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ETHNOMUSKOLOOy

TEN YEAR INDEX VOLUMES 41-50 1997-2006

Journal of the Society for

University of Illinois Press , Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org Society for Ethnomusicology, Inc. The object of the Society for Ethnomusicology shall be the advancement of research and study in the field of ethnomusicology, for which purpose all interested persons, regardless of race, creed, color, or national origin, are encouraged to become members. Its aims include serving the membership and society at large through the dissemination of knowledge con cerning the of the world's peoples.The Society, incorporated in the , has an international membership. Board of Directors: President: Deborah A. Wong, Dept. of Music, University of California, Riverside, CA 92521-0325; Past President: Philip V. Bohlman, 643 S. Clarence Ave., Oak Park, IL 60304-1303; First Vice President: Salwa El-Shawan Castelo-Branco, Universidade Nova de Lisboa, Faculdade de Ci?ncas Sociais e Humanas, Avenida de Berna 26C, 1069-061 Lisbon, Portugal; Second Vice President: Regula Qureshi, 11652 71st Avenue, Edmonton, AB, T6G 0A8, Canada; Secretary: Janet Sturman, School of Music, University of Arizona, 1017 N. Olive St.,Tucson, AZ 85721-0001;Treasurer: Suzanne Flandreau, Center for Black Music Research, Columbia College, 600 S. Michigan Ave., Chicago, IL 60605; Members-at-Large: Tong Soon Lee, Department of Music, Emory University, 1804 N. Decatur Rd., Atlanta GA 30322-1123; Eliza beth ToLBERT,The Peabody Institute of the Johns Hopkins University, 1 E. Mount Vernon PL, Baltimore, MD 21202. Council: Term ending 2009: Ama Oforiwaa Aduonum, Paul Austerlitz, Vicki Bren nan, Cathy Brigham, Salawa El-Shawan Castelo-Branco, Martin Clayton, Jim Cowdery, Sandra Graham, Jean Kidula, Donna Lee Kwon, Alejandro L. Madrid, Britta Sweers, Patricia Tang, Jesse Wheeler. Term ending 2010: Eliot Bates, Caroline Bithell, Charlotte D'Evelyn, Shannon Dudley, Kenneth S. Habib, C?ndida F. J?quez, Claire Jones, Scott L. Marcus, Rebecca Miller, David Sanjek, Margaret Sarkissian, Yoshi TAKA TERADA, HAE-KYUNG UM, SIU-WAH YU. Ethnomusicology Ethnomusicology (ISSN 0014-1836), the official organ of the Society for Ethnomusicology, is a refereed journal published three times a year by the University of Illinois Press, 1325 S. Oak St., Champaign, IL 61820, on behalf of the Society.The journal publishes original articles in the field of ethnomusicology, broadly defined. Translations of previously published articles are generally not considered. Contributors need not be members of the Society. The views expressed are the authors' and not necessarily those of the Society or its officers. Articles and communications pertaining to the journal should be sent to the incoming editor. Books and recordings for review and citations for current publications should be sent to the appropriate editor or bibliographer. The Society for Ethnomusicology also publishes the SEM Newsletter, which functions as a vehicle for the exchange of ideas, news, and information. Readers' contri butions are welcomed and should be sent to the editor of the newsletter. Inquiries pertaining to advertising in the newsletter should be directed to the editors of the newsletter; for advertising in the journal, write to the Journals Advertising Manager, University of Illinois Press. Editorial Board: Editor, Ethnomusicology: Timothy J. Cooley, Dept. of Music, Univer sity of California, Santa Barbara, CA 93106-6070 ([email protected]); Book Review Editor: Frederick Moehn, Music Dept., 3304 Staller Center, SUNY at Stonybrook, Stonybrook, NY 11794-5475 ([email protected]); Recording Review Editor: Paul Greene, Music Dept., Pennsylvania State U., 25 Yearsley Mill Rd., Media, PA 19063 (pdg4@ psu.edu); Film, Video, and Multimedia Review Editor: Rebecca S. Miller, Music Program, Mail Code ASH, Hampshire College, Amherst, MA 01002 ([email protected]); Current Bibliography: Randal Baier, 319 Ann Arbor St., Manchester, MI 48159 ([email protected]); Current Discography: Karen Peters, 5601 Laurel Court, Madison, WI 53705 (kapeterl? earthlink.net); Current Films and Videos: David Henderson, Music Dept., St. Lawrence U., Canton, NY 13617 ([email protected]);Theses and Dissertations: Jennifer C. Post, 22 Chipman Park,Middlebury,VT 05753 ([email protected]); SEM Newsletter Editor: Henry J. Spiller, University of California Music Dept., 1 Shields Ave., Davis, CA 95616 (hjspiller? ucdavis.edu);Web Site Editor:Alan R. Burdette, Morrison Hall 005, Indiana University, 1165 E. 3rd St., Bloomington, IN 47405-3700 ([email protected]). Business Office: Executive Director, Alan R. Burdette ([email protected]) and Office Coordinator, Lyn Pittman ([email protected]), Morrison Hall 005, Indiana University, 1165 E. 3rd St., Bloomington, IN 47405-3700, telephone (812) 855-6672. ? 2008 by the Society for Ethnomusicology ETHNOMUSKOLOQy Journal of the Society for Ethnomusicology

Ten-Year Index_1997-2006

Editor: Timothy J. Cooley Book Review Editor: Frederick Moehn Recording Review Editor: Paul Greene Film, Video, and Multimedia Reviews: Rebecca S. Miller Assistant Editor: Barbara L. Taylor Editorial Assistant: Sonja Lynn Downing

CONTENTS From the Editor Editorial Board Members, 1997-2006 Articles

1 Index to Authors, Titles, and Subject Areas of Articles and Miscellaneous Contributions Book Reviews

13 Index to Authors and Titles of Books Reviewed, and Reviewers of Books Recording Reviews 39 Index to Titles of Recordings Reviewed, and Reviewers of Recordings Film Reviews

52 Index to Reviewers, Titles, and Producers/Directors of Film, Video, and Multimedia Projects Editorial Staff

Editors James R. Cowdery 1997?Vol. 41, Nos. 1, 2, 3 1998?Vol. 42, Nos. 1, 2, 3 Bruno Nettl 1999?Vol. 43, Nos. 1, 2, 3 2000?Vol. 44, Nos, 1, 2, 3 2001?Vol. 45, Nos, 1, 2, 3 2002?Vol. 46, Nos, 1, 2, 3 Peter Manuel 2003?Vol. 47, Nos, 1, 2, 3 2004?Vol. 48, Nos, 1, 2, 3 2005?Vol. 49, Nos, 1, 2, 3 2006?Vol. 50, Nos, 1, 2, 3 50th Anniversary Commemorative Issue, Guest Co-editors Ellen Koskoff and R. Anderson Sutton 2006?Vol. 50, No. 2 Assistant Editors Edward Herbst 1997?Vol. 41, Nos. 1, 2, 3 1998?Vol. 42, Nos. 1, 2, 3 Christopher Scales 1999?Vol. 43, Nos. 1, 2 Gregory Diethrich 1999?Vol. 43, No. 2 2000?Vol. 44, Nos, 1, 2, 3 2001?Vol. 45, No. 1 LaDona Martin-Frost 2001?Vol. 45, Nos, 2, 3 2002?Vol. 46, Nos, 1, 2, 3 Evan Rapport 2003?Vol. 47, Nos, 1, 2, 3 2004?Vol. 48, Nos, 1, 2, 3 2005?Vol. 49, Nos, 1, 2, 3 Editorial Assistants Giancarlo Vulcano 1997?Vol. 41, No. 1 Jaime Jones 1997?Vol. 41, Nos. 2, 3 Book Review Editors Judith A. Gray 1997-1999, Vols. 41-43(1) Victoria Lindsay Levine 1999-2002, Vols. 43-46 Melinda Russell 2003-2005, Vols. 47-49(2) Frederick Moehn 2005-2006, Vols. 49(3)-50 Recording Review Editors Ted Levin 1997-1998, Vols. 41-42 Jane C. Sugarman 1999-2002, Vols. 43-46 Paul Greene 2003-2006, Vols. 47-50 Multimedia Review Editor Rebecca S. Miller 1997-2006, Vols. 41-50 Compilers of the Current Bibliography, Discography, and Filmography

Bibliography, Dissertations, and Theses Jennifer C. Post 1997-2000, Vols. 41-44 Bibliography Kevin Meadows 2001-2003, Vols. 45-47(2) Randal Baier 2003-2006, Vols. 47(3)-50 Dissertations and Theses Jennifer C. Post 2001-2006, Vols. 45-50 Discography Lauren Sercombe 1997-2001, Vols. 41-45 Mercedes Dujunco 2002-2005, Vols. 46-49 Karen Peters 2006, Vol. 50 Filmography Leslie Gay 1997-1999, Vols. 41-43(2) Barbara Rose Lange 1999-2003 Vols. 43(3)-47 David Henderson 2004-2006, Vols. 48-50 SEM Administrative Staff

SEM Newletter Editors Ren? T. A. Lysloff and Deborah Wong 1997-1999 Tong Soon Lee 2000-2006 Web Site Editor John P. Murphy 1999-2002 Alan R. Burdette 2003-2006 Web Site Associate Editor Stephen Duncan 1999-2000 Cullen Strawn 2003-2006 Acting Web Site Editor Jennifer C. Post 2000-2001, 2003 Business Managers Sue Touhy 1997-1998 Ruth Stone 1998-2000 Business Office: Executive Director Alan R. Burdette 2001-2006 Administrative Secretary/Office Coordinator Lyn Pittman 1997-2006 From the Editor

This ten-year index of the contents of Ethnomusicology, 1997-2006, volumes 41-50, was created by our Assistant Editor, Barbara Taylor, with some additional help by Editorial Assistant Sonja Lynn Downing, and minimal oversight on my part. The index follows the format of the previous ten-year-indexes with a few subtle changes to style. Substantive changes include, in the Book Reviews section, index heading entries for each author of multi-authored books and each editor of edited collections, not just the first author or editor. In the Recording Reviews index, we did not index editors, collectors or producers (with a few exceptions). Our discovery was that this information was not consistently listed in the reviews, nor had it been effectively indexed in previous ten-year in dexes. As has been the practice, subjects are indexed only in the index to Articles and Miscellaneous Contributions. The dominant subject heading under which articles are indexed is geographic area, perhaps artificially prolonging the beleaguered tradition of "area studies." However, we added additional key subject headings when they were suggested by a critical mass of articles. The motivation for every change in substance or style is our hope that users will find this index a valuable tool for years to come. Timothy J. Cooley

University of Illinois Press , Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org Index to Authors, Titles, and Subject Areas of Articles and Miscellaneous Contributions

ish Vogue in Historical Perspec A tive," 44(2): 183-213 "Abigbo Music and of Mbaise, : 44(l):39-64; 50(2):345-52 Igbo: An Introduction," by Christian Onyeji, AVORGBEDOR, DANIEL, "Competition and 48(l):52-72 Conflict as a Framework for Understand "Acting Up,TalkingTech: New York Rock Mu ing Performance Culture among the Urban sicians andTheir Metaphors ofTechnology," Anlo-Ewe," 45(2):260-82 by Leslie C. Gay Jr., 42(l):81-98 Azerbaijan: 44(2):234-56 Africa: 41(1): 1-21; 44(l):65-96; 44(3):408 "Azerbaijanian Female Musicians: Women's 428; 46(3):409-31 ; see also specific African Voices Defying and Defining the Culture," nations by Inna Naroditskaya, 44(2):234-56 Albania: 45(3yAl9-58 "AllThat Is Not Given Is Lost: IrishTraditional Music, Copyright, and Common Property," "The Baile del Tambor of the Island of by Anthony McCann, 45(1):89-106 La Gomera," by Jos? ?ngel L?pez Viera, ALLEN, LARA, "Commerce, Politics, and Mu 50(l):120-40 sical Hybridity: Vocalizing Urban Black BAKAN, MICHAEL B.,"Walking Warriors: Bat South African Identity during the 1950s," tles of Culture and Ideology in the Balinese 47(2):228-49 Beleganjur World," 42(3):44l-84 America: 4l(l):22-50; and Dominican Re BAKER, GEOFFREY,"?, Revoluci?n! public:50(iy37-72;Cajun:42(2):283-501; Nationalizing Rap in Cuba," 49(3): 368 fazz: 48(2): 169-202; 48(3):315-47; 3tor? 402 aw-:45(2):315-37;47(3):338-54;/>opMtar: BALLANTINE, CHRISTOPHER, "Gender, Mi 42(1):81 -98; 50(3):411 -32; diaporas/refu grancy, and South African in gees in: 43(2): 201-20; 45(3):443-79 the Late 1940s and the 1950s," 44(3): 376 America Indian:Hopi:4l(3y.4l3-32;Kiowa: 407 45(2y338-52; Pan-Indian: 44(Z):2l4-33; BAR-YOSEF,AMATZIA, "Musical Time Orga 45(l):58-88; Woodland: 46(2):284-306 nization and Space Concept: A Model of analysis: 49(2):232-65; sound, pitch, scale: Cross-Cultural Analogy," 45(3):423-42 45(3):489-519; timbre: 46(l):56-95 BENADON,FERNANDO,"Slicing the Beat: "Annual List of Dissertations and Theses," by Eighth-Notes as Expressive Microrhythm," Jennifer C.Post,4l(l)105-12;42(2):34l-47; 50(l):73-98 43(1): 162-65; 44(1): 155-60; 45(1): 150-56; BERGER, HARRIS M.,"The Practice of Per 46(2):372-78 ception: Multi-Functionality and Time in "Applied and Performance the Musical Experience of a Heavy Metal Studies,"by Charles Keil,42(2):303-12 Drummer," 41 (3):464-88 music: 44(2)302-20 "The Bible, Prayer, and Maq?m: Extra-Musical ARACENA,BETH K.,"LatinAmerican Music in Associations of Syrian Jews," by Mark Klig the History of SEM," 50(2):3l4-23 man,45(3):443-79 ARA?JO, SAMUEL, et al., "Conflict and Vio BILBY, KENNETH,"'Roots Explosion': Indi lence as Theoretical Tools in Present-Day genization and Cosmopolitanism in Con Ethnomusicology: Notes on a Dialogic temporary Surinamese Popular Music," Ethnography of Sound Practices in Rio de 43(2):256-96 Janeiro," 50(2):287-313 "Birch-Bark Horns and Jazz in the National "Archiving Africanness in Sacred ," by Imagination: The Finnish Folk Music Vogue Carol A. Muller, 46(3):409-31 in Historical Perspective "by PaulAusterlitz, Asia, South: 4l(3):489-5l6; 48(2):251-70 44(2):183-213 "An Attempt at a Synthetic Paradigm," by Izaly "Birds in Cages Still Sing Well: An Introduction Zemtsovsky, 4l(2):185-205 to the Musical Anthropology of Romanian AUSTERLITZ, PAUL, "Birch-Bark Horns and Jails," by Marin Marian-B?la?a, 46(2): 250 Jazz in the National Imagination: The Finn 64

? 2008 by the Society for Ethnomusicology

University of Illinois Press , Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org 2 Ethnomusicology, Index Volumes 41-50

"The Black Pacific: Cuban and Brazilian "The Chang?? Genre of Guant?namo, Cuba," Echoes in the Afro-Peruvian Revival," by by Benjamin Lapidus, 49(l):49-74 Heidi Carolyn Feldman,49(2):206-31 CHEN, PI-YEN, "Buddhist Chant, Devotional "Black Spirits,White Saints: Music, Spirit Pos Song, and Commercial Popular Music: From session, and Sub-Saharans in Tunisia," by Ritual to Rock Mantra," 49(2):266-86; "The Richard C. Jankowsky, 50(3):373-4l0 Contemporary Practice of the Chinese Bud BOHLMAN,PHIUPV,"World Music at the'End dhist Daily Service: Two Case Studies of ofHistory,'"46(l):l-32 the Traditional in the Post-traditionalWorld," Bolivia: 44(2):257-80 46(2):226-49 BOOTH, GREGORY D.,"Socio-Musical Mobil children: 45(2):283-3l4; 46(3):379-408; ity among South Asian Clarinet Players," 46(3):456-86 41(3):489-516 : 42(2):199-264; 45(1):107-31; Brazil: 50(V>:99-1\9 46(3):432-455;47(3):287-337;49(2):232 "Bridging Contexts, Transforming Music: 65;49(2):266-86; The Case of Elementary School Teacher CHOU,CHIENER,"Experience and Fieldwork: Chihara Yoshio," by Joanna T. Pecore, A Native Researcher's View," 46(3):456-86 44(l):120-36 "The Classification of Musical Instruments: BROWNER,TARA,"Making and Singing Pow Changing Trends in Research from the Late wow : Text, Form, and the Significance Nineteenth Century, with Special Refer of Culture-based Analysis," 44(2):2l4-33 ence to the 1990s," by Margaret Kartomi, "Buddhist Chant, , and Com 45(2):284-3l4 mercial Popular Music: From Ritual to Rock COHEN, SARA, "Country at the Heart of the Mantra," by Pi-yen Chen, 49(2):266-86 City: Music, Heritage, and Regeneration in BYERLY, INGRID BIANCA, "Mirror, Mediator, Liverpool," 49(l):25-48 and Prophet: The Music Indaba of Late Colombia: 45(2):228-59 Apartheid ," 42(1): 1-44 "Commerce, Politics, and Musical Hybrid ity: Vocalizing Urban Black South African C Identity during the 1950s," by Lara Allen, "A Cajun Poetics of Loss and Longing," by Ron 47(2):228-49 Emoff,42(2):283-301 "Communal Creativity and Song Ownership uLas Cale?as Son Como Las Flores: The Rise in Anlo Ewe Musical Practice: The Case of of All-Women Salsa Bands," by LiseWaxer, HavoJu," by George Dor, 48(1):26-51 45(2):228-59 "Comparative and Systematic in Canada: 50(2):324-36; Cape Breton: Relation to Ethnomusicology: A Historical 48(l):73-104;/nw/i: 43(3):399-4l8 and Methodological Survey," by Albrecht "Canadian Reflections on Palindromes, Inver Schneider, 50(2):236-58 sions, and Other Challenges to Ethnomusi "Competition and Conflict as a Framework cology's Coherence," by Beverley Diamond, for Understanding Performance Culture 50(2):324-36 among the Urban Anlo-Ewe," by Daniel Canary Islands: 50(1): 120-40 Avorgbedor, 45(2):260-82 capoeira: 46(3):487-509 "The Concept of Journey (Yol) in Turkmen CAPWELL, CHARLES, "A R?gam?l? for the Musical Tradition," by Slawomira Zeranska Empress," 46(2): 197-225 Kominek,42(2):265-82 Carribean:44(iy.97-U9;46(iyA55-64;Gre "The Conditions for Cape Breton Fiddle Mu nada: 49(3):403-40; popular: 43(2):256 sic: The Social and Economic Setting of a 96 Regional Soundscape," by Burt Feintuch, CASSIA, PAUL SANT,"Exoticizing Discover 48(1):73-104 ies and Extraordinary Experiences: 'Tradi "Conflict and Violence as Theoretical Tools in tional' Music, Modernity, and Nostalgia in Present-Day Ethnomusicology: Notes on a Malta and Other Mediterranean Societies," Dialogic Ethnography of Sound Practices 44(2):281-301 in ," by Samuel Araujo et al., CATUN-JAIRAZBHOY, AMY,"Sacred Songs of 50(2):287-313 Khoja Muslims: Sounded and Embodied lit "Confronting the Social: Mode of Production urgy and Devotion," 48(2):251-70 and the Sublime for (Indian) Art Music "by "Challenges to the Euroamericentric Eth Regula Burckhardt Qureshi, 44(1): 15-38 nomusicological Canon: Alternatives for "The Construction of a Diasporic Tradition: Graduate Readings, Theory, and Method," Indo-'Local ,'"by by Steven Loza, 50(2):360-71 Peter Manuel, 44(1):97-119 Articles 3

"Contemporary New York City Big Bands: "The Distant Isle: The Scholarship and Music Composition, Arranging and Individual of Peter Crossley-Holland (1916-2001)," by ity in Orchestral Jazz," by Alex Stewart, James Porter, 46(2):323-29 48(2): 169-202 DOR, GEORGE, "Communal Creativity and "The Contemporary Practice of the Chinese Song Ownership in Anlo Ewe Musical Buddhist Daily Service: Two Case Studies of Practice:The Case of Havoju," 48(1):26 theTraditional in the Post-traditional World," 51 ; "Uses of Indigenous Music Genres in by Pi-yen Chen, 46(2):226-49 Ghanaian Choral Art Music: Perspectives copyright: 45(1):89-106 from the Works of Amu, Biege, and Dor," C?te d'Ivoire: 490)347-67 49(3):44l-75 "Country at the Heart of the City: Music, DOUBLEDAY, VERONICA, "The Frame Drum Heritage, and Regeneration in Liverpool," in the Middle East:Women, Musical Instru by Sara Cohen, 49(l):25-48 ments and Power," 43(1): 101-34 Cuba: 47(1): 1 -41 ; 4%\):49-74\popular mu DOWNEY, GREG,"Listening to Capoeira: Phe sic: 490)368-402 nomenology, Embodiment, and the Materi "Cultural Constructions of Improvisation in ality of Music," 460):487-5O9 T?yampaka, a Genre ofTemple Instrumen "Dropping the Bomb:Steelband Performance tal Music in , ," by Rolf Groes and Meaning in 1960s Trinidad," by Shan beck, 43(1): 1-30 non Dudley, 46(l):135-64 "Cultural Policy and the Tunisian Ma'l?f: DUDLEY, SHANNON, "Dropping the Bomb: Redefining a Tradition," by Ruth Davis, Steelband Performance and Meaning in 4l(l):l-21 1960s Trinidad," 46(l):135-64 "Current Bibliography," by Jennifer C. Post, "Dueling Landscapes: Singing Places and 4l(l):77-95; 4l(2):265-79; 41(3)539-54; Identities in Highland Bolivia," by Thomas 42(1): 133-46; 42(2):323-33;42(3):523-40; Solomon, 44(2):257-80 43(1): 135-55; 43(2):335-46; 43(3):527-36; DUNBAR-HALL, PETER (see GIBSON, CHRIS, 44(l):137-46; 44(3):491-504; and PETER DUNBAR-HALL) "Current Discography," by Laurel Sercombe, 4l(l):95-101;4l(2):279-83;4l(3):554-58; E 42(1): 146-50; 42(2):334-38; 42(3):540-44; EMOFF, RON, "A Cajun Poetics of Loss and 43(l):156-59;43(2):346-49;43(3):536-4l; Longing,"42(2):283-301;"Phantom Nostal 44(l):l46-53;44(2):321-26;44(3):505-09 gia and Recollecting (from) the Colonial "Current Film/Videography," by Leslie C. Gay, Past inTamatave, Madagascar," 46(2) : 265 Jr., 4l(l):101-3; 4l(2):283-85; 4l(3):559 83 61 ; 42(1): 150-53; 42(2):338-40; 42(3): 544 "Emotional Dimensions of Ritual Music 46 among the Kotas, a South Indian Tribe," by "Current Films and Videos," by Barbara Richard K.Wolf, 45(3):379-422 Rose Lange, 44(1): 153-55; 44(2):327-28; England: 49dl):25-48 44(3):510-11 "Erotic MusicalActivity in Multiethnic China," "Current Films and Videos," by Leslie C.Gay, Jr., by Yang Mu, 42(2): 199-264 43(1): 159-61 ; 43(2):349-51 ; 43(3):542-44 ethnomusicological theory and method: "Current Multimediography,"by Barbara Rose 4l(2):185-205; 4l(2):206-19; 4l(2):220 Lange, 4l(3):56l-63; 420)546-48 42;4l(2):243-59;42(2):303-21;42(3):385 CZEKANOWSKA, ANNA, "A Reply to William 414;42(3):485-510;43(1):31-65;43(1):66 Noll,"4l(l):69-70 85;43(2):221-55;44(l):l-l4;44(l):15-38; 44(l):65-96; 44(3):365-75; 45(l):l-29; 45(l):89-106;45(l):132-49;45(3):423-42; DAUGHTRY, J. MARTIN," Russia's New Anthem 45(3):480-88; 46(3)379-408; 46(3):487 and the Negotiation of National Identity," 509; 47(2):151-79; 47(2):180-204; 47(l):42-67 49(2):287-3H; 50(2):236-58; 50(2):259 DAVIS, RUTH,"Cultural Policy and theTunisian 79; 50(2):280-86; 50(2):287-313; Ma 'l?f: Redefining aTradition," 41(1): 1-21 50(2):324-36; 50(2):360-71 DIAMOND, BEVERLEY,"Canadian Reflections ethnomusicology, history of: 44(3):365-75; on Palindromes, Inversions, and Other Chal 46(1): 1-32; 460):379-408; 50(2): 179-89; lenges to Ethnomusicology's Coherence," 50(2): 190-98; 50(2): 199-203; 50(2):204 50(2):324-36 13;50(2):2l4-35;50(2):3l4-23;50(2):337 "Dissertations and Theses" (see Annual List of 44; 5

"Ethnomusicology and Difference "by Debo "Acting Up,TalkingTech: New York Rock Mu rah Wong, 50(2):259-79 sicians and Their Metaphors of Technology," "Ethnomusicology and Values: A Reply to 42(1):81-98. "Current Films and Videos," Henry Kingsbury," by Jeff Todd Titon, 43(1): 159-61 ; 43(2)349-51 ; 430)542-44 4l(2):253-57 "'The Ge is in the Church' and 'Our Parents "Ethnomusicology Down Under: A Distinctive are Playing Muslim': Performance, Identity, in the Antipodes?" by Stephen Wild, and Resistance among the Dan in Postco 50(2)345-352 lonial C?te d'Ivoire," by Daniel B. Reed, "Ethnomusicology's Bronze Age in Y2K," by 49(3)347-67 Ki Mantle Hood, 44(3)365-75 g??ra/?>r:42(l):45-80;43(l):101-34;44(2):234 "Exoticizing Discoveries and Extraordinary 56; 44(3)376-407; 45(2):228-59 Experiences:'Traditional' Music, Modernity, "Gender, Migrancy, and South African Popular and Nostalgia in Malta and Other Medi Music in the Late 1940s and the 1950s," by terranean Societies," by Paul Sant Cassia, Christopher Ballantine, 44(3)376-407 44(2):281-301 "Generational Change in Berber Women's "Experience and Fieldwork: A Native Research Song of the Anti-Atlas Mountains, ," er's View," by Chou Chiener, 460):456-86 by Katherine E. Hoffman, 460): 510-40 Georgia: 50(3):452-93 F GERISCHER, CHRISTIANE, "O Suingue Ba FALES, CORNELIA, "The Paradox of Timbre," tano: Rhythmic Feeling and Microrhyth 46(1)56-95 mic Phenomena in Brazilian Percussion," FEINTUCH, BURT,"The Conditions for Cape 5(XD:99-119 Breton Fiddle Music: The Social and Eco GERSTIN, JULIAN, "Reputation in a Musical nomic Setting of a Regional Soundscape," Scene: The Everyday Context of Connec 48(1):73-104 tions between Music, Identity, and Politics," FELDMAN, HEIDI CAROLYN, "The Black Pa 42(3)385-414 cific: Cuban and Brazilian Echoes in the Ghana: 45(2):260-82; 48(1):26-51; Afro-Peruvian Revival," 49(2):206-31 49(3):44l-75 "Fifty Years of SEM in the United States: A Ret GIBSON, CHRIS, and PETER DUNBAR-HALL, rospective," by Bonnie C.Wade, 50(2): 190 "Nitmiluk: Place and Empowerment in 98 Australian Aboriginal Popular Music," Finland: 44(2):185-213 44(1)39-64 flamenco music: 41 ( 1 ): 51 -67 globalization: 43(1)31-65; 46(l):l-32; "Flamenco Music and Documentary," by Wil 50(l):l-36 liam Washabaugh, 4l(l):51-67 "Globalization and Japanese Creativity: Ad "The Frame Drum in the Middle East:Women, aptations of to Rap," by Musical Instruments and Power," by Veroni Noriko Manabe, 50(1): 1-36 ca Doubleday,43(l):101-34 GOERTZEN,CHRIS,"The Norwegian Folk Re FRISBIE, CHARLOTTE J.,"A View of Ethnomu vival and the Gammeldans Controversy," sicology from the 1960s," 50(2):204-13 42(1):99-127; "Powwows and Identity on "From Children's Song to Expressive Practices: the Piedmont and Coastal Plains of North Old and New Directions in the Ethnomu Carolina," 45(1)38-88 sicological Study of Children " by Amanda "Governing the Arts, Governing the State: Pe Minks, 46(3)379-408 king Opera and Political Authority in Tai "From Here On, I Will Be Praying to You': wan," by Nancy Guy, 43(3):508-26 Indian Churches, Kiowa Hymns, and Na Greece: 44(3):429-59; 48(1): 1-25 tive American Christianity in Southwest GREENE, PAUL D., "Sound Engineering in a ern Oklahoma," by Luke Eric Lassiter, Tamil Village: Playing Audio Cassettes as 45(2)338-52 Devotional Performance," 43(3):459-89; "From Urban Area to Refugee Camp: How "Ordering a Sacred Terrain: Melodic Path One Thing Leads to Another," by Adelaida ways of Himalayan Flute Pilgrimage," Reyes, 43(2):201-20 47(2):205-27 Grenada: 490):4O3-4O GROESBECK, ROLF, "Cultural Constructions GAY, LESLIE C, Jr.,"Current Film/Videography," of Improvisation in T?yampaka, a Genre 4l(l):101-3; 4l(2):283-85; 4l(3):559-6l; of Temple Instrumental Music in Kerala, 42(1): 150-53; 42(2)338-40; 42(3):544-46. India," 43(1): 1-30 Articles 5

GUY, NANCY,"Governing the Arts, Governing I the State: and Political Au thority inTaiwan," 43(3):508-26; "'Republic "I Made Lebah (1905?-1996)," by David Har of China ' on Taiwan: One nish,4l(2):26l-64 Anthem, One Performance, Multiple Reali "Imagining the Homeland: , Songs, and ties," 46(1):96-119 the Discourses of Albanian Nationalism," by H Jane C. Sugarman, 43(3):4l9-58 "In the Time of Alaturka: Identifying Differ Haiti: 48(1):105-126 ence in Musical Discourse," by John Morgan HARNISH,DAVID,"I Made Lebah (1905?-1996)," O'Connell, 49(2): 177-205 4l(2):26l-64; "New Lines, Shifting Identi India: 42(3):415-40; 43(1): 1-30; 43(3):459 ties: Interpreting Change at the Lingsar Fes 89; 44(1): 15-38; 44(3):460-90; 46(1)33 tival in Lombok, Indonesia," 49(1): 1 -24 55,46(2)307-22;48(2):229-50,R?gamcU?: "Hausa Entertainers and their Social Sta 46(2): 197-225; South, tribal: 45(3)379 tus: A Reconsideration of Sociohistori 422 cal Evidence," by Sviatoslav Podstavsky, Indonesia:48(2):2O3-28;Bali:420):44l-84; 480)348-77 Java: 42(l):45-80; 45(1)30-57; Lombok: Hawai'i: 49(l):75-ll9 49dl):l-24;Sulawesi:480)378-4O4;Sum HENRY, EDWARD 0.,"Maithil Women's Song: ba: 450):49O-5O7; Sunda: 45(2): 197-227 Distinctive and Endangered Species," "Instruments of Power: Sundanese 'Multi 42(3):415-40; "The Rationalization of In Laras' Gamelan in New Order Indonesia," tensity in Indian Music," 46(1)33-55 by Andrew N.Weintraub, 45(2): 197-227 "Henry Kingsbury's Response," by Henry "Interconnectedness in Ethnomusicological Kingsbury, 4l(2):258-59 Research," by Gerhard Kubik, 44(1): 1-14 HESSELINK, NATHAN, uSamul nori as Tra "InuitThroat-Games and SiberianThroat Sing ditional: Preservation and Innovation in a ing^ Comparative, Historical, and Semio South Korean Contemporary Percussion logical Approach," by Jean-Jacques Nattiez, Genre," 48(3):405-39 43(3)399-418 "Hindu Nationalism, Music, and Embodiment Irish music: 4l(3):433-63; 45(1):89-106 in Marathi R?shtr?ya ," by Anna : 43(1):86-100; 48(2):251-70 Schultz, 46(2)307-22 "?Hip Hop, Revoluci?n! Nationalizing Rap in J Cuba," by Geoffrey Baker, 49(3)368-402 JACKSON, JASON BAIRD, and VICTORIA "History, Geography, and Diffusion: Ilmari LINDSAY LEVINE,"Singing for Garfish: Mu Krohn's Early Influence on the Study of sic and Woodland Communities in Eastern European Folk Music," by Erkki Pekkil?, Oklahoma," 46(2):284-306 50(2)353-59 JACKSON, TRAVIS A., "Rearticulating Ethno history of ethnomusicology, see ethnomusi musicology: Privilege, Ambivalence and cology, history of Twelve Years in SEM," 50(2):280-86 "The History of Ethnomusicology, from My JANKOWSKY, RICHARD C, "Black Spirits, Retrospective View," by Yoshiko Tokumaru, White Saints: Music, Spirit Possession, and 50(2)337-44 Sub-Saharans in Tunisia," 50(3)373-410 HOFFMAN, KATHERINE E., "Generational /tfpan:44(l):120-36;50(l):l-36 Change in Berber Women's Song of the Anti Jazz: 44(2):183-213; 48(2):l69-202; Atlas Mountains, Morocco," 460)510-40 48(3)315-47; 5(KD:73-98 Hong Kong: 46(1): 120-34 Jewish music: 45(3):443-79; 50(3):433-51 HOOD, KI MANTLE, "Ethnomusicology's JONES, STEPHEN, "Reading Between the Bronze Age in Y2K," 44(3)365-75 Lines: Reflections on the Massive Anthol "Hopi Kachina Songs: Concepts and ogy of Folk Music of the Chinese Peoples," Context," by George list, 4l(3):4l3-32 47(3):287-337 : 410)517-37 "Jos? Maceda and the Paradoxes of Modern HUTCHINSON,SYDNEY,"M?>rc?ngtt?? T?pico in Composition in Southeast Asia "by Michael Santiago and New York: Transnational Re Tenzer,47(l):93-120 gionalism in a Neo-Traditional Dominican Music," 50(1)37-72 K "Hypermedia and Ethnomusicology," by Bar KARTOMI,MARGARET,"The Classification of bara Rose Lange, 45(1): 132-49 Musical Instruments: Changing Trends in 6 Ethnomusicology Index Volumes 41-50

Research from the Late Nineteenth Cen LATARTARA, JOHN, "Theoretical Approaches tury, with Special Reference to the 1990s," toward Qin Analysis: Water and Clouds 45(2):284-3l4 over Xiao Xiang, " 49(2):232-65 Katmandu: 47(2):205-27 "Latin American Music in the History of SEM," KEIL, CHARLES, "Applied Sociomusicology by Beth K. Aracena, 50(2)314-23 and Performance Studies," 42(2)303-12 Lee,Tong Soon,"Technology and the Produc Kenya: 440):4O8-28 tion of Islamic Space: The Call to Prayer in KIDULA, JEAN, "Polishing the Luster of the Singapore," 43(1):86-100 Stars: Music Professionalism Made Work "'Let's Enjoy As Nicaraguans': The Use of able in Kenya," 44(3):408-28 Music in the Construction of a Nicaraguan KIIXICK, ANDREW; "RoadTest for a New Mod National Consciousness," by T. M. Scruggs, el: Korean Musical Narrative andTheater in 43(2):297-321 Comparative Context," 47(2): 180-204 LEVINE, VICTORIA LINDSAY (see JACKSON, KIMBERUN,CYNTHIATSE,"The Scholarship JASON BAIRD, and VICTORIA LINDSAY and Art of Ashenafi Kebede (1938-1998)," LEVINE) 43(2)322-34 "'Like Old Folk Songs Handed Down from KINGSBURY,HENRY,"Should Ethnomusicology Generation to Generation': History,Canon, beAbolished? (reprise)," 4 l(2):243-49;"Hen and Community in B-boy Culture," by Jo ry Kingsbury's Response," 41(2): 2 58-59 seph G. Schloss, 5O0):4\ 1-32 KISLIUK, MICHELLE, "A Response to Charles LIST, GEORGE, "Hopi Kachina Dance Songs: Keil," 42(2)313-15 Concepts and Context," 41(3):413-32 "Klezmer in Krakow: Kitsch, or Catharsis for "Listening to Capoeira: Phenomenology, Em Poles?" by Steven Saxonberg and Magdale bodiment, and the Materiality of Music," by na Walig?rska, 50(3):433-51 Greg Downey, 46(3):487-509 KLIGMAN, MARK, "The Bible, Prayer, and LIVINGSTON,TAMARA E., "Music Revivals: Maq?m: Extra-Musical Associations of Syr Towards a General Theory," 43(l):66-85 ian Jews," 45(3):443-79 "Lost Lineages and Neglected Peers: Ethnomu KOEN, BENJAMIN D., "Medical Ethnomusi sicologists Outside Academia," by Anthony cology in the Pamir Mountains: Music and Seeger, 50(2):214-35 Prayer in Healing," 49(2):287-311 LOZA,STEVEN,"Challenges to the Euroameri Korea: 47(l):68-92; 47(2):180-204; centric Ethnomusicological Canon: Alter 47(3)355-75; 48(3):405-39 natives for Graduate Readings,Theory, and "Korean Shaman Rituals Revisited: The Case Method," 50(2)360-71 of Chindo Ssikkimgut (Cleansing Rituals)," LYSLOFF,REN? T. A.,"Mozart in Mirrorshades: by Mikyung Park, 47(3)355-75 Ethnomusicology,Technology,and the Poli KUBIK, GERHARD, "Interconnectedness in tics of Representation," 41(2):206-19 Ethnomusicological Research," 44(1): 1-14 M KUIPERS, JOEL C.,"Ululations from the Weyewa Highlands (Sumba): Simultaneity, Macedajos?: 47(1):93-120 Audience Response, and Models of Coop Madagascar: 46(2):265-83 eration," 43(3):490-507 MAGRINI, TULL?A, "Manhood and Music in Western Crete: Contemplating Death," 44(3):429-59 LANGE, BARBARA ROSE, "What Was That "Maithil Women's Song: Distinctive and En Conquering Magic .. .':The Power of Dis dangered Species," by Edward O. Henry, continuity in Hungarian Gypsy Nota," 42(3):415-40 4l(3):517-37. "Current Films and Videos," "Making and Singing Pow-wow Songs: Text, 44(1): 153-55; 44(2)327-28; 44(3):510-11. Form, and the Significance of Culture-based " Current Multimediography," 41 (3): 561 -63 ; Analysis," by Tara Browner, 44(2):214-33 42(3):546-48."Hypermedia and Ethnomu Malta: 44(2):281-301 sicology," 45(1): 132-49 "'A Man Can Sing and Play Better than a LAPIDUS,BENJAMIN,"The Chang?? Genre of Woman': Singing and Patriarchy at the Guant?namo, Cuba," 49(l):49-74 Georgian Supra Feast "by NinoTsitsishvili, LASSITER, LUKE ERIC, "From Here On, I 50(3):452-93 Will Be Praying to You': Indian Church MANABE, NORIKO, "Globalization and Japa es, Kiowa Hymns, and Native American nese Creativity : Adaptations of Japanese Christianity in Southwestern Oklahoma," Language to Rap," 50(1): 1-36 45(2)338-52 "Manhood and Music in Western Crete: Articles 7

