Showcasing Indigenous Expressions
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Syllabus for Post Graduate Programme in Music
1 Appendix to U.O.No.Acad/C1/13058/2020, dated 10.12.2020 KANNUR UNIVERSITY SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: MA MUSIC DEPARTMENT OF MUSIC KANNUR UNIVERSITY SWAMI ANANDA THEERTHA CAMPUS EDAT PO, PAYYANUR PIN: 670327 2 SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: M A (MUSIC) ABOUT THE DEPARTMENT. The Department of Music, Kannur University was established in 2002. Department offers MA Music programme and PhD. So far 17 batches of students have passed out from this Department. This Department is the only institution offering PG programme in Music in Malabar area of Kerala. The Department is functioning at Swami Ananda Theertha Campus, Kannur University, Edat, Payyanur. The Department has a well-equipped library with more than 1800 books and subscription to over 10 Journals on Music. We have gooddigital collection of recordings of well-known musicians. The Department also possesses variety of musical instruments such as Tambura, Veena, Violin, Mridangam, Key board, Harmonium etc. The Department is active in the research of various facets of music. So far 7 scholars have been awarded Ph D and two Ph D thesis are under evaluation. Department of Music conducts Seminars, Lecture programmes and Music concerts. Department of Music has conducted seminars and workshops in collaboration with Indira Gandhi National Centre for the Arts-New Delhi, All India Radio, Zonal Cultural Centre under the Ministry of Culture, Government of India, and Folklore Academy, Kannur. -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
T>HE JOURNAL MUSIC ACADEMY
T>HE JOURNAL OF Y < r f . MUSIC ACADEMY MADRAS A QUARTERLY IrGHTED TO THE ADVANCEMENT OF THE SCIENCE ' AND ART OF MUSIC XXXVIII 1967 Part.' I-IV ir w > \ dwell not in Vaikuntha, nor in the hearts of Yogins, ^n- the Sun; (but) where my Bhaktas sing, there L ^ Narada ! ” ) EDITED BY v. RAGHAVAN, M.A., p h .d . 1967 PUBLISHED BY 1US1C ACADEMY, MADRAS a to to 115-E, MOWBRAY’S ROAD, MADRAS-14 bscription—Inland Rs. 4. Foreign 8 sh. X \ \ !• ADVERTISEMENT CHARGES \ COVER PAGES: Full Page Half Page i BaCk (outside) Rs. 25 Rs. 13 Front (inside) 99 20 .. 11. BaCk (Do.) 30 *# ” J6 INSIDE PAGES: i 1st page (after Cover) 99 18 io Other pages (eaCh) 99 15 .. 9 PreferenCe will be given (o advertisers of musiCal ® instruments and books and other artistic wares. V Special positions and speCial rates on appliCation. t NOTICE All correspondence should be addressed to Dr. V. Ragb Editor, Journal of the MusiC ACademy, Madras-14. Articles on subjects of musiC and dance are accepte publication on the understanding that they are Contributed to the Journal of the MusiC ACademy. f. AIT manuscripts should be legibly written or preferabl; written (double spaced—on one side of the paper only) and be sigoed by the writer (giving his address in full). I The Editor of the Journal is not responsible for tb expressed by individual contributors. AH books, advertisement moneys and cheques du> intended for the Journal should be sent to Dr. V, B Editor. CONTENTS Page T XLth Madras MusiC Conference, 1966 OffiCial Report .. -
LI-DISSERTATION-2015.Pdf
