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Inscriptional Records of the Western Zhou
INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one. -
Maria Khayutina • [email protected] the Tombs
Maria Khayutina [email protected] The Tombs of Peng State and Related Questions Paper for the Chicago Bronze Workshop, November 3-7, 2010 (, 1.1.) () The discovery of the Western Zhou period’s Peng State in Heng River Valley in the south of Shanxi Province represents one of the most fascinating archaeological events of the last decade. Ruled by a lineage of Kui (Gui ) surname, Peng, supposedly, was founded by descendants of a group that, to a certain degree, retained autonomy from the Huaxia cultural and political community, dominated by lineages of Zi , Ji and Jiang surnames. Considering Peng’s location right to the south of one of the major Ji states, Jin , and quite close to the eastern residence of Zhou kings, Chengzhou , its case can be very instructive with regard to the construction of the geo-political and cultural space in Early China during the Western Zhou period. Although the publication of the full excavations’ report may take years, some preliminary observations can be made already now based on simplified archaeological reports about the tombs of Peng ruler Cheng and his spouse née Ji of Bi . In the present paper, I briefly introduce the tombs inventory and the inscriptions on the bronzes, and then proceed to discuss the following questions: - How the tombs M1 and M2 at Hengbei can be dated? - What does the equipment of the Hengbei tombs suggest about the cultural roots of Peng? - What can be observed about Peng’s relations to the Gui people and to other Kui/Gui- surnamed lineages? 1. General Information The cemetery of Peng state has been discovered near Hengbei village (Hengshui town, Jiang County, Shanxi ). -
High-Throughput Design of Magnetic Materials
High-throughput Design of Magnetic Materials Hongbin Zhang Institute of Materials Science, TU Darmstadt, 64287 Darmstadt, Germany (Dated: August 28, 2020) Materials design based on density functional theory (DFT) calculations is an emergent field of great potential to accelerate the development and employment of novel materials. Magnetic mate- rials play an essential role in green energy applications as they provide efficient ways of harvesting, converting, and utilizing energy. In this review, after a brief introduction to the major functional- ities of magnetic materials, we demonstrated the fundamental properties which can be tackled via high-throughput DFT calculations, with a particular focus on the current challenges and feasible solutions. Successful case studies are summarized on several classes of magnetic materials, followed by bird-view perspectives for the future. Contents Glossary of acronyms I. Introduction 2 2D: two-dimensional AFM: antiferromagnetic II. Main applications of magnetic materials 3 A. Main applications 3 AHC: anomalous Hall conductivity III. Criticality and sustainability 4 ANC: anomalous Nernst conductivity IV. Main challenges and possible solutions 5 AMR: anisotropic magnetoresistance A. New compounds and phase diagram 5 B. Correlated nature of magnetism 7 ARPES: angle-resolved photoemission C. Magnetic ordering and ground states 8 BZ: Brillouin zone D. Magnetic fluctuations 10 E. Magnetic anisotropy and permanent magnets 12 DFT: density functional theory 1. Origin of magnetocrystalline anisotropy 12 2. Permanent magnets: Rare-earth or not? 13 DLM: disordered local moment F. Magneto-structural transitions 16 DOS: density of states G. Spintronics 18 H. Magnetic topological materials 21 DMFT: dynamical mean field theory I. Two-dimensional magnetic materials 23 DMI: Dzyaloshinskii-Moriya interaction V. -
Chinese Bead Curtains, Past and Present