Contemplating Death," by Tullia Magrini, Technology, and the Politics of Representa 44(3):429-59 tion," by Ren? T.A. Lysloff, 41(2):206-19 MANUEL, PETER, "The Construction of a MU, YANG, "Erotic Musical Activity in Multi Diasporic Tradition: Indo-Caribbean 'Local ethnic China," 42(2): 199-264 Classical Music,'" 44(1):97-119 M?LLER, CAROL A., "Archiving Africanness in "The Many Faces of Improvisation: The Arab Sacred Song,"46(3):409-31 Taq?s?m as a Musical Symbol," by Ali Jihad "Music in the Hong Kong Handover Ceremo Racy, 44(2)302-20 nies: A Community Re-Imagines Itself "by J. MARIAN-BALA?A, MARIN, "Birds in Cages Lawrence Witzleben, 46(l):120-34 Still Sing Well: An Introduction to the "Music Revivals: Towards a General Theory," Musical Anthropology of Romanian Jails," by Tamara E. Livingston, 43(l):66-85 46(2):250-64 "Musical Time Organization and Space Con McALLESTER, DAVID, "Reminiscences of the cept: A Model of Cross-Cultural Analogy," by Early Days," 50(2): 199-203 Amatzia Bar-Yosef, 45(3):423-42 McCANN, ANTHONY,"AllThat Is Not Given Is N Lost: Irish Traditional Music, Copyright, and Common Property," 45(1):89-106 "Narcocorridos: An Emerging Micromu "Medical Ethnomusicology in the Pamir sic of Nuevo L.A.," by Helena Simonett, Mountains: Music and Prayer in Healing," 45(2)315-37 by Benjamin D. Koen, 49(2):287-311 NARODITSKAYA, INNA, "Azerbaijanian Fe memoriam.Herndon, Marcia: 42(1): 128-32; male Musicians: Women's Voices Defying Lebah, I Made: 4l(2):26l-64; Rahkonen, and Denning the Culture," 44(2):234-56 Carl: 42(3):511-22 nationalism: 43(2):297-321; 43(3):4l9-58; "Merengue T?pico in Santiago and New 44(l):120-36; 44(2): 183-213; 45(1):107 York: Transnational Regionalism in a Neo 31;46(l):96-119;46(l):135-64;46(2)307 Traditional Dominican Music," by Sydney 22; 47(l):42-67; 48(1): 1-25 Hutchinson, 50(1)37-73 "The Nationalization of Ottoman Popular Mu meter, see and meter sic in Greece," by Risto Pekka Pennanen, "Meter and Grouping in African Music: A View 48(l):l-25 from ," by David Temperley, NATTIEZ, JEAN-JACQUES,"InuitThroat-Games 44(l):65-96 and Siberian Throat Singing: A Compara method, see ethnomusicological theory and tive, Historical, and Semiological Approach," method 43(3)399-418 Mexican & Mexican-American: 45(2):315 "'Naxi Rocks London'Valida 37; 47(3)338-54 tion, Presentation, and Observation in the "Mexican Deejays and theTransnational Space First International Naxi Music Tour," by ofYouth in New York and New Jer Rees, 46(3):432-55 sey," by Cathy Ragland, 47(3)338-54 NETTL, BRUNO, "We're on the Map: Reflec Middle East: 43(1): 101-34; 44(2)302-20 tions on SEM in 1955 and 2005," 50(2): 179 MILLER, REBECCA S., "Performing Ambiva 89 lence: The Case of Quadrille Music and Dance "New Lines, Shifting Identities: Interpreting in Carriacou, Grenada," 49(3):403-40 Change at the Lingsar Festival in Lombok, MINKS, AMANDA, "From Children's Song to Indonesia," by David Harnish, 49(1): 1-24 Expressive Practices: Old and New Direc Nicaragua: 43(2):297-321 tions in the Ethnomusicological Study of : 48(l):52-72; 48(3)348-77 Children," 460)379-408 "Nitmiluk: Place and Empowerment in Austra "Mirror, Mediator, and Prophet: The Music lian Aboriginal Popular Music," by Chris Gib Indaba of Late-Apartheid South Africa," by son and Peter Dunbar-Hall, 44(1)39-64 Ingrid Bianca Byerly, 42(1): 1-44 NOLL,WILLIAM,"A Reply to Anna Czekanows "Modern-Style Irish Accordion Playing: Histo ka,"4l(l):71-75 ry, Biography, and Class," by Graeme Smith, Norway: 42(l):99-\27 4l(3):433-63 "The Norwegian Folk Revival and the Gam MONSON, INGRID, "Riffs, Repetition, and meldans Controversy" by Chris Goertzen, Theories of Globalization," 43(1)31-65 42(1):99-127 MOORE, ROBIN, "Transformations in Cuban Nueva trova, 1965-95,"47(l):l-4l O Morocco: 460): 510-40 "O Suingue Baiano: Rhythmic Feeling and "Mozart in Mirrorshades: Ethnomusicology, Microrhythmic Phenomena in Brazil 8 Ethnomusicology Index Volumes 41-50

ian Percussion," by Christiane Gerischer, sideration of Sociohistorical Evidence," 50(1):99-119 48(3)348-77 O'CONNELL, JOHN MORGAN,"In the Time of /*>ta?i/:4l(l):69-70;41(l):71-71;50(3):433 Alaturka: Identifying Difference in Musical 51 Discourse," 49(2): 177-205 "Polishing the Luster of the Stars: Music Pro "Okto?cbos of the Syrian Orthodox Church fessionalism Made Workable in Kenya," by es in " by Joseph J. Palackal, Jean Kidula, 44(3):408-28 48(2):229-50 popular music: 42(l):81-98; 47(2):228-49; OLIVIER, EMMANUELLE, and HERV? RIV?RE, 50(1): 1 -36; 50(l):73-98;50(3):4l 1-32; Car "Reflections on Musical Categorization," ribean: 43(2):256-96; country: 49(1):25 45(3):480-88 48; Cuban: 49(3)368-402; Mexican-Amer ONYEJI, CHRISTIAN, "Abigbo Music and Mu ican: 45(2)315-37; 47(3)338-54 sicians of Mbaise, Igbo: An Introduction," PORCELLO, THOMAS G., "Tails Out': Social 48(l):52-72 Phenomenology and the Ethnographic "Ordering a Sacred Terrain: Melodic Pathways Representation of Technology in Music of Himalayan Flute Pilgrimage," by Paul D. Making," 42(3):485-510 Greene, 47(2):205-27 PORTER, JAMES,"The Distant Isle:The Schol organology: 44(3)365-75; 45(2):283-3l4 arship and Music of Peter Crossley-Holland P (1916-2001)," 46(2)323-29 POST, JENNIFER C," Dissertations andTheses," PALACKAL, JOSEPH).,uOkto?chos of the Syr 4l(l):105-12;42(2)34l-47;43(l):l62-65. ian Orthodox Churches in South India," "Annual List of Dissertations and Theses," 48(2):229-50 44(l):155-60; 45(l):150-56; 46(2)372 "The Paradox of Timbre," by Cornelia Fales, 78. "Current Bibliography," 4l(l):77-95; 46(1)56-95 4l(2):265-79;4l(3)539-54;42(l):133-46; PARK, MIKYUNG, "Korean Shaman Rituals 42(2)323-33;42(3):523-40;43(l):135-55; Revisited:The Case of Chindo Ssikkimgut 43(2)335-46; 43(3): 527-36; 44(1): 137-46; (Cleansing Rituals)," 47(3)355-75 44(3):491-504 PECORE, JOANNA T., "Bridging Contexts, "Powwows and Identity on the Piedmont and Transforming Music:The Case of Elemen Coastal Plains of North Carolina," by Chris tary School Teacher Chinara Yoshio," Goertzen,45(l):58-88 44(1): 120-36 "The Practice of Perception: Multi-Function PEKKIL?, ERKKI, "History, Geography, and ality and Time in the Musical Experience Diffusion: Ilmari Krohn's Early Influence of a Heavy Metal Drummer," by Harris M. on the Study of European Folk Music," Berger, 4l(3):464-88 50(2)353-59 Puerto Rican dance: 49(1):75-119 PENNANEN,RISTO PEKKA,"The Nationaliza tion of Ottoman Popular Music in Greece," Q 48(l):l-25 "The Qur'?n in Indonesian Daily Life:The Pub "Performing Ambivalence:The Case of Qua lic Project of Musical Oratory," by Anne K. drille Music and Dance in Carriacou, Gre Rasmussen, 45(1)30-57 nada," by Rebecca S. Miller, 49(3):403-40 QURESHI, REGULA BURCKHARDT, "Con PERLMAN, MARC, "The Social Meanings of fronting the Social: Mode of Production Modal Practices: Status, Gender, History, and the Sublime for (Indian) Art Music," and in Central Javanese Music," 44(l):15-38 42(l):45-80 R Peru:49(2):206-31 "Phantom Nostalgia and Recollecting (from) RACY, ALI JIHAD,"The Many Faces of Improvi the Colonial Past inTamatave, Madagascar," sation: The Arab Taq?sim as a Musical Sym by Ron Emoff, 46(2):265-83 bol," 44(2)302-20 Phillipines: 47(1):93-120 "A R?gam?l? for the Empress," by Charles PILZER, JOSH D.,uSodosori (Northwestern Capwell,46(2):197-225 Korean Lyric Song) on the Demilitarized RAGLAND, CATHY,"Mexican Deejays and the Zone: A Study in Music and Teleological Transnational Space of Youth Dances in Judgment," 47(l):68-92 New York and ," 47(3)338-54 PODSTAVSKY, SVIATOSLAV, "Hausa Enter RAHKONEN, CARL,"Special Bibliography: Nat tainers and their Social Status: A Recon alie Curtis (1875-1921)," 42(3):511-22 Articles 9

RAPPOPORT,DANA,"Ritual Music and Chris REYES, ADELAIDA, "From Urban Area to tianization in the Tora ja Highlands, Sulawe Refugee Camp: How One Thing Leads to si," 48(3)378-404 Another," 43(2):201-20 RASMUSSEN, ANNE K.,"The Qur'?n in In rhythm and meter: 4\0):464-88; 44(1):65 donesian Daily Life: The Public Project of 96; 45(3):423-42; 50(l):73-98; 50(1):99 Musical Oratory," 45(1)30-57 119 "The Rationalization of Intensity in Indian Mu RICE,TIMOTHY,"Time, Place, and Metaphor sic," by Edward O. Henry, 46(1)33-55 in Musical Experience and Ethnography," "Reading Between the Lines: Reflections on 47(2): 151-79 the Massive Anthology of Folk Music of "Riffs, Repetition, and Theories of Globaliza the Chinese Peoples," by Stephen Jones, tion," by Ingrid Monson, 43(1)31-65 47(3):287-337 ritual: 45(3)379-422; 47(3)355-75; "Rearticulating Ethnomusicology: Privilege, 48(3)378-404; 49(2):266-86 Ambivalence and Twelve Years in SEM," by "Ritual Music and Christianization in theTora Travis A. Jackson, 50(2):280-86 ja Highlands, Sulawesi," by Dana Rappoport, REED, DANIEL, "'The Ge is in the Church' 48(3)378-404 and 'Our Parents are Playing Muslim"': Per RIVI?RE, HERV?, (see OLIVIER, EMMANU formance, Identity, and Resistance among ELLE, and HERV? RIVI?RE) the Dan in Postcolonial C?te d'Ivoire," "Road Test for a New Model: Korean Musical 49(3)347-67 Narrative andTheater in Comparative Con REES, HELEN, "Naxi Ancient Music Rocks text," by Andrew Killick, 47(2): 180-204 London'Validation, Presentation, and Ob ROBERTSON, CAROLINA, "Remembering servation in the First International Naxi Marcia Herndon (1 October 1941-19 May Music Tour," 46(3):432-55 1997),"42(l):128-32 "Reflections on Musical Categorization," by Romani: 4l(3):517-37; 46(2):250-64 Emmanuelle Olivier and Herv? Rivi?re, : 46(2)250-64 45(3):480-88 "'Roots Explosion': Indigenization and Cos "'Reform Arts'? Performance Live and Medi mopolitanism in Contemporary Surinam ated in Post-Suharto Indonesia," by R. An ese Popular Music," by Kenneth Bilby, derson Sutton, 48(2):203-28 43(2):256-96 "Remembering Marcia Herndon (1 October Russia: 47(l):42-67 1941-19 May 1997)," by Carolina Robert "Russia's New Anthem and the Negotiation son, 42(1): 128-32 of National Identity" by J. Martin Daughtry, "Reminiscences of the Early Days," by David 47(l):42-67 McAllester, 50(2): 199-203 S "A Reply to Anna Czekanowska," by William NoU,4l(l):71-75 "Sacred Songs of Khoja Muslims: Sounded and "A Reply to Grau,"by DridWilliams,4l(2):291 Embodied Liturgy and Devotion," by Amy 96 Catlin-Jairazbhoy, 48(2):251 -70 "A Reply to Henry Kingsbury," by Anthony uSamul nori as Traditional: Preservation and Seeger,4l(2):250-52 Innovation in a South Korean Contempo "A Reply to William Noll," by Anna Czekanow rary Percussion Genre," by Nathan Hes ska, 4 l(l):69-70 selink, 48(3):405-39 "A Reply to Williams," by Andr?e Grau, SAXONBERG, STEVEN, and MAGDALENA 41(2):296 WALIG?RSKA,"Klezmer in Krakow: Kitsch, "'Republic of China National Anthem' on or Catharsis for Poles?" 50(3):433-51 Taiwan: One Anthem, One Performance, SCHLOSS JOSEPH G.,""Like Old Folk Songs Multiple Realities," by Nancy Guy,46(l):96 Handed Down from Generation to Genera 119 tion": History, Canon, and Community in "Reputation in a Musical Scene: The Everyday B-boy Culture," 50(3):4l 1-32 Context of Connections between Music, SCHNEIDER, ALBRECHT, "Sound, Pitch, Identity, and Politics," by Julian Gerstin, and Scale: From 'Tone Measurements' to 42(3)385-414 Sonological Analysis in Ethnomusicology," "A Response to Charles Keil," by Deborah 45(3):489-519; "Comparative and System Wong, 42(2)317-21 atic Musicology in Relation to Ethnomu "A Response to Charles Keil," by Michelle Kis sicology^ Historical and Methodological liuk, 42(2)313-15 Survey," 50(2):236-58 10 Ethnomusicology, Index Volumes 41-50

"The Scholarship and Art of Ashenafi Kebede SOLIS,GABRIEL,"'A Unique Chunk of Jazz Re (1938-1998)," by Cynthia Tse Kimberlin, ality': Authorship, Musical Work Concepts, 43(2)322-34 and Thelonious Monk's Live Recordings SCHULTZ, ANNA,"Hindu Nationalism, Music, from the Five Spot, 1958," 48(3)315-47 and Embodiment in Marathi R?shtrtya Kir SOUS,TED," You Shake Your Hips Too Much': tan," 46(2)307-22 Diasporic Values and Hawai'i Puerto Rican SCRUGGS,T.M.,"'Let's Enjoy As Nicaraguans': Dance Culture," 49(1):75-119 The Use of Music in the Construction of SOLOMON,THOMAS, "Dueling Landscapes: a Nicaraguan National Consciousness," Singing Places and Identities in Highland 43(2):297-321 Bolivia," 44(2):257-80 SEEGER, ANTHONY,"A Reply to Henry Kings "The Sonic Dimensions of Nationalism in bury," 4l(2):250-52;"Lost Lineages and Ne Modern China: Musical Representation and glected Peers: Ethnomusicologists Outside Transformation," by Sue Tuohy, 45(1): 107 Academia," 50(2):2l4-35 31 SERCOMBE, LAUREL, "Current Discography," "Sound Engineering in a Tamil Village: Play 41(l):95-101;4l(2):279-83;4l(3):554-58; ing Audio Cassettes as Devotional Perfor 42(1): 146-50; 42(2)334-38; 420)540-44; mance," by Paul D. Greene, 43(3):459-89 43(l):156-59; 43(2)346-49; 43(3):536-4l; "Sound, Pitch, and Scale: From 'Tone Mea 44(l):l46-53; 44(2)321-26; 44(3):505-09 surements' to Sonological Analysis in SHELEMAY, KAY KAUFMAN, "Toward an Eth Ethnomusicology," by Albrecht Schneider, nomusicology of the Early Music Move 45(3):489-519 ment: Thoughts on Bridging Disciplines "Sounds Like the Mall of America: Pro and Musical Worlds," 45(1): 1-29 grammed Music and the Architechtonics "Should Ethnomusicology Be Abolished? (re of Commercial Space "by Jonathan Sterne, prise)," by Henry Kingsbury, 41(2):243-49 4l(l):22-50 "Signs of Imagination, Identity, and Experi South Africa: 42(1): 1-44; 44(3)376-407; ence: A Peircian SemioticTheory for Music," 47(2):228-49 by Thomas Turino, 43(2):221-55 "Special Bibliography: Natalie Curtis (1875 SIMONETT, HELENA, "Narcocorridos: An 1921)," by Carl Rahkonen, 42(3):511-22 Emerging Micromusic of Nuevo L.A.," STERNE, JONATHAN, "Sounds Like the Mall 45(2)315-37 of America: Programmed Music and the Singapore: 43(1):86-100 Architechtonics of Commercial Space," "Singing Back: The Chan Pwen of Haiti," by 4l(l):22-50 Jennie M. Smith, 48(1): 105-26 STEWART, ALEX, "Contemporary New York "Singing for Garfish: Music and Woodland City Big Bands: Composition, Arrang Communities in Eastern Oklahoma," by ing and Individuality in Orchestral Jazz," Jason Baird Jackson and Victoria Lindsay 48(2): 169-202 Levine,46(2):284-306 SUGARMAN, JANE C,"Imagining the Home "Slicing the Beat jazz Eighth-Notes as Expres land: Poetry, Songs, and the Discourses of sive Microrhythm," by Fernando Benadon, Albanian Nationalism," 43(3):419-58 50(l):73-98 SUTTON,R.ANDERSON,"'Reform Arts'? Per SMITH, GRAEME, "Modern-Style Irish Accor formance Live and Mediated in Post-Suhar dion Playing: History, Biography, and Class," to Indonesia," 48(2):203-28 41(3):433-63 Syrian Orthodox Church: 48(2):229-50 SMITH, JENNIE M.,"Singing Back:The Chan Pwen of Haiti," 48(1): 105-26 T "The Social Meanings of Modal Practices: "T. N. Rajarattinam Pillai and Rivalry in Status, Gender, History, and Pathet in Cen South ," by Yoshitaka tral Javanese Music," by Marc Perlman, Terada,44(3):460-90 42(l):45-80 "'Tails Out': Social Phenomenology and the "Socio-Musical Mobility among South Asian Ethnographic Representation of Technol Clarinet Players," by Gregory D. Booth, ogy in Music-Making," by Thomas Porcello, 4l(3):489-5l6 42(3):485-510 uSodosori (Northwestern Korean Lyric Song) Taiwan: 43(3):508-26; 46(1):96-119; on the Demilitarized Zone: A Study in Mu 46(2):226-49; 46(3):456-86; 49(2):266 sic and Teleological Judgment," by Josh D. 86 Pilzer,47(l):68-92 "Technology and the Production of Islamic Articles 11

Space: The Call to Prayer in Singapore," by "Uses of Indigenous Music Genres in Ghana Tong Soon Lee,43(l):86-100 ian Choral Art Music: Perspectives from the TEMPERLEY, DAVID, "Meter and Grouping in Works of Amu, Biege, and Dor," by George African Music: A View from Music Theory," Dor, 49(3):441-75 44(l):65-96 V TENZER, MICHAEL, "Jos? Maceda and the Paradoxes of Modern Composition in VIERA, JOS? ?NGEL L?PEZ, "The Baile Southeast Asia," 47(1):93-120 del Tambor of the Island of La Gomera," TERADA,YOSHITAKA,"T. N. Rajarattinam Pillai 50(l):120-40 and Caste Rivalry in South Indian Classical "A View of Ethnomusicology from the 1960s," Music," 44(3):460-90 by Charlotte J. Frisbie, 50(2):204-13 "TheoreticalApproaches toward QinAnalysis: W Water and Clouds over Xiao Xiang" by John Latartara,49(2):232-65 WADE, BONNIE C," Fifty Years of SEM in the theory, see ethnomusicological theory and United States: A Retrospective," 50(2): 190 method 98; timbre: 46(1)56-95 WALIG?RSKA, MAGDALENA (see SAX "Time, Place, and Metaphor in Musical Expe ONBERG, STEVEN, and MAGDALENA rience and Ethnography" by Timothy Rice, WAUG?RSKA) 47(2): 151-79 "Walking Warriors: Battles of Culture and Ide TITON, JEFF TODD, "Ethnomusicology and ology in the Balinese Gamelan Beleganjur Values: A Reply to Henry Kingsbury," World,"by Michael B. Bakan, 420):44\-84 4l(2):253-57 WASHABAUGH, WILLIAM, "Flamenco Music TOKUMARU, YOSHIKO, "The History of and Documentary," 41 ( 1 ): 51 -67 Ethnomusicology, from My Retrospective WAXER, LISE, uLas Cale?as Son Como Las View," 50(2)337-44 Flores: The Rise of All-Women Salsa Bands," "Toward an Ethnomusicology of the Early 45(2):228-59 Music Movement: Thoughts on Bridging WEINTRAUB, ANDREW N.,"Instruments of Disciplines and Musical Worlds," by Kay Power: Sundanese 'Multi-Laras' Gamelan in Kaufman Shelemay, 45(1): 1-29 New Order Indonesia," 45(2): 197-227 "Transformations in Cuban Nueva trova, "We're on the Map:Reflections on SEM in 1955 1965-95,"by Robin Moore,47(1): 1-41 and 2005," by Bruno Nettl, 50(2): 179-89 Trinidad: 46(1): 135-64 "'What Was That Conquering Magic . . .': TSITSISHVILI, NINO, "A Man Can Sing and The Power of Discontinuity in Hungar Play Better than a Woman': Singing and ian Gypsy Nota" by Barbara Rose Lange, Patriarchy at the Georgian Supra Feast," 4l(3):517-37 50(3):452-93 "Whose Ethnomusicology? Western Ethnomu Tunisia: 4\(\):\-2\; 50(3)373-410 sicology and the Study of Asian Music," by TUOHY, SUE, "The Sonic Dimensions of Na J. Lawrence Witzleben, 4l(2):220-42 tionalism in Modern China: Musical Repre WILD, STEPHEN, "Ethnomusicology Down sentation and Transformation," 45(1): 107 Under: A Distinctive Voice in the Antipo 31 des?" 50(2)345-52 TURINO, THOMAS, "Signs of Imagination, WILIIAMS,DRID, "A Reply to Grau,"4l(2):291 Identity, Experienced Peircian Semiotic 96 Theory for Music," 43(2):221-55 WITZLEBEN, J. LAWRENCE, "Whose Ethno Turkey: 49(2): 177-205 musicology? Western Ethnomusicology and Turkmen: 42(2):265-82 the Study of Asian Music," 4l(2):220-42; U "Music in the Hong Kong Handover Cer emonies: A Community Re-Imagines Itself," "Ululations from the Weyewa Highlands (Sum 46(l):120-34 ba): Simultaneity, Audience Response, and WOLF, RICHARD K.,"Emotional Dimensions Models of Cooperation," by Joel C. Kuipers, of Ritual Music among the Kotas, a South 43(3):490-507 Indian Tribe," 45(3)379-422 "'A Unique Chunk of Jazz Reality': Authorship, women: 42(3):4l5-40; 43(l):101-34; Musical Work Concepts, and Thelonious 43(3):490-507; 44(2):234-56; 45(2):228 Monk's Uve Recordings from the Five Spot, 59; 460)510-40 1958," by Gabriel Solis, 480)315-47 WONG, DEBORAH, "A Response to Charles 12 Ethnomusicology, Index Volumes 41-50

Keil," 42(2)317-21 ;"Ethnomusicology and z Difference," 50(2):259-79 "World Music at the 'End of History,'" by Phil ZEMTSOVSKY, IZALY, "An Attempt at a Syn ip V Bohlman, 46(1): 1-32 thetic Paradigm," 41(2): 185-205 ZERANSKA-KOMINEK, SLAWOMIRA, "The Concept of Journey (Yol) in Turkmen Mu "'You Shake Your Hips Too Much': Diasporic sical Tradition," 42(2):265-82 Values and Hawaii Puerto Rican Dance Culture,"Ted Solis, 49(1):75-119 Index to Authors and Titles of Books Reviewed, and Reviewers of Books

A amhr?naithe i dToraigh [On a rock in the center of the ocean: songs and singing in ABBAS, SHEMEEM BURNEY, The Female Voice Tory], by Lillis ? Laoire, rev. by Sean Wil in Sufi Ritual: Devotional Practices of liams, 47(3)384 and India, rev. by Judith Becker, Archives for the Future: Global Perspec 49(1):128-31 tives on Audiovisual Archives in the 21st ABROMEIT, KATHLEEN A., compiler, An In Century, edited by Shubha Chaudhuri and dex to African American Spirituals for the Anthony Seeger, rev. by Judah M. Cohen, Solo Voice, rev. by Victoria Lindsay Levine, 50(1): 145-48 44(2)345 ARNOLD, AUSON, rev. of East Indian Music ADLER, , The Study of Jewish Music: in the West Indies: Tan-Singing, Chutney, A Bibliographical Guide, rev. by Judith A. and the Making of Indo-Caribbean Cul Gray,4l(l):127 ture, by Peter Manuel, rev. by Alison Arnold, Africa: Folk Music Altas, multimedia publi 46(2)348-51; ed., The Garland Encyclo cation, edited by Leonardo D'Amico and pedia of World Music. Volume 5: South Francesco Mizzau, rev. by Paul Neeley, Asia, The Indian Subcontinent, rev. by 44(1): 174-76 Richard K.Wolf, 48(2):278-83 Afrikanische Trommeln: West- und Zentral ARNTSON, LAURA, rev. of Videos of African afrika, by Andreas Meyer, rev. by Victoria and African-Related Performance: An Lindsay Levine, 44(2)347 Annotated Bibliography, by Carol Lems AKE, DAVID, Jazz Cultures, rev. by Gabriel Dworkin,4l(3):569-71 Solis, 47(3)392-95 The Art of Kubyz-Playing, by Robert A. Za American Ballads and Folk Songs, reprint, gretdinov, rev. by Victoria Lindsay Levine, by John A. Lomax and Alan Lomax, rev. by 47(1):132 Judith A. Gray, 4l(l):128 ASAI, SUSAN M.,N?mai Dance Drama:A American Klezmer.ItsRoots and Offshoots, Surviving Spirit of Medieval Japan, rev. edited by Mark Slobin,rev. by Judah Cohen, by Kimi Coaldrake, 460)560-63 480):442-44 ASKEW, KELLXPerforming the Nation:Swahi American Musical Traditions, edited by Jeff li Music and Cultural Politics in Tanzania, Todd Titon and Bob Carlin, rev. by Larry rev. by Frank Gunderson, 49(3):487-89 Ward, 49(1): 144-47 ASSELINEAU, MICHEL, EUGENE B?REL, and An Annotated Bibliography of Oceanic TRAN QUANG HM,Music of the World, rev. Music and Dance, 2d ed., rev., by Mervyn by Lois E.WUcken,4l(l):l 13-16 McLean, rev. by Judith A. Gray, 41(1): 127 ATKINS, E. TAYLOR, Blue Nippon:Authenti An Anthology of Music in Early Florida, cating Jazz in Japan, rev. by Judith Herd, compiled and edited by Wiley L. House 48(l):131-33 wright, rev. by Victoria Lindsay Levine, The Audible Past: Cultural Origins of Sound 47(l):133-34 Reproduction, by Jonathan Sterne, rev. by APARICIO, FRANCES R., Listening to Salsa: Timothy D. Taylor, 50(3):513-l4 Gender, Latin Popular Music, and Puerto AUSTERLITZ, PAUL, Merengue: Dominican Rican Cultures, rev. by Marisol Berrios Music and Dominican Identity, rev. by Lise Miranda, 44(2)336-39 Waxer,46(3):564-67 APARICIO, FRANCES, and CANDIDA F. AVERILL, GAGE, rev. of The Barbershop Sing JAQUEZ, eds., Musical Migrations: Trans er: Inside the Social World of a Musical nationalism and Cultural Hybridity in Hobby, by Robert A. Stebbins, 44(2)341 -43; Latin/o America, Volume 1, rev. by Fred A Day for the Hunter, a Day for the Prey: erick Moehn, 49(1): 137-42 Popular Music and Power in Haiti, rev. Appalachian Dulcimer Traditions, by Ralph by Use Waxer, 46(3):564-67; Four Parts, Lee Smith, rev. by Lucy M. Long, 43(2)363 No Waiting: A Social History of American 66 Barbershop Harmony, rev. by Mark DeWitt, Ar chreag i lar na farraige: amhr?in agus 49(l):123-26

? 2008 by the Society for Ethnomusicology

University of Illinois Press , Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org 14 Ethnomusicology, Index Volumes 41-50

Awakening Spaces:French Caribbean Popu B?REL, EUGENE, (see ASSEUNEAU, MICHEL, lar Songs, Music, and Culture, by Bren EUGENE B?REL, and TRAN QUANG HAI) da F. Berrian, rev. by Jocelyne Guilbault, BERGER, HARRIS M., rev. of Tramps Like Us: 47(3)384-87 Music and Meaning among Springsteen Fans, by Daniel Cavicchi, 45(2)357-58; Metal, Rock, and Jazz: Perception and BAKAN, MICHAEL B., Music of Death and the Phenomenology of Musical Experi New Creation: Experiences in the World ence, rev. by Sharon Carla Hochhauser, of Balinese Beleganjur, rev. by Usa Gold, 46(1): 174-77 460)557-60 BERRIAN, BRENDA F, Awakening Spaces: Balinese Music in Context: A Sixty-Fifth French Caribbean Popular Songs, Music, Birthday Tribute to Hans Oesch, edited by and Culture, rev. by Jocelyne Guilbault, Danker Schaareman, rev. by MichaelTenzer, 47(3)384-87 43(l):181-86 BERRIOS-MIRANDA, MARISOL, rev. of Listen Banda: Mexican Musical Life Across Bor ing to Salsa: Gender, Latin Popular Music, ders, by Helena Simonett, rev. by Brenda M. and Puerto Rican Cultures, by Frances R. Romero, 49(2)312-14 Aparicio, 44(2)336-39 BANG-SONG, SONG, Korean Music: Histori BEYER, NORBERT, Lautenbau in S?dindien: cal and Other Aspects, rev. by Keith How M. Palaniappan Achari und Seine Arbeit, ard, 480):445-47 rev. by David Reck, 47(2):252-54 The Barbershop Singer: Inside the Social The Big Drum Ritual of Carriacou: World of a Musical Hobby, by Robert A. Praisesongs in Rememory of Flight, by Stebbins, rev. by Gage Averill, 44(2)341 Lorna McDaniel, rev. by Rebecca S. Miller, 43 44(1): 174 BARZ, GREGORY F., rev. ofJukwaa la BILBY, KENNETH (see MANUEL, PETER, with Zanzibar [The Stage of Zanzibar Taarab], KENNETH BILBY and MICHAEL LARGEY) by Issa Mgana, 420)549-51 ; rev. of ZIMIA: The Black Cow's Footprint:Time, Space, and The Forming of a Asso Music in the Lives of the Kotas of South ciation in Zimbabwe, by Stephen Roskilly, India, by Richard K. Wolf, rev. by Roderic Louis Mhlanga, et al., 46(2)344-45; rev. of Knight, 50(3):500-502 Nationalists, Cosmopolitans, and Popular BLA2EKOVI?, ZDRAVKO (see COWDERY, Music in Zimbabwe, by Thomas Turino, JAMES R., Blazekovi?, ZDRAVKO, and BAR 49(1): 120-22 RY S. BROOK) BARZ, GREGORY E, and TIMOTHY J.COOLEY, Blue Nippon: Authenticating Jazz in Japan, eds., Shadows in the Field: New Perspec by E. Taylor Atkins, rev. by Judith Herd, tives for Fieldwork in Ethnomusicology, 48(l):131-33 rev. by Thomas G. Porcello, 42(2)349-54 and Gospel Records 1890-1943, 4th BATES, EUOT, rev. of "You Better Work": Un ed., compiled by Robert M.W Dixon, John derground Dance Music in New York City, Godrich, and Howard W Rye, rev. by Ju by Kai Fikentscher, 49(2)316-18 dith A. Gray, 42(3):552 BAYTON, MAVIS, Frock Rock: Women Per A Blues Life, by Henry Townsend as told to forming Popular Music, rev. by Sharon Bill Greensmith, rev. by Stuart L. Goosman, Carla Hochhauser, 46(1): 174-77 45(2)362-65 BEBBINGTON, WARREN, ed., The Oxford BOHLMAN,PHIUPV,rev.of Mosaik der Kl?n Companion to Australian Music, rev. by ge: Musik der ethnischen und religi?sen Victoria Lindsay Levine, 44(2)345 Minderheiten in ?sterreich, by Ursula BECKER JUDITH, rev. of The Female Voice Hemetek, 48(1): 133-36 in Sufi Ritual: Devotional Practices of BOHLMAN, PHIUP V (see RADANO, RONALD Pakistan and India, by Shemeem Burney and PHIUP VBOHLMAN) Abbas, 49(1): 128-31 BONFIGUOU, CARLO, Fariseos y Matachines BEISSWENGER, DREW, Fiddling Way Out Yon en la Sierra Tarahumara:Entre la Pasi?n der: The Life and Music of Melvin Wine, de Cristo, la Transgresi?n c?mico-sexual y rev. by Carl Rahkonen, 49(1): 142-44 las Danzas de Conquista, rev. by Brenda M. B?la Bart?k: Life and Work, by Benjamin Su Romero, 44(3):527-28 choff, rev. by Lynn Hooker, 49(1): 134-37 "Books in the Nineties: A Collaborative Re BENNETT, ANDY, and KEVIN DAWE, eds., view Essay?Part I," by Victoria Lindsay Guitar Cultures, rev. by Kai Fikentscher, Levine, 45(1): 157 48(l):l4l-44 "Books in the Nineties: A Collaborative Re Book Reviews 15

view Essay?Part II," by Victoria Lindsay Dance Ethnography, rev. by Judith Lynne Levine, 45(3):538 Hanna, 45(1): 177-80 Borrowed Power: Essays on Cultural Appro BUIS, JOHANN S., rev. of Nightsong: Perfor priation, edited by Bruce Ziff and Pratimav mance, Power, and Practice in South Af Rao, rev. by Judith A. Gray, 42(3):551-52 rica, by Veit Erlmann, 42(1): 157-60 BRACKETT, DAVID, Interpreting Popular Mu BUONOMO, PIA SRINIVASAN, and S. A. SRINI sic, rev. by Daniel Cavicchi, 46(1): 179-83 VASAN, The Goddess Mariyamman in Mu BRANDL,RUDOLF MARIA, andWANG ZHAOQ sic and in Sociology of Religion (Studien LAN, T?nze der Geistermasken im Erdgott zur Indologie und Iranistik, 12), rev.by kult in Anhui (China) [Ghost-mask Dances David Reck,49(l):132-34 of the Earth God Sect of Ahui Province, Chi BURGH,THEODORE, rev. of Music of El Do na], rev. by Barbara Mittler, 5O0):496-98 rado: The Ethnomusicology of Ancient Brazilian Popular Music and Globalization, South American Cultures, by Dale A. Olsen, edited by Charles A. Perrone and Christo 48(l):139-4l pher Dunn, rev. by Jesse Samba Wheeler, BURKE, KEVIN, rev. of Ilmatar's Inspirations: 46(2)345-48 Nationalism, Globalization, and the "Briefly Noted: Performance Instruction Changing Soundscapes of Finnish Folk Manuals," revs, by Victoria Lindsay Levine, Music, by Tina K.Ramnarine, 49(2)320-22 45(3):552-53 The Burmese Harp:Its Classical Music, Tun "Briefly Noted: Performance Instruction Manu ings, and Modes, by Muriel C.Williamson, als; Songbooks and Music Anthologies "revs, rev. by Paul Greene, 50(1): 159-61 by Victoria Lindsay Levine, 47(1): 132-136 C "Briefly Noted: Special Issues of Journals; Reference Works," revs, by Victoria Lindsay California Soul: Music of African Americans Levine, 44(2)343-47 in the West, edited by Jacqueline Cogdell "Briefly Noted: Catalogues," rev. by John Koe DjeDje and Eddie S. Meadows, rev. by Em gel,47(l):136-37 met C. Price III, 46(1): 165-68 "Briefly Noted," revs, by Melinda Russell, CAMPBELL, PATRICIA SHEHAN, rev. o? Music, 49(2)327-30 Education, and : Foun "Briefly Noted," revs, by Judith Gray, dations and Principles, by Th?r?se Volk, 4l(3):573-76 43(2)358-61 ;Songs in Their Heads:Music "Briefly Noted: Reference Books; Music Collec and Meaning in Children's Lives, rev. by tions," revs, by Judith Gray, 42(3):551-56 Kari Veblen, 45(2)353-55 Bright Balkan Morning: Romani Lives and CANDELORO, ILARIA, rev. of Cecilia: Testi e the Power of Music in Greek Macedonia, contesti di un canto narrative tradizion by Angeliki Keil and Charles Keil, rev. by ale, by Luisa Del Guidice, 4l(2):288-90 Pavlos Kavouras, 50(1): 154-57 CANDELORO, ILARIA, rev. of M?sica e socio The British Folk Revival: 1944-2002, by logia: Una breve storia, by Marcello Sorce Michael Brocken, rev. by Ben Harker, Keller, 4l(2):287-88 48(3):460-63 The Cantaoras:Music, Gender, and Identity BROCKEN, MICHAEL, The British Folk Re in Flamenco Song, by Loren Chuse,rev.by vival: 1944-2002, rev. by Ben Harker, Timothy Mitchell, 48(2):293-95 48(3):460-63 CAPONI, GENA D., ed., Signifying), Sancti BROOK, BARRY S.(see COWDERY, JAMES R., fying & Slam Dunking:A Reader in Afri BLA?EKOVI?, ZDRAVKO, and BARRY S. can American Expressive Culture, rev. by BROOK) Emmet G. Price III, 46(1): 165-68 BROWNER/TARA, rev. of The Power ofKiowa CAPWELL, CHARLES, rev. of Imaging Sound: Song, by Luke E. Lassiter, 45(1): 170-72 An Ethnomusicological Study of Music, Brutality Garden: Tropic?lia and the Emer Art, and Culture in Mughal India, by gence of a Brazilian Counterculture, by Bonnie C.Wade, 43(2)353-55; rev. of In Christopher Dunn, rev. by Jesse Samba dian Music and the West, by Gerry Farrell, Wheeler, 48(2):291-93 44(2)334-36 BUCHANAN, DONNAA., rev. o? Engendering Caribbean Currents: Caribbean Music from Song: Singing and Subjectivity at Prespa Rumba to , by Peter Manuel, with Albanian Weddings, by Jane C. Sugarman, Kenneth Bilby and Michael Largey, rev. by 43(1):167-71 Julian Gerstin, 43(2)355-58 BUCKLAND,THERESA J., ed., Dance in the CARLIN, BOB (see TITON, JEFF TODD, and Field: Theory, Methods, and Issues in BOB CARUN) 16 Ethnomusicology, Index Volumes 41-50