Copyright by Wai Chung LI 2015 The Dissertation Committee for Wai Chung LI Certifies that this is the approved version of the following dissertation: The Sikh Gurmat Sangīt Revival in Post-Partition India Committee: Stephen Slawek, Supervisor Andrew Dell’Antonio Gordon Mathews Kamran Ali Robin Moore Veit Erlmann The Sikh Gurmat Sangīt Revival in Post-Partition India by Wai Chung LI, MPhil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2015 Acknowledgements I would like to thank the following individual and parties for making this project possible. First of all, I would like to express my sincere gratitude and respect to Professor Stephen Slawek, who always enlightens me with intellectual thoughts and personal advice. I would also like to thank other members of my doctoral committee, including Professor Andrew Professor Dell’Antonio, Professor Gordon Mathews, Professor Kamran Ali, Professor Robin Moore, and Professor Veit Erlmann for their insightful comments and support towards this project. I am grateful to the staff of the following Sikh temples and academic institutions where research was conducted: The Archives and Research Center for Ethnomusicology; The American Institute of Indian Studies, Haryana; Gurdwara Sahib Austin, Texas; Jawaddi Taksal, Ludhiana; Gurdwara Sahib Silat Road, Singapore; Khalsa Diwan (Hong Kong) Sikh Temple, Hong Kong; Punjabi University Patiala, Patiala; The Harmandir Sahib, Amritsar; and The Sikh Center, Central Sikh Gurdwara Board, Singapore. I owe a debt of gratitute to people affiliated with the Jawaddi Taksal, Ludhiana, as they made my time in India (especially Punjab) enjoyable and memorable. -
Repor T Resumes
REPOR TRESUMES ED 017 908 48 AL 000 990 CHAPTERS IN INDIAN CIVILIZATION--A HANDBOOK OF READINGS TO ACCOMPANY THE CIVILIZATION OF INDIA SYLLABUS. VOLUME II, BRITISH AND MODERN INDIA. BY- ELDER, JOSEPH W., ED. WISCONSIN UNIV., MADISON, DEPT. OF INDIAN STUDIES REPORT NUMBER BR-6-2512 PUB DATE JUN 67 CONTRACT OEC-3-6-062512-1744 EDRS PRICE MF-$1.25 HC-$12.04 299P. DESCRIPTORS- *INDIANS, *CULTURE, *AREA STUDIES, MASS MEDIA, *LANGUAGE AND AREA CENTERS, LITERATURE, LANGUAGE CLASSIFICATION, INDO EUROPEAN LANGUAGES, DRAMA, MUSIC, SOCIOCULTURAL PATTERNS, INDIA, THIS VOLUME IS THE COMPANION TO "VOLUME II CLASSICAL AND MEDIEVAL INDIA," AND IS DESIGNED TO ACCOMPANY COURSES DEALING WITH INDIA, PARTICULARLY THOSE COURSES USING THE "CIVILIZATION OF INDIA SYLLABUS"(BY THE SAME AUTHOR AND PUBLISHERS, 1965). VOLUME II CONTAINS THE FOLLOWING SELECTIONS--(/) "INDIA AND WESTERN INTELLECTUALS," BY JOSEPH W. ELDER,(2) "DEVELOPMENT AND REACH OF MASS MEDIA," BY K.E. EAPEN, (3) "DANCE, DANCE-DRAMA, AND MUSIC," BY CLIFF R. JONES AND ROBERT E. BROWN,(4) "MODERN INDIAN LITERATURE," BY M.G. KRISHNAMURTHI, (5) "LANGUAGE IDENTITY--AN INTRODUCTION TO INDIA'S LANGUAGE PROBLEMS," BY WILLIAM C. MCCORMACK, (6) "THE STUDY OF CIVILIZATIONS," BY JOSEPH W. ELDER, AND(7) "THE PEOPLES OF INDIA," BY ROBERT J. AND BEATRICE D. MILLER. THESE MATERIALS ARE WRITTEN IN ENGLISH AND ARE PUBLISHED BY THE DEPARTMENT OF INDIAN STUDIES, UNIVERSITY OF WISCONSIN, MADISON, WISCONSIN 53706. (AMM) 11116ro., F Bk.--. G 2S12 Ye- CHAPTERS IN INDIAN CIVILIZATION JOSEPH W ELDER Editor VOLUME I I BRITISH AND MODERN PERIOD U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. -
Way of the Cross Malayalam Songs Free
way of the cross malayalam songs free Download way of the cross malayalam songs free Malayalam Christian Devotional Songs are here. Listen to these Christian Malayalam songs or MP3. 1. Bhavaykkum Puthranum 2. Aakaashangalirikkum 3. Nithya History of Malayalam cinema. Active Malayalam film production did not take place until the second half of the 20th century: there were only two silent films, and. The most important reason for reviving the practice of making the Stations of the Cross is that it is a powerful way to contemplate, and enter into, the. 11 comments: Binu S Nair, Piravom said. Greatest and Best Collections of Old Malayalam Movie Songs ! Thanks. 27/3/10 Rex said. Simply the Best. What is Lent,How to Living in Lent season,Station Of The Cross (Way Of The Cross) Pray to god through your favorite Devotional Song. For good luck, stress free life and to persevere faiths in god listen to Christian Devotional Songs on Zion Classic. tips for sister regina. 