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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Application of Jingchu Cultural Symbol in Design of Turquoise Jewelry
2020 3rd International Conference on Interdisciplinary Social Sciences & Humanities (SOSHU 2020) Application of Jingchu Cultural Symbol in Design of Turquoise Jewelry Wang Xiaoyue Department of Jewelry, College of Jewelry, China Univercity of Geosciences, Wuhan, Hubei, 430074, China email: [email protected] Keywords: Jingchu Cultural Symbol, Turquoise, Jewelry Design, Connotation Features, Chutian God Bird, Creative Expression Abstract: Turquoise is one of the four famous jades in China, which carries the Chinese jade culture for thousands of years. Jingchu culture is a strong local culture represented by the Hubei region of our country. It has a long history and is an important branch of the splendid local history and culture in our country. The combination of Jingchu cultural symbols and turquoise culture to create jewelry has a long history. This paper discusses the application of Hubei Jingchu cultural symbol in the design of turquoise jewelry under the guidance of these two cultural contents. 1. Jingchu Culture Symbol and Turquoise Culture Jingchu culture is the representative of the local culture of our country. It is a special cultural content formed in a specific historical period and a specific region. At that time, in order to inherit the cultural content of Chinese vinegar, carry forward the long history, integrate the Jingchu culture into many treasure jewelry, and form the characteristic jewelry type with the cultural symbol of Jingchu as the background, it is the turquoise jewelry which combines the Jingchu culture. Turquoise, as one of the four great jades in China, has a profound cultural background which can not be underestimated. 1.1. Jingchu Culture and Its Symbols The culture of jingchu is named after the state of chu and the people of chu. -
School District of Marshfield Course Syllabus
School District of Marshfield Course Syllabus Course Name: Jewelry & Metal Arts Length of Course: Semester Credits: ½ credit Course Description: Students will explore and create a variety of handmade wearable art jewelry from copper, brass, nickel and sterling silver. Through investigation of multiple techniques and the study of cultural uses of jewelry, students will learn soldering, torch work, metal sawing & piercing, cabochon stone-setting, patina applications, oxidation, and color treatments on metal. Students will use fabrication techniques to create wearable pieces of art, including necklaces, rings, and earrings. Learning Targets: Investigate traditions of jewelry making across time and cultures Research cultures that have used sophisticated jewelry techniques Learn about the jewelry design process and create 2-dimensional plans for 3-dimensional models Demonstrate the techniques of sawing and piercing metal Demonstrate the techniques of soldering metals together using a jeweler’s torch Demonstrate final finishing techniques, including buffing, oxidation and patina application Demonstrate alternative connection methods, such as cold-connections Create jewelry that includes a cabachon stone using a bezel setting Create fabricated jewelry designs, including rings, pendants, earrings and pins Topic/Content Outline-Units and Themes: 1. Understanding Metallurgy (1 week) A. History of Metals and Jewelry B. Metals: What are they? Understanding copper, brass and sterling silver C. Understanding Melting Points, Properties & Malleability D. Learning the Difference Between Ferrous & Non-Ferrous Metals 2. Basic Fabrication Techniques and Safety (2 weeks) A. Sawing and Piercing Metal: Safety, Process and Technique B. Pattern-Making C. Filing and Sanding Metal Page 1 of 3 D. Creating Texture: Hammering, Stamping, Embossing, Chasing E. -
Newsletter/Fall 2016 the DAS DAS the Decorative Arts Society, Inc