Carnival, Canboulay and Calypso: Tradi COCKRELL, DALE, Demons of Disorder: Early tions in the Making, by John Cowley, rev. Blackface Minstrels and Their World, rev. by Julian Gerstin, 43(2)355-58 by Thomas L. Rus, 43(3)355-57 CATEFORIS,THEO, rev. of False Prophet:Field COHEN, JUDAH M.,rev. ofAmerican Klezmer: Notes from the Punk Underground, by Its Roots and Offshoots, edited by Mark Steven Taylor, 49(2)322-24 Slobin, 48(3):442-44; rev. of Archives for CATLIN, AMY, ed., Hmong Musicians in the Future: Global Perspectives on Au America, 1978-1997, rev.by Clifford Sloan, diovisual Archives in the 21st Century, 43(3):578-80 edited by Shubha Chaudhuri and Anthony CAVICCHI, DANIEL, rev. o? Interpreting Popu Seeger; Ethnomusicology: A Research and lar Music, by David Brackett; Reading Pop: Information Guide, by Jennifer C. Post; Approaches to Textual Analysis in Popular Speaking of Music: Music Conferences Music, edited by Richard Middleton;Afa/? 1835-1966, edited by James R. Cowdery, ing Popular Music: Musicians, Creativ Zdravko Blazekovi? and Barry S. Brook; ity, and Institutions, by Jason Toynbee; 50(l):l45-48 46(1): 179-83 COHEN, SELMA JEAN, ed., International En CAVICCHI, DANIEL, Tramps Like Us: Music cyclopedia of Dance, rev. by Victoria Lind and Meaning among Springsteen Fans, say Levine, 44(2)345-46 rev. by Harris M. Berger, 45(2)357-58 Commercial Recordings of Papua New Cecilia: Testi e contesti di un canto narrative Guinea Music: 1989 Supplement, com tradizionale, by Luisa Del Guidice, rev. by piled by Don Niles; 1990 Supplement and Ilaria Candeloro,4l(2):288-90 1991 Supplement, compiled by Don Niles; CHACE, AMANDA (see LEVINE, VICTORIA rev. by Judith A. Gray, 4l(l):126-27 UNDSAY, and AMANDA CHACE) The Complete Reference for , Volume Chants et danses initiatique pour le culte 1: Fundamentals of Tabla, 3d ed., rev., by des v?dun au B?nin, by Gilbert Rouget, David R. Courtney; The Complete Reference rev. by Veit Erlmann, 50(3):494-96 for Tabla, Volume 2:Advanced Theory of CHARRY, ERIC, Mande Music: Traditional Tabla, by David R. Courtney; rev. by Victoria and Modern Music of the Maninka and Lindsay Levine, 45(3)352-53 Mandinka of Western Africa, rev. by Rod COOLEY, TIMOTHY J. (see BARZ, GREGO eric Knight, 47(l):124-27 RY F., and TIMOTHY J. COOLEY) CHAUDHURI, SHUBHA, and ANTHONY COPLAN,DAVID B.,In the Time of Cannibals: SEEGER,eds. Archives for the Future: Glob The Word 's Baso al Perspectives on Audiovisual Archives in tho Migrants, rev. by Frank D. Gunderson, the 21st Century, rev. by Judah M. Cohen, 42(l):155-57 50(l):l45-48 COURTNEY, DAVID R., The Complete Refer CHENG SHUI-CHENG (see HSU TSANG ence for Tabla, Volume 1:Fundamentals of HOUEI and CHENG SHUI-CHENG) Tabla, 3d ed., rev.; The Complete Reference The Chrysanthemum and the Song: Music, for Tabla, Volume 2: Advanced Theory Memory, and Identity in the South Ameri of Tabla; rev. by Victoria Lindsay Levine, can Japanese Diaspora, by Dale A. Olsen, 45(3)352-53 rev. by Joseph Lam, 50(3):505-7 COWDERY, JAMES R., BLA?EKOVI?, CHUSE, LOREN, The Cantaoras: Music, Gen ZDRAVKO, and BARRY S. BROOK, eds. der, and Identity in Flamenco Song, rev. Speaking of Music:Music Conferences 1835 by Timothy Mitchell, 48(2):293-95 1966, rev. by Judah M. Cohen, 50(1): 145-48 The City of Musical Memory: Salsa, Record COWL, CARL, and SHEILA M. CRAIK, Henry Grooves, and Popular Culture in Cali, George Farmer: A Bibliography, rev. by Colombia, by Use A. Waxer, rev. by Robin Victoria Lindsay Levine, 44(2)346 Moore, 48(3):451-53 COWLEY, JOHN, , Canboulay and CLARK, WALTER AARON, ed., From Tejano to Calypso: Traditions in the Making, rev. by Tango:Latin American Popular Music, rev. Julian Gerstin, 43(2)355-58 by Frederick Moehn, 49(1): 137-42 CRAIK, SHEILA (see COWL, CARL, and SHEILA COALDRAKE, KIMI, rev. of N?mai Dance M. CRAIK) Drama: A Surviving Spirit of Medieval CRAWFORD, TIM, with KATHLEEN JOYCE Japan, by Susan M. Asai; Kiyomoto-bushi: GRENDAHL,/7h??? Magic:An Introduction Narative Music of the Kabuki Theatre, by to Native American Flute, 2d ed., rev, by Alison McQueen Tokita; 460)560-63 Victoria Lindsay Levine, 45(3)352-53 Book Reviews 17

CR?IN?N, D?IBH? ? (see ? CR?IN?N, D?IB The Middle East, rev by Anne K. Rasmus H?) sen, 49(3):479-83 Cross-Currents: Setting an Agenda for Music The Darbhang? Tradition:Dhrupada in the Education in Community Culture?A Col School of Pandit Vidur Mallik, by Selina loquium in with Patri Thielemann, rev. by Gordon Thompson, cia Shehan Campbell and Susan R. Wolf 43(3)350-51 Michael L. Mark, Paddy B. Bowman, ed DAVIS, MARTHA ELLEN, and SUNNI WIT ited by Marie McCarthy, rev. by Kari Veblen, MER, rev. of Instrumentos de la m?sica 41(3)371-73 folkl?rico-popular de Cuba, by Victoria Eli CROWDY, DENIS (see NILES, DON, and DENIS Rodr?guez et al., 47(3)380-83 CROWDY) DAWE, KEVIN (see BENNETT, ANDY, and Cry for Luck: Sacred Song and Speech KEVIN DAWE) among the Yurok, Hupa, and Karok A Day for the Hunter, A Day for the Prey: Indians of Northwestern California, Popular Music and Power in Haiti, by by Richard Keeling, rev. by David Roche, Gage Averill, rev. by Use Waxer, 460)564 42(2)359-64 67 Cuarteto Music and Dancing from Argen Deadly Sounds, Deadly Places: Contempo tina: In Search of the Tunga-Tunga in rary Aboriginal Music in Australia, by C?rdoba, by Jane L. Florine, rev. by T?mara Peter Dunbar-Hall and Chris Gibson, rev. Uvingston Isenhour, 48(1): 136-39 by Karl Neuenfeldt, 50(1): 162-64 CURTIS, STEVEN, rev. of The Performance of DEARUNG, ROBERT, ed., The Illustrated En Everyday Life: The G?ine of , by Hans cyclopedia of Musical Instruments, rev. by Weisethaunet, 47(3)395-98 Judith A. Gray, 41(3)374 CZEKANOWSKA, ANNA, "A Reply to William DEL GUIDICE, LUISA, Cecilia:Testi e contesti Noll,"4l(l):69-70 di un canto narrative tradizionale, rev. by Ilaria Candeloro, 41(2):288-90 D Demons of Disorder: Early Blackface Min DAGAN, ESTHER A., ed., Drums: The Heart strels and Their World, by Dale Cockrell, beat of Africa, rev. by Paul Neeley, rev. by Thomas L. Riis, 43(3)355-57 42(2)354-55 DENT, ALEXANDER S., rev. of Voices of the D'Albuquerque's Children:Performing Tradi Magi: Enchanted Journeys in Southeast tion in Malaysia's Portuguese Settlement, Brazil, by Suzel Ana Reily, 49(2)314-15 by Margaret Sarkissian, rev. by Kimberly Da DeWrTT,MARK,rev. of Four Parts, No Waiting: Costa Holton, 50(1): 151-54 A Social History of American Barbershop D'AMICO, LEONARDO, and ANDREW L. Harmony, by Gage Averill, 49(1): 123-26 KAYE, M?sica Dell'Africa Nera: Civilt? DHAR, SHEILA, "Here's Someone I'd Like You Musicali Subsahariane fra Tradizione e To Meet": Tales of Innocents, Musicians Modernit?, rev. by Sviatoslav Podstavsky, and Bureaucrats, rev. by Harriotte Hurie, 49(3):498-500 43(2)366 D'AMICO, LEONARDO, and FRANCESCO MIZ DIAMOND, BEVERLY, rev. of NativeAmerican ZA\J, eds., Africa: Folk Music Altas, mul Dance: Ceremonies and Social Traditions, timedia publication, rev. by Paul Neeley, edited by Charlotte Heth, 41(1): 116-21 44(1): 174-76 DIETHRICH,GREGORY,rev.ofMi^/co/M?^M 'Dance in the Field: Theory, Methods, and Trinidad, by Helen Myers, 45(1): 174-77 Issues in Dance Ethnography, edited by The Didjeridu: From Arnhem Land to In Theresa J. Buckland, rev. by Judith Lynne ternet, edited by Karl Neuenfeldt, rev. by Hanna, 45(1): 177-80 Anthony Seeger, 43(2)367-69 DANIELSON, VIRGINIA, The Voice of : Directory of Doctoral Theses in Music, by R. C. Umm Kulthum, Arabic Song and Egyp Menta, rev. by Judith A. Gray, 41(1): 126 tian Society in the Twentieth Century, Discographie der ethnischen Aufnahmen, rev. by Martin Stokes, 43(1): 177-79; rev. of 1, by Rainer E. Lotz, Andreas Masel, Men and Popular Music in Algeria: The and Susanne Ziegler, rev. by Victoria Lindsay Social Significance ofRai, by Marc Schade Levine, 44(2)346-47 Poulsen,48(2):286-88 Divine Utterances: The Performance of Afro DANIELSON,VIRGINIA, SCOTT MARCUS, and Cuban Santer?a, by Katherine J.Hagedorn, DWIGHT REYNOLDS, eds., The Garland rev. by Rebecca Miller, 50(1): 149-51 Encyclopedia of World Music. Volume 6: DEXON, ROBERT M.W, JOHN GODRICH, and 18 Ethnomusicology, Index Volumes 41-50

HOWARD W RYE, comps., Blues and Gos ment of Lutheran Hymnody by Heinrich pel Records 1890-1943, 4th ed., by Judith Zahn, 43(2)361-63 A. Gray, 42(3)352 EU RODR?GUEZ,VICTORIA (see RODR?GUEZ, DJEDJE, JACQUEUNE COGDELL,and EDDIE VICTORIA ELD S. MEADOWS, eds., California Soul:Music ELLIS, CLYDE (see LASSITER, LUKE ERIC, of African Americans in the West, rev. by CLYDE ELUS, and RALPH KOTAY) Emmet G. Price III, 46(1): 165-68 EMO??,RON,Recollectingfrom the Past:Mu DJ SPOOKY (see MILLER, PAUL D.) sical Practice and Spirit Possession on the DONAS, ERNESTO, rev. of "Seguindo a can East Coast of Madagascar, rev. by Alex Pe c?o": engajamento pol?tico e industria rullo,48(3):453-55 cultural na MPB (1959-1969) ["Follow Enchanting Powers:Music in the World's Re ing the song": political commitment and ligions, edited by Lawrence E. Sullivan, rev. the culture industry in Brazilian popular byAmnon Shiloah, 44(1): 166-69 music (1959-1969)], by Marcos Napolitano, Encounters in Ethnomusicology:A Memoir, 47(3)387-89 by Bruno Nettl, rev. by Albrecht Schneider, Drive Dull Care Away: Folksongs from 48(2):271-73 Prince Edward Island, by Edward D. "San Engendering Song: Singing and Subjectivity dy" Ives, rev. by Victoria Lindsay Levine, at Prespa Albanian Weddings, by Jane C. 47(l):132-36 Sugarman, rev. by Donna A. Buchanan, Drumming for the Gods: The Life and Times 43(1): 167-71 of Felipe Garcia Villamil, Santero, Palero, ENRICO, JOHN, and WENDY BROSS STUART, andAbaku?, by Maria Teresa V?lez, rev. by Northern Huida Songs, rev. by Laurel Ser Julian Gerstin, 46(2)337-38 combe, 42(2)356-59 Drums: The Heartbeat of Africa, edited ERLMANN, VEIT, Nightsong: Performance, by Esther A. Dagan, rev. by Paul Neeley, Power, and Practice in South Africa, rev. 42(2)354-55 by Johann S. Buis, 42(1): 157-60; Music, DUBE, JOHN L., and NOKUTELA DUBE, A Modernity, and the Global Imagina Zulu Song Book (AmagamaAbantu), rev. tion: South Africa and the West, rev. by by Judith A. Gray, 42(l):l65-66 Margaret Sarkissian, 45(2)355-56; rev. of DUDLEY, SHANNON, rev. of The Steelband Un roi africain et sa musique de cour; Movement: The Forging of a National Chants et danses initiatique pour le culte Art in , by Stephen des v?dun au B?nin-, by Gilbert Rouget, Stuempfle, 42(2)366-68; rev. of The Politi 50(3):494-96 cal Calypso: True Opposition in Trinidad Ethnie and , 1898-1960: and Tobago, 1962-1987, by Louis Regis, A Resource and Guide to Recordings, 45(3)350-51 by Paul Vernon, rev. by Judith A. Gray, DUNBAR-HALL, PETER, and CHRIS GIBSON, 4l(l):125-26 Deadly Sounds, Deadly Places: Contempo Ethnomusicology: A Research and Informa rary Aboriginal Music in Australia, rev. by tion Guide, by Jennifer C. Post, rev. by Ju Karl Neuenfeldt, 50(1): 162-64 dah M. Cohen, 50(1): 145-48 DUNN, CHRISTOPHER, Brutality Garden: EYRE, BANNING, In Griot Time: An American Tropic?lia and the Emergence of a Bra Guitarist in Mali, rev. by Roderic Knight, zilian Counterculture, rev. by Jesse Samba 47(l):124-27 Wheeler, 48(2):291-93 DUNN, CHRISTOPHER (see PERRONE, CHARLES A., and CHRISTOPHER DUNN) FALCONER, ELIZABETH, rev. of The Koto: A E Traditional Instrument in Contemporary Japan, by Henry , 50(1): 164-65 East Indian Music in the West Indies: Tan False Prophet: Field Notes from the Punk Un Singing, Chutney, and the Making oflndo derground, by Steven Taylor, rev. by Theo Caribbean Culture, by Peter Manuel, rev. Cateforis, 49(2)322-24 by Alison Arnold, 46(2)348-51 A Family Heritage: The Story and Songs of Ecos, alientos, y sonidos: Ensayos sobre LaRena Clark, by Edith Fowke, with Jay m?sica mexicana, by Ricardo Miranda, rev. Rahn, rev. by Judith A. Gray, 420)555 by John Koegel, 47(1): 121-22 Fariseos y Matachines en la Sierra Tarahu ELDER, MOLLY, rev. of Mission and Music: mara: Entre la Pasi?n de Cristo, la Trans Jab?m Traditional Music and the Develop gresi?n c?mico-sexual y las Danzas de Book Reviews 19

Conquista, by Cario Bonfiglioli, rev. by American Flute, 2d ed., by Tim Crawford, Brenda M. Romero, 440)527-28 with Kathleen Joyce-Grendahl, rev. by Vic FARRELL, GEKRYJndian Music and the West, toria Lindsay Levine, 45(3)352-53 rev. by Charles Capwell, 44(2)334-36 Folk : Living Instrumental Fela: The Life and Times of an African Mu Traditions, by Stephen Jones, rev. by Fred sical Icon, by Michael Veal, rev. by John B. erick Lau, 45(2)365-67 Fenn, 50(1): 143-44 Folk Songs of Middle Tennessee: The George The Female Voice in Sufi Ritual: Devotional Boswelt Collection, edited by Charles K. Practices of Pakistan and India, by Shem Wolfe, rev. by Judith A. Gray, 42(3)353-54 eem Burney Abbas, rev. by Judith Becker, Four Parts, No Waiting: A Social History of 49(1):128-31 American Barbershop Harmony, by Gage FENN, JOHN B., rev. of Fela: The Life and Averill, rev. by Mark DeWitt, 49(1): 123-26 Times of an African Musical Icon, by Mi FOWKE, EDITH, with JAY RAHN, A Family chael Veal, 50(1): 143-44 Heritage: The Story and Songs of LaRena FERN?NDEZ, H?CTOR (see HERNANDEZ, Clark, rev. by Judith A. Gray, 42(3)355 DEBORAH PACINI, H?CTOR FERN?NDEZ The FRIENDS OF MUSIC SOCIETY, Music of L'HOESTE, and ERIC ZOLOV) Thrace, An Interdisciplinary Approach: FICHER, MIGUEL, MARTHA FURMAN SCHLE EVROS, rev. by Bliss Uttle, 47(1): 122-24 IFER, and JOHN M. FURMAN, Latin-Ameri Frock Rock:Women Performing Popular Mu can Classical : A Biographical sic, by Mavis Bayton, rev. by Sharon Carla Dictionary, rev. by JudithA. Gray, 41(3)373 Hochhauser, 46(1): 174-77 76 From Bomba to Hip Hop:Puerto Rico Culture Fiddling for Norway, by Chris Goertzen, rev. and Latino Identity, by Juan Flores, rev. by by Richard Jones-Bamman, 43(3)347-50 Deborah Pacini Hernandez, 46(2)334-36 FiddlingWay OutYonder: The Life and Music From Tejano to Tango:Latin American Popu ofMelvin Wine, by Drew Beisswenger, rev. lar Music, edited by Walter Aaron Clark, rev. by Carl Rahkonen, 49(1): 142-44 by Frederick Moehn, 49(1): 137-42 FIKENTSCHER, KAI, "You Better Work": Un FRYER, PETER, of Resistance: Af derground Dance Music in New York City, rican Musical Heritage in Brazil, rev. by rev. by Eliot Bates, 49(2)316-18 Jesse Samba Wheeler, 46(2)345-48 FIKENTSCHER, KAI, rev. of Guitar Cultures, FURMAN, JOHN M. (see FICHER, MIGUEL, edited by Andy Bennett and Kevin Dawe, MARTHA FURMAN SCHLEIFER, and 48(l):l4l-44 JOHN M. FURMAN) FLESCHE, FRANCIS LA (see FLETCHER, AL ICE C, with FRANCIS LA FLESCHE) FLETCHER, AUCE C.,assisted by FRANCIS LA Gamelan Kebyar: The Art of Twentieth FLESCHE, ,4 Study of Omaha Indian Mu Century Balinese Music, by Michael Ten sic, rev. by Judith A. Gray, 42(1): 165-66 zer, rev. by Usa Gold, 48(2):273-77 FLETCHER, ALICE C, assisted by JAMES R. GARCIA, PETER, rev. oiRefried Elvis: The Rise MURIE, The Hako: Song, Pipe, and Unity of The Mexican Counterculture, by Eric in a Pawnee Calumet Ceremony, rev. by Zolov,47(2):254-55 Judith A. Gray, 42(1): 165-166 The Garland Encyclopedia of World Music. FLETCHER, ALICE C, Indian Games and Volume 1: Africa, edited by Ruth M. Stone, Dances with Native Songs: Arranged rev. by Helen Myers, 47(2):263-67 from American Indian Ceremonials and The Garland Encyclopedia of World Music. Sports; and Indian Story and Song from Volume 2: South America, Mexico, Central North American; rev. by Judith A. Gray, America, and the Caribbean, edited by 42(1): 165-66 Dale A. Olsen and Daniel Sheehy, rev. by FLORES, JUAN, From Bomba to Hip Hop: Helen Myers, 47(2):263-67 Puerto Rico Culture and Latino Iden The Garland Encyclopedia of World Music. tity, rev. by Deborah Pacini Hernandez, Volume 4: Southeast Asia, edited by Terry 46(2)334-36 E. Miller and Sean Williams, rev. by Helen FLORINE, JANE L., Cuarteto Music and Danc Myers, 47(2):263-67 ing from Argentina: In Search oftheTun The Garland Encyclopedia of World Music. ga-Tunga in C?rdoba, rev. by Tamara Liv Volume 5: , The Indian Sub ingston Isenhour, 48(1): 136-39 continent, edited by Alison Arnold, rev. by Flute Magic: An Introduction to Native Richard K Wolf 48T2Y 278-83 20 Ethnomusicology, Index Volumes 41-50

The Garland Encyclopedia of World Music. yar: The A rt of Twentieth-Century Balinese Volume 6: The Middle East, edited by Vir Music, by MichaelTenzer, 48(2):273-77 ginia Danielson, Scott Marcus, and Dwight GOMBERT, GREG, A Guide to Native Ameri Reynolds, rev. by Anne K. Rasmussen, can Music Recordings, rev. by Judith A. 49(3):479-83 Gray, 41(3)375-76 The Garland Encyclopedia of World Music. GOODMAN, LINDA J., and HELMA SWAN, Volume 8: , edited by Timothy Rice, Singing the Songs of my Ancestors: The Life James Porter, and Chris Goertzen, rev. by and Music ofHelma Swan, Makah Elder, Marcelo Sorce Keller, 49(3):476-79 rev. by Melinda Russell, 49(2)327 The Garland Encyclopedia of World Mu GOOSMAN, STUART L., rev. of A Blues Life, sic. Volume 9:Australia and the Pacific by Henry Townsend as told to Bill Green Islands, edited by Adrienne L. Kaeppler smith; Write Me a Few of Your Lines: A and Jacob W Love, rev. by Helen Myers, Blues Reader, edited by Steven C. Tracey; 47(2):263-67 45(2)362-65 GAUNT, KYRA, rev. of Music and the Racial GRAF, SHARON POULSON, rev. of The World Imagination,edited by Ronald Radano and of the Gorrlaus Sl?tts.A Morphological Philip V Bohlman, 48(1): 127-31 Investigation of a Branch of Norwegian GENCARELU,THOM, rev. of Karaoke Around Fiddle Music Tradition, by Morton Levy, the World: Global Technology, Local Sing 42(1): 160-62. ing, edited byToru Mitsui and Sh?hei Ho GRAY, JUDITHA.,"Briefly Noted: Bibliographies, sokawa,47(2):260-6l Discographies, Indexes," rev. of Ethnic and GERST?N,JULIAN,rev.of Caribbean Currents: Vernacular Music, 1898-1960: A Resource Caribbean Music from Rumba to Reggae, and Guide to Recordings, by Paul Vernon; by Peter Manuel, with Kenneth Bilby and Directory of Doctoral Theses in Music, by R. Michael Largey; Carnival, Canboulay and C. Mehta; Commercial Recordings of Papua Calypso: Traditions in the Making, by John New Guinea Music: 1989 Supplement, and Cowley; 43(2)355-58; rev. o? Nationalizing 1990 Supplement, compiled by Don Niles; Blackness: Afrocubanismo and Artistic Rev Commercial Recordings of Papua New olution in Havana, 1920-1940, by Robin Guinea Music: 1991 Supplement, compiled D. Moore, 44(2)331 -34; rev. of Drumming by Don Niles and Clement Gima; An A nno for the Gods: The Life and Times of Felipe tated Bibliography of Oceanic Music and Garcia Villamil, Santero, Palero, andAba Dance, 2d ed.,rev,by Mervyn McLean; The ku?, by Mar?a Teresa V?lez, 46(2)337-38 Study of Jewish Music: A Bibliographical GIBSON, CHRIS (see DUNBAR-HALL, PETER, 6,?/^,byIsraelAdler;4l(l):125-27;"Briefly and CHRIS GIBSON) Noted: Translations," rev. of Uomini e Suoni: GIMA, CLEMENT (see NILES, DON, and CLEM Prospettive antropologiche nella ricerca ENT GIMA) musicale, edited by Tullia Magrini; When GLAZIER, STEPHEN D., rev. of Re-Searching God Is a Customer:Telugu Courtesan Songs Black Music, by Jon Michael Spencer, by Ksetrayya and Others, translated and ed 42(2)364-66 ited by A. K. Ramanujan,Velcheru Narayana The Goddess Mariyamman in Music and in Rao, and David Schulman; 41(1): 128-29; Sociology of Religion (Studien zur Indolo "Briefly Noted: Reprints," rev. of gie und Iranistik, 12), by Pia Srinivasan of India and Pakistan: Sound, Context, and Buonomo and S. A. Srinivasan, rev. by David Meaning in , by Regula Burckhardt Reck, 49(1): 132-34 Qureshi;/! merican Ballads and Folk Songs, GODRICH, JOHN (see DKON,ROBERT M.W, reprint, by John A. Lomax and Alan Lomax; JOHN GODRICH, and HOWARD W RYE) 4l(l):128; rev. of The Music and Dance of GOERTZEN, CHmS,Fiddling for Norway, rev. the World's Religions: A Comprehensive, by Richard Jones-Bamman, 43(3)347-50; Annotated Bibliography of Materials in rev. of Old-Time Kentucky Fiddle Tunes, by the , by E. Gardner Rust, Jeff Todd Titon, 47(2):26l -63 41(3)367-69; "Briefly Noted," revs, of A GOERTZEN, CHRIS (see RICE, TIMOTHY, Guide to Native American Music Record JAMES PORTER, and CHRIS GOERTZEN) ings, by Greg Gombert; The Illustrated En GOLD, USA, rev. o? Music of Death and New cyclopedia of Musical Instruments, edited Creation: Experiences in the World of Ba by Robert Dearling;/!? Introduction to linese Beleganjur, by Michael B. Bakan, Javanese Gamelan Music, by R. M.Wasisto 46(3)357-60; rev. of Gamelan Gong Keb Surjodiningrat; Latin American Classical Book Reviews 21

Composers: A Biographical Dictionary, An Ethnomusicological Approach, rev. by by Miguel Ficher, Martha Furman Schleifer, Judith A. Gray, 41(3)375 and John M. Furman; The Recording Indus A Guide to Native American Music Record try: An Ethnomusicological Approach, by ings, edited by Greg Gombert, rev. by Judith Pekka Gronow; 41(3)373-76; rev. of The A. Gray, 41(3)375-76 Hako: Song, Pipe, and Unity in a Pawnee GUILBAULT, JOCELYNE, rev. o? Awakening Calumet Ceremony, by Alice C. Fletcher as Spaces: French Caribbean Popular Songs, sisted by James RM\me;Indian Games and Music, and Culture, by Brenda F. Berrian, Dances with Native Songs: Arranged from 47(3)384-87 American Indian Ceremonials and Sports, Guitar Cultures, edited by Andy Bennett by Alice. C. Ylctchcrjndian Story and Song and Kevin Dawe, rev. by Kai Fikentscher, from , by Alice C. Fletcher; 48(l):l4l-44 A Study of Omaha Indian Music, by Alice GUNDERSON, FRANK D., rev. of In the Time C. Fletcher assisted by Francis La Flesche;^ of Cannibals: The Word Music of South Zulu Song Book (Amagama Abantu), by Africa's Basotho Migrants, by David B. John L.Dube and Nokutela Dube;42(l): 165 Copian, 42(1): 155-57 66;"Briefly Noted," rev. of Borrowed Power: GUNDERSON, FRANK, rev. of Performing Essays on Cultural Appropriation, edited the Nation: Swahili Music and Cultural by Bruce Ziff and Pratimav Rao, 42(3)351 - Politics in Tanzania, by Kelly Askew, 56;"Briefly Noted: Reference Books," rev. of 49(3):487-89 Blues and Gospel Records 1890-1943,4th ed., compiled by Robert M. W Dixon, John Godrich, and Howard W. Rye; Rap Whoz HAGEIX)RN,KATHERINEJ.,Z)/ttfrw? Utterances: Who: The World of Rap Music Performers, The Performance of Afro-Cuban Santer?a, by Steven Stancell; 42(3)351-56; "Briefly rev. by Rebecca Miller, 50(1): 149-51 Noted: Music Collections "rev. of Folk Songs HAI, TRAN QUANG (see ASSELINEAU, MI of Middle Tennessee: The George Boswell CHEL, EUGENE B?REL, and TRAN QUANG Collection, edited by Charles YLWo)fe\Never HAI) Without a Song: The Years and Songs of The Hako.Song, Pipe, and Unity in a Pawnee Jennie Devlin, 1865-1952, by Katharine D. Calumet Ceremony, by Alice C. Fletcher as Newman;^ Family Heritage: The Story and sisted by James R. Murie, rev. by Judith A. Songs of LaRena Clark, by Edith Fowler, Gray, 42(1): 165-66 with Jay Rahn; The Lotus Dickey Songbook, HALL, PETER DUNBAR, and CHRIS GIBSON, edited by Nancy C. McEntire, Grey Larsen, Deadly Sounds, Deadly Places: Contempo andjanne Henshaw; 42(3)351-56 rary Aboriginal Music in Australia, rev. by GREENE, PAUL D., and THOMAS PORCELLO, Karl Neuenfeldt, 50(1): 162-64 eds., Wired for Sound: Engineering and HANNA JUDITH LYNNE, rev. of Dance in Sonic Cultures, rev. by Deborah Wong, the Field: Theory, Methods, and Issues in 50(3)309-13 Dance Ethnography, by Theresa J. Buck GREENE, PAUL, rev. of The Burmese Harp:Its land, ed., 45(1): 177-80 Classical Music, Tunings, and Modes, by HANSEN, JULIA, Joged Bumbung: Rindik Muriel C.Williamson, 50(l):159-6l Music, Music from Kulit of GREENSMITH, BILL (seeTOWNSEND, HENRY, Bali, Arranged for Bamboo Ensemble of as told to BILL GREENSMITH) Gender, rev. by Victoria Lindsay Levine, GREER,TAYLORAITKEN,^ Question of Bal 45(3)352-53 ance: Charles Seeger's Philosophy of Music, Hard Hitting Songs for Hard-Hit People, rev. by Albrecht Schneider, 46(2)330-34 compiled by Alan Lomax, rev. by Victoria GRIMES, ROBERT R.,How Shall We Sing in a Lindsay Levine, 47(1): 135 Foreign Land? Music of Irish Catholic Im HARKER, BEN, rev. of The British Folk Re migrants in the Antebellum United States, vival: 1944-2002, by Michael Brocken, rev. by Sean Williams, 47(1): 127-30 48(3):460-63 GROEMER, GERALD, The Spirit ofTsugaru: Harmonic Experience, by W. A. Mathieu, rev. Blind Musicians, Tsugaru-jamisen, and by Daniel Atesh Sonneborn, 45(2)367-69 the Folk Music of Northern Japan/With HAST, DOROTHEA E., The Irish Music Manu the Autobiography of Takahashi Chiku scripts of Edward Bunting: An Introduc zan, rev. by Alison Tokita, 50(1): 157-59 tion and Catalogue, by Colette Moloney, GRONOW, PEKKA, The Recording Industry: 480):447-5O 22 Ethnomusicology, Index Volumes 41-50

Helge Ingstad: Songs of the Nunamiut, His Rock: Women Performing Popular Music, torical Recordings and Transcriptions of by Mavis Bayton; 46(l):174-77 an Alaskan Eskimo Community, edited by HOLTON, KIMBERLY DaCOSTA, rev. of SigvaldTveit, rev. by Victoria Lindsay Levine, D'Albuquerque's Children: Performing 47(1): 136 Tradition in Malaysia's Portuguese Settle HEMETEK, URSULA, Mosaik der Kl?nge: ment, by Margaret Sarkissian, 50(1): 151 Musik der ethnischen und religi?sen 54 Minderheiten in ?sterreich, rev. by Philip V HOOKER, LYNN, rev. of B?la Bart?k: Life and Bohlman,48(l):133-36 Work, by Benjamin Suchoff, 49(1): 134-37 HENDERSON, DAVID, rev. of Lost Songs of the HOSOKAWA, SH?HEI, and TORU MITSUI, Silk Road:Persian and Indian Improvisa eds., Karaoke Around the World: Global tions: and ofDarbhanga: Technology, Local Singing, rev. by Thorn The Mallik Family, 47(2):280-83 Gencarelli, 47(2):260-6l Henry George Farmer:A Bibliography, by HOUSEWRIGHT,WILEY L., ed./comp. An An Carl Cowl and Sheila M. Craik, rev. by Vic thology of Music in Early Florida, rev. by toria Lindsay Levine, 44(2)346 Victoria Lindsay Levine, 47(1): 133-34 HENSHAW, JANNE (see McENTIRE, NANCY C, How Shall We Sing in a Foreign Land? Music GREY LARSEN, and JANNE HENSHAW) of Irish Catholic Immigrants in the Ante HERBST, EDWARD, Voices in Bali: Energies bellum United States, by Robert R. Grimes, and Perceptions in and rev. by Sean Williams, 47(l):127-30 Dance Theater, rev. by , HOWARD, KEITH, rev. of Korean Music: His 43(l):181-86 torical and Other Aspects, by Song Bang HERD, JUDITH, rev. of Blue Nippon:Authen song, 48(3):445-47 ticating Jazz in Japan, by E.Taylor Atkins, HSU TSANG-HOUEI and CHENG SHUI 48(l):131-33 CHENG, Musique de Taiwan, rev. by J. "Here's Someone I'd Like You To Meet": Tales Lawrence Witzleben, 42(1): 162-65 of Innocents, Musicians and Bureaucrats, The Hundred Thousand Fools of God: Musical by Sheila Dhar, rev. by Harriotte Hurie, Travels in Central Asia (and Queens, New 43(2)366 York), by Theodore Levin, rev. by Slawomira HERNANDEZ, DEBORAH PACINI, rev. of Zera?ska-Kominek 44(1): 163-66 From Bomba to Hip Hop:Puerto Rico Cul HURIE, HARRIOTTE, rev. of "Here's Someone ture and Latino Identity, by Juan Flores, I'd Like You To Meet": Tales of Innocents, 46(2)334-36 Musicians and Bureaucrats, by Sheila HERNANDEZ, DEBORAH PACINI (see PACINI Dhar, 43(2)366 HERNANDEZ, DEBORAH) HETH, CHARLOTTE, ed., Native American Dance: Ceremonies and Social Traditions, The Illustrated Encyclopedia of Musical In rev. by Beverly Diamond, 41(1): 116-21 struments, edited by Robert Dearling, rev. HICKS, MICHAEL, Sixties Rock: Garage, Psy by Judith A. Gray, 41(3)374 chedelic, and Other Satisfactions, rev. by Ilmatar's Inspirations:Nationalism, Global Sharon Carla Hochhauser, 44(3)324-26 ization, and the Changing Soundscapes of HILL, STEPHEN, rev. of Seize the Dance: Finnish Folk Music, by Tina K. Ramnarine, BaAka Musical Life and the Ethnogra rev. by Kevin Burke, 49(2)320-22 phy of Performance, by Michelle Kisliuk; Imaging Sound: An Ethnomusicological Rituals of Fertility and the Sacrifice of Study of Music, Art, and Culture in Mu Desire:Nazarite Women's Performance ghal India, by Bonnie Wade, rev. by Charles in South Africa, by Carol Ann M?ller; Capwell, 43(2)353-55 46(1): 168-71 Impressions of a Pipa Player: Profiles of the Hmong Musicians in America, 1978-1997, World's Most Premier, by Samuel Wong edited by Amy Catlin,rev.by Clifford Sloane, Shengmiao, edited by Desmond Kon, rev. 43(3)378-81 by John Myers, 49(2)325-27 HOCHHAUSER, SHARON CARLA, rev. of Six An Index to African American Spirituals ties Rock: Garage, Psychedelic, and Other for the Solo Voice, compiled by Kathleen Satisfactions, by Michael Hicks, 44(3)324 A. Abromeit, rev. by Victoria Lindsay Levine, 26; rev. of Metal, Rock, and Jazz: Percep 44(2)345 tion and the Phenomenology of Musical Indian Games and Dances with Native Experience, by Harris M. Berger; Frock Songs: Arranged from American Indian Book Reviews 23

