30 AM Greed (’24) (original release version) (U.S.A.) 6:45 AM Vampyr (’32) (Germany) Monday, September 16 8:00 PM Sunrise (’27) (U.S.A.) 10:00 PM The Story of Film – Episode Three: The Great Rebel Filmmakers Around the World (’12) 11:15 PM Battleship Potemkin (’25) (Soviet Union) 12:45 AM The Goddess (’34) (China) 2:15 AM The Cabinet of Dr. -
Current Directions in Ecomusicology
Current Directions in Ecomusicology This volume is the first sustained examination of the complex perspectives that comprise ecomusicology—the study of the intersections of music/sound, culture/society, and nature/environment. Twenty-two authors provide a range of theoretical, methodological, and empirical chapters representing disciplines such as anthropology, biology, ecology, environmental studies, ethnomusicology, history, literature, musicology, performance studies, and psychology. They bring their specialized training to bear on interdisciplin- ary topics, both individually and in collaboration. Emerging from the whole is a view of ecomusicology as a field, a place where many disciplines come together. The topics addressed in this volume—contemporary composers and traditional musics, acoustic ecology and politicized soundscapes, mate- rial sustainability and environmental crisis, familiar and unfamiliar sounds, local places and global warming, birds and mice, hearing and listening, bio- music and soundscape ecology, and more—engage with conversations in the various realms of music study as well as in environmental studies and cultural studies. As with any healthy ecosystem, the field of ecomusicol- ogy is dynamic, but this edited collection provides a snapshot of it in a formative period. Each chapter is short, designed to be accessible to the non- specialist, and includes extensive bibliographies; some chapters also provide further materials on a companion website. An introduction and interspersed editorial summaries help guide readers through four current directions— ecological, fieldwork, critical, and textual—in the field of ecomusicology. Aaron S. Allen is Associate Professor of Musicology at the University of North Carolina at Greensboro, USA, where he is also director of the Envi- ronmental and Sustainability Studies Program. -
CIO Letter March 2020 EN
MARCH 2020 CIO LETTER Thomas FRIEDBERGER CEO and Co-CIO, Tikehau IM Europe : The Final Countdown Thousands of works have been published on Europe, its history, geography, economy and cultures. It would of course be impossible to summarise all the writings and reflections ever shared on the dynamics driving the Old Conti- nent. But, at a time when global growth now only counts very partially on Eu- rope’s contribution, when the centres of technological innovation and economic growth inevitably appear to be focused on the US and Asia, we nevertheless find it important to at least try to understand these dynamics. First of all, 1 because Europe is still, even today, the No. 1 trade zone in the world 1 . Second, The 28 EU Member States represented because in recent centuries, conflicts staged in Europe have often had world- 5% of the global trade wide repercussions. But also because it is probably the most difficult major of goods in 2018. Source : Eurostat economic block to grasp, which not only partially explains its weaknesses but also creates strong barriers to entry and large-scale opportunities for potential investors. Finally, because it is the geographic area in which Tikehau Capital predominantly invests at this point in its development, and it is thus important to establish a view of the main trends in the region, which remains to this day one of the only major alternatives to the Americas Accordingly, this quarter we decided to take a look at the dynamics of Europe, the continent that shaped the global economy in its image after dominating the world from the Renaissance to World War I, and whose decline since the end of World War II seems to be gathering pace in the 21st century with the emerging rivalry between the US and China for global economic and mone- tary dominance. -
SMITHSONIAN GLOBAL SOUND and APPLIED ETHNOMUSICOLOGY on the INTERNET David