1)believe god loves you uncoditionally ,god has placed his wrath on his son jesus and already set you free from your sins,this is the good. The music of Kerala has a long and rich history. It is not the same as Malayalam poetry although most of it is poetry driven. Kerala has a rich tradition in Carnatic. Lent is here and why not start this Lenten Season with Stations of the Cross (Kurishinte Vazhi). The Stations of the Cross are also know as “Way of Sorrows” or. Super Hit Malayalam Movie Songs of 1980s and early 90s | Free Hit Mp3 Songs Download Links | Malayalam Film Songs | Download Songs that evoke nostalgic emotions. -
Malayalam Super Songs Download
Malayalam super songs download click here to download New Malayalam Songs Download- Listen New Malayalam Songs free online or Download Latest Malayalam Songs MP3. Play latest hit Malayalam Music. Play Super 10 Latest Malayalam Songs Malayalam movie songs MP3 by Gopi Sunder and download Super 10 Latest Malayalam Songs songs. Download new Malayalam mp3 songs to your Hungama account. Listen to your favorite Malayalam songs for free online. Check out latest Malayalam songs and . Browse and listen to new Malayalam song hits on Saavn. Download latest MP3 songs or listen online for free - in HD audio, only on Saavn. www.doorway.ru - Listen & Download latest MP3 songs online. Download new or old Malayalam songs & more on www.doorway.ru and play offline. Create, share and. www.doorway.ru presents a wide range of hit and popular Malayalam music albums, which you can listen to online or download. Here's a list of the top 10 Malayalam songs of , so far! With over 21 million views on Youtube, Jimikki Kammal has been a raging hit within and outside. Download and Listen to Malayalam Music using the new Plingd Application.*** At Plingd, we make available original licensed Malayalam songs with extreme. Latest Malayalam Songs App has been especially created for the fans of Malayalam music. The app offers the largest and best-ever collection of Malayalam. Malayalam Old Songs: 90's Hit Songs Video app has been especially for die- hard fans of Malayalam music. These Malayalam 90's Songs are best of lyrical and. 13 Songs, 56 Minutes. Preview. Memorable Melodies Hits of Yesudas ( Malayalam Film Songs), Vol. -
K.S. Resmi CV
K.S. RESMI 11582 Fury Lane, Apt. #113 (001) 619-467-7997 El Cajon, California [email protected] 92019-4381 USA Skype: ksresmi & http://www.ksresmi.com http://www.youtube.com/ksresmi http://www.facebook.com/ksresmi & http://twitter.com/ksresmi FIELDS OF SPECIALIZATION Carnatic Music, Kathakali Music, Folk Music of Kerala, Fusion PROFESSIONAL ACHIEVMENTS 2007-2016 Developed Carnatic music vocal online studies in the USA TEACHING EXPERIENCE 2004-2007 Full-time Lecturer, Department of Indian Music, University of Madras, Chennai, Tamil Nadu, India. Responsibilities included teaching Carnatic vocal classes, head examiner for examinations for MA degrees in Carnatic music and dance, committees and administration assistance 1995-2004 Carnatic vocal teacher, Sangita Bharati: Malabar Gopalan Nair Memorial Music and Research Center in Thiruvananthapuram, Kerala, India EDUCATION 2004 UGC Refresher Course, Academic Staff College, University of Kerala, India 2001 UGC National Eligibility Test (NET), India 2000 Ph.D. North and South Indian Classical Musics, University of Kerala, Thiruvananthapuram, Kerala, India (ABD) 1999 State Level Eligibility Test (SLET), Kerala, India M.A. South Indian Classical Music Performance, First Class, First Rank, Government Women’s College, University of Kerala, Thiruvananthapuram, Kerala, India 1997 B.A. South Indian Classical Music Performance, Government Women’s College, University of Kerala, Thiruvananthapuram, Kerala, India PRIVATE STUDY 2006-2016 Smt. Lalitha Sivakumar, Carnatic vocal 2009 Ramakant Gundecha of Gundecha Brothers, Dhrupad vocal 2001 Kalamandalam Venmani Haridas, Kathakali padams K.S. Resmi 2 1993-1996 Smt. Kamalalekshmy, Carnatic vina Ramesh Naryan, Hindustani vocal 1990-2004 Nelliyode Vasudevan Namboodiri, Kathakali padams 1984-2005 Dr. K. Omanakutty, Carnatic vocal, gurukul system 1977-1984 Smt. -