Ceremonials and Sports, by Alice. C. Fletch Jefe de jefes: Corridos y narcocultura en er, rev. by Judith A. Gray, 42(1): 165-66 M?xico, by Jos? Manuel Valenzuela, rev. by Indian Music and the West, by Gerry Farrell, Alejandro L. Madrid, 49(2)318-20 rev. by Charles Capwell, 44(2)334-36 The Jesus Road: Kiowas, Christianity and Indian Story and Song from North America, Indian Hymns, by Luke Eric Lassiter, Clyde by Alice C. Fletcher, rev. by Judith A. Gray, Ellis, and Ralph Kotay, rev. by Melinda Rus 42(1): 165-66 sell, 49(2)328 Ingrian Laments, by Aili Nenola, rev. by Me Joged Bumbung: Rindik Music, by Julia linda Russell, 49(2)328-29 Hansen, rev. by Victoria Lindsay Levine, In Griot Time: An American Guitarist in 45(3)352-53 Mali, by Banning Eyre, rev. by Roderic JOHNSON, HENRY, The Koto: A Traditional Knight, 47(1): 124-27 Instrument in Contemporary Japan, rev. In Search of a Voice: Karaoke and the Con by Elizabeth Falconer, 50(1): 164-65 struction of Identity in Chinese America, JONES, STEPHEN, Folk Music of China: Living by Casey Man Kong Lum, rev. by Nora Yeh, Instrumental Traditions, rev. by Frederick 41(3)365-67 Lau, 45(2)365-67 Instrumentos de la m?sica folkl?rico-pop JONES-BAMMAN, RICHARD, rev. of Fiddling for ular de Cuba, by Victoria Eli Rodr?guez et Norway, by Chris Goertzen, 43(3)347-50 al., rev. by Martha Ellen Davis and Sunni JOYCE-GRENDAHL, KATHLEEN (see CRAW Witmer, 47(3)380-83 FORD/TIM, with KATHLEEN JOYCE-GREN International Encyclopedia of Dance, edited DAHL) by Selma Jean Cohen, rev. by Victoria Lind Jukwaa la Taarab Zanzibar [The Stage of say Levine, 44(2)345-46 Zanzibar Taarab], by Issa Mgana, rev. by Interpreting Popular Music, by David Brack Gregory F. Barz, 42(3)349-51 en, rev. by Daniel Cavicchi, 46(1): 179-83 K In the Course of Performance: Studies in the World of , edited by KAEPPLER, ADRIENNE L., and JACOB W. Bruno Nettl, with Melinda Russell, rev. by LOVE, eds., The Garland Encyclopedia Hafez Modirzadeh, 44(3)317-20 of World Music. Volume 9: Australia and In the Time of Cannibals: The Word Music the Pacific Island, rev. by Helen Myers, of South Africa's Basotho Migrants, by Da 47(2):263-67 vid B. Copian, rev. by Frank D. Gunderson, Karaoke Around the World: Global Technol 42(l):155-57 ogy, Local Singing, edited by T?ru Mitsui In the Wake of Bart?k in Anatolia, byj?nos and Sh?hei Hosokawa, rev. by Thom Gen Sipos, rev. by Benjamin Suchoff, 46(2)342 carelli,47(2):260-6l 44 KATZ, ISRAEL J., rev. of Spanish-Portugese An Introduction to Javanese Gamelan Mu Synagogue Music in Nineteenth-Century sic, by R. M.Wasisto Surjodiningrat, rev. by Reform Sources from Hamburg: Ancient Judith Gray, 41(3)375 Tradition in the Dawn of Modernity, by The Irish Music Manuscripts of Edward Bun Edwin Seroussi, 44(1): 170-72; rev. of Let ting: An Introduction and Catalogue, by Jasmine Rain Down: Song and Remem Colette Moloney, rev. by Dorothea E. Hast, brance among Syrian Jews, by Kay Kauf 480):447-5O man Shelemay, 44(3)313-17 ISENHOUR, TAMARA LIVINGSTON, rev. of KATZ, RUTH, "The Lachmann Problem":An Cuarteto Music and Dancing from Ar Unsung Chapter in Comparative Musicol gentina: In Search of the Tiinga-Tunga in ogy, rev. by Bruno Nettl, 50(l):l4l-43 C?rdoba, by Jane Florine, 48(1): 136-39 KAVOURAS, PAVLOS, rev. of Bright Balkan IVES, EDWARD D. "SANDY? Drive Dull Care Morning:Romani Lives and the Power of Away: Folksongs from Prince Edward Music in Greek Macedonia, by Angeliki Island, rev. by Victoria Lindsay Levine, Keil and Charles Keil, 50(1): 154-57 47(l):132-36 KAYE, ANDREW L. (see D'AMICO, LEONAR DO, and ANDREW L. KAYE) J KEELING, RICHARD, Cry for Luck: Sacred JAQUEZ, CANDIDA F. (see APARICIO, FRAN Song and Speech among the Yurok, Hupa, CES, and CANDIDA F. JAQUEZ) and Karok Indians of Northwestern Cali Jazz Cultures, by David Ake, rev. by Gabiel fornia; and North American Indian Mu Solis, 47(3)392-95 sic: A Guide to Published Resources and 24 Ethnomusicology, Index Volumes 41-50

Selected Recordings, rev. by David Roche, alogue, edited by Victoria Lindsay Levine 42(2)359-64 and Amanda Chace, 47(1): 136-37 Keeping Together in Time: Dance and Drill KON, DESMOND (see SHENGMIAO, SAMUEL in Human History, by William H. McNeil, WONG) rev. by Charles Keil, 41(1): 125 KONONENKO, NATALIE, Ukrainian Min KEIL,ANGEUKI, and CHARLES KEIL, Bright strels: And the Blind Shall Sing, rev. by Balkan Morning: Romani Lives and the Carl Rahkonen, 44(2)339-41 Power of Music in Greek Macedonia, rev. Korean Music: Historical and Other Aspects, by Pavlos Kavouras, 50(1): 154-57 by Song Bang-song, rev. by Keith Howard, KEIL, CHARLES, "Briefly Noted," rev. of Keep 480):445-47 ing Together in Time: Dance and Drill in KOSKOFF, ELLEN, "Ethnomusicological Ap Human History, by William H. McNeil, proaches to Western Music," 45(3)338-42; 41(1): 125; rev. oiMusicking: The Meanings Music in Lubavitcher Life, rev. by Elyse of Performing and Listening, by Christo Carter Vosen, 49(3):493-98 pher Small, 44(1): 161-63 KOTAY, RALPH (see LASSITER, LUKE ERIC, KELLER, MARCELLO SORCE (see SORCE CLYDE ELUS, and RALPH KOTAY) KELLER, MARCELLO) The Koto: A Traditional Instrument in Con KERNFELD, BARRY, ed., The New Grove Dic temporary Japan, by Henry Johnson, rev. tionary of Jazz, 2d ed., rev. by Alexander by Elizabeth Falconer, 50(1): 164-65 Stewart, 47(3)376-80 Kulele 3: Occasional Papers on Pacific Music Key Concepts in Popular Music, by Roy and Dance, edited by Don Niles, rev. by Shuker, rev. by Victoria Lindsay Levine, Karl Neuenfeldt, 48(3):455-58 44(2)347 KEYES, CHERYL L.,rev.ofSpectacularVernac ulars:Hip-Hop and the Politics of Postmod The Lachmann Problem": An Unsung Chap ernism, by Russell A. Potter, 43(1):179-81; ter in Comparative Musicology, by Ruth rev. of Sexing the Groove: Popular Music Katz, rev. by Bruno Nettl, 50(l):l4l-43 and Gender, edited by Sheila Whiteley, LA FLESCHE, FRANCIS (see FLETCHER, AL 43(3)351-55 ICE C, with FRANCIS LA FLESCHE) KISLIUK, MICHELLE, Seize the Dance: BaAka LAM, JOSEPH, rev. o? Music in Japan, by Bon Musical Life and the Ethnography of Perfor nie Wade; The Chrysanthemum and the mance, rev. by Stephen Hill, 46(1): 168-71 Song:Music, Memory, and Identity in the Kiyomoto-bushi: Narative Music of the Ka South American Japanese Diaspora, by buki Theatre, by Alison McQueen Tokita, Dale Olsen; 50(3)305-7 rev. by Kimi Coaldrake, 46(3)360-63 LANGE, BARBARA ROSE, The Musical World KLOTZ, SEBASTIAN, ed., Vom t?nenden Wir of a Hungarian Village: ?j, 1940, by Lajos bel menschlichen Tuns. Erich M. von Horn Vargyas, 47(2):250-52 bostelals Gestaltpsychologe, Archivar und LAOIRE, ULUS? (see ? LAOIRE, ULUS) Mustkwissenscha?ler, rev. by Albrecht Sch LARGEY, MICHAEL (see MANUEL, PETER, neider, 43(3)345-47 with KENNETH BILBY and MICHAEL KNIGHT, RODERIC, rev. of Mande Music LARGEY) Traditional and Modern Music of the LARSEN, GREY (see McENTIRE, NANCY C, Maninka and Mandinka of Western Af GREY LARSEN, and JANNE HENSHAW) rica, by Eric Charry; In Griot Time: An LASSITER, LUKE ERIC, CLYDE ELLIS, and American Guitarist in Mali, by Banning RALPH KOTAY, The Jesus Road: Kiowas, Eyre,47(l):124-27;rev.of The Black Cow's Christianity, and Indian Hymns, rev. by Footprint: Time, Space, and Music in the Melinda Russell, 49(2)328 Lives of the Kotas of South India, by Rich LASSITER, LUKE E., The Power of Kiowa ard Wolf, 50(3)300-502 Song, rev. by Tara Browner, 45(1): 170-72 KOEGEL, JOHN, rev. of Zarzuela: Spanish Latin American Classical Composers:A Bi Operetta, American Stage, by Janet L.Stur ographical Dictionary, by Miguel Ficher, man, 46(3)370-71; rev. o? Ecos, alientos, Martha Furman Schleifer, and John M. Fur y sonidos: Ensayos sobre m?sica mexi man, rev. by Judith A. Gray, 41(3)373-76 cana, by Ricardo Miranda, 47(1): 121-22; LAU, FREDERICK, rev. of Folk Music of China: "Briefly Noted: Catalogues," rev. of Music Living Instrumental Traditions, by Ste in the Rub?n Cobos Collection of Spanish phen Jones, 45(2)365-67 New Mexican Folklore:A Descriptive Cat LAUSEVIC, MIRJANA, rev. o? Music, Politics, Book Reviews 25

and War: Views from Croatia, edited by boo Ensemble of Gender, by Julia Hansen; Svanibor Pettan, 47(1): 130-32 45(3)352-53;"Briefly Noted: Performance Lautenbau in S?dindien: M. Palaniappan Instruction Manuels": rev. of Overtone Sing Achari und Seine Arbeit, by Norbert Beyer, ing Study Guide, 2d ed.,by Rollin Rachele; rev. by David Reck, 47(2):252-54 The Art of Kubyz-Playing, by Robert A. LAWRENCE, HELEN REEVES, and DON NILES, Zagretdinov; 47(l):132-33;"Briefly Noted: eds. Traditionalism and Modernity in the Songbooks and Music Anthologies": The Music and Dance of Oceania: Essays in Songs of Elizabeth Cronin, Irish Tradi Honor of Barbara B. Smith, rev. by Karl tional Singer: The Complete Song Col Neuenfeldt, 48(3):455-58 lection, edited by D?ibh? ? Cr?in?n;i4? LEARY,JAMES P., in Dairyland.A Anthology of Music in Early Florida, History of Swiss Music in Wisconsin, rev. compiled and edited by Wiley L. House by Melinda Russell, 49(2)328 wright; Drive Dull Care Away: Folksongs LEBEUF, ARNOLD (see ZERANSKA-KOMINEK, from Prince Edward Island, by Edward SLAWOMIRA) D. "Sandy" Iv?s; La m?sica de los viejitos: LEMS-DWORKIN, CAROL, Videos of African Hispano Folk Music in the Rio Grande and African-Related Performance: An An del Norte, by Jack Loeffler, with Katherine notated Bibliography, rev. by Laura Arnt Loeffler and Enrique Lamadrid; Hard Hit son, 41(3)369-71 ting Songs for Hard-Hit People, compiled Let Jasmine Rain Down: Song and Re by Alan Lomax; World Sound Matters:An membrance among Syrian Jews, by Kay Anthology of Music from Around the Kaufman Shelemay, rev. by Israel J. Katz, World, by Jonathan Stock; Helge Ingstad: 44(3)313-17 Songs of the Nunamiut, Historical Record LEVIN, THEODORE, The Hundred Thousand ings and Transcriptions of an Alaskan Es Fools of God:Musical Travels in Central Asia kimo Community, edited by SigvaldTveit; (and Queens, New York), rev. by Stawomira 47(1): 133-36; Writing American Indian Zeranska-Kominek, 44(1): 163-66 Music:Historic Transcriptions, Notations, LEVINE, VICTORIA LINDSAY, "Books in the and , rev. by Thomas Ven Nineties: A Collaborative Review Essay? num,48(3):440-42 Part I," 45(1): 157; "Briefly Noted: Refer LEVINE, VICTORIA LINDSAY, and AMANDA ence Works," revs, of An Index to African CHACE, eds., Music in the Rub?n Cobos American Spirituals for the Solo Voice, Collection of Spanish New Mexican Folk compiled by Kathleen A. Abromeit; The lore^ Descriptive Catalogue, rev. by John Oxford Companion to Australian Music, Koegel, 47(1): 136-37 edited by Warren Bebbington; Internation LEVY, MORTON, The World of the Gorrlaus al Encyclopedia of Dance, edited by Selma Sl?tts.A Morphological Investigation of Jean Cohen; Henry George Farmer: A Bibli a Branch of Norwegian Fiddle Music ography, by Carl Cowl and Sheila M. Craik; Tradition, rev. by Sharon Poulson Graf, Discographie der ethnischen Aufnahmen, 42(1): 160-62 Band 1, by Rainer E. Lotz, Andreas Masel, ULLY, )OHN,ed.,Mountains ofMusiaWest Vir and Susanne Ziegler; Afrikanische Trom ginia Traditional Music from Goldenseal, meln.West- und Zentralafrika, by Andreas rev. by Carl Rahkonen, 46(1): 171-74 Meyer; Key Concepts in Popular Music, by Listening to Salsa: Gender, Latin Popular Roy Shuker; 44(2)345-47; "Ethnomusicol Music, and Puerto Rican Cultures, by ogy and its History," 45(l):l65-69;"Briefly Frances R. Aparicio, rev. by Marisol Berrios Noted: Performance Instruction Manuals; Miranda, 44(2)336-39 Song Books and Music Anthologies," rev. of LIVINGSTON,TAMARA E., rev. of The Social The Complete Reference for Tabla, Volume History of the Brazilian Samba, by Lisa 1: Fundamentals of Tabla, 3d ed., rev., by Shaw; The Mystery of Samba: Popular David R. Courtney; The Complete Reference Music and National Identity in Brazil, for Tabla, Volume 2:Advanced Theory of by Hermano Vianna, 44(3)321 -24 Tabla, by David R. Courtney; Flute Magic: UVINGSTON,TAMARA (see also ISENHOUR, An Introduction to Native American TAMARA LIVINGSTON) Flute, 2d ed., by Tim Crawford, with Kath UTTLE, BUSS, rev. o? Music of Thrace, An In leen Joyce-Grendahl; Joged Bumbung: terdisciplinary Approach: EVROS, by The Rindik Music, by Julia Hansen; Af?s/c/rom Friends of Music Society, 47(1): 122-24 Wayang Kulit of Bali, arranged for Bam LOEFFLER, JACK,et al.,la m?sica de los vieji 26 Ethnomusicology, Index Volumes 41-50

tos:Hispano Folk Music in the Rio Grande Making of Indo-Caribbean Culture, rev. by del Norte, rev. by Victoria Lindsay Levine, Alison Arnold, 46(2)348-51 47(l):132-36 MANUEL, PETER, with KENNETH BILBY and LOMAX, ALAN, comp., Hard Hitting Songs MICHAEL LARGEY, Caribbean Currents: for Hard-Hit People, rev. by Victoria Lindsay Caribbean Music from Rumba to Reggae, Levine, 47(1): 132-36 rev. by Julian Gerstin, 43(2)355-58 LOMAX, ALAN (see LOMAX, JOHN A. and Manufacturing theMuse.Estey Organs and ALAN LOMAX) Consumer Culture in Victorian America, LOMAX, JOHN A. and ALAN LOMAX, Ameri by Dennis G. Waring, rev. by John Ogasa can Ballads and Folk Songs, rev. by Ju pian,48(3):458-60 dith A. Gray, 41(1): 128 Maori Music, by Mervyn McLean, rev. by Bar LONG, LUCY M., rev. of Appalachian Dul bara B. Smith, 44(2)329-31 cimer Traditions, by Ralph Lee Smith, MARCUS, SCOTT (see DANIELSON, VIRGIN 43(2)363-66 IA, SCOTT MARCUS, and DWIGHT REYN The Lord's Song in a Strange Land: Music OLDS) and Identity in Contemporary Jewish MARTINEZ, JOS? LUIZ, Semtosis in Hindu Worship, by Jeffrey A. Summit, rev. by Elyse stani Music, rev. by Gordon Thompson, Carter Vosen, 49(3):493-98 43(2)371-73 LORNELL, KIP, and ANNE K. RASMUSSEN, eds., MASEL, ANDREAS (see LOTZ,RAINER E., AN of Multicultural America, rev. by DREAS MASEL, and SUSANNE ZIEGLER) Bruno Nettl, 43(3)357-59 Mathematical Rhythmic Structure of Chi The Lotus Dickey Songbook, edited by Nan nese Percussion Music, by Boyu Zhang, rev. cy C. McEntire, Grey Larsen, and Janne Hen by Bell Yung, 43(2)369-71 shaw, rev. by Judith A. Gray, 420)555-56 MATHIEU, W. A., Harmonic Experience, rev. LOTZ, RAINER E., ANDREAS MASEL, and SU by Daniel Atesh Sonneborn, 45(2)367-69 SANNE ZlEGLER,Discographie der ethnis McALISTER, ELIZABETH, Rara!: Vodou, chen Aufnahmen, Band 1, rev. by Victoria Power, and Performance in Haiti and Its Lindsay Levine, 44(2)346-47 Diaspora, rev. by Daniel Tannehill Neely, LOVE, JACOB W (see KAEPPLER, ADRI 49(1): 126-28 ENNE L., and JACOB W LOVE) MCCARTHY, MARIE, ed., Cross-Currents: Set LUM, CASEY MAN KONG, In Search of a ting an Agenda for Music Education in Voice: Karaoke and the Construction of Community Culture?A Colloquium in Identity in Chinese America, rev. by Nora Music Education with Patricia Shehan Yeh, 41(3)365-67 Campbell and Susan R. Wolf, Michael L. Mark, Paddy B. Bowman, rev. by Kari M Veblen, 41(3)371-73 MADRID,ALEJANDRO L., rev. o? Jefe de jefes: MCCARTHY,MARlE,Passing It On: The Trans Corridos y narcocultura en M?xico, by mission of Music in Irish Culture, rev. by Jos? Manuel Valenzuela, 49(2)318-20 Kari Veblen, 45(3)348-49 MAGRINI,TULLIA,ed., Uomini e Suoni.Pros McDANIEL, LORNA, The Big Drum Ritual of pettive antropologiche nella ricerca musi Carriacou: Praisesongs in Rememory of cale, rev. by Judith A. Gray, 41(1): 128 Flight, rev. by Rebecca S. Miller, 44(1): 172 MAHON, MAUREEN, Right to Rock: The 74 Black Rock Coalition and the Cultural McDOWELL, JOHN H., Poetry and Violence: Politics of Race, rev. by Elizabeth Wollman, The Ballad Tradition of Mexico's Costa 50(3)307-9 Chica, rev. by Daniel Sheehy, 46(1): 177-79 Making Popular Music: Musicians, Creativ McENTIRE, NANCY C, GREY LARSEN, and ity, and Institutions, by Jason Toynbee, rev. JANNE HENSHAW, eds., The Lotus Dickey by Daniel Cavicchi, 46(1): 179-83 Songbook, rev. by Judith A. Gray, 42(3)355 Mande Music: Traditional and Modern Mu 56 sic oftheManinka andMandinka ofWest McLEAN, MERVYN, Weavers of Song, rev. by ern Africa, by Eric Charry, rev. by Roderic Richard Moyle, 45(1): 172-74 Knight, 47(1): 124-27 McLEAN, MERVYN, An Annotated Bibliogra MANUEL VALENZUELA, JOS? (see VALENZU phy of Oceanic Music and Dance, 2d ed., ELA, JOS? MANUEL) rev., by Judith A. Gray, 41(1): 127 MANUEL, PETER, East Indian Music in the McLEAN, MERVYN, Maori Music, rev. by Bar West Indies: Tan-Singing, Chutney, and the bara B. Smith, 44(2)329-31 Book Reviews 27

McNEIL, WILLIAM H., Keeping Together in MILNES, GERALD, Play of a Fiddle: Tradi Time:Dance and Drill in Human History, tional Music, Dance, and Folklore in rev. by Charles Keil, 4l(l):125 West Virginia, rev. by Carl Rahkonen, MEADOWS, EDDIE S. (see DJEDJE, JACQUE 46(l):171-74 LINE COGDELL, and EDDIE S. MEAD MIRANDA, RICARDO, Ecos, alientos, y soni OWS) dos: Ensayos sobre m?sica mexi-cana, rev. MEHTA, R. (??Directory of Doctoral Theses in by John Koegel, 47(1): 121-22 Music, rev. by Judith A. Gray, 41(1): 125-29 Mission and Musicjab?m Traditional Music MEINTJES, LOUISE, Sound of Africa: Making and the Development of Lutheran Hym Music Zulu in a South African Studio, rev. nody, by Heinrich Zahn, rev. by Molly Elder, by Michael Veal, 49(3):489-93 43(2)361-63 Men and Popular Music in Algeria: The MITCHELL,TIMOTHY, rev. of The Cantaoras: Social Significance of Rai, by Marc Music, Gender, and Identity in Flamenco Schade-Poulsen, rev. by Virginia Danielson, Song, by Loren Chuse, 48(2):293-95 48(2):286-88 MITSUI/TORU (see HOSOKAWA,SH?HEI,and Merengue: Dominican Music and Domini TORU MITSUI) can Identity, by Paul Austerlitz, rev. by Use MITTLER, Barbara, rev. of T?nze der Geister Waxer, 46(3)364-67 masken im Erdgottkult in Anhui (China) Metal, Rock, and Jazz: Perception and the [Ghost-mask Dances of the Earth God Sect Phenomenology of Musical Experience, of Ahui Province, China], by Rudolf Maria by Harris M. Berger, rev. by Sharon Carla Brandi and Wang Zhaoqian, 50(3):496-98 Hochhauser, 46(1): 174-77 MIZZAU, FRANCESCO (see D'AMICO, LEON The Mexican American Orquesta: Music ARDO, and FRANCESCO MIZZAU) Culture and the Dialectic of Conflict, MODIRZADEH, HAFEZ, rev. of In the Course by Manuel Pe?a, rev. by Cathy Ragland, of Performance: Studies in the World of 47(2):255-59 Musical Improvisation, edited by Bruno MEYER, ANDREAS, Afrikanische Trommeln: Nettl, with Melinda Russell, 44(3)317 West- und Zentralafrika, rev. by Victoria 20 Lindsay Levine, 44(2)347 MOEHN, FREDERICK, rev. of From Tejano to Mgana, lssa,Jukwaa la Taarab Zanzibar Tango: Latin American Popular Music, [The Stage of Zanzibar Taarab], rev. by edited by Walter Aaron Clark; Musical Mi Gregory F. Barz, 42(3)349-51 grations: Transnationalism and Cultural MHLANGA, LOUIS (see ROSKILLY, STEPHEN, Hybridity in Latin/o America, Volume I, LOUIS MHLANGA, et al.) edited by Frances Aparicio and Candida MIDDLETON, RICHARD,ed.,Reading Pop:Ap Jaquez; Situating Salsa: Global Markets proaches to Textual Analysis in Popular Mu and Local Meaning in Latin Popular Mu sic, rev. by Daniel Cavicchi, 46(1): 179-83 sic, edited by Use Waxer; 49(1): 137-42 MIDIAN, ANDREW, The Value of Indige MOLONEY, COLETTE, The Irish Music Manu nous Music in the Life and Ministry of scripts of Edward Bunting: An Introduc the Church: The United Church in the tion and Catalogue, rev. by Dorothea E. Duke of York Islands, rev. by Liza Vick, Hast,48(3):445-50 46(2)339-42 MOORE, ROBIN D., Nationalizing Blackness: MILLER, LLOYD CLIFTON, Music and Song Afrocubanismo and Artistic Revolution in in Persia: The Art ofAv?z, rev. by Gen'ichi Havana, 1920-1940, rev. by Julian Gerstin, Tsuge, 46(2)353-55 44(2)331-34; rev. of Music of the Warao of MILLER, PAUL D. (DJ SPOOKY), Rhythm Sci Venezuela: Song People of the Rainforest, ence, rev. byAntoni Piz?, 50(3)315-16 by Dale Olsen, 45(2)359-61; rev. of The MILLER, REBECCA S., rev. of The Big Drum City of Musical Memory: Salsa, Record Ritual of Carriacou: Pratsesongs in Re Grooves, and Popular Culture in Cali, memory of Flight, by Lorna McDaniel, Colombia, by Use A.Waxer,48(3):451-53 44(1): 172-74; rev. of Divine Utterances: Mosaik der Kl?nge: Musik der ethnischen The Performance of Afro-Cuban Santer?a, und religi?sen Minderheiten in ?ster by Katherine Hagedorn, 50(1): 149-51 reich, by Ursula Hemetek, rev. by Philip V. MILLER,TERRY E., and SEAN WILLIAMS, eds., Bohlman, 48(1): 133-36 The Garland Encyclopedia ofWorld Music. Mountains of MusiaWest Virginia Tradition Volume 4: Southeast Asia, rev. by Helen al Music from Goldenseal, edited by John Myers, 47(2):263-67 Lilly, rev. by Carl Rahkonen, 46(1): 171-74 28 Ethnomusicology, Index Volumes 41-50

MOYLE, RICHARD, rev. of Weavers of Song, Music in Latin American Culture:Regional by Mervyn McLean, 45(1): 172-74 Traditions, by John Schechter, rev. by Rob MULLER, CAROLANN,Rituals of Fertility and ert W Templeman, 48(2):288-90 the Sacrifice of Desire: Nazarite Women's Music in Lubavitcher Life, by Ellen Koskoff, Performance in South Africa, rev. by Ste rev. by Elyse Carter Vosen, 49(3):493-98 phen Hill, 46(1): 168-71 Music in the Rub?n Cobos Collection of MURIE, JAMES R. (see FLETCHER, ALICE C, Spanish New Mexican Folklore: A Descrip assisted by JAMES R. MURIE) tive Catalogue, edited by Victoria Undsay M?sica Dell'Africa ?era: Civilt? Musicali Levine and Amanda Chace, rev. by John Subsaharianefra Tradizione e Modernit?, Koegel, 47(1): 136-37 by Leonardo D'Amico and Andrew L. Kaye, Musicking: The Meanings of Performing rev. by Sviatoslav Podstavsky, 49(3):498 and Listening, by Christopher Small, rev. 500 by Charles Keil, 44(l):l6l-63 La m?sica de los viejitos: Hispano Folk Mu Music, Modernity, and the Global Imagi sic in the Rio Grande del Norte, by Jack Lo nation: South Africa and the West, by effler, with Katherine Loeffler and Enrique Veit Erlmann, rev. by Margaret Sarkissian, Lamadrid, rev. by Victoria Lindsay Levine, 45(2)355-56 47(1): 132-36 Music of Death and New Creation: Experi M?sica e sociolog?a: Una breve storia, by ences in the World of Balinese Belegan Marcello Sorce Keller, rev. by Ilaria Cande jur, by Michael B. Bakan, rev. by Lisa Gold, loro, 41(2):287-88 460)557-60 Musical Migrations: Transnationalism and Music of El Dorado: The Ethnomusicology Cultural Hybridity in Latin/o America, of Ancient South American Cultures, by Volume I, edited by Frances Aparicio and Dale A. Olsen, rev. by Theodore Burgh, Candida Jaquez, rev. by Frederick Moehn, 48(1):139-41 49(l):137-42 Music of Hindu Trinidad, by Helen Myers, The Musical World of a Hungarian Village: rev. by Gregory Diethrich, 45(1): 174-77 ?j, 1940, by Lajos Vargyas, rev. by Barbara Music of the Warao of Venezuela: Song Peo Rose Lange, 47(2):250-52 ple of the Rainforest, by Dale Olsen, rev. by The Music and Dance of the World's Reli Robin Moore, 45(2)359-61 gions: A Comprehensive, Annotated Bib Music of the World, by Michel Asselineau, liography of Materials in the English Lan Eugene B?rel, and Tran Quang Hai, rev. by guage, by E. Gardner Rust, rev. by Judith A. Lois E.Wilcken,4l(l):113-l6 Gray, 41(3)367-69 Music of Thrace, An Interdisciplinary Ap Music and Song in Persia: TheArtofAv?z, by proach: EVROS, by The Friends of Music Uoyd Clifton Miller, rev. by Gen'ichiTsuge, Society, rev. by Bliss Little, 47(1): 122-24 46(2)353-55 Music, Politics, and War"Viewsfrom Croatia, Music and the Racial Imagination, edited edited by Svanibor Pettan, rev. by Mirjana by Ronald Radano and Philip V. Bohlman, Lausevic, 47(1): 130-32 rev. by Kyra Gaunt, 48(1):127-31 Musics of Multicultural America, edited by M?sica Tejana, by Manuel Pe?a, rev. by Cathy Kip Lornell and Anne Rasmussen, rev. by Ragland, 47(2):255-59 Bruno Nettl, 43(3)357-59 Music, Education, and Multiculturalism: Musique de Taiwan, by Hsu Tsang-Houei Foundations and Principles, by Th?r?se and Cheng Shui-Cheng, rev. by J. Lawrence Volk, rev. by Patricia Shehan Campbell, Witzleben, 42(1): 162-65 43(2)358-61 MYERS, HELEN, Music of Hindu Trinidad, Music from Wayang Kulit of Bali, Arranged rev. by Gregory Diethrich, 45(1): 174-77; for Bamboo Ensemble of Gender, by Ju rev. of The Garland Encyclopedia ofWorld lia Hansen, rev. by Victoria Lindsay Levine, Music. Volume 1: Africa, edited by Ruth M. 45(3)352-53 Stone; Volume 9: Australia and the Pacific Music in America, Adelaida Reyes, rev. by Islands, edited byAdrienne L. Kaeppler and Daniel Tannehill Neely, 500)502-4 Jacob W Love; Volume 4: Southeast Asia, Music in Bulgaria: Experiencing Music, Ex edited by Terry E. Miller and Sean Wil pressing Culture, by Timothy Rice, rev. by liams; Volume 2: South America, Mexico, Karen Peters, 50(3):498-500 Central America, and the Caribbean, ed Music in Japan, by Bonnie C.Wade, rev. by ited by Dale A. Olsen and Daniel Sheehy; Joseph Lam, 50(3)305-7 47(2):263-67 Book Reviews 29

MYERS, JOHN, rev. of Impressions of a Pipa edited by Don Niles; Traditionalism and Player: Profiles of the World's Most Pre Modernity in the Music and Dance of Oce mier, by Samuel Wong Shengmiao, edited ania: Essays in Honor of Barbara B. Smith, by Desmond Kon, 49(2)325-27 edited by Helen Reeves Lawrence and Don The Mystery of Samba: Popular Music N?es, 48(3):455-58; rev. o? Deadly Sounds, and National Identity in Brazil, by Her Deadly Places: Contemporary Aboriginal mano Vianna, rev. by Tamara E. Uvingston, Music in Australia, by Peter Dunbar-Hall 44(3)321-24 and Chris Gibson, 50(1): 162-64 N Never without a Song: The Years and Songs of Jennie Devlin, 1865-1952, by Katha NAPOUTANO, MARCOS, "Seguindo a can rine D. Newman, rev. by Judith A. Gray, c?o": engajamento pol?tico e industria 42(3)354 cultural na MPB (1959-1969) ["Follow The New Grove Dictionary of Jazz, 2d ed., ing the song": political commitment and edited by Barry Kernfeld, rev. by Alexander the culture industry in Brazilian popular Stewart, 47(3)376-80 music (1959-1969)], rev. by Ernesto Donas, NEWMAN, KATHARINE D., Never without 47(3)387-89 a Song: The Years and Songs of Jennie Nationalists, Cosmopolitans, and Popular Devlin, 1865-1952, rev. by Judith A. Gray, Music in Zimbabwe, by Thomas Turino, 42(3)354 rev. by Gregory Barz, 49(l):120-22 Nightsong: Performance, Power, and Practice Nationalizing Blackness: Afrocubanismo in South Africa, by Veit Erlmann, rev. by and Artistic Revolution in Havana, Johann S. Buis, 42(1): 157-60 1920-1940, by Robin D. Moore, rev. by NIJENHUIS,EMMIETE, Varnam:Selected Con Julian Gerstin, 44(2)331-34 cert Studies for the South Indian Lute, rev. Native American Dance: Ceremonies and So by David Reck, 47(3)389-92 cial Traditions, edited by Charlotte Heth, NILES, DON, comp., Commercial Recordings rev. by Beverly Diamond, 41(1): 116-21 of Papua New Guinea Music: 1989 Supple NEELEY, PAUL, rev. of Drums: The Heart ment, and 1990 Supplement, rev. by Judith beat of Africa, edited by Esther A. Dagan, A. Gray, 4l(l):125-27; ed., Kulele 3' Occa 42(2)354-55; Africa: Folk Music Altas, sional Papers on Pacific Music and Dance, multimedia publication, edited by Leon rev. by Karl Neuenfeldt, 48(3):455-58 ardo D'Amico and Francesco Mizzau, NILES, DON, and CLEMENT GIMA, comps., 44(1): 174-76 Commercial Recordings of Papua New NEELY, DANIEL TANNEHILL, rev. of Rara!: Guinea Music: 1991 Supplement, rev. by Vodou, Power, and Performance in Haiti Judith A. Gray, 41(1): 125-27 and Its Diaspora, by Elizabeth McAlister, NILES, DON, and DENIS CROWDY, eds., Pa 49(1): 126-28; rev. of Thinking Musically, pers from the Ivilikou:Papua New Guinea by Bonnie C.Wade; Music in America, by Music Conference and Festival (1997), rev. Adelaida Reyes; 50(3)302-4 by Uza Vick, 46(2)339-42 NENOLA,AIU, Ingrian Laments, rev. by Me NILES, DON (see LAWRENCE, HELEN REEVES, linda Russell, 49(2)328-29 and DON NILES) NETTL, BRUNO, rev. of Musics of Multicul NOLL,WILLIAM,"A Reply to Anna Czekanows tural America, edited by Kip Lornell and ka,"4l(l):71-75 Anne K. Rasmussen, 430)557-59, Encoun N?mai Dance Drama: A Surviving Spirit of ters in Ethnomusicology: A Memoir, rev. Medieval Japan, by Susan M. Asai, rev. by by Albrecht Schneider, 48(2):271-73; rev. Kimi Coaldrake, 46(3)360-63 of "The Lachmann Problem": An Unsung North American Indian Music: A Guide Chapter in Comparative Musicology, by to Published Resources and Selected Re RuthKatz,50(l):l4l-43 cordings, by Richard Keeling, rev. by David NETTL,BRUNO, with MEUNDA RUSSELL, eds., Roche, 42(2)359-64 In the Course of Performance: Studies in Northern Haida Songs, by John Enrico and the World of Musical Improvisation, rev. Wendy Bross Stuart, rev. by Laurel Ser by Hafez Modirzadeh, 44(3)317-20 combe, 42(2)356-59 NEUENFELDT, KARL, The Didjeridu: From O Arnhem Land to Internet, rev. by Anthony Seeger, 43(2)367-69; rev. oiKulele 3: Occa ? CR?IN?N, D?IBH?, editor, The Songs of sional Papers on Pacific Music and Dance, Elizabeth Cronin, Irish Traditional Singer: 30 Ethnomusicology, Index Volumes 41-50