newsletter/fall 2016 Volume 24, Number 2 Decorative Arts Society The DAS DAS The Decorative Arts Society, Inc. in 1990 for the encouragement of interest in, the appreciation of and the exchange of information about the decorative arts. To, is pursuea not-for-profit its purposes, New theYork DAS corporation sponsors foundedmeetings, Newsletter programs, seminars, tours and a newsletter on the decorative arts. Its supporters include museum curators, academics, collectors and dealers. Please send change-of-address information by e-mail to [email protected]. Board of Directors Editor President Gerald W. R. Ward Gerald W. R. Ward Senior Consulting Curator & Susan P. Schoelwer Senior Consulting Curator Katharine Lane Weems Senior Curator Robert H. Smith Senior Curator Katharine Lane Weems Senior Curator of of American Decorative Arts and George Washington’s Mount Vernon American Decorative Arts and Sculpture Emeritus Mount Vernon, VA Sculpture Emeritus Museum of Fine Arts, Boston Museum of Fine Arts, Boston Boston, MA Boston, MA Treasurer Stewart G. Rosenblum, Esq. Robert C. Smith Award Committee Coordinator Jeannine Falino, Chair Ruth E. Thaler-Carter Secretary Independent Curator Freelance Writer/Editor Moira Gallagher New York, NY Rochester, NY Research Assistant Metropolitan Museum of Art Lynne Bassett New York, NY Costume and Textile Historian Program Chairperson Dennis Carr Emily Orr Carolyn and Peter Lynch Curator of The DAS Newsletter is a publication Assistant Curator of Modern and American Decorative Arts and of the Decorative Arts Society, Inc. The Contemporary American Design Sculpture purpose of the DAS Newsletter is to serve as Cooper Hewitt, Smithsonian Design Museum of Fine Arts, Boston, MA a forum for communication about research, Museum Boston, MA exhibitions, publications, conferences and New York, NY other activities pertinent to the serious Emily Orr study of international and American deco- Margaret Caldwell Assistant Curator of Modern and rative arts. -
Analysis of Fabric Weaves
Eglė Kumpikaitė, Inga Nėnienė Lithuanian Folk Skirts. Part II: Analysis of Fabric Weaves Kaunas University of Technology, Abstract Faculty of Design and Technologies, In the second part of the article, Lithuanian folk skirt fabrics are researched according Department of Textile Technology to weave. 7 fabric groups, from which the group of plain weave is the most widespread, Studentu Str. 56, LT-3031 Kaunas, Lithuania were selected. The second most common are twill weaves. In this article twill weaves E-mail: [email protected] are discussed wider by presenting their classification and plans of weave. Moreover, the prevalence of weaves were researched chronologically. The results show the predomination of plain and twill weaves in skirts of the XIX century, and various derived, combined weaves became more popular from the middle of the XIX century. These weaves started to be used gradually for geometrical patterns and fabric decoration. Comparison of the weaving tradition of skirts with respect to territory shows some similarities between the pattern and weave of Lithuanian fabric and those of neighboring countries. Key words: folk skirt, fabric weave, plan of weave, twill weaves. ture. The authors of this article focused n Experimental results on the technique of weaving skirts from and discussions beginning of the XIX century to the first n Introduction half of the XX century. They reviewed The objects of the investigation were Characteristics of the fabric are deter- a collection from one museum and ana- Lithuanian folk skirts from all regions mined not only by such parameters as the lysed variants of diamond twill, prepared of the country from the textile collec- raw material of threads, thread settings, plans of weave [5], and analysed com- tion of the department of Folk Art at the linear density and others, but also by fab- pound weaves, which are widespread in M. -
Evaluation of Physical Properties of Errandi-Acrylic Union Fabrics
Journal of Applied and Natural Science 10 (3): 925 - 930 (2018) ISSN : 0974-9411 (Print), 2231-5209 (Online) journals.ansfoundation.org Evaluation of physical properties of Errandi-acrylic union fabrics Sunita Boruah* Article Info Assistat Professor, Department of Fashion Design and Technology, Assam Women’s DOI:10.31018/jans.v10i3.1816 University, Jorhat-785004 (Assam), India Received: June 30, 2018 B. Baishya Kalita Revised: July 16, 2018 Professor, Department of Textiles and Apparel designing, College of Community Science, Accepted: July 30, 2018 Assam Agricultural University, Jorhat-785013 (Assam), India *Corresponding author. E-Mail: [email protected] How to Cite Abstract: Boruah, S. et al. (2018). Errandi silk has a potential of emerging as “A silk of the new millennium”. The experi- Evaluation of physical mental finding provides information on physical properties as well as subjective evalua- properties of Errandi- tions of Errandi silk -Acrylic union fabrics with twill and herringbone weave. The count and acrylic union fabrics. diameter of errandi silk fibre were higher than acrylic fibre and in case of woven fabrics, Journal of Applied and herringbone weave were found to have maximum value in cloth covers, weight and thick- Natural Science, 10(3): ness. A comparative subjective evaluation was done based on fabric quality by the panel 925 - 930 of 100 respondents. 