CHINESE BEAD CURTAINS, PAST AND PRESENT Valerie Hector Relatively little is known about how beads were combined to form are generally affixed to architectural structures, often to larger structures in China. To address this situation, this paper the frames of doors or windows, where they serve several focuses on Chinese bead curtains. Adopting an approach that is purposes simultaneously. They embellish openings in the broad rather than deep and empirical rather than theoretical, it facade of a building, especially doorways and, to a lesser collates evidence from the textual, material, oral, and pictorial extent, windows. Usually, the bead curtain spans the height records to consider bead curtains from various perspectives. To of the opening or most of it. Bead curtains also accentuate begin, this study defines bead curtains as textiles, door and window boundaries, distinguishing public and private realms or ornaments, screens, and types of beadwork. It then discusses bead defining interior spaces. curtains of the imperial era (221 B.C.-A.D. 1911) as they are referenced in the Chinese textual record from the 4th century on. A In China, the bead curtains that hang in doorways belong discussion of bead curtains of the post-imperial era (1912-present) to a broader category of door- and window-frame ornaments. follows, offering a small database of 20th- and 21st-centuries While some of these are talismanic, part of a cultural system examples composed of organic and inorganic bead materials. of attracting positive and repelling negative influences, it is While contemporary, commercially-produced Chinese bead not clear that bead curtains can be called talismanic. -
CEPS: an Open Access MATLAB Graphical User Interface (GUI) for the Analysis of Complexity and Entropy in Physiological Signals
entropy Article CEPS: An Open Access MATLAB Graphical User Interface (GUI) for the Analysis of Complexity and Entropy in Physiological Signals David Mayor 1,* , Deepak Panday 2, Hari Kala Kandel 3, Tony Steffert 4,5 and Duncan Banks 5 1 School of Health and Social Work, University of Hertfordshire, Hatfield AL10 9AB, UK 2 School of Engineering and Computer Science, University of Hertfordshire, Hatfield AL10 9AB, UK; [email protected] 3 Department of Computing, Goldsmiths College, University of London, New Cross, London SE14 6NW, UK; [email protected] 4 MindSpire, Napier House, 14-16 Mount Ephraim Rd, Tunbridge Wells TN1 1EE, UK; [email protected] 5 School of Life, Health and Chemical Sciences, Walton Hall, The Open University, Milton Keynes MK7 6AA, UK; [email protected] * Correspondence: [email protected] Abstract: Background: We developed CEPS as an open access MATLAB® GUI (graphical user interface) for the analysis of Complexity and Entropy in Physiological Signals (CEPS), and demonstrate its use with an example data set that shows the effects of paced breathing (PB) on variability of heart, pulse and respiration rates. CEPS is also sufficiently adaptable to be used for other time series physiological data such as EEG (electroencephalography), postural sway or temperature measurements. Methods: Data were collected from a convenience sample of nine healthy adults in a pilot for a larger study investigating the effects on vagal tone of breathing paced at various Citation: Mayor, D.; Panday, D.; different rates, part of a development programme for a home training stress reduction system. Results: Kandel, H.K.; Steffert, T.; Banks, D. -
Langdon Warner at Dunhuang: What Really Happened? by Justin M
ISSN 2152-7237 (print) ISSN 2153-2060 (online) The Silk Road Volume 11 2013 Contents In Memoriam ........................................................................................................................................................... [iii] Langdon Warner at Dunhuang: What Really Happened? by Justin M. Jacobs ............................................................................................................................ 1 Metallurgy and Technology of the Hunnic Gold Hoard from Nagyszéksós, by Alessandra Giumlia-Mair ......................................................................................................... 12 New Discoveries of Rock Art in Afghanistan’s Wakhan Corridor and Pamir: A Preliminary Study, by John Mock .................................................................................................................................. 36 On the Interpretation of Certain Images on Deer Stones, by Sergei S. Miniaev ....................................................................................................................... 54 Tamgas, a Code of the Steppes. Identity Marks and Writing among the Ancient Iranians, by Niccolò Manassero .................................................................................................................... 60 Some Observations on Depictions of Early Turkic Costume, by Sergey A. Yatsenko .................................................................................................................... 70 The Relations between China and India -
