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Japanese Entertainment Quiz
Japanese Entertainment Quiz What is the game in which the players say a word which begins with the last sound of the word the previous player has said; for example, “neko [cat]"→“kodomo [child]"→“mori [forest]"? ① ashitori ② ushirotori ③ shiritori ④ atotori What is the game in which the players say a word which begins with the last sound of the word the previous player has said; for example, “neko [cat]"→“kodomo [child]"→“mori [forest]"? ① ashitori ② ushirotori ③ shiritori ④ atotori What is the game in which people play with cards with pictures of plants and flowers on them? This game is like Western cards. ① hanafuda ② hanakaruta ③ kusafuda ④ kusakaruta What is the game in which people play with cards with pictures of plants and flowers on them? This game is like Western cards. ① hanafuda ② hanakaruta ③ kusafuda ④ kusakaruta This is a very old game. Two children play “rock, scissors, paper,” facing each other and clapping their hands to songs. What is it called? ① Kagome Kagome ② Antagata Dokosa ③ Ocharaka hoi ④ Tōryanse This is a very old game. Two children play “rock, scissors, paper,” facing each other and clapping their hands to songs. What is it called? ① Kagome Kagome ② Antagata Dokosa ③ Ocharaka hoi ④ Tōryanse When children play traditional games of singing and using their hands, they first clasp their hands and yell something. What do they yell? ① hakkeyoi nokotta ② sessessē no yoiyoiyoi ③ issē nō se ④ untoko dokkoisho When children play traditional games of singing and using their hands, they first clasp their hands and yell something. What do they yell? ① hakkeyoi nokotta ② sessessē no yoiyoiyoi ③ issē nō se ④ untoko dokkoisho This is a traditional Japanese game. -
THE WESTIN TOKYO Sakura Map
THE WESTIN TOKYO Sakura Map 1 Meguro River 2 Yoyogi Park Take the JR Yamanote Line from Ebisu Station to Take the JR Yamanote Line from Ebisu Station to Meguro Station (3 minutes). 5 minutes' walk from Harajuku Station (5 minutes). 3 minutes' walk from Meguro Station. Harajuku Station. Along both sides of the river banks spanning Atop the vast lawn, you will find cherry trees 4km, you will find 800 Somei Yoshino cherries in full bloom. This is a popular cherry in bloom. At night, they are illuminated. blossom viewing location. Ueno 4 Yamanote Line Sobu Line Kudanshita Hanzomon Line 7 Shinjyuk3ugyoen 3 Shinjyuku Gyoen National Park 4 Ueno Onshi Park Take the JR Yamanote Line from Ebisu Station to Shinjuku Take the JR Yamanote Line from Ebisu Station to Shinjyuku Station. From Shinjuku Station, board the Tokyo Metro Ueno Station (30 minutes). 2 minutes' walk from the Marunouchi Line and take it to Shinjuku-gyoenmae Station (3 Ueno Park exit of Ueno Station. minutes). 5 minutes' walk from Shinjuku-gyoenmae Station. The main road through the park features Enjoy 1,300 cherry trees of 65 varieties 1,200 cherry trees, making it one of the Marunouchi Line 6 outbloom. foremost destinations in Tokyo. Roppongi 5 Tokyo Midtown Harajyuku Shinanomachi 2 Take the Tokyo Metro Hibiya Line from Ebisu Station to Roppongi Station (6 minutes). 6 minutes' walk from Roppongi Station. 5 When in full bloom, sakura street is turned to sakura tunnel. At night, their illuminated blossoms create a bewitching mood. Hibiya Line 8 6 Meiji Jingu Gaien Ebisu Hamamatsucho Take the JR Yamanote Line from Ebisu Station to Yoyogi Station (8 minutes). -
Unifying Rail Transportation and Disaster Resilience in Tokyo