The Complete Song Collection, rev. by Vic The Performance of Everyday Life: The Gaine toria Lindsay Levine, 47(1): 133 of Nepal, by Hans Weisethaunet, rev. by Ste OGASAPIANJOHN, rev. of Manufacturing ven Curtis, 47(3)395-98 the Muse: Estey Organs and Consumer Performing Ethnomusicology: Teaching and Culture in Victorian America, by Dennis Representation in World Music Ensembles, G. Waring, 48(3):458-60 edited by Ted Solis, rev. by Sarah Weiss, ? LAOIRE, ULUS, Archreag i lar nafarraige: 49(3):483-86 amhr?in agus amhr?naithe i dToraigh Performing the Nation: Swahili Music and (On a rock in the center of the ocean: songs Cultural Politics in Tanzania, by Kelly and singing in Tory), rev. by Sean Williams, Askew, rev. by Frank Gunderson, 49(3):487 47(3)384 89 Old-Time Kentucky Fiddle Tunes, by JeffTodd PERRONE, CHARLES A., and CHRISTOPHER Titon, rev. by Chris Goertzen, 47(2):261 DUNN, eds., Brazilian Popular Music and 63 Globalization, rev. by Jesse Samba Wheeler, OLSEN, DALE A., Music of the Warao of Ven 46(2)345-48 ezuela: Song People of the Rainforest, rev. Perspectives on Korean Dance, by Judy Van by Robin Moore, 45(2)359-61; Music of Zile, rev. by Melinda Russell, 49(2)329-30 El Dorado: The Ethnomusicology of An PERULLO, ALEX, rev. of Recollectingfrom the cient South American Cultures, rev. by Past: Musical Practice and Spirit Posses Theodore Burgh, 48(1): 139-41 ; The Chry sion on the East Coast of Madagascar, by santhemum and the Song: Music, Mem RonEmoff,48(3):453-55 ory, and Identity in the South American PETERS, KAREN, rev. of Music in Bulgaria: Japanese Diaspora, rev. by Joseph Lam, Experiencing Music, Expressing Culture, 50(3)305-7 by Timothy Rice, 50(3):498-500 OLSEN, DALE A., and DANIEL SHEEHY, eds., PETTAN,SVANIBOR,ed.,Afws/c, Politics, and The Garland Encyclopedia ofWorld Music. War: Views from Croatia, rev. by Mirjana Volume 2: South America, Mexico, Central Lausevic, 47(1): 130-32 America, and the Caribbean, rev. by Helen PIZA,ANTONI, rev. of Rhythm Science, by Myers, 47(2):263-67 Paul D. Miller (DJ Spooky), 50(3)315-16 Overtone Singing Study Guide, 2d ed., by Play of a Fiddle: Traditional Music, Dance, Rollin Rachele, rev. by Victoria Lindsay and Folklore in West Virginia, by Gerald Levine, 47(1):132 Milnes, rev. by Carl Rahkonen, 46(1): 171 Overtone Singing: Physics and Metaphysics 74 of Harmonics in East and West, by Mark PODSTAVSKY, SVIATOSLAV, rev. of M?sica C. van Tongeren, rev. by Melinda Russell, Dell'Africa ?era: Civilt? Musicali Subsa 49(2)329 hariane fra Tradizione e Modernit?, by The Oxford Companion to Australian Music, Leonardo D'Amico and Andrew L. Kaye, edited by Warren Bebbington, rev. by Victo 49(3):498-500 ria Lindsay Levine, 44(2)345 Poetry and Violence: The Ballad Tradition of Mexico's Costa Chica, by John H. McDow ell, rev. by Daniel Sheehy, 46(1): 177-79 PACINI HERNANDEZ, DEBORAH, H?CTOR The Political Calypso: True Opposition FERN?NDEZ L'HOESTE, and ERIC ZOLOV, in Trinidad and Tobago, 1962-1987, eds., Rockin' Las Americas: The Global by Louis Regis, rev. by Shannon Dudley, Politics of Rock in Latin/o America, rev. by 45(3)350-52 Elizabeth L.Wollman, 50(3)307-9 PORCELLO, THOMAS G., rev. of Shadows in Papers from the Ivilikou: Papua New Guin the Field: New Perspectives for Fieldwork ea Music Conference and Festival (1997), in Ethnomusicology, edited by Gregory F. edited by Don Niles and Denis Crowdy, rev. Barz and Timothy J. Cooley, 42(2)349-54 by Usa Vick, 46(2)339-42 PORCELLO,THOMAS (see GREENE, PAUL D., Passing It On: The Transmission of Music in and THOMAS PORCELLO) Irish Culture, by Marie McCarthy, rev. by PORTER JAMES (see RICE,TIMOTHY, JAMES Kari Veblen, 45(3)348-49 PORTER, and CHRIS GOERTZEN) PE?A, MANUEL, M?sica Tejana; and The POSTJENNIFER C,Ethnomusicology:A Re Mexican American Orquesta: Music Cul search and Information Guide, rev. by ture and the Dialectic of Conflict; rev. by Judah M.Cohen,50(1): 145-48 Cathy Ragland, 47(2):255-59 POTTER, RUSSELLA., Spectacular Vernacu Book Reviews 31

lars: Hip-Hop and the Politics of Postmod RAO,VELCHERU NARAYANA (see RAMANU ernism, rev. by Cheryl L. Keyes, 43(1): 179 JAN, A.K.,VELCHERU NARAYANA RAO,and 81 DAVID SCHULMAN) The Power ofKiowa Song, by Luke E. Lassiter, Rap Whoz Who: The World of Rap Music Per rev. by Tara Browner, 45(1): 170-72 formers, by Steven Stancell, rev. by Judith PRICE, EMMET G., HI, rev. of California Soul: A. Gray, 42(3)352-53 Music of African Americans in the West, Rara!: Vodou, Power, and Performance edited by Jacqueline Cogdell DjeDje and in Haiti and Its Diaspora, by Elizabeth Eddie S. Meadows; Signifying), Sancti McAlister, rev. by Daniel Tannehill Neely, fying & Slam Dunking:A Reader in Afri 49(1): 126-28 can American Expressive Culture, edited RASMUSSEN, ANNE K. (see LORNELL, KIP, and by Gena Dagel Caponi, 46(1): 165-68 ANNEK.RASMUSSEN) RASMUSSEN, ANNE K., rev. of The Garland Q Encyclopedia of World Music. Volume 6: A Question of Balance: Charles Seeger's Phi The Middle East, edited by Virginia Dan losophy of Music, by Taylor Aitken Greer, ielson, Scott Marcus, and Dwight Reynolds, rev. by Albrecht Schneider, 46(2)330-34 49(3):479-83 QURESHI, REGULA BURCKHARDT, Sufi Mu Reading Pop: Approaches to Textual Analy sic of India and Pakistan:Sound, Context, sis in Popular Music, edited by Rich and Meaning in Qawwali, rev. by Judith A. ard Middleton, rev. by Daniel Cavicchi, Gray,4l(l):128 46(1): 179-83 RECK, DAVID, rev. of Lautenbau in S?din dien: M. Palaniappan Achari und Seine RACHELE, ROLUN, Overtone Singing Study Arbeit, by Norbert Beyer, 47(2):252-54; rev. Guide, 2d ed., rev. by Victoria Lindsay of Varnam: Selected Concert Studies for Levine, 47(l):132-36 the South Indian Lute, by Emmie te Ni RADANO, RONALD and PHIUP V. BOHLMAN, jenhuis, 47(3)389-92; rev. of The Goddess eds., Music and the Racial Imagination, Mariyamman in Music and in Sociology rev. by Kyra Gaunt, 48(1):127-31 of Religion (Studien zur Indologie und RAGLAND, CATHY, rev. o? M?sica Tejana; and Iranistik, 12), by Pia Srinivasan Buonomo The Mexican American Orquesta: Music and S.A.Srinivasan,49(l):132-34 Culture and the Dialectic of Conflict, by Recollecting from the Past: Musical Practice Manuel Pena;47(2):255-59 and Spirit Possession on the East Coast RAHKONEN, CARL, rev. of Ukrainian Min of Madagascar, by Ron Emoff, rev. by Alex strels: And the Blind Shall Sing, by Natalie Perullo,48(3):453-55 Kononenko, 44(2)339-41; rev. of Moun The Recording Industry:An Ethnomusico tains of Music: West Virginia Traditional logical Approach, by Pekka Gronow, rev. Music from Goldenseal, edited by John by Judith A. Gray, 41(3)375 Lilly; Play of a Fiddle: Traditional Music, REES, HELEN (see YUNG, BELL, and HELEN Dance, and Folklore in West Virginia, by REES) Gerald Milnes; 46(l):171-74; rev. of Fid Refried Elvis: The Rise of The Mexican Coun dling Way Out Yonder: The Life and Mu terculture, by Eric Zolov, rev. by Peter J. Gar sic ofMelvin Wine, by Drew Beisswenger, cia, 47(2):254-55 49(1): 142-44 REGIS, LOUIS, The Political Calypso: True RAHNJAY (see FOWKE, EDITH, with JAY Opposition in Trinidad and Tobago, RAHN) 1962-1987, rev. by Shannon Dudley, RAMANUJAN,A. K.,VELCHERU NARAYANA 45(3)350-51 RAO, and DAVID SCHULMAN, trans./eds., REICHL, KARL, rev. of The Tale of Crazy Har When God Is a Customer: Telugu Courte man: The and the Concept of san Songs by Ksetrayya and Others, rev. Music in the Turkmen Epic Tale, Harman by Judith A. Gray, 41(1): 129 Dali, by Slawomira Zeranska-Kominek, RAMNARINE, TINA K., Ilmatar's Inspira with Arnold Lebeuf, 460)567-69 tions: Nationalism, Globalization, and the REILY, SUZEL ANA, Voices of the Magi: En Changing Soundscapes of Finnish Folk chanted Journeys in Southeast Brazil, rev. Music, rev. by Kevin Burke, 49(2)320-22 by Alexander S. Dent, 49(2)314-15 RAO, RATIMAV (see ZIFF, BRUCE, and PRA "A Reply to Anna Czekanowska," by William TIMAV RAO) Noll,4l(l):71-75 32 Ethnomusicology, Index Volumes 41-50

"A Reply to Grau,"by DridWilliams,4l(2):291 Un roi africain et sa musique de cour, 96 by Gilbert Rouget, rev. by Veit Erlmann, "A Reply to William Noll," by Anna Czekanows 50(3):494-96 ka,4l(l):69-70 ROMERO,BRENDA M.,rev. of Fariseos y Ma "AReplytoGrau,"byDridWilliams,4l(2):291 tachines en la Sierra Tarahumara: En 96 tre la Pasi?n de Cristo, la Transgresi?n Re-Searching Black Music, by Jon Mi c?mico-sexual y las Danzas de Conquista, chael Spencer, rev. by Stephen D. Glazier, by Carlo Bonfiglioli, 44(3)327-28; rev. of 42(2)364-66 Banda: Mexican Musical Life Across Bor REYES, ADELAIDA, rev. of Studies in Musi ders, by Helena Simonett, 49(2)312-14 cology II: 1929-1979, by Charles Seeger, ROSKILLY,STEPHEN,LOUIS MHLANGA,et al., 43(1): \74-77;Songs of the Caged, Songs of ZIMIA: The Forming of a Music Industry the Free: Music and the Vietnamese Refu Association in Zimbabwe, rev. by Grego gee Experience, rev. by Barbara B. Smith, ry F. Barz, 46(2)344-45 46(2)351-53; Music in America, rev. by ROUGET, GILBERT, Un roi africain et sa mu Daniel Tannehill Neely, 50(3)302-4 sique de cour, and Chants et danses initia REYNOLDS, DWIGHT (see DANIELSON, tique pour le culte des v?dun au B?nin; VIRGINIA, SCOTT MARCUS, and DWIGHT rev. by Veit Erlmann, 5O0):494-96 REYNOLDS) RUSSELL,MEUNDA,"InnovativeApproaches to Rhythms of Resistance: African Musical Methodology and Presentation: A Selection" Heritage in Brazil, by Peter Fryer, rev. by 45(1): 161 -65;"Briefly Noted," rev. o? Singing Jesse Samba Wheeler, 46(2)345-48 the Songs of my Ancestors: The Life and Mu Rhythm Science, by Paul D. Miller (DJ Spooky), sic ofHelma Swan, Makah Elder, by Linda J. rev. by Antoni Piz?, 50(3)315-16 Goodman and Helma Swan; The Jesus Road: RICE,TIMOTHY, JAMES PORTER, and CHRIS Kiowas, Christianity, and Indian Hymns, GOERTZEN, eds., The Garland Encyclope by Luke Eric Lassiter, Clyde Ellis, and Ralph dia of World Music, Volume 8: Europe, rev. Kotay; Yodeling in Dairyland:A History of by Marcelo Sorce Keller, 49(3):476-79 Swiss Music in Wisconsin, by James P. Leary; RICE, TIMOTHY, Music in Bulgaria: Experi lngrian Laments, by Aili Nenola; Overtone encing Music, Expressing Culture, rev. by Singing: Physics and Metaphysics of Har Karen Peters, 50(3):498-500 monics in East and West, by Mark C. van Right to Rock: The Black Rock Coalition Tongeren; Perspectives on Korean Dance, and the Cultural Politics of Race, by Mau by Judy Van Zile; 49(2)327-30 reen Mahon, rev. by Elizabeth L. Wollman, RUSSELL, MEUNDA (see NETTL, BRUNO, with 50(3)307-9 MEUNDA RUSSELL) RIIS,THOMAS L., rev. of Demons of Disorder: RUST, E. GARDNER, The Music and Dance of Early Blackface Minstrels and Their World, the World's Religions: A Comprehensive, by Dale Cockerell, 43(3)355-57 Annotated Bibliography of Materials in Rituals of Fertility and the Sacrifice of De the English Language, rev. by Judith A. Gray, sire: Nazarite Women's Performance in 41(3)367-69 South Africa, by Carol Ann M?ller, rev. by Ruth Crawford Seeger: A 's Search Stephen Hill, 46(1): 168-71 for American Music, byJudithTick,rev.by ROCHE, DAVID, rev. of Cry for Luck: Sacred Anthony Seeger, 43(l):171-74 Song and Speech among the Yurok, Hupa, RYE, HOWARD W (see DEXON, ROBERT M.W, and Karok Indians of Northwestern Cali JOHN GODRICH, and HOWARD W RYE) fornia, by Richard Keeling; North Ameri can Indian Music:A Guide to Published S Resources and Selected Recordings, by SAKATA,HIROMI LORRAINE,"A Sampling o f Richard Keeling; 42(2)359-64 Major Musical Ethnographies," 45(1): 157 Rockin'Las Americas: The Global Politics of 61 Rock in Latin/o America, edited by Debo SARKISSIAN, MARGARET, rev. of Music, Mo rah Pacini Hernandez, H?ctor Fern?ndez dernity, and the Global Imagination: L'Hoeste, and Eric Zolov, rev. by Elizabeth South Africa and the West, by Veit Erlmann, Wollman, 50(3)307-9 45(2)355-56; rev. of Sounding the Center: RODR?GUEZ, VICTORIA ELI, et al., Instru History and Aesthetics in Thai Buddhist mentos de la m?sica folkl?rico-popular Performance, by Deborah Anne Wong, de Cuba, rev. by Martha Ellen Davis and 48(2):283-86; D Albuquerque's Children: Sunni Witmer, 47(3)380-83 Performing Tradition in Malaysia's Portu Book Reviews 33

guese Settlement, rev. by Kimberly DaCosta SERCOMBE, LAUREL, rev. o? Northern Haida Holton, 50(1): 151-54 Songs, by John Enrico and Wendy Bross SCHAAREMAN, DANKER, cd.,Balinese Music Stuart, 42(2)356-59 in Context: A Sixty-Fifth Birthday Tribute SEROUSSI, EDWIN, Spanish-Portugese Syna to Hans Oesch, rev. by Michael Tenzer, gogue Music in Nineteenth-Century Re 43(l):181-86 form Sources from Hamburg: Ancient SCHADE-POULSEN,MARC,Mc?w and Popular Tradition in the Dawn of Modernity, rev. Music in Algeria: The Social Significance of by Israel J. Katz, 44(1): 170-72 Rai, rev. by Virginia Danielson, 48(2):286 Sexing the Groove: Popular Music and 88 Gender, edited by Sheila Whiteley, rev. by SCHECHTER, JOHN, Music in Latin Ameri Cheryl L. Keyes, 43(3)351-55 can Culture: Regional Traditions, rev. by Shadows in the Field: New Perspectives for Robert W Templeman, 48(2):288-90 Fieldwork in Ethnomusicology, edited by SCHLEIFER, MARTHA FURMAN (see FICHER, Gregory F. Barz and Timothy J. Cooley, rev. MIGUEL, MARTHA FURMAN SCHLEIFER, by Thomas G. Porcello, 42(2)349-54 and JOHN M. FURMAN) SHAW, USA, The Social History of the Brazil SCHNEIDER, ALBRECHT, rev. of Vom t?nen ian Samba, rev. by Tamara E. Livingston, den Wirbel menschlichen Tuns. Erich M. 44(3)321-24 von Hornbostel als Gestaltpsychologe, Ar SHEEHY, DANIEL, rev. of Poetry and Violence: chivar und Musikwissenschaftler, edited The Ballad Tradition of Mexico's Costa by Sebastian Klotz, 43(3)345-47; rev. of A Chica, by John H. McDowell, 46(1): 177-79 Question of Balance: Charles Seeger's Phi SHEEHY, DANIEL (see OLSEN, DALE A., and losophy of Music, by Taylor Aitken Greer; DANIEL SHEEHY) Understanding Charles Seeger, Pioneer in SHELEMAY, KAY KAUFMAN, Let Jasmine American Musicology, edited by Bell Yung Rain Down: Song and Remembrance and Helen Rees; 46(2)330-34; rev. of En among Syrian Jews, rev. by Israel J. Katz, counters in Ethnomusicology:A Memoir, 44(3)313-17 by Bruno Nettl, 48(2):271 -73 SHENGMIAO, SAMUEL WONGJmpressions of SCHULMAN,DAVID (see RAMANUJAN, A. K., a Pipa Player: Profiles of the World's Most VELCHERU NARAYANA RAO, and DAVID Premier, edited by Desmond Kon, rev. by SCHULMAN) John Myers, 49(2)325-27 SEEGER, ANTHONY, rev. of Ruth Crawford SHILOAH, AMNON, rev. of Enchanting Pow Seeger: A Composer's Search for Ameri ers: Music in the World's Religions, edited can Music, by Judith Tick, 43(1): 171-74; by Lawrence E. Sullivan, 44(1): 166-69 rev. of The Didjeridu:From Arnhem Land Shoshone Ghost Dance Religion: Poetry to Internet, edited by Karl Neuenfeldt, Songs and Great Basin Context, by Ju 43(2)367-69 dith Vander, rev. by Thomas Vennum Jr., SEEGER, ANTHONY (see CHAUDHURI, SHUB 42(2)369-72 HA and ANTHONY SEEGER) SHUKER, ROY, Key Concepts in Popular SEEGER, CHARLES, Studies in Musicol Music, rev. by Victoria Lindsay Levine, ogy II: 1929-1979, rev. by Adelaida Reyes, 44(2)343-47 43(1): 174-77 Signifyin(g), Sanctifyin', & Slam Dunking: SEEGER, PETE, American Favorite Bal A Reader in African American Expressive lads, Vol. 1, rev. by Jorge Ar?valo Mateus, Culture, edited by Gena Dagel Caponi, rev. 48(1): 147-49 by Emmet G. Price III, 46(1): 165-68 "Seguindo a can?ao": engajamento politico SIMONETT, HELENA, Banda: Mexican Musi e industria cultural na MPB (1959 cal Life Across Borders, rev. by Brenda M. 1969) ["Following the song": political Romero, 49(2)312-14 commitment and the culture industry in Singing the Songs of My Ancestors: The Life Brazilian popular music (1959-1969)], by and Music ofHelma Swan, Makah Elder, Marcos Napolitano, rev. by Ernesto Donas, by Linda J. Goodman and Helma Swan, rev. 47(3)387-89 by Melinda Russell, 49(2)327 Seize the Dance:BaAka Musical Life and the SIPOS, J?NOS,/? the Wake ofBart?k in Anato Ethnography of Performance, by Michelle lia, rev. by Benjamin Suchoff, 46(2)342-44 Kisliuk, rev. by Stephen Hill, 46(1): 168-71 Situating Salsa: Global Markets and Local Semiosis in Hindustani Music, by Jos? Meaning in Latin Popular Music, edited Luiz Martinez, rev. by Gordon Thompson, by Lise Waxer, rev. by Frederick Moehn, 43(2)371-73 49(1): 137-42 34 Ethnomusicology, Index Volumes 41-50

Sixties Rock: Garage, Psychedelic, and Other Nineteenth-Century Reform Sources from Satisfactions, by Michael Hicks, rev. by Sha Hamburg: Ancient Tradition in the Dawn ron Carla Hochhauser, 44(3)324-26 of Modernity, by Edwin Seroussi, rev. by SLOANE, CLIFFORD, rev. of Hmong Musi Israel J. Katz, 44(1): 170-72 cians in America, 1978-1997, edited by Speaking of Music: Music Conferences 1835 Amy Catlin, 43(3)378-80 1966, edited by James R.Cowdery,Zdravko SLOBIN, MARK, editor, A merican Klezmer.Its Blazekovi?, and Barry S. Brook, rev. by Ju Roots and Offshoots, rev. by Judah Cohen, dah M. Cohen, 50(1): 145-48 480):442-44 Spectacular Vernaculars: Hip-Hop and the SMALL, CUmsrOPHER,Musicktng: The Mean Politics of Postmodernism, by Russell A. ings of Performing and Listening, rev. by Potter, rev. by Cheryl L. Keyes, 43(1): 179 Charles Keil, 44(1): 161-63 81 SMITH, BARBARA B., rev. o? Maori Music, by SPENCER, JON MICHAEL, Re-Searching Mervyn McLean, 44(2)329-31; rev. of Songs Black Music, rev. by Stephen D. Glazier, of the Caged, Songs of the Free:Music and 42(2)364-66 the Vietnamese Refugee Experience, by Ad The Spirit of Tsugaru: Blind Musicians, elaida Reyes, 46(2)351-53 Tsugaru-jamisen, and the Folk Music of SMITH, RALPH LEE, Appalachian Dulci Northern Japan/With the Autobiography mer Traditions, rev. by Lucy M. Long, of Takahashi Chikuzan, by Gerald Gro 43(2)363-66 emer, rev. by Alison Tokita, 50(l):157-59 The Social History of the Brazilian Samba, SRINIVASAN, S.A. (see BUONOMO, PIA SRINI by Usa Shaw, rev. by Tamara E. Uvingston, VASAN, and S. A. SRINIVASAN) 44(3)321-24 STANCELL, STEVEN, Rap Whoz Who: The SOUS, GABRIEL, rev. o? Jazz Cultures, by Da World of Rap Music Performers, rev. by vid Ake, 47(3)392-95 Judith A. Gray, 42(3)352-53 SOL?S, TED, editor, Performing Ethnomu STEBBINS, ROBERTA., The Barbershop Sing sicology: Teaching and Representation er: Inside the Social World of a Musical in World Music Ensembles, rev. by Sarah Hobby, rev. by Gage Averill, 44(2)341-43 Weiss, 49(3):483-86 The Steelband Movement: The Forging of a Songs in Their Heads:Music and Meaning in National Art in Trinidad and Tobago, by Children's Lives, by Patricia Shehan Camp Stephen Stuempfle, rev. by Shannon Dudley, bell, rev. by Kari Veblen, 45(2)353-55 42(2)366-68 The Songs of Elizabeth Cronin, Irish Tradi STERNE, JONATHAN, The Audible Past: Cul tional Singer: The Complete Song Collec tural Origins of Sound Reproduction, rev. tion, edited by D?ibh? ? Cr?in?n, rev. by by Timothy D. Taylor, 50(3)313-15 Victoria Lindsay Levine, 47(1): 132-36 STEWART, ALEXANDER, rev. of The New Songs of the Caged, Songs of the Free: Music Grove Dictionary of Jazz, 2d ed., edited and the Vietnamese Refugee Experience, by Barry Kernfeld, 47(3)376-80 Adelaida Reyes, rev. by Barbara B. Smith, STOCK JONATHAN, World Sound Matters: 46(2)351-53 An Anthology of Music from Around SONNEBORN, DANIEL ATESH, rev. of Har the World, rev. by Victoria Lindsay Levine, monic Experience, by W. A. Mathieu, 47(l):132-36 45(2)367-69 STOKES, MARTIN, rev. of The Voice of Egypt: SORCE KELLER, MARCELLO, M?sica e socio Umm Kulthum, Arabic Song, and Egyp logia: Una breve storia, rev. by Ilaria Can tian Society in the Twentieth Century, by deloro, 4l(2):287-88; rev. of The Garland Virginia Danielson, 43(1): 177-79 Encyclopedia of World Music. Volume S. STONE, RUTH M., ed., The Garland Encyclo Europe, edited by Timothy Rice, James Por pedia ofWorldMusic.Volume 1:Africa, rev. ter, and Chris Goertzen, 49(3):476-79 by Helen Myers, 47(2):263-67 Sounding the Center: History and Aesthetics STUART, WENDY BROSS (see ENRICO, JOHN, in Thai Buddhist Performance, by Debo and WENDY BROSS STUART) rah Anne Wong, rev. by Margaret Sarkissian, Studies in Musicology II: 1929-1979, by 48(2):283-86 Charles Seeger, rev. by Adelaida Reyes, Sound of Africa: Making Music Zulu in a 43(1): 174-77 South African Studio, by Louise Meintjes, The Study of Jewish Music: A Bibliographi rev. by Michael E.Veal, 49(3):489-93 cal Guide, by Israel Adler, rev. by Judith A. Spanish-Portugese Synagogue Music in Gray,4l(l):127 Book Reviews 35

A Study of Omaha Indian Music, by Alice C. Latin American Culture: Regional Tradi Fletcher assisted by Francis La Flesche, rev. tions, by John Schechter, 48(2):288-90 by Judith A. Gray, 42(1): 165-66 TENZER, MICHAEL, rev. of Gamelan Gong STUEMPFLE, STEPHEN, The Steelband Move Kebyar: The Art of Twentieth-Century Ba ment: The Forging of a National Art in linese Music, by Lisa Gold, 48(2):273-77; Trinidad and Tobago, rev. by Shannon rev. of Voices in Bali: Energies and Per Dudley, 42(2)366-68 ceptions in Vocal Music and Dance The STURMAN, JANET L., Zarzuela:Spanish Op ater, by Edward Herbst; Balinese Music in eretta, American Stage, rev. by John Koegel, Context:A Sixty-Fifth Birthday Tribute to 460)570-71 Hans Oesch, edited by Danker Schaareman, SUCHOFF, BENJAMIN, rev. of In the Wake 43(l):181-86 of Bart?k in Anatolia, by J?nos Sipos, THIELEMANN, SEUNA, The Darbhang? Tra 46(2):342-44;B?la Bart?k: Life andWork, dition: Dhrupada in the School of Pandit rev. by Lynn Hooker, 49(1): 134-37 Vidur Mallik, rev. by Gordon Thompson, Sufi and Pakistan: Sound, 43(3)350-51 Context, and Meaning in Qawwali, by Thinking Musically, by Bonnie C.Wade, rev. Regula Burckhardt Qureshi, rev. by Judith by Daniel Tannehill Neely, 500)502-4 A.Gray,4l(l):128 THOMPSON, GORDON, rev. of Semiosis in SUGARMAN, JANE C, Engendering Song: Hindustani Music, by Jos? Luiz Martinez, Singing and Subjectivity at Prespa Alba 43(2)371-73; rev. of The Darbhang? Tra nian Weddings, rev. by Donna A. Buchanan, dition: Dhrupada in the School of Pan 43(1): 167-71 dit Vidur Mallik, by Selina Thielemann, SULLIVAN, LAWRENCE E., ed., Enchanting 43(3)350-51 Powers: Music in the World's Religions, TICK, JUDITH,!???* Crawford Seeger: A Com rev. by Amnon Shiloah, 44(1): 166-69 poser's Search for American Music, rev. by SUMMITJEFFREY A., The Lord's Song in a Anthony Seeger, 43(1): 171-74 Strange Land:Music and Identity in Con TITON, JEFF TODD, Old-Time Kentucky temporary Jewish Worship, rev. by Elyse Fiddle Tunes, rev. by Chris Goertzen, Carter Vosen, 49(3):493-98 47(2):26l-63 SURJODININGRAT, R. M.WASISTO, An Intro TITON JEFF TODD, and BOB CARLIN, eds., duction to Javanese Gamelan Music, rev. American Musical Traditions, rev. by Larry by Judith A. Gray, 41(3)376 Ward, 49(1): 144-47 SUTTON, R. ANDERSON, Variation in Cen TOKITA, ALISON McQUEEN,Kiyomoto-busbi: tral Javanese Gamelan Music: Dynam Narative Music of the Kabuki Theatre, ics of a Steady State, rev. by Sarah Weiss, rev. by Kimi Coaldrake, 460)560-63; rev. 4l(l):121-24 of The Spirit of Tsugaru: Blind Musicians, SWAN,HELMA (see GOODMAN, UNDAJ., and Tsugaru-jamisen, and the Folk Music of HELMA SWAN) Northern Japan /With the Autobiography ofTakahashi Chikuzan, rev. by Gerald Gro T emer, 50(1): 157-59 The Tale of Crazy Harman: The Musician TOWNSEND, HENRY as told to BILL GREEN and the Concept of Music in the Turkmen SMITH,^ Blues Life, rev. by Stuart L. Goos Epic Tale, Harman Dali, by Slawomira man, 45(2)362-65 Zeranska-Kominek, with Arnold Lebeuf,rev. TOYNBEE JASON, Making Popular Music: by Karl Reichl, 46(3)367-69 Musicians, Creativity, and Institutions, T?nze der Geistermasken im Erdgottkult in rev. by Daniel Cavicchi, 46(1): 179-83 Anhui (China) [Ghost-mask Dances of the TRACEY, STEVEN C, ed., Write Me a Few of Earth God Sect of Ahui Province, China], by Your Lines: A Blues Reader, rev. by Stuart L. Rudolf Maria Brandi and Wang Zhaoqian, Goosman, 45(2)362-65 rev. by Barbara Mittler, 50(3):496-98 Traditionalism and Modernity in the Music TAYLOR, STEVEN, False Prophet: Field Notes and Dance of Oceania: Essays in Honor from the Punk Underground, rev. by Theo of Barbara B. Smith, edited by Helen Cateforis, 49(2)322-24 Reeves Lawrence and Don Niles, rev. by TAYLOR, TIMOTHY D., rev. of The Audible Karl Neuenfeldt, 48(3)300-3 Past: Cultural Origins of Sound Reproduc Tramps Like Us:Music and Meaning among tion, by Jonathan Sterne, 50(3)313-15 Springsteen Fans, by Daniel Cavicchi, rev. TEMPLEMAN, ROBERT W, rev. of Music in by Harris M. Berger, 45(2)357-58 16 EthnomusicoloQV. Index Volumes 41-50

Tropical Truth: A Story of Music and Revolu R. Anderson Sutton, rev. by Sarah Weiss, tion in Brazil, by Caetano Veloso, rev. by 4l(l):121-24 Jesse Samba Wheeler, 48(2):291-93 Varnam: Selected Concert Studies for the TSUGE, GENTCHI, rev. of Music and Song in South Indian Lute, by Emmie te Nijenhuis, Persia: The Art of?v?z, by Lloyd Clifton rev. by David Reck, 47(3)389-92 Miller, 46(2)353-55 VEAL, MICHAEL E? rev. of Sound of Africa: TURlNO,THOMAS,Natlonalists, Cosmopoli Making Music Zulu in a South African Stu tans, and Popular Music in Zimbabwe, dio, by Louise Meintjes, 49(3):489-93;/7??fo/ rev. by Gregory Barz, 49(1): 120-22 The Life and Times of an African Musical TVEIT, SIGVALD, ed., Helge Ingstad: Songs Icon, rev. by John B. Fenn, 50(1): 143-44 of the Nunamiut, Historical Recordings VEBLEN, KARI, rev. of Cross-Currents: Setting and Transcriptions of an Alaskan Eskimo an Agenda for Music Education in Com Community, rev. by Victoria Lindsay Levine, munity Culture?A Colloquium in Music 47(1): 136 Education with Patricia Shehan Campbell 'Twas Only an Irishman's Dream: The Im and Susan R. Wolf, Michael L Mark, Paddy age of Ireland and the Irish in American B. Bowman, edited by Marie McCarthy, Popular Song , 1800-1920, by Wil 4l(3)371-73;rev.of Songs in Their Heads: liam H.A.Williams, rev. by Sean Williams, Music and Meaning in Children's Lives, by 47(1): 127-30 Patricia Shehan Campbell, 45(2)353-55; U rev. o? Passing It On: The Transmission of Music in Irish Culture, by Marie McCarthy, Ukrainian Minstrels:And the Blind Shall 45(3)348-49 Sing, by Natalie Kononenko, rev. by Carl V?LEZ, MARIA TERESA, Drumming for the Rahkonen, 44(2)339-41 Gods: The Life and Times of Felipe Garcia Understanding Charles Seeger, Pioneer in Villamil, Santero, Palero, andAbaku?, rev. American Musicology, edited by Bell Yung by Julian Gerstin, 46(2)337-38 and Helen Rees,rev.byAlbrecht Schneider, VELOSO, CAETANO, Tropical Truth:A Story 46(2)330-34 of Music and Revolution in Brazil, rev. by Uomini e Suoni:Prospettive antropologiche Jesse Samba Wheeler, 48(2): 291-93 nella ricerca musicale, edited by Tullia VENNUM, THOMAS, Jr., rev. of Shoshone Magrini, rev. by Judith A. Gray, 41 ( 1 ): 128 Ghost Dance Religion: Poetry Songs and Great Basin Context, by Judith Vander, V 42(2)369-72 VALENZUELAJOS? MANUEL,/^ de jefes: VENNUM,THOMAS,rev.of Writing American Corridos y narcocultura en M?xico, rev. Indian Music:Historic Transcriptions, No by Alejandro L. Madrid, 49(2)318-20 tations, and Arrangements, by Victoria The Value of Indigenous Music in the Life Lindsay Levine, 480):44O-42 and Ministry of the Church: The United VERNON, PAUL, Ethnic and Vernacular Mu Church in the Duke ofYork Islands, by An sic, 1898-1960:A Resource and Guide drew Midian, rev. by Uza Vick, 46(2)339 to Recordings, rev. by Judith A. Gray, 42 4l(l):125-26 VANDER, JUDITH, Shoshone Ghost Dance VIANNA, HERMANO, The Mystery of Sam Religion: Poetry Songs and Great Ba ba: Popular Music and National Iden sin Context, rev. by Thomas Vennum Jr., tity in Brazil, rev. by Tamara E. Livingston, 42(2)369-72 44(3)321-24 VAN TONGEREN, MARK C, Overtone Sing VICK, UZA, rev. of The Value of Indigenous ing: Physics and Metaphysics of Harmon Music in the Life and Ministry of the ics in East and West, rev. by Melinda Rus Church: The United Church in the Duke sell, 49(2)329 of York Islands, by Andrew Midian; Papers VAN ZILE, JUDY, Perspectives on Korean from the Ivilikou: Papua New Guinea Dance, rev. by Melinda Russell, 49(2)329 Music Conference and Festival (1997), 30 edited by Don Niles and Denis Crowdy; VARGYAS, LAJOS, The Musical World of a 46(2)339-42 Hungarian Village: ?j, 1940, rev. by Bar Videos of African and African-Related Per bara Rose Lange, 47(2):250-52 formance: An Annotated Bibliography, by Variation in Central Javanese Gamelan Carol Lems-Dworkin, rev. by Laura Arntson, Music: Dynamics of a Steady State, by 41(3)369-71 Book Reviews 3 7