T H E a Rt a N D a Rc H a E O L O Gy O F a N C I E Nt C H I
china cover_correct2pgs 7/23/04 2:15 PM Page 1 T h e A r t a n d A rc h a e o l o g y o f A n c i e nt C h i n a A T E A C H E R ’ S G U I D E The Art and Archaeology of Ancient China A T E A C H ER’S GUI DE PROJECT DIRECTOR Carson Herrington WRITER Elizabeth Benskin PROJECT ASSISTANT Kristina Giasi EDITOR Gail Spilsbury DESIGNER Kimberly Glyder ILLUSTRATOR Ranjani Venkatesh CALLIGRAPHER John Wang TEACHER CONSULTANTS Toni Conklin, Bancroft Elementary School, Washington, D.C. Ann R. Erickson, Art Resource Teacher and Curriculum Developer, Fairfax County Public Schools, Virginia Krista Forsgren, Director, Windows on Asia, Atlanta, Georgia Christina Hanawalt, Art Teacher, Westfield High School, Fairfax County Public Schools, Virginia The maps on pages 4, 7, 10, 12, 16, and 18 are courtesy of the Minneapolis Institute of Arts. The map on page 106 is courtesy of Maps.com. Special thanks go to Jan Stuart and Joseph Chang, associate curators of Chinese art at the Freer and Sackler galleries, and to Paul Jett, the museum’s head of Conservation and Scientific Research, for their advice and assistance. Thanks also go to Michael Wilpers, Performing Arts Programmer, and to Christine Lee and Larry Hyman for their suggestions and contributions. This publication was made possible by a grant from the Freeman Foundation. The CD-ROM included with this publication was created in collaboration with Fairfax County Public Schools. It was made possible, in part, with in- kind support from Kaidan Inc. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
HUMAN ADAPTATION to SPACEFLIGHT: the ROLE of FOOD and NUTRITION Second Edition
National Aeronautics and Human Space Administration Adaptation to Spaceflight: The Role of Food and Nutrition Second Edition Scott M. Smith Sara R. Zwart Grace L. Douglas Martina Heer National Aeronautics and Space Administration HUMAN ADAPTATION TO SPACEFLIGHT: THE ROLE OF FOOD AND NUTRITION Second Edition Scott M. Smith Grace L. Douglas Nutritionist; Advanced Food Technology Lead Scientist; Manager for Nutritional Biochemistry Manager for Exploration Food Systems Nutritional Biochemistry Laboratory Space Food Systems Laboratory Biomedical Research and Human Systems Engineering and Environmental Sciences Division Integration Division Human Health and Performance Human Health and Performance Directorate Directorate NASA Johnson Space Center NASA Johnson Space Center Houston, Texas USA Houston, Texas USA Sara R. Zwart Martina Heer Senior Scientist; Nutritionist; Deputy Manager for Nutritional Program Director Nutritional Sciences Biochemistry IU International University of Nutritional Biochemistry Laboratory Applied Sciences Biomedical Research and Bad Reichenhall, Germany Environmental Sciences Division & Human Health and Performance Adjunct Professor of Nutrition Physiology Directorate Institute of Nutritional and Food Sciences NASA Johnson Space Center University of Bonn, Germany Houston, Texas USA & Preventive Medicine and Population Health University of Texas Medical Branch Galveston, Texas USA Table of Contents Preface ......................................................................................................................... -
Fine Chinese Art New Bond Street, London I 16 May 2019
Fine Chinese Art New Bond Street, London I 16 May 2019 84 (detail) 130 (detail) Fine Chinese Art New Bond Street, London I Thursday 16 May 2019 10.30am (lots 1 - 128) 2pm (lots 129 - 279) VIEWING GLOBAL HEAD, CUSTOMER SERVICES As a courtesy to intending Saturday 11 May CHINESE CERAMICS Monday to Friday 8.30am - 6pm bidders, Bonhams will provide a 11am - 5pm AND WORKS OF ART +44 (0) 20 7447 7447 written Indication of the physical Sunday 12 May Asaph Hyman condition of lots in this sale if a 11am - 5pm Please see page 4 for bidder request is received up to 24 hours before the auction starts. Monday 13 May ENQUIRIES information including after-sale 9am - 7.30pm collection and shipment This written Indication is issued Colin Sheaf subject to Clause 3 of the Notice Tuesday 14 May +44 (0) 20 7468 8237 拍賣品之狀況 to Bidders. 