University of Arkansas, Fayetteville ScholarWorks@UARK Architecture Undergraduate Honors Theses Architecture 5-2020 The Yamanote Loop: Unifying Rail Transportation and Disaster Resilience in Tokyo Mackenzie Wade Follow this and additional works at: https://scholarworks.uark.edu/archuht Part of the Urban, Community and Regional Planning Commons Citation Wade, M. (2020). The Yamanote Loop: Unifying Rail Transportation and Disaster Resilience in Tokyo. Architecture Undergraduate Honors Theses Retrieved from https://scholarworks.uark.edu/archuht/41 This Thesis is brought to you for free and open access by the Architecture at ScholarWorks@UARK. It has been accepted for inclusion in Architecture Undergraduate Honors Theses by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. The Yamanote Loop: Unifying Rail Transportation and Disaster Resilience in Tokyo by Mackenzie T. Wade A capstone submitted to the University of Arkansas in partial fulfillment of the requirements of the Honors Program of the Department of Architecture in the Fay Jones School of Architecture + Design Department of Architecture Fay Jones School of Architecture + Design University of Arkansas May 2020 Capstone Committee: Dr. Noah Billig, Department of Landscape Architecture Dr. Kim Sexton, Department of Architecture Jim Coffman, Department of Landscape Architecture © 2020 by Mackenzie Wade All rights reserved. ACKNOWLEDGEMENTS I would like to acknowledge my honors committee, Dr. Noah Billig, Dr. Kim Sexton, and Professor Jim Coffman for both their interest and incredible guidance throughout this project. This capstone is dedicated to my family, Grammy, Mom, Dad, Kathy, Alyx, and Sam, for their unwavering love and support, and to my beloved grandfather, who is dearly missed. -
Groove'' Singing: Analysis of J-Pop Music
REVEALING THE SECRET OF “GROOVE” SINGING: ANALYSIS OF J-POP MUSIC Masaru Arai, Tastuya Matoba Mitsuyo Hashida Haruhiro Katayose formerly at Kwansei Gakuin University Soai University Kwansei Gakuin University friviera314,[email protected] [email protected] [email protected] ABSTRACT to synthesized musical stimuli covering a range of synco- pation levels and densities of musical events [9]. In music, “groove” refers to the sense of rhythmic “feel” Furthermore, the ideology of groove for rhythm sections or swing. Groove, which was originally introduced to de- has recently been expanded to continuous sound expres- scribe the taste of a bands rhythm section, has been ex- sion through melodic instruments, including vocal singing. panded to non-rhythmic sections and to several genres and Currently, singing voice information processing is devel- has become a key facet of popular music. Some studies oping considerably [10], and production software such as have analyzed groove by investigating the delicate beat nu- VOCALOID 1 is found worldwide. New technologies for ances of playing the drums. However, the nature of groove vocal expression serve as methods and tools to elaborate that is found in continuous sound has not yet been eluci- parameters of acoustic and melodic expression such as pitch, dated. To describe the nature of groove, we conducted an loudness, vibrato, portamento, and joint vowels and con- evaluative study using a questionnaire and balance method sonants [11–14]. However, the control method for the ex- based on signal processing for vocal melodies sung by a pression of “groove” singing remains obscure and under- professional popular music vocalist. -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships. -
This Project by Patricia J
TEACHING ADULT EFL LEARNERS IN JAPAN FROM A JAPANESE PERSPECTIVE SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF ARTS IN TEACHING DEGREE AT THE SCHOOL FOR INTERNATIONAL TRAINING BRATTLEBORO, VERMONT BY PATRICIA JEAN GAGE SEPTEMBER 2004 © PATRICIA JEAN GAGE 2004 This project by Patricia J. Gage is accepted in its present form. The author hereby grants the School for International Training the permission to electronically reproduce and transmit this document to the students, alumni, staff, and faculty of the World Learning Community. © Patricia Jean Gage, 2004. All rights reserved. Date _________________________________ Project Advisor _________________________________ (Paul LeVasseur) Project Reader _________________________________ (Kevin O’Donnell) Acknowledgements There are so many people that contributed to this project and without their help this project would not have been possible. First, I would like to thank my Sakae and