100 per cent respondent opined that all the woven samples have good appearance, soft in hand and smooth in texture. It was observed that cent percent of respondents found errandi-acrylic blended union fabrics with twill and herringbone weaves were high in lustre. The costs of blended yarns and the cost of union fabrics of different proportion were got reduced in comparison to that of 100 per cent errandi-silk yarn (Rs.3000.00/kg) and controlled errandi silk fabrics (Rs.985.00/mt.). -
Important Jewelry
IMPORTANT JEWELRY Tuesday, October 16, 2018 NEW YORK IMPORTANT JEWELRY AUCTION Tuesday, October 16, 2018 at 10am EXHIBITION Friday, October 12, 10am – 5pm Saturday, October 13, 10am – 5pm Sunday, October 14, Noon – 5pm Monday, October 15, 10am – 2pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com Lot 27 INCLUDING PROPERTY FROM THE ESTATES OF Henri Jo Barth The Noel and Harriette Levine Collection A Long Island Lady A Distinguished New Jersey Interior Decorator A New York Lady A New York Private Collector Barbara Wainscott INCLUDING PROPERTY FROM A Florida Lady A Miami Lady A New Jersey Private Collector A New York Collector A Private Collection A Private Collector CONTENTS Important Jewelry 1-535 Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII Lot 529 The Estate of Henri Jo ‘Bootsie’ Barth Doyle is honored to auction jewelry from the Estate of Henrie Jo “Bootsie” Barth. Descended from one of Shreveport, Louisiana’s founding families, Henrie Jo Barth, known all her life as Bootsie, was educated at The Hockaday School in Dallas and Bryn Mawr College. She settled on New York’s Upper East Side and maintained close ties with Shreveport, where she had a second residence for many years. Bootsie was passionate about travel and frequently left her Manhattan home for destinations around the world. One month of every year was spent traveling throughout Europe with Paris as her Lots 533 & 535 base and another month was spent in Japan, based in Kyoto. -
Pyro Leather Journal
ART DECO GRIFFIN LEATHER JOURNAL PYROGRAPHY PROJECT L�r� S. I�i�h ArtDesignsStudio.com step-by-step instructions BURN PAINT BIND ART DECO GRIFFIN LEATHER JOURNAL PYROGRAPHY PROJECT BY L. S. IRISH, ARTDESIGNSSTUIO.COM INTRODUCTION SUPPLIES Artist’s often keep an art journal through the year. This variable temperature wood burning unit is a small book with watercolor paper or illustration standard writing tip pen paper pages where the artist can make notes, keep a dairy spoon shader tip pen and add small pencil drawings or watercolor painting to leather strop and rouge the pages. 2 pieces of leather This artist’s sketch book is created using two pieces of 1/8” thick x 6 ½” wide x 11 ¼” long distressed leather, several sheets of watercolor paper, 2 sheets of 140 lb. watercolor paper some tracing paper and four strings of raffia. You can deckled edges, 22” x 30” burn a design into either the front cover, back cover or 18 sheets of velum or tracing paper, 6” x 11” both. Even the pages can have wood burned accents. 4 lengths of raffia, 40” to 48” long Plus, because of the simple lacing technique, you can 4 rivets add or remove pages at any time. hole punch or leather punch leather needles or long eyed needle Once you have learned how easy this journal is to burn acrylic paints: and assemble you can create a wide variety of small medium cadmium yellow, booklets using different themed patterns, scrap book medium cadmium red papers, and even paper bag pages. cover, page and turquoise lacing materials. -
Tweed Brochure