ABSTRACT Title of Document: “ALAN LOMAX'S iPOD?”: SMITHSONIAN GLOBAL SOUND AND APPLIED ETHNOMUSICOLOGY ON THE INTERNET David Font, Master of Arts, 2007. Directed By: Jonathan Dueck, PhD School of Music The phenomenon of digital music on the Internet marks a turning point in the way human beings make, listen to, and share music. Smithsonian Global Sound is, variously: 1) a digital music download service; 2) the central hub of a network of digital music archives; and 3) the Internet branch of Smithsonian Folkways Recordings. Like all things vital, Smithsonian Global Sound is also developing rapidly. This thesis synthesizes a brief history of the Smithsonian Global Sound project, explores some of the vital issues related to the project, and offers a series of observations and recommendations for the project's development. Tracing the roots of Smithsonian Global Sound back to early archival efforts by music scholars, Moses Asch’s Folkways Records, the acquisition of the Folkways catalog by the Smithsonian, and the development and launch of Smithsonian Global Sound, the project is examined as a example of applied ethnomusicology on the Internet. “ALAN LOMAX'S iPOD?”: SMITHSONIAN GLOBAL SOUND AND APPLIED ETHNOMUSICOLOGY ON THE INTERNET By David Font. Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2007 Advisory Committee: Professor Jonathan Dueck, Chair Professor Atesh Sonneborn Professor Robert Provine Professor Lawrence Witzleben © Copyright by David Font 2007 Table of Contents 1. Introduction 1 2. The Trouble with the Internet 4 3. -
AUDRONĖ EITMANAVIČIŪTĖ Education, Degrees Study Period
AUDRONĖ EITMANAVIČIŪTĖ Education, Study period Name and type of organization degrees providing education and training Qualification of soloist, 1978-1983 Lithuanian State Conservatory (now concertmaster, chamber ensemble Lithuanian Academy of Music and participant and teacher Theater (now LMTA) Soloist and teacher qualification 1983-1985 N.Rimsky Korsakov State Conservatory (now N.Rimsky Korsakov Academy of Music) (St. Petersburg, Russia) VMU Music Academy courses (3 years period) Subject title Study level Singing of concert genres bachelor master Song genre bachelor master Concert genres - Song, song cycles bachelor master Concert genres - cantata, oratorio bachelor master The development of opera art bachelor master Trends in modern pedagogy bachelor master Accompaniment bachelor master Employment and teaching experience Organization Dates Occupation or position Main activities and held responsibilities Vytautas Magnus University Academy 2018 to the Professor of the Revealing the stylistics of of Music (VMU MA) present Department of Singing performing vocal chamber music, vocal ensembles, vocal-instrumental ensembles of contemporary music and works of large vocal forms to bachelors and masters, introduction to the development of opera art and other genres of musical theatre, acquaintance with modern tendencies of vocal pedagogy, preparing students for international competitions and concerts. Vytautas Magnus University Academy 2011 – 2018 Associate Professor of Revealing the stylistics of of Music (VMU MA) the Department of performing vocal chamber Singing music, vocal ensembles, vocal-instrumental ensembles of contemporary music and works of large vocal forms to bachelors and masters, introduction to the development of opera art and other genres of musical theatre, acquaintance with modern tendencies of vocal pedagogy, preparing students for international competitions and concerts. -
Recent Publications in Music 2012
1 of 149 RECENT PUBLICATIONS IN MUSIC 2012 Compiled and edited by Geraldine E. Ostrove and David Sommerfield This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2011. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in conjuction with Fontes artis musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compilers welcome inquiries from bibliographers in countries not presently represented. CONTRIBUTORS. Argentina: Estela Escalada Japan: SEKINE Toshiko Australia: Julia Mitford Kenya: Santie De Jongh Austria: Thomas Leibnitz Malawi: Santie De Jongh Belgium: Johan Eeckeloo Mexico: Daniel Villanueva Rivas, María Del China: Katie Lai Consuelo García Martínez Croatia: Žeiljka Radovinović The Netherlands: Joost van Gemert Denmark: Anne Ørbæk Jensen New Zealand: Marilyn Portman Estonia: Katre Rissalu Nigeria: Santie De Jongh Finland: Tuomas Tyyri Russia: Lyudmila Dedyukina France: Élisabeth Missaoui Serbia: Radmila Milinković Germany: Susanne Hein South Africa: Santie De Jongh Ghana: Santie De Jongh Spain: José Ignacio Cano, Maria José Greece: Alexandros Charkiolakis González Ribot Greenland: Anne Ørbæk Jensen Taiwan: Katie Lai Hong Kong: Katie Lai Turkey: Senem Acar, Paul Alister Whitehead Hungary: SZEPESI Zsuzsanna Uganda: Santie De Jongh Iceland: Bryndis Vilbergsdóttir United Kingdom: Rupert Ridgewell Ireland: Roy Stanley United States: Karen Little, Lindsay Hansen Italy: Federica Biancheri Uruguay: Estela Escalada With thanks for assistance with translations and transcriptions to Kersti Blumenthal, Ana Cristán, Paul Frank, Irina Kirchik, Everette Larson, Miroslava Nezar, Joan Weeks, and Thompson A. -
Mary Coughlan Simon Mcbride Nine Below
NOVEMBER 2011 DECEMBER 2011 Greenbird Promotions presents... Wed 9 Thu 1 MARY COUGHLAN WRECKLESS ERIC & AMY RIGBY £10adv £12door £9 Irish torch singer Mary Coughlan was born in Galway in 1956. The Stiff legend, writer of ‘Whole Wide World’, ‘Reconnez Cherie’ Despite well-publicised bouts with drugs, alcohol and mental and other classics, joins forces with a heroine of the New York illness, she has endured to become a critical favourite throughout pop scene who has been making distinctive and original music much of Europe and the US. With the release of her new record for decades. Described as “like golden honey poured over a ‘The House of Ill Repute’, Coughlan has produced an album battered old tube amp” by the Los Angeles Times, and with which will stand up as one of the very best of her stellar career four star reviews from Mojo, Uncut and Rock’n’Reel, this show to date. www.marycoughlanmusic.com draws from the full length of their careers, all presented in their inimitable rock ‘n’ roll style. www.wrecklesseric.com Cheeseweasel Promotions & Danny Mayo presents… Thu 10 Cheeseweasel Promotions presents… ELECTRIC STRAWBS Sun 4 £13adv £15door - plus FAY BROTHERHOOD BONAFIDE The Electric Strawbs are Dave Cousins, Dave Lambert and Chas £7adv £9door - plus Silverjet & SKAM Bonafide was formed by singer/guitarist (and drummer for Jason Cronk, the front-line of the classic 1970s line-up of Britain’s & The Scorchers) Pontus Snibb and bassist Michael Nilsson most successful international folk-rock band, together with Rod in Malmö, southern Sweden, in 2006. Having served their Coombes and John Young. -
Development of the Piano Performing School in the Republic of Kazakhstan (1980-2016)
Anais da Academia Brasileira de Ciencias (2017) 89 (2): 1360-1371 (Annals of the Brazilian Academy of Sciences) Printed version ISSN 0001-3765 / Online version ISSN 1678-2690 http://scielo.br.com/en/scielo.php/script=sci_serial&pid=0001-65&nrm=iso www.scielo.br/aabc Development of the piano performing school in the Republic of Kazakhstan (1980-2016) MAIRA SAPIEVA1, SALTANAT JAKAEVA2, KUNSULU ZHAKAEVA3, SULUSHASH AJSINA4 and LILIYA SAYATULEKOVA5 1Candidate of Pedagogical Sciences, Head of the Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-771-429-64-08 2Associate Professor, Candidate of Pedagoogical Sciences, Management chief on socially- educator work of КSPI, Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-775-822-50-78 3Senior Lecturer, Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-705-450-75-55 4Senior Lecturer, Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-777-279-35-97 5Senior Lecturer, Department of Arts, Кostanay State Pedagogical Institute, 110000, Kostanay, Taran Str., 118, [email protected], 8-705-109-42-17 ABSTRACT The piano school in the Republic of Kazakhstan began to be formed in the 30s of the last century, in connection with the accession of Kazakhstan to Russia. Prior to this period, the piano education was of a nature of amateur music making, and learning to play the instrument was carried out privately. For less than 100 years the piano school of Kazakhstan has reached a high level: the names of Kazakh pianists - Guldana Zholymbetova, Zhaniya Aubakirova, Amir Tebenikhin, Yerzhan Temirzhanov, Gulzhamilya Kadyrbekova and others - are known abroad.