Taiyonomachi classes for always being patient with me and for taking time out of their busy schedules to write feedback about each of the topics. Second, I am very grateful to Toshihiko Kamegaya, Mayumi Noda, Katsuko Usui, Terukazu Chinen and Naoko Ueda for providing the anecdotes in the section titled “Voices from Japan.” Third, I would like to give a special thanks to Paul LeVasseur, my advisor and teacher, whose Four Skills class inspired me to do this project and whose insightful comments about this paper were invaluable. I would also like to thank the summer faculty at SIT for their dedication and commitment to the teaching profession and to their students. Next, I would like to acknowledge my reader, Kevin O’Donnell, for guiding me in the right direction and for spending time, in his already hectic schedule, to read my paper. -
Shibuya City Industry and Tourism Vision
渋谷区 Shibuya City Preface Preface In October 2016, Shibuya City established the Shibuya City Basic Concept with the goal of becoming a mature international city on par with London, Paris, and New York. The goal is to use diversity as a driving force, with our vision of the future: 'Shibuya—turning difference into strength'. One element of the Basic Concept is setting a direction for the Shibuya City Long-Term Basic Plan of 'A city with businesses unafraid to take risks', which is a future vision of industry and tourism unique to Shibuya City. Each area in Shibuya City has its own unique charm with a collection of various businesses and shops, and a great number of visitors from inside Japan and overseas, making it a place overflowing with diversity. With the Tokyo Olympic and Paralympic Games being held this year, 2020 is our chance for Shibuya City to become a mature international city. In this regard, I believe we must make even further progress in industry and tourism policies for the future of the city. To accomplish this, I believe a plan that further details the policies in the Long-Term Basic Plan is necessary, which is why the Industry and Tourism Vision has been established. Industry and tourism in Shibuya City faces a wide range of challenges that must be tackled, including environmental improvements and safety issues for accepting inbound tourism and industry. In order to further revitalize the shopping districts and small to medium sized businesses in the city, I also believe it is important to take on new challenges such as building a startup ecosystem and nighttime economy. -
Shibuya Festival 2019 Date and Time:November 2 (Sat.) and 3 (Sun., Holiday)
The number for the Shibuya City Office is 3463-1211. If possible, tell the switchboard operator the extension for the section you wish to speak to. If you wish to make your inquiries in English, please contact the Intercultural Exchange Promotion Section, Cultural Promotion Division( Tel: 3463-1142). Editor: Shibuya City Office, Planning Department, Public Relations and Communications Division. Address: 1-1 Udagawa, Shibuya-ku Tel: 3463- 1287 HP: https://www.city.shibuya.tokyo.jp/ 42nd Hometown Shibuya Festival 2019 Date and time:November 2 (Sat.) and 3 (Sun., holiday) From 10:00 a.m. to 4:30 p.m. on the 2nd and to 4:00 p.m. on the 3rd the festival will be held even if it Venues:Section B of Yoyogi Park, other rains The Hometown Shibuya Festival is an occasion ★ for municipal residents to gather together and Directions to Venues ( ) Meiji Jingu Yoyogi Park relax, when people who love Shibuya join hands Shrine Harajuku Sta. Hachiko Bus in an effort to create a Shibuya that will make Yoyogi Koen stop Omotesando NHK Yoyogi National Stadium us all proud. The festival has three themes (under renovation) Meiji-dori St. Shibuya City Office Hachiko Bus Shibuya Kuyakusho stop “Shibuya—Turning Differences into Strengths,” Shibuya City Office temporary building “Hometown Shibuya—International and Peaceful Koen-dori St. Workers’ Welfare Hall City” and “I move. Shibuya changes.” All three Koen-dori St. JR are meant to convey the joy of living happily and helping each other. This year’s festival will be Access Miyamasu-zaka St. Ten-minute walk from Shibuya Station Shibuya Sta. -