The Journal the Music Academy
Golden Jubilee Special Number THE JOURNAL OF THE MUSIC ACADEMY MADRAS DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Voi. x lv iii 1977 31? TElfa TfM 3 I msife w*? ii ■“ I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada! ” Edited by T, S. PARTHASARATHY 1980 The Music Academy Madras 306, Mowbray’s Road, Madras - 600 014 Annual Subscription - Rs, 12; Foreign $ 3.00 Golden Jubilee Special Number THE JOURNAL OF THE MUSIC ACADEMY MADRAS DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XLVIII 1977 TOlfil 51 ^ I to qprfo to fogifa urc? u ** I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Snn; (ftK| fheiV my bhaktas sirig, there fa I, NaradS f ** Edited by TiS. PARTHASARATHY 1980 The Musitf Academy Madras 366, Mowbray’s Road, Madras - 600 014 Annual Subscription - Rs. 12; Foreign $ 3.00 From Vol. XLVII onwards, this Journal is being published as an Annual. All corresnojd?nc£ sh ^ l^ ^ addressed ^ri T. S. Partha- sarathy, Editor* journal of the Music Academy, Madras-600014. Articles on subjects o f music and dance are accepted for publioation on the understanding that they are contributed solely to *he |*Wf M&P' All manuscripts should be legibly written or preferably type written (double-spaced on one side o f the paper only) and should be |^gn|d by the y^iter (giving bis address jn fpll). The Editor of the Journal is not responsible for the views ^expressed by individual contributors. -
University of Alberta 'Indo-Jazz Fusion'
University of Alberta ‘Indo-Jazz Fusion’: Jazz and Karnatak Music in Contact by Tanya Kalmanovitch A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music Edmonton, Alberta Spring 2008 Abstract An inherently intercultural music, jazz presents a unique entry in the catalog of interactions between Indian music and the west. This dissertation is situated in a line of recent accounts that reappraise the period of Western colonial hegemony in India by tracing a complex continuum of historical and musical events over three centuries. It charts the historical routes by which jazz and Karnatak music have come into contact in the twentieth and twenty-first centuries, both in India and abroad. It presents a detailed account of the history of jazz in India, and Indian music in jazz, and examines jazz’s contact with Karnatak music in three contexts—jazz pedagogy, intercultural collaboration, and the Indian diaspora in the United States—illustrating the musical, social and performative spaces in which these musics come into contact, and describing the specific musical and social practices, and political and social institutions that support this activity. Case studies in this dissertation include an educational exchange between the Jazz and Contemporary Music Program of the New School University (New York, NY) and the Brhaddhvani Research and Training Centre for Musics of the World (Chennai, India), directed by the author in December 2003 – January 2004; a 2001 collaboration between Irish jazz/traditional band Khanda and the Karnataka College of Percussion; and analyses of recent recordings by pianist Vijay Iyer, saxophonist Rudresh Mahanthappa and drummer Ravish Momin. -