The Voice of Egypt: Umm Kulthum, Arabic WEISETHAUNET, HANS, The Performance of Song, and Egyptian Society in the Twenti Everyday Life: The G?ine of Nepal, rev. by eth Century, by Virginia Danielson, rev. by Steven Curtis, 47(3)395-98 Martin Stokes, 43(1): 177-79 WEISS, SARAH, rev. of Variation in Central Voices of the Magi: Enchanted Journeys in Javanese Gamelan Music: Dynamics of Southeast Brazil, by Suzel Ana Reily, rev. by a Steady State, by R. Anderson Sutton, Alexander S. Dent, 49(2)314-15 4l(l):121-24; rev. of Performing Ethno Voices in Bali: Energies and Perceptions musicology: Teaching and Representation in Vocal Music and Dance Theater, by in World Music Ensembles, edited by Ted Edward Herbst, rev. by Michael Tenzer, Solis,49(3):483-86 43(l):181-86 WHEELER, JESSE SAMBA, rev. o? Rhythms of VOLK, THERESE, Music, Education, and Resistance:African Musical Heritage in Multiculturalism: Foundations and Prin Brazil, by Peter Fryer; Brazilian Popu ciples, rev. by Patricia Shehan Campbell, lar Music and Globalization, edited by 43(2)358-61 Charles A. Perrone and Christopher Dunn; Vom t?nenden Wirbel menschlichen Tuns. 46(2)345-48; rev. of Tropical Truth: A Erich M. von Hornbostel als Gestaltpsycho Story of Music and Revolution in Brazil, loge, Archivar und Musikwissenschaftler, by Caetano Ve\oso;Brutality Garden: Trop edited by Sebastian Klotz, rev. by Albrecht ic?lia and the Emergence of a Brazilian Schneider, 43(3)345-47 Counterculture, by Christopher Dunn; VOSEN, ELYSE CARTER, rev. of Music in 48(2):291-93 Lubavitcher Life, by Ellen Koskoff; The When God Is a Customer: Telugu Courtesan Lord's Song in a Strange Land:Music and Songs by Ksetrayya and Others, translated Identity in Contemporary Jewish Worship, and edited by A. K. Ramanujan, Velcheru by Jeffrey A. Summit; 49(3):493-98 Narayana Rao, and David Schulman, rev. by W Judith A. Gray, 41(1): 129 WHITELEY, SHEILA, ed., Sexing the Groove: WADE, BONNIE C, Imaging Sound: An Popular Music and Gender, rev. by Cher Ethnomusicological Study of Music, Art yl L. Keyes, 43(3)351-55 and Culture in Mughal India, rev. by WILCKEN,LOIS E.,rcv.oi Music of the World, Charles Capwell, 43(2)353-55; Thinking by Michel Asselineau, Eugene B?rel, and Musically, rev. by Daniel Tannehill Neely, Tran Quang Hai,4l(l):l 13-16 5O0)5O2-4;Music in Japan, rev. by Joseph WILIIAMS,DRID,"A Reply to Grau,"4l(2):291 Lam, 50(3)305-7 96 WANG ZHAOQIAN (see RUDOLF MARIA WILLIAMS, SEAN, rev. of How Shall We Sing BRANDL and WANG ZHAOQIAN) in a Foreign Land? Music of Irish Catho WARD, LARRY, rev. o? American Musical Tra lic Immigrants in the Antebellum United ditions, by JeffToddTiton and Bob Carlin, States, by Robert R. Grimes; 'Twas Only an editors, 49(1): 144-47 Irishman's Dream: The Image of Ireland WARING, DENNIS G., Manufacturing the and the Irish in American Popular Song Muse: Estey Organs and Consumer Cul Lyrics, 1800-1920, by William H.A.Wil ture in Victorian America, rev. by John liams; 47(1): 127-30; rev. of Ar chreag i lar Ogasapian, 480):458-6O na farraige: amhr?in agus amhr?naithe WAXER, LISE A., rev. of Merengue: Domini i dToraigh (On a rock in the center of the can Music and Dominican Identity, by ocean: songs and singing in Tory), by Ullis Paul Austerlitz; A Day for the Hunter, A ? Laoire, 47(3)384 Day for the Prey: Popular Music and Pow WILLIAMS, SEAN (see MILLER,TERRY E., and er in Haiti, by Gage Averill; 46(3)364-67; SEAN WILLIAMS) The City of Musical Memory: Salsa, Re WILLIAMS, WILLIAM H.A., 'Twas Only an cord Grooves, and Popular Culture in Irishman's Dream: The Image of Ireland Cali, Colombia, rev. by Robin Moore, and the Irish in American Popular Song 48(3):451-53; ed., Situating Salsa: Glob Lyrics, 1800-1920, by William H.A.Wil al Markets and Local Meaning in Latin liams, rev. by Sean Williams, 47(1): 127-30 Popular Music, rev. by Frederick Moehn, WILLIAMSON, MURIEL C., The Burmese Harp: 49(1): 137-42 Its Classical Music, Tunings, and Modes, Weavers of Song, by Mervyn McLean, rev. by rev. by Paul Greene, 50(1): 159-61 Richard Moyle, 45(1): 172-74 Wired for Sound: Engineering and Sonic 38 Ethnomusicology, Index Volumes 41-50

Cultures, edited by Paul D. Greene and Yodeling in Dairyland.A History of Swiss Thomas Porcello, rev. by Deborah Wong, Music in Wisconsin, by James P. Leary, rev. 50(3)309-13 by Melinda Russell, 49(2)328 WITMER, SUNNI (see DAVIS, MARTHA ELLEN, "You Better Work": Underground Dance Mu andSUNNIWITMER) sic in New York City, by Kai Fikentscher, WITZLEBEN J. LAWRENCE, rev. of Musique rev. by Eliot Bates, 49(2)316-18 de Taiwan, by HsuTsang-Houei and Cheng YUNG, BELL, and HELEN REES, eds., Under Shui-Cheng, 42(1): 162-65 standing Charles Seeger, Pioneer in Ameri WOLF,RICHARD K.,rev.of The Garland Ency can Musicology, rev. by Albrecht Schneider, clopedia of World Music. Volume 5: South 46(2)330-34 Asia, The Indian Subcontinent, edited by YUNG, BELL, rev. o? Mathematical Rhythmic Alison Arnold, 48(2):278-83; The Black Structure of Chinese Percussion Music, by Cow's Footprint: Time, Space, and Music Boyu Zhang, 43(2)369-71 in the Lives of the Kotas of South India, rev. by Roderic Knight, 50(3)300-502 WOLFE, CHARLES K.,e?.,Folk Songs of Mid ZAGRETDINOYROBERTA., The Art of Kubyz dle Tennessee: The George Boswell Collec Playing, rev. by Victoria Lindsay Levine, tion, rev. by Judith A. Gray, 42(3)353-54 47(1): 132-36 WOLLMAN, EUZABETH L.,rev.oiRockin'Las ZAHN,HENMCH,Mlssion and Music:Jab?m Americas: The Global Politics of Rock in Traditional Music and the Development Latin/o America, edited by Deborah Pacini of Lutheran Hymnody rev. by Molly Elder, Hernandez, H?ctor Fern?ndez L'Hoeste, and 43(2)361-63 Eric Zolov; Right to Rock: The Black Rock Zarzuela:Spanish Operetta, American Stage, Coalition and the Cultural Politics of by Janet L. Sturman, rev. by John Koegel, Race, by Maureen Mahon, 50(3)307-9 460)570-71 WONG, DEBORAH, "Texts and Educational ZERANSKA-KOMINEK, SLAWOMIRA, rev. of Resources: Pedagogy as Canon Forma The Hundred Thousand Fools of God: tion," 45(3)342-48; Sounding the Center: Musical Travels in Central Asia (and History and Aesthetics in Thai Buddhist Queens, New York), by Theodore Levin, Performance, rev. by Margaret Sarkissian, 44(1): 163-66 48(2):283-86; rev. of Wired for Sound: ZERANSKA-KOMINEK, SLAWOMIRA, with AR Engineering and Sonic Cultures, edited NOLD LEBEUF, The Tale of Crazy Harman: by Paul D. Greene and Thomas Porcello, The Musician and the Concept of Music 50(3)309-13 in the Turkmen Epic Tale, Harman Dali, The World of the Gorrlaus Sl?tts: A Mor rev. by Karl Reichl, 460)567-69 phological Investigation of a Branch of ZHANG, BOYU, Mathematical Rhythmic Norwegian Fiddle Music Tradition, by Structure of Chinese Percussion Music, rev. Morton Levy, rev. by Sharon Poulson Graf, by Bell Yung, 43(2)369-71 42(1): 160-62 ZIEGLER,SUSANNE (see LOTZ,RAINER E., AN World Sound Matters: An Anthology of Mu DREAS MASEL, and SUSANNE ZIEGLER) sic from Around the World, by Jonathan ZIFF, BRUCE, and PRATIMAV RAO, eds., Bor Stock, rev. by Victoria Lindsay Levine, rowed Power: Essays on Cultural Appropri 47(l):132-36 ation, rev. by Judith A. Gray, 42(3)351-52 Write Me a Few ofYour Lines: A Blues Reader, ZIMIA: The Forming of a Music Industry As edited by Steven C. Tracey, rev. by Stuart L. sociation in Zimbabwe, by Stephen Rosk Goosman, 45(2)362-65 illy, Louis Mhlanga, et al., rev. by Gregory F. Writing American Indian Music: Historic Barz, 46(2)344-45 Transcriptions, Notations, and Arrange ZOLOV, ERIC, Refried Elvis: The Rise of The ments, by Victoria Lindsay Levine, rev. by Mexican Counterculture, rev. by Peter Gar Thomas Vennum, 48(3):440-42 cia, 47(2):254-55 Y ZOLOV, ERIC (see HERNANDEZ, DEBORAH PACINI, H?CTOR FERN?NDEZ L'HOESTE, YEH, NORA, rev. of In Search of a Voice: Ka and ERIC ZOLOV) raoke and the Construction of Identity A Zulu Song Book (Amagama Abantu), by in Chinese America, by Casey Man Kong John L. Dube and Nokutela Dube, rev. by Lum, 41(3)365-67 Judith A. Gray, 42(1): 165-66 Index to Titles of Recordings Reviewed, and Reviewers of Recordings

(Note: SF and SFW = Smithsonian/Folkways; Aqakh?n Abdullaev, Trio Zulfi Adig?zelov WMN = World Music Network; LYRCD = Lyr (In?dit W260052), rev. by Inna Narodits ichord) kaya, 44(3)339-44 A Aqakh?n Abdullaev, Trio Zulfi Adig?zelov (In?dit W260052), rev. by Jean During, Abruzzo (Rounder 11661-1811-2), rev. by 44(3)329-38 Tullia Magrini, 47(3):425-31 ARNOLD, AUSON, rev. of The Rough Guide Adeus & Aloha: The Portuguese Heritage of to (WMN RGNET 1074); The Hawai'i (PAN Ethnic Series 2101), rev. by Rough Guide to Bollywood Legends: Andrew N. Weintraub, 49(2)336-38 (WMN RGNET 1132); Afrique-Am?rique: Tambours de la Terre 1 49(1): 157-61 [Drums of the Earth 1] (Auvidis B 6773), Asie: Tambours de la Terre 2 [Drums of the rev. by Michael Bakan, 41(2)303-13 Earth 2] (Auvidis B 6774), rev. by Michael Ai'cha mint Chighaly.Griote deMauretanie Bakan, 41(2)303-13 (In?dit W260078), rev. by Roderic Knight, Asmat Dream. New Music of Indonesia, Vol 43(1): 187-90 ume 1 (Sunda) (LYRCD 7415), rev. by Jack Akira (JVC JMI1001), rev. by Jody Diamond, Body, 42(1): 184-87 42(1): 174-83 Atilio Reynoso, Vol. 2. Cantares tradicionales Alem Kassimov (In?dit W260012), rev. by de la provincia de Buenos Aires, Rep?blica Jean During, 44(3)339-44 Argentina (Discos Melopea CDMPV 1169), Alem Kassimov 2 (In?dit W260015), rev. by rev. by Jane L. Florine, 49(1): 151 -54 Inna Naroditskaya, 44(3)339-44 At the Court of the Mwani, Rwanda, 1952 American Warriors:Songs for Idian Veterans (Sharp Wood Productions SWP 007/HT 01), (Rykodisc RCD 10370), rev. by Tara Brown rev. by Ruth M. Stone, 45(1): 181-84 er, 43(2)385-86 AVERILL, GAGE, rev. of Caribbean Voyage: The American Works for Balinese Gamelan Or 1962 Field Recordings: Caribbean Sam chestra (New World 80430-2), rev. by Jody pler (Rounder 1721); Trinidad: Carnival Diamond, 42(1): 174-83 Roots (Rounder 1725); Carriacou Calaloo Angels in the Mirror: Vodou Music of Haiti (Rounder 1722); Saraca: Funery Music of (Ellipsis CD 4120), rev. by Michael Largey, Carriacou (Rounder 1726-2); Tombstone 46(1): 184-86 Feast: Funery Music of Carriacou (Round Anthologie du Mugam d'Azerba?djan: see er 1727); Grenada: Creole and Yoruba Alem Kassimov, vols. 1-2 (In?ditW260012, Voices (Rounder \728); Dominica: Creole W260015); H?ji Baba Huseynov, vol. 3 Crossroads (Rounder 1724); Nevis and (In?dit W260026); Trio Jabb?r Garyagh St. Kitts: Tea Meetings, Christmas Sports, duoghlu, vol. 4 (In?dit XV260037); Sakine Is & The Moonlight Night (Rounder 1731); mailova, vol. 5 (In?dit W26Q049);Aqakh?n Martinique: Cane Fields and City Streets Abdullaev, Trio Zulfi Adig?zelov, vol. 6 (Rounder 1730); East Indian Music in the (In?dit W260052); Djanali Akberov, Trio West Indies (Rounder \732);Brown Girl in Khan Shushinski, vol. 7 (In?dit W260069); the Ring (Rounder 1716); 47(2):272-78 Gandab Gulieva, vol. 8 (In?dit W260077); Azerba?djan: Le garmon deAydinAliev:Mu rev. by Jean During, 44(3)329-38 sique du Monde (Ruda 92701-2), rev. by Anthologie du Mugam d'Azerba?djan: see Inna Naroditskaya, 47(3):432-37 Alem Kassimov, vol. 2 (In?dit W260015); Azerba?djan:Le tar de Malik M?nsurov:Mu Aqakh?n Abdullaev, Trio Zulfi Adig?zelov, sique du Monde (Ruda 92696-2), rev. by vol. 6 (In?dit W260052); rev. by Inna Nar Inna Naroditskaya, 47(3):432-37 oditskaya, 44(3)339-44 Azerba?djan (Ocora Radio C 560013), Anthology of Korean Traditional Folksongs rev. by Inna Naroditskaya, 440)539-44 [Han'guk minyo taej?n] (12 CDs,Kirin Mu Azerba?djan, L'Art du (Ocora Radio sic Publishing/MBC Radio), rev. by Keith France C 560013), rev. by Inna Narodits Howard, 45(3)321-24 kaya, 44(3)339-44

? 2008 by the Society for Ethnomusicology

University of Illinois Press , Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org 40 Ethnomusicology, Index Volumes 41-50

Azerba?djan: Musique traditionnelle (Insti of War: Rahim Alhaj (Voxlox 103), tut du Monde Arabe, Ref 50307/8), rev. by 48(3):479-81 Jean During, 44(3)329-38 Brotherhood of Brass (PIR 1683), rev. by El liot Simon and Jil Simon, 48(1): 162-64 Brown Girl in the Ring (Rounder 1716), rev. The Bahamas: Islands of Song (SF CD 40405), by Gage Averill, 47(2):272-78 rev. by Robin D. Moore, 44(2)354-56 BROWNER,TARA, rev. of American Warriors: BAKAN,MCHAELB.,"I\)lya?tiiralPolyihythms: Songs for Indian Veterans (Rykodisc RCD World Percussion Compilation Recordings," 10370), 43(2)385-86 rev. of Afrique-Am?rique: Tambours de la BUCHANAN, DONNA A., "Bulgaria's Magical Terre 1 [Drums of the Earth 1] (Auvidis B Myst?re Tour: Postmodernism, World Music 6773);Asie: Tambours de la Terre 2 [Drums Marketing, and Political Change in Eastern of the Earth 2] (Auvidis B 677^Percussions Europe," review essay, rev. of Bulgarian Po d'Asie [Asian Percussions] (Playasound-PS lyphony (JVC CD Ethnic Sound Series 35 and 65026); Tambours du Monde [Drums of 35);Le Chant des Femmes Bulgares (Auvidis the World] (Playasound-PS 65026); The Big A6l38);Melody Rhythm & Harmony. Tour Bang: In the Beginning Was the Drum (El 93 (Rhmo);Missa Primi Toni de Pier Luigi lipsis CD 3401-03); 41(2)303-13; rev. of da Palestrina par les Voix Bulgares (Bal The Roots of Gamelan: The First Record lon Noir/Lambarena, Paris); Le Myst?re des ings, Bali, 1928, New York, 1941 (Arbiter Voix Bulgares (4AD CAD 603, reissue from Recording Co.), 48(1): 149-50 Disques Cellier); Le Myst?re des Voix Bul Balinese Music in America. Gamelan Sekar gares, vol. 1 (Elektra/Asylum/Nonesuch 9 Jaya (GSJ-011), rev. by Jody Diamond, 79165-1, LP);Z?? Myst?re des Voix Bulgares: 42(1): 174-83 A Cathedral Concert (Polygram Classics and Bandone?n Pure: Dances of Uruguay Jazz, Jaro at New Impression Series 314 510 (SF CD 40431), rev. by Jane L. Florine, 794-2); Le Myst?re des Voix Bulgares:From 41(2)301-3 Bulgaria with Love (Mesa R2 79040); Le B.A.NG (BayArea New Gamelan) (American Myst?re des Voix Bulgares: Laie Li Si Garo Gamelan Institute cassette AGIO 1), rev. by 4178-2);Le Myst?re des Voix Bulgares:Mel Jody Diamond, 42(1): 174-83 ody, Rhythm & Harmony (Mesa R2 79058); Bardes de l'Himalaya:N?pal/Inde (Le Chant Le Myst?re des Voix Bulgares: Ritual (Elek du Monde, CNR 2741080), rev. by Pirkko tra/Nonesuch 79349-2); Le Myst?re des Moisala, 46(2)359-61 Voix Bulgares, vol. 2 (Elektra/Nonesuch/ BARZ, GREGORY F., rev. of Tanzanie:Chants Nonesuch 79201-4); Le Myst?re des Voix des Wagogo et des Kuria (In?dit W260041), Bulgares, vol. 3 (Fontana/Polygram 846 44(2)348-50 626-4); The Mysterious Voices of Bulgaria bayaka: The Extraordinary Music of the (Laserlight 15 344); La Voix Bulgares (The Babenz?l? Pygmies (Ellipsis CD 3490), rev. Classical Society CSCD 101);4l(l):131-57; by Michelle Kisliuk, 41(1): 171-74 rev. of Song of the Crooked Dance: Early Beauty in the Beast, by Wendy Carlos, rev. by Bulgarian Traditional Music 1927-42 (Ya Jody Diamond, 42(1): 174-83 zoo 7016); 44(2)350-52 BEKEN, MUNIR, rev. of Cantemir: Music in Buddhadev Das Gupta: (IAM CD Istanbul and Ottoman Europe around 1038), rev. by Peter Manuel, 45(2)370-75 1700 (GHP 019-2), 49(3)301-06 Bulgarian Polyphony (JVC CD Ethnic Sound Bewaare?They Are Coming: Dagaare Songs Series 35 and 35), rev. by Donna Buchanan, and Dances from Nandom, Ghana (PAN 4l(l):131-57 2052CD), rev. by Roger Vetter, 44(2)352 "Bulgaria's Magical Myst?re Tour: Postmodern 54 ism, World Music Marketing, and Political The Big Bang: In the Beginning Was the Change in Eastern Europe "review essay by Drum (Ellipsis CD 3401-03), rev. by Mi DonnaA. Buchanan, 41(1): 131-57 chael B. Bakan, 41(2)303-13 Burkina Faso: La Voix de Peuls (CNR BODY, JACK, rev. of New Music of Indonesia: 2741079), rev. by Roderic Knight, Asmat Dream, Volume 1 (Sunda) (LYRCD 43(1): 187-90 74\5);Mana 689, Volume 2 (CentralJava) (LYRCD 7420); Karya, Volume 3 (LYRCD 7420); 42(1): 184-87 Calabria (Rounder 11661-1803-2), rev. by BOHLMAN, PHILIP, Iraqi Music in a Time Tullia Magrini, 47(3):425-31 Recording Reviews 41

CAMPBELL, PATRICIA SHEHAN, rev. of six C?te d'Ivoire: Music of the W? (Gu?re) (Le CDs by Ella Jenkins: Counting Games Chant du Monde CNR 2741105), rev. by and Rhythms for the Little Ones (SF CD Daniel Reed, 47(3):4l9-23 45029); Early, Early Childhood Songs (SF Counting Games and Rhythms for the Little CD 45015);Holiday Times (SF CD 45041); Ones (SF CD 45029), rev. by Patricia Shee Jambo and Other Call and Response han Campbell, 46(2)356-59 Songs and Chants (SF CD 45017); Songs Craggvale Gamelan (independently pro Children Love to Sing (SF CD 45042); duced cassette), rev. by Jody Diamond, Songs and Rhythms from Near and Far 42(1): 174-83 (SF CD 45033); 46(2)356-59 Creative Traditional Orchestral Music Candombl? de Angola: Afro-Brazilian Ritual (Ch'angjak kugak kwanhy?nak) (12 CDs, Music (In?dit W260091), rev. by Philip Gal KoreanTraditional Music & Publishing), rev. insky, 46(1): 186-89 by Keith Howard, 45(3)324-27 Cantemir: Music in Istanbul and Ottoman Cuba in Washington (SF CD 40561), rev. by Europe around 1700 (GHP 019-2), rev. by Robin D. Moore, 44(2)354-56 Munir Beken, 49(3)301-06 D Capoeira Angola from Salvador, Brazil. Grupo de Capoeira Angola Pelourinho Dance of the Idiots (TZ 7179), rev. by Elliot (SF CD 40465), rev. by Kathleen O'Connor, Simon andjil Simon, 48(1): 162-64 41(2)319-23 DAVIS, SARA, rev. of South of the Clouds: In CARLOS,WENDY,Beauty in the Beast, rev.by strumental Music of , vols. 1 and Jody Diamond, 42(1): 174-183 2,48(2)308-9 Caribbean Sampler (Rounder 1721), rev. by DAWE, KEVIN, rev. of Vocal Music of Crete Gage Averill, 47(2):272-78 (SFW CD 40437), 46(2)364-65 Caribbean Voyage: The 1962 Field Re Debashish Bhattacharya: Hindustani Slide cordings, 11 CDs rev. by Gage Averill, Guitar (IAM CD 1026), rev. by Peter Man 47(2):272-78 uel, 45(2)370-75 Carriacou Calaloo (Rounder 1722), rev. by Desert Blues [Ambiances du Sahara] (West Gage Averill, 47(2):272-78 deutscher Rundfunk, World Network A Celebration of . Gamelan Lake of the 58.774), rev. by Roderic Knight, 43(1): 187 Silver Bear (independently prod.), rev. by 90 Jody Diamond, 42(1): 174-83 DIAMOND, BEVERLEY, rev. of Heartbeat 2: Ceol Mor, Ceol Beag (Temple COMD2018), More Voices of First Nations Women (SF rev. by Jeffrey P.Williams, 43(l):191-94 CD 40455), 47(3):414-17 Le Chant des Femmes Bulgares (Auvidis A DIAMOND, JODY, "Out of Indonesia: Glob 6l38),rev.by Donna Buchanan,4l(l):131 al Gamelan," review essay, rev. of A Cel 57 ebration of Gongs, Gamelan Lake of the CHARRY, ERIC, rev. of Niger. Peuls Wodaabe: Silver Bear (independently produced); Chants du Worso/Wodaabe Fulani: Akira (JVC JMUOOl); American Works Worso Songs. Singer-Dancers of the for Balinese Gamelan Orchestra (New Gojanko? Lineage (In?dit W260081), World 80430-2);BANG. (BayArea New 48(l):153-55 Gamelan) ( Institute Chinese Buddhist Music: Chinese Bud cassette AGIO 1); Balinese Music in Amer dhist Ceremonies Recorded by John ica, Gamelan Sekar Jaya (GSJ-011); Beauty Levy (LYRCD-7222), rev. by Hwee-SanTan, in the Beast, by Wendy Carlos; Complete 49(3)306-09 Gamelan (Propellor Island, ); Crag Cig?ny folkl?r: Magyarorsz?g?Romania. gvale Gamelan (independently produced Gypsy Folklore: Hungary?Romania, rev. cassette); East Coast-West Coast:Ameri by Barbara Rose Lange, 48(l):155-58 can Music for Gamelan (independently Classic Ballads of Britain and Ireland, vols. produced cassette); Gamelan as a Second I and 2: Storytelling Ballads, as Included Language, Gamelan Son of Lion (GSOL in Francis Child's English and Scottish CD-2); Hati-Hati (XOPF NR. 17);/? Cel Popular Ballads (1882-1898) (Rounder ebration of Golden Rain (Opus One 155); 11661-1775-2, 11661-1776-2), rev. by Intergalactic Gamelan (independently James Porter, 48(1): 158-61 produced cassette); Ketu (World Lan Complete Gamelan (Propellor Island, Berlin), guage Rhythm vBr 2117 2); Lilin Dewa rev. by Jody Diamond, 42(1): 174-83 (Side Effects DFX 26);Lolongkrang (Sakti, 42 Ethnomusicology, Index Volumes 41-50

SAKTI 33); Lou Harrison: Gamelan Mu Azerba?djan: Musique traditionnelle (In sic (Music Masters 01612-67091-2); Met stitut du Monde Arabe, Ref 50307/8); Alim alworks (Practical 6); Music from Java Qasimov Ensemble (Network LC6769, and America (independently produced Frankfurt, Ger); 44(3)329-38 cassette); Music of Bali, Indonesia (Pro lific );New Gamelan/New York, Gamelan Son of Lion (GSOL CD-I); Palace (Artifact Early, Early Childhood Songs (SF CD Music ART-012); Parrot Soup (Keda KED 45015), rev. by Patricia Sheehan Campbell, CD25); Suite for Javanese Gamelan and 46(2)356-59 Synthesizer, Robert Macht (MACH001 East Coast-West Coast: American Music for CD); Tabuh Pacific: New Compositions Gamelan (independently produced cas for Gamelan (Ode CD MANU 1514); sette), rev. by Jody Diamond, 42(1): 174-83 Trance Gong (?What Next? Recordings East Indian Music in the West Indies (Round WN0016); 42(1): 174-183; rev. of Music er 1732), rev. by Gage Averill, 47(2):272 of the , vol. 1-2 78 (Vital 401,402);42(1):187-188 Echoes of the Forest: Music of the Central DILUNG, MARGARET W, rev. of The Sound African Pygmies (Ellipsis CD 4020), rev. by of the Games: Music for the 1996 Centen Michelle Kisliuk, 41(1): 165-71 nial Olympics (Atlanta Centennial Olym Ella Jenkins: Growing Up with Ella Jenkins pic Properties); Su m mon the Heroes (Sony (SFW CD 45032), rev. by Amanda Minks, Classical); Rhythm of the Games (LaFace ); 48(2):299-308 Voces Unidas (EMI Latin); One Voice (MCA, Ella Jenkins: Little Johnny Brown and Other MCAD 11403); People Make the World Go Songs with Girls and Boys from Uptown Round (Mojazz); 41(2)313-19 Chicago (SFW CD 45026), rev. by Amanda The Discoteca Collection: Miss?o de Pesqui Minks, 48(2):299-308 sas Folcl?ricas (Rykodisc RCD 10403), rev. Emilia-Romagna (Rounder 11661-1804-2), by Patricia Sandler, 43(3)369-71 rev. byTullia Magrini, 47(3):425-31 The Divas from Mali: Kandia Kouyat?, EMOFF, RON, rev. o? Madagascar C?te Ouest: Mah Damba, Sali Sidib?, Oumou San Antandroy, Masi-koro, Vezo (Philips Music gar? (Westdeutscher Rundfunk, World Group France: Prophet 25), 47(2):278-80; Network 28.301), rev. by Roderic Knight, rev. of Rene Lacaille: Mapou (TUGCD 43(1): 187-90 1033), 50(1): 166-68 Djanali Akberov; Trio Kh?n Shushinski Espagne.Val?ncia, Cant d'Estil:Joutes chan (In?dit W260069), rev. by Jean During, t?es [Singing Contests] (Ocora Radio 44(3)329-38 France C560189/HM76), rev. by Carles Pi Dominica: Creole Crossroads (Rounder taren, 50(3): 517-19 1724), rev. by Gage Averill, 47(2):272-78 Eternal Music of Bukharian Jewish Hymns Drama e Fetiche: Vodum, Bumba-Meu-Boi [Volume III], rev. by Evan Rapport, e Samba no Benim (Centro Nacional de 49(l):154-57 Folclore e Cultura Popular, DSFB48), rev. by F Philip Galinsky, 46(1): 186-89 Drumming and Chanting in God's Own "Fifteen CDs of Hindustani Music: A Review Country: The Temple in Essay," by Peter Manuel, 45(2)370-75 South India (TSCD922), rev. by Zoe C. Fire in the Mountains: Polish Mountain Sherinian,48(3):473-75 Fiddle Music, Vol. l.The KarolStoch Band DURING, JEAN, rev. of A nthologie du Mugam (Yazoo 7012), rev. by Barbara Rose Lange, d'Azerba?djan:Alem Kassimov, vols. 1-2 47(1):140-41 (In?dit W260012, W260015); H?ji B?b? FLORINE, JANE L? rev. of Bandone?n Pure: Huseynov, vol. 3 (In?dit W260026); Trio Dances of Uruguay (SF CD 40431), Jabb?r Garyaghduoghlu, vol. 4 (In?dit 41(2)301-03; rev. of Atilio Reynoso, W260037); Sakine Isma?lova, vol. 5 (In Volume 2. Cantares tradicionales de la ?dit W260049); Aqakh?n Abdullaev, Trio provincia de Buenos Aires, Rep?blica Ar Zulfi Adig?zelov, vol. 6 (m?dit W260052); gentina (Discos Melopea CDMPV 1169), Djanali Akberov, Trio Kh?n Shushinski, 49(l):151-54 vol. 7 (In?dit W260069); Gandab Gulieva, Folk Music and Song of Italy: A Sampler vol. 8 (In?dit W260077); Trio Sakin? Is (Rounder 11661-1801-2), rev. byTullia mailova (Institut du Monde Arabe, Ref 300); Recording Reviews 43

France:Landes de Gascogne/La Cornemuse (1906) (OEAW PHA CD 13); Series 5/2: (Ocora Radio France C560051), rev. by Jef The Collections of Rudolf Trebitsch: Celtic frey P.Williams, 43(l):191-94 Recordings: Ireland, Wales, Brittany, Isle From the Tobacco Road of Cuba (Alula of Man, and Scotland (1907-09) (OEAW ALU 1011), rev. by Carola Schormann, PHA CD 14); Series 5/3: The Collections 49(1): 169-71 of Rudolf Trebitsch: Basque Recordings (1913) (OEAW PHA CD 15); Series 7: Ru dolf P?ch's Kalahari Recordings (1908) GALINSKY, PHIUP, rev. of Mangueira: Sam (OEAW PHA CD 19); 49(2)331-36 bas de Terreiro e Outros Sambas (Projeto GREENE, PAUL, rev. of Masterdrummers of Pela Memoria do Samba, Arquivo Mu Nepal Present Auspicious Drumming sical I) (Arquivo Geral da Cidade do Rio Traditions of Bhaktapur; Music of the de Janeiro, CRILSM99CD); Candombl? de Sherpa People of Nepal LShebru Dance Angola:Afro-Brazilian Ritual Music (\n Songs from the Everest Region (Eco Hi ?ditW260091);?>rawfl e Fetiche: Vodum, mal),47(l):l45-49 Bumba-Meu-Boi e Samba no Benim (Cen Grenada:Creole andYoruba Voices (Rounder tro Nacional de Folclore e Cultura Popular, 1728), rev. by Gage Averill, 47(2):272-78 DSFB48); 46(1): 186-89 GROEMER, GERALD, rev. of Yomigaeru Gamelan as a Second Language, Gamelan Oppekepee: 1900-nen Pari-banpaku Son of Uon (GSOL CD-2), rev. by Jody Dia no Kawakami ichiza (TOCG 5432), mond, 42(1): 174-83 48(2):296-99; rev. oiZensh? Nihonfukiko Gandab Gulieva (In?dit W260077), rev. by mi kotohajime: 1903-nen Gaizubaagu Jean During, 44(3)329-38 rek?dtnguzu (EMI Angel [Japan] TOCF GARFIAS, ROBERT, rev. of Mahagit?: Harp 59061-71); Giday? tokush?: Takemoto and Vocal Music of Burma (SFW CD Koshijitay? (Victor VZCG 8139-8149); 40492), 48(1): 151-52 Kiyomoto Shizutay? zensh?: Kiyomoto Gazeller: 78 Devirii Tas Plak Kayttlart, rev. by goj?-ban (Victor VZCG 8085-8104); John Morgan O'Connell, 47(3)399-414 Sanze s?nishiki bunsh? (Victor VZCG Giday? tokushw Takemoto Koshijitay? (Vic 8228-8233); Shinsen: Fujii Kunie? tor VZCG 8139-8149), rev. by Gerald Gro S?kyokujiuta no sekai (Columbia COCJ emer,49(l):l6l-68 32046-50); Ningen kokuh? .Yamaguchi GORLINSKI, GINI, rev. o? Music of Indone Gor??Shakuhachi no shinzui (Victor sia, Volume 16: Music from the South VZCG 8066-77); 49(1): 161-68 east: Sumbawa, Sumba, Timor (SFW CD GROESBECK, ROLF, rev. of Kerala (South 40443); Music of Indonesia, Volume 17: India): Pulluvan Songs [Kerala (Inde du Kalimantan: Dayak Ritual and Festival Sud): Le chant des Pulluvan] (VDE CD Music (SFW CD 40444); Music of Indone 1147), 50(3)319-22; rev. of Qambel Mu sia, Volume 18: Sulawesi Festivals, Funer ran: Syriac Chants from South India (PAN als, and Work (SFW CD 40445); Music of 2085), 48(1): 145-47 Indonesia, Volume 19: Music of Malaku: Halmahera, Buru, Kei (SFW CD 40446); Music of Indonesia, Volume 20: Indone HAGSTR?M, KRISTINA, rev. o? M?sica Sveci sian Guitars (SFW CD 40447); Music of ae?Folk Music in Sweden 2 41(3)379 Indonesia: Discover Indonesia (SFW CD 81 40484); 46(3)341-48 H?ji B?b? Huseynov (In?dit W260026), rev. GRAY, JUDITH, rev. of Sound Documents by Jean During, 44(3)329-38 from the Phonogrammarchiv of the Aus HARRISON, LOU, Lou Harrison: Gamelan trian Academy of Sciences: The Complete Music (Music Masters 0l6l2-67091-2),rev. Historical Collections 1899-1950; Series by Jody Diamond, 42(l):174-83 1: The First Expeditions 1901 to Croa Hati-Hati (XOPF NR. 17), rev. by Jody Dia tia, Brazil, and the Isle of Lesbos (OEAW mond, 42(1): 174-83 PHA CD 7); Series 3-' Papua New Guinea Havana, Cuba, ca. 195 7:Rhythms and Songs (1904-1909): The Collections of Rudolf for the Orishas (SFW 40489), rev. by Carola P?ch, Wilhelm Schmidt, and Josef Win Schormann, 49(1): 169-71 thuls (OEAW PHA CD 9); Series 5/1: The Heartbeat 2: More Voices of First Nations Collections of Rudolf Trebitsch: Record Women (SF CD 40455), rev. by Beverley ings from Greenland (Kalaalit Nunaat) Diamond, 47(3):414-17 44 Ethnomusicology, Index Volumes 41-50

HENDERSON, DAVID, rev. of Lost Songs of the Silk Road: Persian and Indian Im J provisations: Ghazal (Shanachie 64096); Jali Kunda: Griots ofWest Africa and Beyond India: Dhrupad of Darbhang?: The Mal (Ellipsis CD 3510), rev. by Roderic Knight, lik Family (Disques VDE-Gallo CD-1006); 43(1): 187-90 47(2):280-83; rev. o? Music of the Sherpa Jambo and Other Call and Response Songs People II:Ritual Music and Masked Danc and Chants (SF CD 45017), rev. by Patricia es (Eco Himal); Rai Songs and Rituals (Eco Sheehan Campbell, 46(2)356-59 Himal); 49(1): 148-51 Jarana's Four Aces (los cuatro ases de la Het daghet inden Oosten: It's Dawning in jarana). Vocal duets from the streets of the East, Bagpipes of the Low Countries Lima (TSCD926), rev. by Dale A. Olsen, (PAN 2025CD), rev. by Jeffrey P. Williams, 50(1):168-71 43(l):191-94 Java: Tembang Sunda, po?sie chant?e sun "Historical Recordings by Hugh Tracey," rev. danaise [Sundanese ] fln?dit by Ruth M. Stone, 45(l):181-84 W260056), rev. by R. Anderson Sutton, Holiday Times (SF CD 45041), rev. by Patricia 43(3)360-67 Sheehan Campbell, 46(2)356-59 Jemblung and Related Narrative Traditions HOWARD, KEITH, rev. o? Anthology of Ko of Java (PAN 2048CD), rev. by R.Anderson rean Traditional Folksongs [Han'guk Sutton, 43(3)360-67 minyo taej?n] (12 CDs, Kirin Music Pub JENKINS, ELLA, Counting Games and lishing/MBC Radio), 45(3)321-24; rev. of Rhythms for the Little Ones (SF CD 45029); Creative Traditional Orchestral Music Early, Early Childhood Songs (SF CD [Ch'angjak kugak kwanhy?nak] (12 CDs, 45015); Holiday Times (SF CD 4504\)Jam Korean Traditional Music & Publishing), and Other Call and Response Songs 45(3)324-27 and Chants (SF CD 45017); Songs Chil dren Love to Sing (SF CD 45042); Songs and Rhythms from Near and Far (SF CD In Celebration of Golden Rain (Opus One 45033); rev. by Patricia Shehan Campbell, 155), rev. by Jody Diamond, 42(l):174-83 46(2)356-59 Inde du Sud: O. K. Subramaniam: Le n?gaswaram dans la tradition carna tique [Southern India: O. K. Subramaniam: Kalimba and Kalumbu Songs, Northern N?gaswaram in the Carnatic Tradition] Rhodesia, 1952 & 1957 (SWP 010/HT 04), (In?dit W 260119), rev. by YoshitakaTerada, rev. by Ruth M. Stone, 45(l):181-84 50(3)322-24 KARTOMI, MARGARET, rev. of Wayang Golek: India: Dhrupad of Darbhang?: The Mallik The Sound and Celebration of Sunda Family (Disques VDE-Gallo CD-1006), rev. nese Puppet Theater (Multicultural Media by David Henderson, 47(2):280-83 MCM3019-24), 47(3):423-24 India: A Musical Anthology (Rounder Karya Volume 3 (IYRCD 7420), rev. by Jack 82161-1755-2), rev. by Sarah Morelli, Body, 42(1): 184-87 480):475-78 KASSEBAUM, GAYATHRIRAJAPUR and YOSH "IndonesianTraditions on Disc: The Rhetoric ITAKA TERADA, rev. of Vijayawada 1963: of the Ethnomusicological Recording," rev. Voleti and Friends; Tribute by T. Viswa by Marc Perlman o? Music of Indonesia, nathan (Performing and Media Arts PMA vol. 1-12 (SF CDs 40055-57, 40420-28), 1048),47(l):138-40 42(1): 167-74 Kerala (South India): Pulluvan Songs [Ker Intergalactic Gamelan (independently pro ala (Inde du Sud): Le chant des Pulluvan] duced cassette), rev. by Jody Diamond, (VDE CD-1147), rev. by Rolf Groesbeck, 42(1): 174-83 50(3)319-22 In the Time of My Fourth Great-Grandfa Ketu (World Language Rhythm vBr 2117 2), ther... : Western Sisaala Music from Lam rev. by Jody Diamond, 42(1): 174-83 bussie, Ghana (PAN 2065CD),rev. by Roger KISUUK, MICHELLE, rev. o? Echoes of the For Vetter, 44(2)352-54 est: Music of the Central African Pygmies Iraqi Music in a Time ofWar.Rahim Alhaj (Ellipsis CD 4020), 4l(l):l65-71; rev. of (Voxlox 103), rev. by Philip V. Bohlman, bayaka: The Extraordinary Music of the 480):479-8\ Babenz?l?Pygmies, 4l(l):171-74 Recording Reviews 45