9am - 4.30pm [email protected] Wednesday 15 May 請注意: 本目錄並無說明任何拍賣 品之狀況。按照本目錄後部份所載 9am - 4.30pm Asaph Hyman REGISTRATION 之「競投人通告第 條 」, 準 買 家 +44 (0) 20 7468 5888 15 IMPORTANT NOTICE 必須拍賣前親自確定拍賣品之狀 SALE NUMBER [email protected] Please note that all customers, 況。 irrespective of any previous 25357 純為方便準買家,本公司如果拍買 Benedetta Mottino activity with Bonhams, are 開始前24小時收到準買家的要求, +44 (0) 20 7468 8236 required to complete the Bidder CATALOGUE 本公司可提 供 書面上的 狀 況 報 告。 [email protected] Registration Form in advance of £30.00 該報告是依據「競投人通告第1.6 條 」提 供。 the sale. The form can be found BIDS Edward Luper at the back of every catalogue +44 (0) 20 7468 5887 +44 (0) 20 7447 7447 ILLUSTRATIONS and on our website at www. -
On the War Culture of Rewarding, Management and Sacrificing in the Ancient China Zhou Dynasty Based on the War Inscriptions
ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 11, No. 8, 2015, pp. 60-66 www.cscanada.net DOI:10.3968/7434 www.cscanada.org On the War Culture of Rewarding, Management and Sacrificing in the Ancient China Zhou Dynasty Based on the War Inscriptions DENG Fei[a],* [a]Institute of Chinese Language and Documents, Southwest University, Chongqing, China. INTRODUCTION *Corresponding author. As we know, the early Chinese considered that two things Supported by National Funds for Social Science “Research on the Time were the most important for one country. One was Category in the Oracle-Bone Inscriptions in Ancient Chinese Shang sacrificing to the gods and ancestors. One was fighting. Dynasty” (13XYY017); Chinese Special Postdoctoral Funds “Research Fighting continued the political activity. The bronze on the Time Category in the Oracle-Bone Inscriptions in Ancient inscriptions in the Zhou dynasty are of rich language Chinese Shang Dynasty” (2014T70841); Chinese Postdoctoral Funds materials about war, contrast to the oracle-bone “Research on the Cognitive Issues of the Time Category in the Oracle- Bone Inscriptions in Ancient Chinese Shang Dynasty” (2013M531921); inscriptions in the Shang dynasty, these language Chongqing city’s Postdoctoral Funds “ Research on the Different materials are systematical and complete, so they have Expressions of the Time Category in the Oracle-Bone Inscriptions in provided so many materials to us to investigate all aspects Ancient Chinese Shang Dynasty” (XM201359). of war culture. This paper will discuss the war culture of rewarding, management and sacrificing. Received 19 April 2015; accepted 2 June 2015 Published online 26 August 2015 1. -
Not for Citation Reflections on Literary and Devotional Aspects of Western
Draft – Not for Citation Reflections on Literary and Devotional Aspects of Western Zhou Memorial Inscriptions Robert Eno 伊若泊 Symposium on Ancient Chinese Bronzes, University of Chicago, 2010 This essay poses some very general questions concerning Western Zhou bronze inscriptions as a corpus that seem to me problems that are of intrinsic interest, inspired by one vessel in particular in the Shouyang Studio collection, and mixing a few other recently recovered inscriptions with ones I’m more familiar with in reflecting on the issues I want to raise. I should begin with a confession that it has been some years since I dealt with bronze inscriptions as part of a research agenda, and I cannot claim close familiarity with a wide range of those that have come to light in recent years, though working on this paper has helped me to know better what it is that I do not know. I have titled it a reflection because it is not the fruit of extensive and ongoing research, but my hope is that it raises issues of interest that are also ones we have the tools to explore. The issues that concern me here are these: First, given the highly formulaic and restricted nature of most bronze texts, and the fact that significant portions of many seem to be redactions of texts originally created on other materials, wood or bamboo, how far can we identify in these texts elements of literary creativity and what might be construed as personal expression arising from the occasion of creating memorial inscriptions in bronze? Second, acknowledging that the context for the