ED 044 934 DOCUMENT RESUME PM 008 592 Curtiss, Marie Joy Research Project to Provide Materials for Teaching Asian Music in U.S
DOCUMENT RESUME ED 044 934 24 PM 008 592 AUT9OP Curtiss, Marie Joy TITLE' Research Project to Provide Materials for Teaching Asian Music in U.S. Public Schools and Colleges. Final Report. INSTITUTION Syracuse Univ., N.Y. SPONS AGENCY Office of Education (DPFW) ,Washington, D.C. Fureau of Research. BUREAU NO RR-8-R-004 PUB DATE Sep 69 GRANT OEC-0-8-000004-1901(010) NOTE 122p. EDRS PRICE FDRS Price ME-$0.50 PC-$6.20 DESCRIPTORS Audiovisual Aids, Auditory Evaluation, Color Presentation, Evaluation, *Film Production, Filmstrips, Indians, *Instructional Films, *Music, Single Concept Pilms, Slides, *Sound Films, Tape Recordings, Teaching Guides IDENTIFIERS India ABSTRACT Films, filmstrips, tames, and slides of the teaching of Indian music in its cultural setting were Produced for use in American schools. Performances were filmed and recorded in India: editing and synchronization were undertaken in the United States. Evaluations were informal: the films were shon in summer music courses, and tte viewers, who were teachers, made anonymous responses. Their reactions were favorable, with music educators rating the films higher than non-musicians. ,judgments of the music wel.e upwards of 831 favorable for all productions. Some of the ideas that emerged from the frel-- comments of the viewers were that films designed as teaching aids should be composed with one central idea, details should be delegated to film guides, color photography is desirable, visual variety is essential, format should vary with purpose, and length should depend upon material. All viewers agreed that the final result should be aesthetically pleasing. A tremendous need was expressed by the viewers for all kinds of musical films. -
BA Music 1St Semester Examination – 2020 Time: 3Hrs Maximum Marks :80 Musicology SECTION a Answer Any 10 Questions Each Carries 2 Marks 1
Maharaja’s College, Ernakulam (A Government Autonomous College) Affiliated to Mahatma Gandhi University, Kottayam Under Graduate Programme in Music 2020 Admission Onwards Board of Studies in Music Sl. Name of Member Designation No. 1 Sri. K. Ashtaman Pillai Chairman, BoS Music Dr. Preethy. K, Associate Prof. SSUS 2 External Member Kalady Dr. Manju Gopal, Associate Prof. 3 External Member SSUS Kalady 4 Fr. Paul Poovathingal Member [Industry] 5 Sri. A. Ajith Kumar Member [Alumni] 6 Dr. Pooja. P. Balasundaram Internal Member 7 Dr. Saji. S Internal Member 8 Dr. Sindhu. K. S Internal Member 9 Dr. Sreeranjini. K. A Internal Member 10 Sri. Vimal Menon. J Internal Member A meeting of the Board of Studies was conducted in the department of Music on 29/11/2019. The Board of Studies decided to revise the Syllabus and the same to be implemented from 2020 onwards. MAHARAJA'S COLLEGE, ERNAKULAM (A GOVERNMENT AUTONOMOUS COLLEGE) REGULATIONS FOR UNDER GRADUATE PROGRAMMES UNDER CHOICE BASED CREDIT SYSTEM 2020 1. TITLE 1.1. These regulations shall be called “MAHARAJA'S COLLEGE (AUTONOMOUS) REGULATIONS FOR UNDER GRADUATE PROGRAMMESUNDER CHOICE BASED CREDIT SYSTEM 2020” 2. SCOPE 2.1 Applicable to all regular Under Graduate Programmes conducted by the Maharaja's College with effect from 2020 admissions 2.2 Medium of instruction is English except in the case of language courses other than English unless otherwise stated therein. 2.3 The provisions herein supersede all the existing regulations for the undergraduate programmes to the extent herein prescribed. 3. DEFINITIONS 3.1. ‘Academic Week’ is a unit of five working days in which the distribution of work is organized from day one to day five, with five contact hours of one hour duration on each day.