Kiyomoto Shizutay?zensh?:Kiyomoto goj? Liguria: Baiardo and Imperia (Rounder ban (Victor VZCG 8085-8104), rev. by Ger 82161 -1816-2), rev. byTullia Magrini, ald Groemer, 49(l):l6l-68 47(3):425-31 KUGMAN, MARK, rev. of The Music of Arab Liguria: Polyphony of Ceriana (Rounder Americans: A Retrospective Collection 82161-1817-2), rev. byTullia Magrini, (Rounder CD 1133), 45(1): 186-88 47(3):425-31 KNIGHT, RODERIC, rev. Burkina Faso: La Lilin Dewa (Side Effects DFX 26), rev. by Jody Voix de Peuls (CNR 2741079); of A?cha Diamond, 42(1): 174-83 mint Chighaly: Griote de Mauretainie Lolongkrang (Sakti, SAKTI 33), rev. by Jody (In?dit W260078); The Divas from Mali: Diamond, 42(1): 174-83 Kandia Kouyat?, Mah Damba, Sali Sidib?, Lost Songs of the Silk Road: Persian and Oumou Sangar? (Westdeutscher Rund Indian Improvisations: Ghazal (Sha , World Network 28.30l);Jali Kunda: nachie 64096), rev. by David Henderson, Griots of West Africa and Beyond (Ellipsis 47(2):280-83 CD 3510); Desert Blues [Ambiances du Lou Harrison: Gamelan Music (Music Mas Sahara] (Westdeutscher Rundfunk, World ters 0l6l2-67091-2),rev.byjody Diamond, Network 58.774); 43(1): 187-90 42(1): 174-83 K. Shridar (Amigo Musik AMCD 903), rev. by LOVE, JACOB, rev. of Nouvelle Cal?donie: Peter Manuel, 45(2)370-75 Danses et musiques Kanak (Archives Internationales de Musique Populaire, AIMP XLVIII; Disques VDE-Gallo CD-923), LANGE, BARBARA ROSE, rev. of Fire in the 46(1): 189-91 Mountains: Polish Mountain Fiddle Mu sic, Vol. 1: The Karol Stoch Band (Yazoo M 70l2),47(l):l40-4l;rcv.o?Cig?nyfolkl?r: MACHT, RO?EK?,Suitefor Javanese Gamelan Magyarorsz?g?Romania. Gypsy Folklore: and Synthesizer (MACHOOICD), rev. by Hungary?Romania, 48(1): 155-58 Jody Diamond, 42(1): 174-183 LARGEY, MICHAEL, rev. of Rhythms of Rap Madagascar: Antanosy Music (Archives In ture: Sacred Music of Haitian Vodou ternationales de Musique Populaire, AIMP (SF CD 40464); Angels in the Mirror: IL; Disques VDE-Gallo CD-924), rev. by Au Vodou Music of Haiti (Ellipsis CD 4120); gust Schmidhofer, 46(2)362-63 47(1): 184-186 Madagascar C?te Ouest: Antandroy, Latin Jazz: La Combinaci?n Perfecta (SFW Masikoro, Vezo (Philips Music Group CD 40802), rev. by Jorge Ar?valo Mateus, France: Prophet 25), rev. by Ron Emoff, 48(3):469-73 47(2):278-80 LAU, FREDERICK, rev. of A Viagem des Sons Madagascar: Vocal Anthology (In?dit [The Journey of Sounds] (Portugal) (Tradi W260076), rev. by August Schmidhofer, som), 47(1): 142-45 46(2)362-63 LEVIN, THEODORE, rev. of Trance 1 and MAGRINI, TULL?A, rev. of Folk Music and Trance 2 (Ellipsis CDs 4000/4010), Song of Italy: A Sampler (Rounder 11661 - 4l(l):158-6l; rev. o? Planet Soup (Ellipsis 1801-2); The Trallaleri of Genoa (Round CD 3450),4l(l):l62-63;"Recent Antholo er 11661-1802-2); Calabria (Rounder gies," review essay, rev. of Voices of the 11661-1803-2); Sicily (Rounder 11661 World: An Anthology of Vocal Expression 1808-2); Abruzzo (Rounder ll66l (CMX 374 1010.12); Le monde des mu 1811-2); Emilia-Romagna (Rounder siques traditionnelles/The World of Tra 11661-1804-2); Liguria: Baiardo and ditional Music/Musikkulturen der Welt/ Imperia (Rounder 82161 -1816-2); Lig El mundo de las m?sicas tradicionales uria: Polyphony of Ceriana (Rounder (Ocora Radio France C560061-66); Smith 82161-1817-2); 47(3):425-31 sonian Folkways World Music Collection Mahagit?: Harp and Vocal Music of Burma (SF CD 40471); Musique ? la crois?e des (SFW CD 40492), rev. by Robert Garfias, cultures [Music at the Crossroads] (VDE 48(l):151-52 GALLO CD 828-29); 42(2)373-78 MAKUBUYA, JAMES, rev. of Uganda: Village /. H Correa deAzevedo:Music ofCear? and Ensembles of Busoga (Archives Interna Minas Gerais (Rykodisc RCD 10404), rev. tionales de Musique Populaire, CD 925), by Patricia Sandier, 43(3)369-71 45(1): 184-86 46 Ethnomusicology, Index Volumes 41-50

Mali Lolof Stars of Malt (SFW CD 40508), rev. Mug?m d'Azerba?djan Gn?dit W260088), by Heather A. Maxwell, 49(2)338-40 rev. by Inna Naroditskaya, 47(3):432-37 Mana 689 Volume 2 (CentralJava) (LYRCD Melody, Rhythm & Harmony. Tour '93 (Rhi 7420), rev. by Jack Body, 42(l):184-87 no), rev. by Donna Buchanan, 41(1): 131 Mangueira: Sambas de Terreiro e Outros 57 Sambas (Projeto Pela Memoria do Sam Metalworks (Practical 6), rev. by Jody Dia ba, Arquivo Musical I) (Arquivo Geral da mond, 42(1): 174-83 Cidade do Rio de Janeiro, CRILSM99CD), MINKS, AMANDA, rev. of Pete Seeger: Folk rev. by Philip Galinsky, 46(1): 186-89 Songs for Young People (SFW CD 45024); MANUEL, PETER, "Fifteen CDs of Hindustani Pete Seeger: Song and Play Time (SFW CD Music: A Review Essay," review essay, rev. 45023); Ella Jenkins: Little Johnny Brown ofShujaat Khan: ;Tejendra Narayan and Other Songs with Girls and Boys from Majumdar: Sarod (India Archive Music, Uptown Chicago (SFW CD 45026), reissue; IAM CD 1025); Debashish Bhattacharya: Ella Jenkins: Growing Up with Ella Jen Hindustani Slide Guitar (IAM CD 1026); kins (SFW CD 45032); 48(2):299-308 Tejendra Narayan Majumdar:Sarod (IAM Missa Primi Toni de Pier Luigi da Palestrina CD 1027); Samir Chatterjee: Tabla (IAM par les Voix Bulgares (Ballon Noir/Lam CD 1028); Shujaat Khan: Sitar (IAM CD barena, Paris), rev. by Donna Buchanan, 1029); Ustad : Sitar (IAM CD 4l(l):131-57 1030); Ustad Vilayat Khan: Sitar (IAM MOEHN, FREDERICK, rev. of Traditional Mu CD 1035); Ramesh Mishra: (IAM sic of Peru 6: The Ayacucho Region (SFW CD 1036); Shujaat Khan: Sitar (IAM CD CD 40449); Traditional 7: 1037); Buddhadev Das Gupta:Sarod (IAM The Ayacucho Region (SFW CD 40450); CD 1038); Shujaat Husain Khan: Legacy 47(2):268-72 (UCLA Artist Series vol. 1); Pandit Ram MOISALA, PIRKKO, rev. of Bardes de Narayan (Amigo Musik AMCD 901); Ustad l'Himalaya: N?pal/Inde (Le Chant du AmjadAli Khan (Amigo MusikAMCD 902); Monde, CNR 2741080), 46(2)359-61 K Shridar (Amigo MusikAMCD 903);Pan Le monde des musiques traditionnelles/ dit Nikhil Banerjee (Amigo Musik AMCD The World of Traditional Music/Musik 904); 45(2)370-75; rev. of The Guide: kulturen der Welt/El mundo de las m?si A Survey of 74 Hindustani Songs (Nimbus cas tradicionales (Ocora Radio France NI 5536/9); 45(3)327-28 C560061-66), rev. by Theodore Levin, Martinique: Cane Fields and City Streets 42(2)376 (Rounder 1730), rev. by Gage Averill, MOORE, ROBIN D., rev. of The Bahamas: 47(2):272-78 Islands of Song (SF CD 40405); Cuba in Master Fiddlers of Dagbon (Rounder CD Washington (SF CD 40561); 44(2)354 5086), rev. by Daniel Reed, 47(3):4l9-23 56 Masterdrummers of Nepal Present Auspi MORELLI, SARAH, rev. of India: A Musical cious Drumming Traditions of Bhakta Anthology (Rounder 82161-1755-2), pur, rev. by Paul Greene, 47(1): 145-49 48(3):475-78 Masters of Turkish Music (Rounder CD 1051, Morocco: Crossroads of Time (Ellipsis CD 1111), rev. by John Morgan O'Connell, 4030), rev. by Philip Schuyler, 41(1): 163 47(3)399-414 65 Matanzas, Cuba, ca. 1957:Afro-Cuban Sacred Music from Java and America (indepen Music from the Countryside (SFW 40490), dently produced cassette), rev. by Jody Dia rev. by Carola Schormann, 49(l):l69-71 mond, 42(1): 174-83 MATEUS, JORGE AR?VALO, rev. of Pete Seeger: The Music of Arab Americans: A Retrospec American Favorite Ballads, vol. 1 (SFW CD tive Collection (Rounder CD 1133), rev. by 40150), 48(iyi47-49;rev.oi Latin Jazz:La Mark Kligman, 45(1): 186-88 Combinaci?n Perfecta (SFW CD 40802), Music of Bali, Indonesia (Prolific ), rev. by 480):469-73 Jody Diamond, 42(1): 174-83 MAXWELL, HEATHER A., rev. of Mali Lolof Music of Indonesia, Volume 16: Music from Stars of Mali (SFW CD 40508), 49(2)338 the Southeast: Sumbawa, Sumba, Timor 40 (SFW CD 40443); Volume 17: Kalimantan: Mbum du Cameroun:Nord Cameroun (Kora Dayak Ritual and Festival Music (SFW CD Sons 468449-2/Prophet 23), rev. by Daniel 40444); Volume 18: Sulawesi Festivals, Reed, 47(3):419-23 Funerals, and Work (SFW CD 40445); Vol Melek Khanom Eyubova:Anthologie du ume 19: Music of Malaku: Halmahera, Recording Reviews 47

Buru, Kei (SFW CD 40446); Volume 20: light 15 344), rev. by Donna Buchanan, Indonesian Guitars (SFW CD 40447); 4l(l):131-57 Music of Indonesia: Discover Indonesia N (SFW CD 40484); rev. by Gini Gorlinski, 46(3)341-48 NARODITSKAYA, INNA, rev. of Alem Kas Music of Indonesia, vol. 1-12 (SF CDs simov 2, Mugam d'Azerba?djan (In?dit 40055-57, 40420-28), rev. by Marc Perl W260015); Azerba?djan (Ocora Radio man, 42(1): 167-74 France C 560013); Azerba?djan, L'Art du Music of Indonesia, vols. 13,14,15 (SF CDs Mugham (Ocora Radio France C 560013); 40429,40441,40442), rev. by R. Anderson Aqakh?n Abdullaev, Trio Zulfi Adig?zelov, Sutton, 43(3)360-67 vol. 6 (In?dit W260052); 44(3)339-44; rev. Music of the Gamelan Gong Kebyar, vol. oiMelek Khanom Eyubova: Anthologie du 1 -2 (Vital 401,402), rev. by Jody Diamond, Mug?m d'Azerba?djan (In?dit W260088); 42(1): 187-88 Azerba?djan: Le garmon de Aydin Aliev: Music of the Sherpa People II: Ritual Music Musique du Monde (Ruda 92701-2); and Masked Dances (Eco Himal), rev. by Azerba?djan: Le tar de Malik M?nsurov: David Henderson, 49(1): 148-51 Musique du Monde (Ruda 92696-2), Music of the Sherpa People of Nepal LShebru 47(3):432-37 Dance-Songs from the Everest Region (Eco The Nature of Music (Audio Forum jeffrey Himal), rev. by Paul Greene, 47(1): 145-49 Norton Publishers), rev. by Janet Sturman, Music of Thrace, An Interdisciplinary Ap 4l(2):299-301 proach: EVROS (recording), rev. by Bliss NEELEY, PAUL, rev. o? Rhythms of Life, Songs Uttle,47(l):122-24 of Wisdom: Akan Music from Ghana, West M?sica Sveciae?Folk Music in Sweden Africa (CD 40463), 41(2)323-24 (Caprice ), rev. by Kristina Hagstr?m, NEUENFELDT, KARL, rev. of Rak Badjalarr: 41(3)379-81 Wangga Songs for North Peron Island by Musique ? la crois?e des cultures [Music at Bobby Lane, 47(3):418-19 the Crossroads] (VDE-GALLO CD 828-29), Nevis and St. Kitts: Tea Meetings, Christmas rev. by Theodore Levin, 42(2)377-78 Sports, & The Moonlight Night (Rounder Le Myst?re des Voix Bulgares (4AD CAD 603, 1731),rev.by Gage Averill, 47(2): 272-78 reissue from Disques Cellier, LP), rev. by New Gamelan/New York, Gamelan Son of Donna Buchanan, 41(1): 131-57 Lion (GSOL CD-2), rev. by Jody Diamond, Le Myst?re des Voix Bulgares, vol. 1 (Elektra/ 42(1): 174-83 Asylum/Nonesuch 9 79165-1, LP), rev. by New Music of Indonesia: see Asmat Dream, Donna Buchanan, 4l(l):131-57 Volume 1 (Sunda) (LYRCD 7415); Mana Le Myst?re des Voix Bulgares:A Cathedral 689, Volume 2 (Central Java) (LYRCD Concert (Polygram Classics and Jazz, Jaro at 7420); Karya, Volume 3 (LYRCD 7420); New Impression Series 314 510 794-2),rev. rev. by Jack Body, 42(1): 184-87 by Donna Buchanan, 41(1): 131-57 New York City: Global Beat of the Boroughs Le Myst?re des Voix Bulgares:From Bulgaria (SFW CD 40493), rev. by Jeremy Wallach, with Love (Mesa R2 79040), rev. by Donna 49(3)309-12 Buchanan,4l(l):131-57 Niger. Peuls Wodaabe: Chants du Worso/ Le Myst?re des Voix Bulgares: Laie Li Si Wodaabe Fulani: Worso Songs. Singer (Jaro 4178-2), rev. by Donna Buchanan, Dancers of the Gojanko? Lineage (In?dit 4l(l):131-57 W260081), rev. by Eric Charry, 48(1):153 Le Myst?re des Voix Bulgares: Melody, 55 Rhythm & Harmony (Mesa R2 79058), rev. Nigeria: Griots Hausa (Kora Sons 468450-2/ by Donna Buchanan, 41(1): 131-57 Prophet 24),rev.by Daniel Reed,47(3):4l9 Le Myst?re des Voix Bulgares:Ritual (Elektra/ 23 Nonesuch 79349-2), rev. by Donna Buch Ningen kokuh?: Yamaguchi Gor?? anan, 41(1): 131-57 Shakuhachi no shinzui (Victor VZCG Le Myst?re des Voix Bulgares, vol. 2 (Elek 8066-77), rev. by Gerald Groemer, tra/Nonesuch/Nonesuch 79201-4), rev. by 49(l):l6l-68 Donna Buchanan, 41(1): 131-57 The Northumbrian Small Pipes (Topic Le Myst?re des Voix Bulgares, vol. 3 (Fontana/ Ltd. TSCD487), rev. by Jeffrey P. Williams, Polygram 846 626-4), rev. by Donna Buch 43(l):191-94 anan, 41(1): 131-57 Nouvelle-Cal?donie:Danses et musiques Ka The Mysterious Voices of Bulgaria (Laser nak (Archives Internationales de Musique 48 Ethnomusicology, Index Volumes 41-50

Populaire, AIMP XLVIII; Disques VDE-Gallo Pete Seeger: Folk Songs for Young People CD-923), rev. by Jacob Love, 46(1): 189-91 (SFW CD 45024), rev. by Amanda Minks, O 48(2):299-308 Pete Seeger: Song and Play Time (SFW CD O'CONNELLJOHN MORGAN, "Song Cycle: 45023), rev. by Amanda Minks, 48(2):299 The Life and Death of the Turkish Gazel? 308 review essay, rev. of Masters of Turkish PITARCH, CARLES, rev. of Espagne: Valen Music (Rounder CD 1051,1111); Turquie: cia, Cant d'Estil:Joutes chant?es [Singing Archives de la musique turque (Ocora Contests] (Ocora Radio France C560189/ C560081, C560082); Gazeller: 78 Devirli HM76), 50(3)317-19 Tas Plak Kayitlart (Kalan M?zik CD067, Planet Soup (Ellipsis CD 3450), rev. by Theo CD072); 47(3)399-414 dore Levin, 41(1): 162-63 O'CONNOR, KATHLEEN, rev. of Capoeira A n "Polycultural Polyrhythms: World Percussion golafrom Salvador, Brazil. Grupo de Ca Compilation Recordings," rev. by Michael poeira Angola Pelourinho (SF CD 40465), Bakan, 41(2)303-13 4l(2)319-23;rev.of Traditional Music of PORTER, JAMES, rev. of Classic Ballads of Peru: 1: Festivals of Cusco; 2: The Mantaro Britain and Ireland, vols. 1 and 2: Sto Valley; 3-' Cajamarca and the Coica Val rytelling Ballads, as Included in Fran ley; 4:Lambayeque (SF CDs 40466,40467, cis Child's English and Scottish Popular 40468,40469), 41(3)377-79 Ballads (1882-1898) (Rounder 11661 OLSEN, DALE A., rev. oijarana's Four Aces 1775-2,11661-1776-2), 48(l):158-6l (los cuatro ases de la jarana). Vocal du ets from the streets of Lima (TSCD926), Q 50(1): 168-71 Qambel Maran: Syriac Chants from South One Voice (MCA, MCAD 11403), rev. by Mar India (RAN 2085), rev. by Rolf Groesbeck, garet W Dilling, 41(2)313-19 48(1): 145-47 On the Edge of the Ituri Forest, Northeastern R Belgian Congo (SWP 009/HT 03), rev. by Ruth M. Stone, 45(1): 181-84 The Raga Guide: A Survey of 74 Hindustani "Out of Indonesia: Global Gamelan," review (Nimbus NI 5536/9), edited byjoep essay by Jody Diamond, 42(1): 174-83 Bor, rev. by Peter Manuel, 45(3)327-28 Rat Songs and Rituals (Eco Himal), rev. by David Henderson, 49(1): 148-51 Palace (Artifact Music ART-012), rev. by Jody Rak Badjalarr: Wangga Songs for North Diamond, 42(1): 174-83 Peron Island by Bobby Lane, rev. by Karl Pandit Nikhil Banerjee (Amigo MusikAMCD Neuenfeldt, 47(3):418-19 904), rev. by Peter Manuel, 45(2)370-75 Ramesh Mishra.Sarangt (IAM CD 1036), rev. Pandit (Amigo Musik AMCD by Peter Manuel, 45(2)370-75 901), rev. by Peter Manuel, 45(2)370-75 RAPPORT, EVAN, rev. of Eternal Music of Parrot Soup (Keda KEDCD25), rev. by Jody Bukharian Jewish Hymns [Volume III]; Diamond, 42(1): 174-83 Sadot DU bo Ovozi "Tanbur": Roshel van PEER, REN?,"Taking the World for a Spin Amin [My Soul Cries with the Voice of the in Europe: An Insider's Look at the World "Tanbur": Roshel Amin]; Tamanno: Roshel Music Recording Business," review essay, Rubinov; 49(1): 154-57 43(2)374-84 "Recent Anthologies," review essay by Theo People Make the World Go 'Round (Mojazz), dore Levin, 42(2)373-78 rev. by Margaret W Dilling, 41(2)313-19 REED, DANIEL, rev. of C?te d'Ivoire: Music Percussions d'Asie [Asian Percussions] (Pla of the W? (Gu?re) (Le Chant du Monde yasound-PS 65026), rev. by Michael Bakan, CNR 2741105); S?n?gal: Le Saoruba de 41(2)303-13 Casamance (Disques VDE-CALLO VDE PERUVIAN, MARC, "Indonesian Traditions on CD-926); Master Fiddlers of Dagbon Disc: The Rhetoric of the Ethnomusicologi (Rounder CD 5086); Nigeria: Griots cal Recording," rev. o? Music of Indonesia, Hausa (Kora Sons 468450-2/Prophet vol. 1-12 (SF CDs 40055-57, 40420-28), 24); Mbum du Cameroun: Nord Camer 42(1): 167-74 oun (Kora Sons 468449-2/Prophet 23); Pete Seeger: American Favorite Ballads, vol. 47(3):4l9-23 1 (SFW CD 40150), rev. by Jorge Ar?valo Rene Lacaille: Mapou (TUGCD 1033), rev. by Mateus,48(l):l47-49 Ron Emoff, 50(1): 166-68 Recording Reviews 49

Rhythm of the Games (LaFace ), rev. by Mar teto Santiaguero: La Pulidora (Intuision garet W. Dilling, 41 (2): 313 -19 Nubenegra INT 32662); Havana, Cuba, ca. Rhythms of Life, Songs ofWisdom: Akan Mu 1957: Rhythms and Songs for the Orishas sic from Ghana, West Africa (CD 40463), (SFW 40489); Matanzas, Cuba, ca. 1957: rev. by Paul Neeley, 41(2)323-24 Afro-Cuban Sacred Music from the Coun Rhythms of Rapture: Sacred Music of Hai tryside (SFW 40490); 49(1): 169-71 tian Vodou (SF CD 40464), rev. by Michael SCmJYim,PlWJP,rcv.oi Morocco.Cmssroads Largey, 46(1): 184-86 of Time (Ellipsis CD 4030), 41(1): 163-65 ROMERO, BRENDA, rev. of Wood That Sings: SCHWEITZER, KENNETH, rev. of The Rough Indian Fiddle Music of the Americas (SF Guide to Mambo (WMN RGNET 1136 CD), CD 40472), 43(3)367-69 480):468-69 The Roots of Gamelan: The First Record Series 1: The First Expeditions 1901 to Croa ings, Bali, 1928, New York, 1941 (Arbiter tia, Brazil, and the Isle of Lesbos (OEAW Recording Co.), rev. by Michael B. Bakan, PHA CD 7), rev. by Judith Gray, 49(2)331 48(1): 149-50 36 The Rough Guide to Bollywood (WMN Series 3- Papua New Guinea (1904-1909): RGNET 1074), rev. by Alison Arnold, The Collections of Rudolf P?ch, Wilhelm 49(1): 157-61 Schmidt, and Josef Winthuls (OEAW PHA The Rough Guide to Bollywood Legends: CD 9), rev. by Judith Gray, 49(2)331-36 Lata Mangeshkar (WMN RGNET 1132), Series 5/1: The Collections of Rudolf Trebitsch: rev. by Alison Arnold, 49(1): 157-61 Recordings from Greenland (KalaalltNu The Rough Guide to Mambo (WMN RGNET naat) (1906) (OEAW PHA CD 13), rev. by 1136 CD), rev. by Kenneth Schweitzer, Judith Gray, 49(2)331-36 480):468-69 Ser?es 5/2: The Collections of Rudolf Trebitsch: The Rough Guide to the Music of Indonesia: Celtic Recordings:Ireland, Wales, Brittany, Wild Pop Mixtures, Sublime Ancient Tra Isle of Man, and Scotland (1907-09) ditions (WMN RGNET 1055 CD), rev. by (OEAW PHA CD 14), rev. by Judith Gray, Jeremy Wallach, 480):464-68 49(2)331-36 Royal Court Music from Uganda, 1950 & Series 5/3: The Collections of Rudolf Trebitsch: 1952 (SWP 008/HT 02), rev. by Ruth M. Basque Recordings (1913) (OEAW PHA Stone, 45(1): 181-84 CD 15), rev. by Judith Gray, 49(2)331-36 Series 7: Rudolf P?ch's Kalahari Recordings S (1908) (OEAW PHA CD 19), rev. by Judith Sadoi DU bo Ovozi "Tanbur": Roshel Amin Gray, 49(2)331-36 [My Soul Cries with the Voice of the "Tan S?n?gal: Le Saoruba de Casamance (Disques bur": Roshel Amin], rev. by Evan Rapport, VDE-CALLO VDE CD-926), rev. by Daniel 49(1): 154-57 Reed,47(3):4l9-23 Saktne Ismattova (In?dit W260049), rev. by Septeto Santiaguero: La Pulidora (Intuision Jean During, 44(3)329-38 Nubenegra INT 32662), rev. by Carola Samir Chatterjee: Tabla (IAM CD 1028), rev. Schormann, 49(1): 169-71 by Peter Manuel, 45(2)370-75 SHERINIAN, ZOE C, rev. of Drumming and SANDLER, PATRICIA, rev. of The Discoteca Chanting in God's Own Country: The Collection:Miss?o de Pesquisas Folcl?ricas Temple Music of Kerala in South India (Rykodisc RCD 10403); /. H. Correa de (TSCD922), 48(3):473-75 Azevedo:Music ofCear? and Minas Gerais Shinsen: Fujii Kunie?S?kyoku jiuta no (Rykodisc RCD 10404); 43(3)369-71 sekai, (Columbia COCJ-32046-50),rev.by Sanze s?nishiki bunsh? (Victor VZCG 8228 Gerald Groemer, 49(1): 161-68 8233), rev. by Gerald Groemer, 49(l):l6l Shujaat Husain Khan: Legacy (UCLA Art 68 ist Series vol. 1), rev. by Peter Manuel, Saraca: Funery Music of Carriacou (Rounder 45(2)370-75 1726-2), rev. by Gage Averill, 47(2):272-78 Shujaat Khan: Sitar (IAM CD 1029), rev. by SCHMIDHOFER, AUGUST, rev. of Madagascar: Peter Manuel, 45(2)370-75 Vocal Anthology (In?dit W260076);?tofo Shujaat Khan: Sitar (IAM CD 1037), rev. by gascar:Antanosy Music (Archives Inter Peter Manuel, 45(2)370-75 nationales de Musique Populaire, AIMP IL; Shujaat Khan: Sitar; Tejendra Narayan Ma Disques VDE-Gallo CD-924); 46(2)362-63 jumdar: Sarod (India Archive Music, IAM SCHORMANN, CAROLA, rev. of From the To CD 1025), rev. by Peter Manuel, 45(2)370 bacco Road of Cuba (AlulaALU 101 l);Sep 75 50 Ethnomusicology, Index Volumes 41-50

Sicily (Rounder 11661-1808-2), rev. byTullia Summon the Heroes (Sony Classical), rev. by Magrini, 47(3):425-31 Margaret W. Dilling, 41(2)313-19 SIMON, ELUOT and JIL SIMON, Brotherhood SUTTON, R. ANDERSON, rev. of Jemblung of Brass (PIR 1683); The Twelve Tribes and Related Narrative Traditions of Java (LBLC 6637); Dance of the Idiots (TZ (PAN 2948CD); Java: Tembang Sunda, 7179); 48(1): 162-64 po?sie chant?e sundanaise Sundanese SIMON, JIL (see SIMON, ELLIOT and JIL SI [Sung Poetry] ?Ln?ailW26O056);Sumatra: MON) Musiques des Batak Karo, Toba, Simalun Smithsonian Folkways World Music Collec gum (In?dit W260061); Music of Indone tion (CD 828-29), rev. by Theodore Levin, sia, vols. 13,14,15 (SF CDs 40429,40441, 42(2)377 40442); 43(3)360-67 "Song Cycle:The Life and Death of the Turk T ish Gazel," review essay by John Morgan O'Connell, 47(3)399-414 Tabuh Pacific: New Compositions for Songs and Rhythms from Near and Far (SF Gamelan (Ode CD MANU 1514), rev. by CD 45033), rev. by Patricia Sheehan Camp Jody Diamond, 42(1): 174-83 bell, 46(2)356-59 "Taking the World for a Spin in Europe: An In Songs Children Love to Sing (SF CD 45042), sider's Look at the World Music Recording rev. by Patricia Sheehan Campbell, Business," review essay by Ren? van Peer, 46(2)356-59 43(2)374-84 Songs from the Steppes: Kazakh Music To Tamanno:Roshel Rubtnov, rev. by Evan Rap day (TSCD929), rev. by Izaly Zemtsovsky, port, 49(1): 154-57 50(3)324-26 Tambours du Monde [Drums of the World] Song of the Crooked Dance: Early Bulgarian (Playasound-PS 65026), rev. by Michael Ba Traditional Music 1927-42 (Yazoo 7016), kan, 41(2)303-13 rev. by Donna A. Buchanan, 44(2)350-52 TAN, HWEE-SAN, rev. of Chinese Buddhist Sound Documents from the Phonogram music: Chinese Buddhist Ceremonies mar chiv of the Austrian Academy of Recorded by John Levy (LYRCD-7222), Sciences: The Complete Historical Col 49(3)306-09 lections 1899-1950, rev. by Judith Gray, Tanzanie: Chants des Wagogo et des Kuria 49(2)331-36 (In?dit W260041), rev. by Gregory F. Barz, The Sound of the Games: Music for the 1996 44(2)348-50 Centennial Olympics (Atlanta Centennial Tejendra Narayan Majumdar: Sarod (IAM Olympic Properties), rev. by Margaret W CD 1027), rev. by Peter Manuel, 45(2)370 Dilling, 41(2)313-19 75 South of the Clouds: Instrumental Music of TERADA, YOSHITAKA, rev. of Inde du Sud: Yunnan, vols. 1 and 2, rev. by Sara Davis, O. K. Subramaniam: Le n?gaswaram 48(2)308-9 dans la tradition carnatique [Southern STONE, RUTH M.,"Historical Recordings by India: O. K. Subramaniam: N?gaswaram in Hugh Tracey," rev. of At the Court of the the Carnatic Tradition] (In?dit W260119), Mwant, Rwanda, 1952 (Sharp Wood Pro 50(3)322-24 ductions SWP 007/HT 01); Royal Court TERADA, YOSHITAKA, and GAYATHRI RA Music from Uganda, 1950 & 1952 (SWP JAPUR KASSEBAUM, rev. of Vijayawada 008/HT 02); On the Edge of the Ituri Forest, 1963: Voleti and Friends; Tribute by T. Northeastern Belgian Congo (SWP 009/ Viswanathan (Performing and Media Arts HT 03); Kalimba and Kalumbu Songs, PMA 1048),47(l):138-40 Northern Rhodesia, 1952 & 1957 (SWP Tombstone Feast: Funery Music of Carria 010/HT04);45(l):181-84 cou (Rounder 1727), rev. by Gage Averill, STURMAN, JANET, rev. of The Nature of Mu 47(2):272-78 sic (Audio Forum jeffrey Norton Publish Traditional Music of Peru: 1: Festivals of ers), 41(2): 299-301 Cusco; 2: The Mantaro Valley; 3: Cajama Suite for Javanese Gamelan and Synthesiz rca and the Coica Valley; 4: Lambayeque er (MACH001CD), rev. by Jody Diamond, (CDs 40466,40467,40468,40469), rev. by 42(1): 174-83 Kathleen O'Connor, 41(3)377-79 Sumatra: Musiques des Batak Karo, Toba, Traditional Music of Peru 6: The Ayacucho Simalungum (In?dit W260061), rev. by R. Region (SFW CD 40450), rev. by Frederick J. Anderson Sutton, 43(3)360-67 Moehn, 47(2):268-72 Recording Reviews 51

Traditional Music of Peru 7: The Lima High Voces Unidas (EMI Latin), rev. by Margaret W. lands (SFW CD 40449), rev. by Frederick J. Dilling, 41(2)313-19 Moehn, 47(2):268-72 Voices of the World: An Anthology of Vocal The Trallaleri of Genoa (Rounder 11661 Expresston (CMX 374 1010.12), rev. by 1802-2), rev. by Tullia Magrini, 47(3):425 Theodore Levin, 42(2)374-76 31 La Voix Bulgares (The Classical Society CSCD Trance 1 and Trance 2 (Ellipsis CDs 101), rev. by Donna Buchanan, 41(1): 131 4000/4010), rev. by Theodore Levin, 57 4l(l):158-6l Trance Gong (?What Next? Recordings w WN00l6),rev.byJody Diamond,42(1):174 WALLACH, JEREMY, rev. of The Rough Guide 83 to the Music of Indonesia: Wild Pop Mix Tribute by T Viswanathan (Performing and tures, Sublime Ancient Traditions (WMN Media Arts PMA 1048), rev. by Gayathri RGNET 1055 CD), 48(3):464-68; rev. of Rajapur Kassebaum and Yoshitaka Terada, New York City: Global Beat of the Bor 47(1): 138-40 oughs (SFW CD 40493), 49(3)309-12 Trinidad: Carnival Roots (Rounder 1725), Wayang Golek: The Sound and Celebration rev. by Gage Averill, 47(2):272-78 of Sundanese Puppet Theater (Multicul Trio Jabb?r Garyaghduoghlu (In?dit tural Media MCM3019-24),rev.by Margaret W260037), rev. by Jean During, 44(3)329 Kartomi,47(3):423-24 38 WEINTRAUB, ANDREW N., rev. of Adeus & Trio Sakin? Ismailova (Institut du Monde Aloha: The Portuguese Heritage of Hawaii Arabe, Ref 300), rev. by Jean During, (PAN Ethnic Series 2101), 49(2)336-38 44(3)329-38 WILLIAMS, JEFFREY P., rev. of Ceol Mor, Turquie: Archives de la musique turque Ceol Beag: Iain MacFadyen (Temple (Ocora C560081, C560082), rev. by John COMD2018); The Northumbrian Small Morgan O'Connell, 47(3)399-414 Pipes (Topic Ltd. TSCD487); Zampogne en The Twelve Tribes (LBLC 6637), rev. by Elliot Italie: Enregistrements 1969-1989 (Silex Simon andjil Simon, 48(1): 162-64 France Y225111); France: Landes de Gas U cogne/La Cornemuse (Ocora Radio France C560051); and Het daghet inden Oosten: Uganda: Village Ensembles of Busoga (Ar It's Dawning in the East, Bagpipes of the chives Internationales de Musique Popu Low Countries (PAN 2025CD); 43(1): 191 laire, CD 925), rev. by James Makubuya, 94 45(l):184-86 Wood That Sings: Indian Fiddle Music of the UstadAmjadAli Khan (Amigo MusikAMCD Americas (SF CD 40472), rev. by Brenda 902), rev. by Peter Manuel, 45(2)370-75 Romero, 43(3)367-69 Ustad Vilayat Khan:Sitar (IAM CD 1030), rev. by Peter Manuel, 45(2)370-75 Ustad Vilayat Khan:Sitar (IAM CD 1035), rev. Yomigaeru Oppekepee: 1900-nen Pari-ban by Peter Manuel, 45(2)370-75 paku no Kawakami ichiza (TOCG 5432), rev. by Gerald Groemer, 48(2):296-99