Since Cornelius's Music Often Evokes the Harmonies, Instrumentation, And
New Sound 25 Loren Y. Kajikawa “An Escape From the Planet of the Apes: Accounting for Cornelius’s International Reception” Article received on October 4, 2004 UDC 78.067.26 (52) Cornelius Loren Y. Kajikawa “AN ESCAPE FROM THE PLANET OF THE APES: ACCOUNTING FOR CORNELIUS’S INTERNATIONAL RECEPTION” “Monkey See, Monkey Do”: Authenticity, Imitation, and Translation Abstract: Electronic/rock musician Cornelius (Keigo Oyamada) belongs to a loosely constructed genre of Japanese pop termed “Shibuya-kei.” Groups in this genre—Pizzicato Five, Flipper’s Guitar, and Scha Dara Parr among others— emulate the sounds and textures of pre-existing tunes, transforming Western popular music and creating a new and unique sound that has become a source of pride to Japanese music enthusiasts. Cornelius has produced a number of imaginative CDs and videos, and fans and critics in North America, Western Europe, and Australia have embraced his work. Yet Cornelius’s popularity, which is a rare occurrence for a Japanese pop musician in the West, raises a number of interesting questions about how listeners interpret music across boundaries of language and culture. First, this paper explores how Cornelius has been received by American critics, arguing that written reviews of his music stand as acts of “translation” that interpolate Cornelius’s music into Western discourses while overlooking the Japanese cultural context from which such work emerges. Secondly, this paper draws on published interviews to contextualize Cornelius’s use of “blank parody” as a possible defense strategy against this burden of Western civilization. And finally, this paper offers its own interpretation of Cornelius’s musical significance: Putting forward a utopian, post-national, cybernetic artistic vision, Cornelius’s electronic music collages avoid invoking racialized bodies in ways that have been problematic for Japanese jazz, rock, and hip-hop musicians. -
Chapter 6 Urban Development Policies by District
Chapter 6 Urban Development Policies by District Concept of District Categories Under Shibuya City’s Basic Concept which upholds the philosophy of diversity3 & inclusion,4 the Urban Development Master Plan is promoted through the cooperation of the people of Shibuya1 (people who live in Shibuya, people who work in Shibuya, people who visit Shibuya, and people who love Shibuya). To this end, we have set five district categories to promote “easy understanding for the people of Shibuya1” and the connections of districts based on “major stations and train lines.” Additionally, the borders of each district have not been defined clearly and the districts have been divided roughly, due to high-level connections across different urban districts within the city and from the viewpoint of promoting easy understanding for the people of Shibuya. Sasazuka, Hatagaya, Hatsudai, Honmachi Yoyogi, Sendagaya, AREA Harajuku, Jingumae Shinjuku AREA Hatsudai Yoyogi Minami- Hatagaya shinjuku Sasazuka Sangubashi Sendagaya Kokuritsu- Kita-sando kyogijo Yoyogi- hachiman Yoyogi- Harajuku uehara Yoyogi-koen Meiji-jingumae Omote-sando Yoyogi-uehara, Yoyogi-hachiman, Shinsen Sangubashi Shibuya AREA Shibuya Station AREA Daikanyama Hiroo Ebisu Daikanyama, Ebisu, Hiroo AREA 3. See footnote 3 on p.4 4. See footnote 4 on p.4 1. See footnote 1 on p.1 29 0 Development Master Plan? What is the Urban ■ Sasazuka, Hatagaya, Hatsudai, and Honmachi District [Sasazuka, Hatagaya, and Hatsudai Station area] - Promote the aggregation of commercial facilities through high-level and effective land use, improvement of the living environment, and development of open spaces. Additionally, make use of the Tamaga- 1 wajosui-kyusuiroryokudou and the busy shopping streets, and transform Shibuya People Future Envisioned by the area into a relaxed yet dynamic hub. -