VETTER, ROGER, rev. of Bewaare?They Are Coming: Dagaare Songs and Dances from Zampogne en Italie:Enregistrements 1969 Nandom, Ghana (PAN 2052CD); In the 1989 (S?ex France Y225111), rev. by Jef Time of My Fourth Great-Grandfather...: frey P.Williams, 43(l):191-94 Western Sisaala Music from Lambussie, ZEMTSOVSKY, IZALY, rev. of Songs from the Ghana (PAN 2065CD); 44(2)352-54 Steppes: Kazakh Music Today (TSCD929), A Viagem des Sons [The Journey of 50(3)324-26 Sounds] (Tradisom), rev. by Frederick Lau, Zensh? Nihon fukikomi kotohajime: 1903 47(1): 142-45 nen Gaizubaagu rek?dinguzu (EMI Angel Vijayawada 1963'Voleti and Friends, rev. by [Japan] TOCF 59061-71), rev. by Gerald Gayathri Rajapur Kassebaum and Yoshitaka Groemer, 49(l):l6l-68 Terada, 47(1): 138-40 Vocal Music of Crete (SFW CD 40437), rev. by Kevin Dawe, 46(2)364-65 Index to Reviewers,Titles, and Producers/Directors of Film. Video, and Multimedia Projects

A BISHOPJOHN, and FRANK KOROM, prods., Hosay Trinidad, rev. by Peter Manuel, Africa: Folk Music Altas, multimedia publi 45(3)335-37 cation, edited by Leonardo D'Amico and BISHOP, NAOMI HAWES (see SAM, SAM-ANG, Francesco Mizzau, rev. by Paul Neeley, and NAOMI HAWES BISHOP) 44(1): 174-76 BLANK, LES (see LUDDY,TOM, LES BLANK, African Guitar: Solo Fingerstyle Guitar and CHRIS SIMON) Music from Uganda, Congo/Zaire, Cen BODY, JACK, rev. of From China's Southwest tral African Republic, Malawi, Namibia Borders: Minority Dances, Songs, and In and Zambia, produced and directed by strumental Music of Yunnan. Volume 1: Gerhard Kubik, rev. by Cynthia Schmidt, "Dances and Festivals." Volume 2: "Vo 41(3)382-85 cal, Instrumental and ," ALLEN, RAY, rev. of The Music District, recorded and edited by U Wei and Zhang produced and directed by Susan Levitas, Xingrong, 48(2)310-12 42(1): 195-97 Bomba: Dancing to the Drum, directed AVERILL, GAGE, rev. of Haitian Song, pro by Ashley James, rev. by Juan Flores, duced and directed by Karen Kramer; Lega 46(2)369-71 cy of the Spirits, produced and directed by Bossa Nova: Music and Reminiscences, di Karen Kramer; Celebration!, produced and rected by Walter Salles, rev. by Gerard B?h directed by Karen Kramer; Moko Jumble, ague, 42(2)379-82 produced by Karen Kramer and James Cal BOWMAN, ROB, rev. of Too Close to Heaven: lahan; 41(2)338-44 The History of Gospel Music Volumes 1 -3, produced by Leo Clair, 43(2)394-97 Breaking the Silence, produced by Carol Bachata: M?sica del Pueblo [Bachata: Mu Simons, rev. by Hiromi Lorraine Sakata, sic of the People], produced and directed 50(1): 174-76 by Giovanni Savino, rev. by Hannah Gill, BURNS,KEN,and LINDA NOVICK,prods./dirs., 49(1): 172-74 Jazz, rev. by Steven F. Pond, 460)552-56 BADALKHAN, SABIR, rev. of From Africa to India: Sidi Music in the Indian Ocean Diaspora, produced and directed by Amy CALLAHAN, JAMES (see KRAMER, KAREN, Catlin-Jairazbhoy and Nazir Ali Jairazbhoy, and JAMES CALLAHAN) 49(l):174-76 Carnatic Krithis and Varnams Audio Ar BAILY, JOHN, prod./dir.,,4 Kabul Music Di chive, rev. by Joseph M. Getter, 50(3)329 ary, rev. by Mark Slobin, 49(2)341-42 32 BAKAN, JONATHON, rev. of Strange Fruit, CATLIN,AMY, dir., Hmong Musicians in produced and directed by Joel Katz, America, 1978-1996, rev. by Clifford 48(3):482-84 Sloane, 43(3)378-80 BALSAM, HUMBERT, and ALI A. SABBAH, CATUN, AMY (see JAIRAZBHOY, NAZIR, and prods., Marcel Khalife: Voyageur, rev. by AMYCATUN) Anne Elise Thomas, 50(3)333-35 CATLIN-JAIRAZBHOY, AMY, and NAZIR B?HAGUE, GERARD, rev. of Bossa Nova: Mu ALI JAIRAZBHOY, prods./dirs., From Af sic and Reminiscences, directed by Walter rica to India: Sidt Music in the Indian Salles, 42(2)379-82 Ocean Diaspora, rev. by Sabir Badalkhan, BHATTACHARYA, DEBEN, prod., Chinese 49(1): 174-76 Opera, rev. by J. Lawrence Witzleben, Celebration!, produced and directed by Karen 45(1): 189-93 Kramer, rev. by Gage Averill, 41(2)338-44 BHRIAIN, ORFHLAITH N? (see McCANN, AN CHARAP, DAVID, prod., Sevdah: The Bridge THONY, and ORFHLAITH N? BHRIAIN) that Survived, rev. by Mirjana Lausevic, BISHOP, JOHN M.,prod.,New England Danc 50(1): 176-78 es: Squares, Quadrilles, Step Dances; and CHARRY, ERIC, rev. of Music of the Mande New England Fiddles: Playing Down the Parts 1 & 2, filmed by Roderic Knight, Devil, rev. by Steve Green; 41(2)330-38 41(2)325-26

? 2008 by the Society for Ethnomusicology

University of Illinois Press , Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org Film, Video, and Multimedia Reviews 53

Children Sing Mugham:Azerbaijani Chil DORNFELD, BARRY (see KODISH, DEBORA dren Living in Refugee Camps Singing and BARRY DORNFELD) Their Traditional Art Music, produced and directed by Jeffrey Werbock, rev. by Theodore Levin, 47(1): 150-51 EHRUCH, UNDA C, rev. of Song for a Sha , produced by Deben Bhat bat, directed by Izza Gennini; Embroidered tacharya, rev. by J. Lawrence Witzleben, Canticles, directed by Izza Gennini; and 45(1): 189-93 Concerto for 13 Voices, directed by Izza CHOY, CHRISTINE, dir., Monkey King Gennini; 46(3)349-52 Looks West, rev. by J. Lawrence Witzleben, Embroidered Canticles, directed by Izza Gen 45(1): 189-93 nini, rev. by Linda C. Ehrlich, 46(3)349 Chulas Fronteras, produced by Chris Strach 52 witz, rev. by T. M. Scruggs, 43(3)372-78 ERDMAN, JOAN L., rev. of Of Bards and Beg CLAIR, LEO, prod., Too Close to Heaven:The gars, produced and directed by Shweta History of Gospel Music, Volumes 1-3, rev. Kishore andYask Desai,47(3):440-4l by Rob Bowman, 43(2)394-97 Exploring the World of Music, directed by COHEN JUDITH R., rev. of The Key from Dorothea Hast and Martin D. Toub, rev. by Spain, directed by Ankica Petrovic and John Murphy, 44(l):180-82 Mischa Uvingstone, 46(1): 194-96 COHEN, JUDITH R.,rev. ofMorocco.The Mu sic of the Jews of Morocco, produced by Fela in Concert, directed by David Niles, rev. Tzipora H. Jochsberger, 41(3)385-87 by Michael Veal, 43(l):197-98 Concerto for 13 Voices, directed by Izza Gen FLORES, JUAN, rev. of Bomba: Dancing nini, rev. by Linda C. Ehrlich, 46(3)349 to the Drum, directed by Ashley James, 52 46(2)369-71 COPIAN, DAVID B., rev. of A Spirit Here To Follow the Rainbow, directed by Vasudha day: A Scrapbook ofChopi Village Music, Joshi and Ranjan Palit, rev. by Edward O. produced and directed by Gei Zantzinger, Henry, 42(2)382-83 43(1): 195-97 Freestyle: The Art of Rhyme, produced by Henry Alex Rubin, rev. by Jason Robinson, D 50(3)327-29 D'AMICO,LEONARDO,and FRANCESCO MIZ From Africa to India: Sidt Music in the ZAU, eds., Africa: Folk Music Altas, mul Indian Ocean Diaspora, produced and timedia publication, rev. by Paul Neeley, directed by Amy Catlin-Jairazbhoy and Na 44(1): 174-76 zir Ali Jairazbhoy, rev. by Sabir Badalkhan, DAVIS, MARTHA ELLEN, dir., Pap? Liborio: 49(1): 174-76 El Santo Vivo de Maguana [Papa Uborio: From China's Southwest Borders:Minority the Uving Saint of Maguana]; El Suroeste Dances, Songs, and Instrumental Music Dominicano:Encrucijada de Quisqueyay of Yunnan. Volume 1: "Dances and Festi Ombligo del Mundo and translated version, vals." Volume 2:"Vocal, Instrumental and The Dominican Southwest: Crossroads of Religious Music," recorded and edited by U Quisqueya and Center of the World; rev. Wei and Zhang Xingrong, rev. by Jack Body, by Hannah Gill, 50(1): 172-74 48(2)310-12 DEA, ALEX, dir., Pamungkas.A dance by S. G Ngaltman, rev. by , 45(3)329 32 GAL?N, HECTOR, dir., Songs of the Home Del Mero Coraz?n, produced by Chris Strach land, rev. byT. M.Scruggs, 43(3)372-78 witz, rev. by T. M. Scruggs, 43(3)372-78 GAUNT, KYRA D., rev. of Plenty of Good DESAI,YASK (see KISHORE, SHWETA, and Women Dancers: African American Wom YASK DESAI) en Hoofers from Philadelphia, produced Djabote-Senegalese Drumming & Song from by Debora Kodish and Barry Dornfeld, Master Drummer Doudou N'Diaye Rose, 44(2)359-61 produced and directed by Beatrice Soul? GENNINI, IZZA, dir., Song for a Shabat; Em and Eric Millot, rev. by Mark E. Sunkett, broidered Canticles; Concerto for 13 Voic 41(1): 180-82 es; rev. by Linda C. Ehrlich, 460)549-52 Dolly and the Inkspots, produced by Clau GETTER, JOSEPH M., rev. ofNadopasana:My dia Schadeburg, rev. by Jayendran Pillay, Own Carnatic Tutor; Raganidhi:A Trea 44(2)357-59 sure Trove of Ragams; Carnatic Krithis 54 Ethnomusicology, Index Volumes 41-50

and Varnams Audio Archive, 50(3)329 HAYES, EILEEN M., rev. of Radical Har 32 monies, directed by Dee Mosbacher, GILL, HANNAH, rev. of Bachata: M?sica del 48(2)312-14 Pueblo [Bachata: Music of the People], pro HEMETEK, URSULA, rev. of Kosovo: Through duced and directed by Giovanni Savino, the Eyes of Local Rom (Gypsy) Musicians, 49(l):172-74;rev.of Pap? Liborio:El Santo produced and directed by Svanibor Pettan, Vivo de Maguana [Papa Uborio: the Uving 48(1): 165-66 Saint of Maguana], directed by Martha Ellen HENRY, EDWARD O., rev. o? Follow the Rain Davis; El Suroeste Dominicano: Encruci bow, directed by Vasudha Joshi and Ranjan jada de Quisqueyay Ombligo del Mundo Palit, 42(2)382-83 and translated version, The Dominican Hmong Musicians in America, 1978-1996, Southwest: Crossroads ofQuisqueya and directed by Amy Catlin, rev. by Clifford Center of the World, directed by Martha Sloane, 43(3)378-80 Ellen Davis; 50(1): 172-74 Hosay Trinidad, produced by John Bishop Googoosh:Iran's Daughter, produced and and Frank Korom, rev. by Peter Manuel, directed by Farhad Zaman, rev. by Niloofar 45(3)335-37 Mina,47(3):438-40 GOVENAR,ALAN,and PACHO LANE,dirs., Tex as Style, rev. by David Stricklin, 49(3)313 ICHIHASHI, YUGI (see ICHIKAWA, KATSU 15 MORI, and YUGI ICHIHASHD GRABIAS, DAVID, prod./dir./ed., Those Who ICHIKAWA, KATSUMORI, and YUGI ICHI Are in Love/Astklar, rev. by Irene Markoff, HASHI, prods., The JVC/Smithsonian 4l(l):175-77 Folkways Video Anthology of Music and GREEN, STEVE, rev. of The Unbroken Circle: Dance of Europe, Volumes 1-2, rev. by Vermont Music: Tradition and Change, Dorothea E. Hast, 44(1): 177-80 produced by Mark Greenberg; New Eng land Dances: Squares, Quadrilles, Step J Dances, produced by John M. Bishop; New JAIRAZBHOY, NAZIR, and AMY CATLIN, England Fiddles:Playing Down the Devil, prods., Musical Instruments of Kacch produced and directed by John M. Bishop; and Its Neighbors, rev. by Peter Manuel, 41(2)330-38 45(2)376-77 GREENBERG, MARK, prod., The Unbroken JAIRAZBHOY, NAZIR AU (see CATLIN, AMY, Circle: Vermont Music: Tradition and and NAZIR AU JAIRAZBHOY) Change, rev. by Steve Green, 41(2)330 JAMES, ASHLEY, dir.,Bomba:Dancing to the 38 Drum, rev. by Juan Flores, 46(2)369-71 GUNDERSON, FRANK, rev. of The JVC & Jazz, produced and directed by Ken Burns Smithsonian Folkways Video Anthology and Linda NovickJazz:A History of Amer of Music and Dance of Africa, Volumes ica's Music, by Geoffrey C. Ward; rev. by I, II, & III, directed by Hiroshi Yamamoto, Steven F. Pond, 460)552-56 43(2)387-91 JOCHSBERGER,TZIPORA H., prod., Morocco: H The Music of the Jews of Morocco, rev. by Judith Cohen, 41(3)385-87 HAGEDORN, KATHERINE J., rev. of Sworn to JOSHI, VASUDHA, and RANJAN PALIT, dirs., the Drum:A Tribute to Francisco Agua Follow the Rainbow, rev. by Edward O. bella, produced by Tom Luddy, Les Blank, Henry, 42(2)382-83 and Chris Simon, 41(2)326-30 The JVC & Smithsonian Folkways Video Haitian Song, produced and directed by Kar Anthology of Music and Dance of Af en Kramer, rev. by Gage Averill, 41(2)338 rica, Volumes I, II, & III, directed by Hi 44 roshi Yamamoto, rev. by Frank Gunderson, HAST, DOROTHEA E., rev. of The JVC/Smith 43(2)387-91 sonian Folkways Video Anthology of Mu The JVC/Smithsonian Folkways Video sic and Dance of Europe, Volumes 1-2, Anthology of Music and Dance of the produced by Katsumori Ichikawa and Yugi Americas, directed by Hiroaki Ohta,rev.by Ichihashi, 44(1): 177-80 Joann W Kealiinohomoku, 42(1): 189-95 HAST, DOROTHEA E., and MARTIN D. TOUB, The JVC/Smithsonian Folkways Video An dirs., Exploring the World of Music, rev. by thology of Music and Dance of Europe, John Murphy, 44(1): 180-82 Volumes 1-2, produced by Katsumori Film, Video, and Multimedia Reviews 55

Ichikawa and Yugi Ichihashi, rev. by Doro prods., Moko Jumble, rev. by Gage Averill, thea E. Hast, 44(1): 177-80 41(2)338-44 KUBIK, GERHARD, prod./dir., African Gui tar: Solo Fingerstyle Guitar Music from A Kabul Music Diary, produced and di Uganda, Congo/Zaire, Central African rected by John Baily, rev. by Mark Slobin, Republic, Malawi, Namibia and Zambia, 49(2)341-42 rev. by Cynthia Schmidt, 41(3)382-85 KATZ, JOEL, prod./dk.,Strange Fruit, rev. by Jonathon Bakan, 48(3):482-84 KAUFMANN,DAVID,prod./dir., The New Klez LAMBRECHT, WINNIE, rev. of Of Pipers and morim:Voices Inside the Revival ofYiddish Wrens/De Souffle et de Roseau, produced Music, rev. by Joel Rubin, 47(2):284-86 and directed by Gei Zantzinger, 42(3)357 KEAUINOHOMOKU, JOANN W, rev. of The 58 JVC/Smithsonian Folkways Video Anthol LANE, PACHO, dir., Viva Mi Tierra Caliente, ogy of Music and Dance of the Americas, rev. by Russell Rodr?guez, 48(1): 167-68 directed by Hiroaki Ohta, 42(1): 189-95 LANE, PACHO (see GOVENAR, ALAN, and The Key from Spain, directed by Ankica PACHO LANE) Petrovic and Mischa Livingstone, rev. by The Language You Cry In: The Story of a Judith R. Cohen, 46(1): 194-96 Mende Song, produced and directed by Khandan.The Musical Heritage of Shujaat Alvaro Toepke and Angel Serrano, rev. by Khan, filmed by Arundati Sen, rev. by Ruth M. Stone, 440)545-46 George Ruckert, 45(1): 194-96 Latcho Drom, produced by Mich?le Ray, rev. Khmer Court Dance: Cambodian Royal by Carol Silverman, 44(2)362-364 Court Dances, produced by Sam-Ang Sam LAUSeVIC, MIRJANA, rev. of Sevdah: The and Naomi Hawes Bishop, rev. by Kathy Bridge that Survived, produced by David McKinley, 41(1): 177-80 Charap, 50(1): 176-78 : Classical Singing of , LEARYJAMES P., ed.,Medicine Fiddle: A Hu produced by Robert Philip, rev. by Stephen manities Discussion Guide, rev. by Fran Slawek, 45(2)377-78 ziska von Rosen, 43(2)391-94 KISHORE,SCHWETA,andYASK DESAI,prods./ Legacy of the Spirits, produced and direct dirs., Of Bards and Beggars, rev. by Joan L. ed by Karen Kramer, rev. by Gage Averill, Erdman,47(3):440-4l 41(2)338-44 KNIGHT, RODERIC, prod., Music of the LEVIN, THEODORE, rev. of Children Sing Mande Parts 1 & 2, rev. by Eric Charry, Mugham:Azerbaijani Children Living in 41(2)325-26; rev. of Masters of the Bala Refugee Camps Singing Their Traditional fon: Funeral Festivities, produced and di Art Music, produced and directed by Jef rected by Hugo Zemp, 47(1): 151-54; rev. frey Werbock, 47(1):150-51 of Masters of the Balafon: Part 2, The Joy LEVITAS, SUSAN, prod./dir., The Music Dis of Youth; Part 3, The Wood and the Cala trict, rev. by Ray Allen, 42(1): 195-197 bash; Part 4, Friend, You are Welcome!, Lord of the Dance, produced by John Reid, directed and produced by Hugo Zemp, Michael Flatley, and Bill Tennant, rev. by 49(2)343-46 Anthony McCann and Orfhlaith Ni Bhriain, KODISH, DEBORA, and BARRY DORNFELD, 46(2)366-69 prods., Plenty of Good Women Danc LOUKINEN, MICHAEL, prod./dir., Medi ers: African American Women Hoofers cine Fiddle, rev. by Franziska von Rosen, from Philadelphia, rev. by Kyra D. Gaunt, 43(2)391-94 44(2)359-61 LUDDY,TOM, LES BLANK, and CHRIS SIMON, KOROM, FRANK (see BISHOP, JOHN, and prods., Sworn to the Drum:A Tribute to FRANK KOROM) Francisco Aguabella, rev. by Katherine J. Kosovo: Through the Eyes of Local Rom Hagedorn, 41(2)326-30 (Gypsy) Musicians, produced and directed M by Svanibor Pettan, rev. by Ursula Hemetek, 48(1): 165-66 MANUEL, PETER, rev. o? Musical Instruments KRAMER, KAREN, prod., Haitian Song; Leg of Kacch and Its Neighbors, produced by acy of the Spirits; and Celebration!; rev. by Nazir Jairazbhoy and Amy Catlin, 45(2)376 Gage Averill, 41(2)338-44 77; rev. of Hosay Trinidad, produced by KRAMER, KAREN, and JAMES CALLAHAN, John Bishop and Frank Korom, 45(3)335 56 Ethnomusicology, Index Volumes 41-50

37; prod., Tan-Singing of Trinidad and Guy Morocco: The Music of the Jews of Morocco, ana: Indo-Caribbean "Local-Classical Mu produced byTzipora H. Jochsberger, rev. by sic," rev. by Laxmi G. Tewari, 46(1): 192-94 Judith Cohen, 41(3)385-87 Marcel Khaltf?.Voyageur, produced by Hum MOSBACHER, DEE, dir., Radical Harmonies, bert Balsam and Ali A. Sabbah, rev. by Anne rev. by Eileen M. Hayes, 48(2)312-14 Elise Thomas, 50(3)333-35 MURPHY, JOHN, rev. o? Exploring the World MARKOFF, IRENE, rev. of Those Who Are In of Music, directed by Dorothea Hast, Love/Astklar, produced, directed, and ed 44(1): 180-82 ited by David Grabias, 41(1): 175-77 Music of the Mande Parts 1 & 2, filmed MARRE, JEREMY, prod./dir., Tex Mex:Music by Roderic Knight, rev. by Eric Charry, of the Texas-Mexican Borderlands, rev. 41(2)325-26 by T. M. Scruggs, 43(3)372-78; prod./dir., Musical Instruments of Kacch and Its No. 17 Cotton Mill Shanghai Blues:Music Neighbors, produced by Nazir Jairazb in China, rev. by J. Lawrence Witzleben, hoy and Amy Catlin, rev. by Peter Manuel, 45(1): 189-93 45(2)376-77 Masters of the Balafon: Funeral Festivities, The Music District, produced and directed by produced and directed by Hugo Zemp, rev. Susan Levitas, rev. by Ray Allen, 42(1): 195 by Roderic Knight, 47(1): 151-54 97 Masters of the Balafon: Part 2, The Joy of Youth;Part3, The Wood and the Calabash; N Part 4, Friend, You are Welcome!, directed Nadopasana:My Own Carnatic Tutor, rev. by and produced by Hugo Zemp, rev. by Rod Joseph M. Getter, 50(3)329-32 eric Knight, 49(2)343-46 NEELEY, PAUL, rev. of Africa: Folk Music McCANN, ANTHONY, and ORFHLAITH N? Altas, multimedia publication, by Leon BHRIAIN, rev. of Rtverdance?The Show, ardo D'Amico and Francesco Mizzau, eds., directed by John McColgan; The Lord of 44(1): 174-76 the Dance, produced by John Reid, Michael New England Dances: Squares, Quadrilles, Flatley, and BillTennant, 46(2)366-69 Step Dances, produced by John M. Bishop, McCOLGANJOHN, dir., Riverdance?The rev. by Steve Green, 4l(2):330-38 Show, rev. by Anthony McCann and Orf New England Fiddles: Playing Down the hlaith Ni Bhriain, 46(2)366-69 Devil, produced and directed by John M. McKINLEY, KATHY, rev. of Khmer Court Bishop, rev. by Steve Green, 41(2)330-38 Dance: Cambodian Royal Court Dances, The New Klezmorim: Voices Inside the Re produced by Sam-Ang Sam and Naomi vival of Yiddish Music, produced and Hawes Bishop, 41(1): 177-80 directed by David Kaufmann, rev. by Joel Medicine Fiddle, produced and edited by Rubin, 47(2):284-86 Michael Loukinen; Medicine Fiddle: A NILES, DAVID, dir., Fela in Concert, rev. by Humanities Discussion Guide, edited by Michael Veal, 43(1): 197-98 James P. Leary; rev. by Franziska von Rosen, No. 17 Cotton Mill Shanghai Blues: Music 43(2)391-94 in China, produced and directed by Jer MILLER, REBECCA S., rev. of The Spirit Travels: emy Marre, rev. by J. Lawrence Witzleben, Immigrant Music in America, produced 45(1): 189-93 and directed by Howard Weiss, 43(1): 198 NOVICK, UNDA (see BURNS, KEN, and UNDA 200 NOVICK) MILLOT, ERIC (see SOUL?, BEATRICE, and ERIC MILLOT) MINA, NILOOFAR, rev. of Googoosh: Iran's OCHS, BILL,"Letter to the Editor," 41(2)344 Daughter, produced and directed by Far Of Bards and Beggars, produced and direct had Zaman,47(3):438-40 ed by Shweta Kishore and Yask Desai, rev. MIZZAU, FRANCESCO (see D'AMICO, LEON by Joan L. Erdman, 47(3):440-4l ARDO, and FRANCESCO MIZZAU) Of Pipers and Wrens/De Souffle et de Roseau, Moko Jumble, produced by Karen Kramer produced and directed by Gei Zantzinger, and James Callahan, rev. by Gage Averill, rev. by Winnie Lambrecht, 42(3)357-58 41(2)338-44 OHTA, HIROAKI, dir., The JVC/Smtthsonlan Monkey King Looks West, directed by Chris Folkways Video Anthology of Music and tine Choy, rev. by J. Lawrence Witzleben, Dance of the Americas, rev. by Joann W 45(1): 189-93 Kealiinohomoku, 42(1): 189-95 Film, Video, and Multimedia Reviews 57

OLSEN, DALE A., rev. of Qoyllur Rit'i.A Wom Riverdance?The Show, directed by John an's Journey, produced by Holly Wissler, McColgan, rev. by Anthony McCann and 45(3)332-35 Orfhlaith Ni Bhriain, 46(2)366-69 P ROBINSON, JASON, rev. of Freestyle: The Art of Rhyme, produced by Henry Alex Rubin, PALIT, RANJAN (see JOSHI, BASUDHA, and 50(3)327-29 RANJAN PAUT) RODR?GUEZ, RUSSELL, rev. of Viva Ml Pamungkas. A Dance by S. Ngaliman, di Tierra Callente, directed by Pacho Lane, rected by Alex Dea, rev. by Sumarsam, 48(1): 167-68 45(3)329-32 ROLUNSON, KEITH, prod., Wahyu Senopati Pap? Liborio: El Santo Vivo de Maguana (The Divine Gift ofCommandership): Tra [Papa Uborio: the Uving Saint of Maguana], ditionalWayang Kulttfrom Central Java, directed by Martha Ellen Davis, rev. by Han rev. by Sumarsam, 45(3)329-32 nah Gill, 50(1): 172-74 ROSEN, FRANZISKA von, rev. of Medicine PETROVICANKICA, and MISCHA LIVING Fiddle, produced and directed by Michael STONE, dir., The Key from Spain, rev. by Loukmen; Medicine Fiddle:A Humanities Judith R. Cohen, 46(1): 194-96 Discussion Guide, edited by James P.Leary; PETTAN, SVANIBOR, prod./dir., Kosovo: 43(2)391-94 Through the Eyes of Local Rom (Gyp RUBIN, HENRY ALEX, prod., Freestyle: The sy) Musicians, rev. by Ursula Hemetek, Art of Rhyme, rev. by Jason Robinson, 48(1): 165-66 50(3)327-29 PHIUP, ROBERT, prod., Khyal: Classical Sing RUBIN JOEL, rev. of The New Klezmorim: ing of North India, rev. by Stephen Slawek, Voices Inside the Revival ofYiddish Music, 45(2)377-78 produced and directed by David Kaufmann, PILLAY, JAYENDRAN, rev. of Dolly and the 47(2):284-86 Inkspots, produced by Claudia Schadeburg, RUCKERT, GEORGE, rev. of Khandan: The 44(2)357-59 Musical Heritage of Shujaat Khan, filmed Plenty of Good Women Dancers: African byArundati Sen, 45(1): 194-96 American Women Hoofers from Phila delphia, produced by Debora Kodish and Barry Dornfeld, rev. by Kyra D. Gaunt, SABBAH, AU A. (see BALSAM, HUMBERT, and 44(2)359-61 AU A. SABBAH) POND, STEVEN E, rev. o? Jazz, produced and SAKATA, HIROMI LORRAINE, Breaking directed by Ken Burns and Linda Novick; the Silence, produced by Carol Simons, Jazz: A History of America's Music, by 50(1): 174-76 Geoffrey C.Ward; 460)552-56 SALLES,WALTER, dir., Bossa Nova:Music and Reminiscences, rev. by Gerard B?hague, Q 42(2)379-82 Qoyllur Rit'i: A Woman's Journey, produced SAM, SAM-ANG, and NAOMI HAWES BISHOP, by Holly Wissler, rev. by Dale A. Olsen, prods., Khmer Court Dance: Cambodian 45(3)332-35 Royal Court Dances, rev. by Kathy McKin ley, 41(1): 177-80 SAVINO, GIOVANNI, prod./dir., Bachata: Radical Harmonies, directed by Dee Mosbach M?sica del Pueblo [Bachata: Music of the er, rev. by Eileen M. Hayes, 48(2)312-14 People],rev. by Hannah Gill, 49(1): 172-74 Raganidhi: A Treasure Trove ofRagams, rev. SCHADEBURG, CLAUDIA, prod., Dolly and by Joseph M. Getter, 50(3)329-32 the ?nkspots, rev. by Jayendran Pillay, RASTA,OTONG,dir., Wayang Gol?k: Perform 44(2)357-59 ing Arts ofSunda (West Java), rev. by An SCHMIDT, CYNTHIA, rev. of African Gui drew N.Weintraub, 44(3)347-49 tar: Solo Fingerstyle Guitar Music from RAY, MICHELE, prod., Latcho Drom, rev. by Uganda, Congo/Zaire, Central African Carol Silverman, 44(2)362-364 Republic, Malawi, Namibia and Zambia, REIDJOHN, MICHAEL FLATLEY, and BILL produced and directed by Gerhard Kubik, TENNANT, prods., Lord of the Dance, rev. 41(3)382-85 by SCRUGGS, T. M., rev. of Chulas Fronteras, Anthony McCann and Orfhlaith Ni Bhriain, produced by Chris Strachwitz; Del Mero 46(2)366-69 Coraz?n, produced by Chris Strachwitz; 58 Ethnomusicology, Index Volumes 41-50

Tex Mex: Music of the Texas-Mexican Bor SUMARSAM, rev. of Pamungkas.A Dance by derlands, produced and directed by Jeremy S.Ngaltman, directed by Alex Dea; Wahyu Marre; Songs of the Homeland, directed by Senopati (The Divine Gift ofCommand Hector Gal?n; 43(3)372-78 ership): Traditional Wayang Kultt from SEN, ARUNDATI, prod., Khandan: The Mu Central Java, produced by Keith Rollinson; sical Heritage of Shujaat Khan, rev. by 45(3)329-32 George Ruckert, 45(1): 194-96 SUNKETT, MARK E., rev. of Djabote-Sene SERRANO, ANGEL (seeTOEPKE, ALVARO, and galese Drumming & Song from Master ANGEL SERRANO) Drummer Doudou N'Dtaye Rose, pro Sevdah: The Bridge that Survived, produced duced and directed by Beatrice Soul? and by David Charap, rev. by Mirjana Lausevic, EricMillot,4l(l):180-82 50(1): 176-78 El Suroeste Dominicano: Encrucijada de SILVERMAN, CAROL, rev. of Latcho Drom, Quisqueya y Ombligo del Mundo and produced by Mich?le Ray, 44(2)362-364 translated version, The Dominican South SIMON, CHRIS (see LUDDY/TOM, LES BLANK, west: Crossroads of Quisqueya and Center and CHRIS SIMON) of the World, directed by Martha Ellen Da SlUONS,CAROL,prod.,Breaking the Silence, vis, rev. by Hannah Gill, 50(1): 172-74 rev. by Hiromi Lorraine Sakata, 50(1): 174 Sworn to the Drum:A Tribute to Francisco 76 Aguabella, produced by Tom Luddy, Les SLAWEK, STEPHEN, rev. of Khyal: Classical Blank, and Chris Simon, rev. by Katherine Singing of North India, produced by Rob J. Hagedorn, 41(2)326-30 ert Philip, 45(2)377-78 SLOANE, CLIFFORD, rev. of Hmong Musi cians In America, 1978-1996, directed Tan-Singing of Trinidad and : Indo by Amy Catlin, 43(3)378-80 Cartbbean "Local-Classical Music," pro SLOBIN, MARK, rev. of A Kabul Music Di duced by Peter Manuel, rev. by Laxmi G. ary, produced and directed by John Baily, Tewari, 46(1): 192-94 49(2)341-42 TEWARI, LAXMI G., rev. of Tan-Singing of Song for a Shabat, directed by Izza Gennini, Trinidad and Guyana: Indo-Caribbean rev. by Linda C. Ehrlich, 46(3)349-52 "Local-Classical Music," produced by Peter Songs of the Homeland, directed by Hector Manuel, 46(1): 192-94 Gal?n, rev. by T. M. Scruggs, 43(3)372-78 Tex Mex:Music of the Texas-Mexican Border SOUL?, BEATRICE, and ERIC MILLOT, prods./ lands, produced and directed by Jeremy dirs., Djabote-Senegalese Drumming & Marre, rev. by T. M. Scruggs, 43(3)372-78 Song from Master Drummer Doudou Texas Style, directed by Alan Govenar and Pa N'Diaye Rose, rev. by Mark E. Sunkett, cho Lane, rev. by David Stricklin, 49(3)313 4l(l):180-82 15 A Spirit Here Today: A Scrapbook of Chopi THOMAS, ANNE EUSE, rev. of Marcel Khalife: Village Music, produced and directed by Voyageur, produced by Humbert Balsam Gei Zantzinger, rev. by David B. Copian, and Ali A. Sabbah, 50(3)333-35 43(l):195-97 Those Who Are in Love/Asiklar, produced, The Spirit Travels: Immigrant Music In directed, and edited by David Grabias, rev. America, produced and directed by by Irene Markoff, 41(1): 175-77 Howard Weiss, rev. by Rebecca S. Miller, TOEPKE, ALVARO, and ANGEL SERRANO, 43(1): 198-200 prods./dirs., The Language You Cry In: STONE, RUTH M., rev. of The Language You The Story of a Mende Song, rev. by Ruth Cry In: The Story of a Mende Song, pro M. Stone, 44(3)345-46 duced and directed by Alvaro Toepke and Too Close to Heaven: The History of Gospel Angel Serrano, 440)545-46 Music-Volumes 1-3, produced by Leo Clair, STRACHWITZ, CHRIS, prod., Chulas Fron rev. by Rob Bowman, 43(2)394-97 teras; and Del Mero Coraz?n, rev. by T. M. TOUB, MARTIN D. (see HAST, DOROTHEA, Scruggs, 43(3)372-78 and MARTIN D. TOUB) Strange Fruit, produced and directed by Joel Katz, rev. by Jonathon Bakan, 480):482-84 STRICKLIN, DAVID, rev. of Texas Style, di The Unbroken Circle-Vermont Music: Tradi rected by Alan Govenar and Pacho Lane, tion and Change, produced by Mark Green 49(3)313-15 berg, rev. by Steve Green, 41(2)330-38 Film, Video, and Multimedia Reviews 59

V WISSLER, HOLLY, prod., Qoyllur Rit'i: A Woman's Journey, rev. by Dale A. Olsen, VEAL, MICHAEL, rev. of Fela In Concert, di 45(3)332-3 rected by David Niles, 43(1): 197-98 WITZLEBEN, J. LAWRENCE, rev. of Chinese Viva Mi Tierra Caliente, directed by Pacho Opera, produced by Deben Bhattacharya; Lane, rev. by Russell Rodriguez, 48(1): 167 No. 17 Cotton Mill Shanghai Blues:Music 68 in China, produced and directed by Jeremy W Marre; Monkey King Looks West, directed by Christine Choy; 45(1): 189-93 Wahyu Senopati (The Divine Gift ofCom X mandership): Traditional Wayang Kulit from Central Java, produced by Keith Rol XINGRONG,ZHANG (seeWEI,U,and ZHANG linson; rev. by Sumarsam, 450)529-32 XINGRONG) WARD, GEOFFREY C, Jazz: A History of Y America's Music, rev. by Steven F. Pond, 460)552-56 YAMAMOTO, HIROSHI, dir., The JVC & Smith Wayang Gol?k: of Sunda sonian Folkways Video Anthology of Music (West Java), directed by Otong Rasta, rev. and Dance of Africa, Volumes I, II, & III, by Andrew N.Weintraub, 44(3)347-49 rev. by Frank Gunderson, 43(2)387-91 WEI, U, and ZHANG XINGRONG, recs./eds., From China's Southwest Borders:Minor 2 ity Dances, Songs, and Instrumental ZAMAN, FARHAD, prod./dir., Googoosh: Music of Yunnan. Volume 1:"Dances and Iran's Daughter, rev. by Niloofar Mina, Festivals." Volume 2:"Vocal, Instrumental 47(3):438-40 and Religious Music," rev. by Jack Body, ZANTZINGER, GEI, prod./dir., Of Pipers and 48(2)310-12 Wrens/De Souffle et de Roseau, rev. by WEINTRAUB, ANDREW N., rev. of Wayang Winnie Lambrecht, 42(3)357-58; prod./ Gol?k: Performing Arts of Sunda (West dir.,i4 Spirit Here Today:A Scrapbook of Java), directed by Otong Rasta, 44(3)347 Chopi Village Music, rev. by David B. Co 49 plan, 43(1): 195-197 WEISS, HOWARD, prod./dir., The Spirit Trav ZEMP, HUGO, prod./dir., Masters of the Bala els: Immigrant Music in America, rev. by fon: Funeral Festivities, rev. by Roderic Rebecca S. Miller, 43(1): 198-200 Knight, 47(l):151-54; prod./dir., Masters WERBOCK, JEFFREY, prod./dir., Children of the Balafon: Part 2, The Joy of Youth; Sing Mugham:Azerbaijani Children Liv Part 3, The Wood and the Calabash;Part 4, ing in Refugee Camps Singing Their Tra Friend, You are Welcome!, rev. by Roderic ditional Art Music, rev. by Theodore Levin, Knight, 49(2)343-46 47(1):150-51 Library Recommendation Form

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