TWEED From our establishment in 1957, we have become one of the oldest exclusive manufacturers of commercial ooring in the United States. As one of the largest privately held mills, our FAMILY-OWNERSHIP provides a heritage of proven performance and expansive industry knowledge. Most importantly, our focus has always been on people... ensuring them that our products deliver the highest levels of BEAUTY, PERFORMANCE and DEPENDABILITY. (cover) Tweed Pleat, ashlar. (right) Tweed Stitch, ashlar. TWEED 3 Tweed Pleat, herringbone. Tweed Pleat, herringbone with Boucle Knot, ashlar. Tweed Pleat, herringbone. FIRETWEED & ICE 5 tweed 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2978 color 2979 color 2980 color 2981 color 2982 color 2983 color 2984 color 2985 color 2986 stitch pleat hem needle tailor serge weft woolen measure style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2987 color 2988 color 2989 color 2990 color 2991 color 2992 color 2993 color 2994 selvage thread placket dart seam flannel thimble suit Tweed Hem, herringbone. TWEED 7 coordinating palette 1 2 3 4 6 8 5 7 Beyond the beauty of individual products, our flooring coordinates effortlessly with each other. This offering enables you to blend a range of designs with tonal simplicity to create palettes that reflect the demands of each unique space. 1 Tweed 7588 #7083 Stitch Modular 2 Modern Classics V5002 #1029 Annie LVT 3 Boucle 7081 #2703 Texture Modular 4 Fractured Plaid 7587 #2873 Calico Modular 5 Analog Mono 1822 #1555 Equivalent Kinetex 6 Legend V5010 #1059 Fiction LVT 7 Boucle 3081 #2703 Texture Broadloom 8 Stria 7585 #2741 Merino Modular Tweed Stitch, ashlar with Modern Classics Annie, ashlar. -
BED BANK County Is Declared a Disaster Area in Wake of Hurricane
Weather ~" Distribution Fair today; high about 70. BED BANK Today Cloudy tonight, low 60. Chance of rain tomorrow; high, 60s. 16,250 MONDAY THROUGH TttlDAY-EST. Wl See weather and tides page 2, 35 C P E E K VOL. 83, NO. 53 Iisucd Dally, Monday through Friday, entered as Second Clasi Matter RED BANK, N. J., THURSDAY, SEPTEMBER 15, 1960 7c PER COPY R Y S, F R PAGE ONE at the Post OHlce at Red Bank. N. J., under the Act of March 3, 1879. Soviet Attack County Is Declared On Dag Poses A Disaster Area In Crisis for UN Wake of Hurricane UNITED NATIONS, N. Y. (AP)-.The United Nations faced a major crisis today as a result of a slashing Soviet attack on Secre- tary General Dag Hammarskjold and his Congo policies. Officials Inspect Damage, A wide-open break was threatened virtually on the eve ol Soviet Premier Nikita S. Khrushchev's appearance here. The Western powers, led by Ethel Plan U.S., State Aid Bills the United States, prepared to rally to Hammarskjold's sup- Three major developments took place yesterday AF Finds in the aftermath of Hurricane Donna. port in another round of Se- •Is. New curity Council meetings begin- Rep. James C. Auchincloss toured scenes of storm ning this morning on the cha- destruction in the Bayshore, and announced that Mon- otic Congo situation. Missing The Soviet attack, more bitter Threat mouth County has been declared a disaster area, along than any ever made by a big with Atlantic, Cape May and Ocean Counties. -
WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion
WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion Over the years, the wool industry has attempted to standardize wool textile terminology. The following is list of such terms listed in “Twills, Tweeds and All-Wool Fabrics” by Harriet C. Douglas. Public Domain on arizona.edu. Broken Twill – are twills in which one or more shafts are omitted in the threading, but the weaving is regular. Dornik is an example. Cheviot Tweeds – originally from the Cheviot Hills of Scotland. Made from the rough, coarse wool of the Cheviot wool in plain weave or in 2/2 twill, with warp and weft of the same color. Often pieced dyed rather than skein dyed. Combined Twills – are Fancy twills woven in small patterns with broken diagonals and irregular warp and weft skips. Corkscrew Twills – are warp and weft rib twills produced on an uneven number of shafts, by weaving semi-opposites. One of the few twills which is not a balanced weave. Curved Twills – are Fancy twills in which the twill lines have a waved or curved nature. District Checks – is the general name applied to the Scotch Tweed checks developed during the rein of Queen Victoria for hunting and sport wear. They are characterized by a certain boldness of small figures, but “protective coloration”. They include such checks as the Glenns, The Glen Urquharts and the Shepherd check, woven on two, three or four colors. Donegal Tweed – has two types. One is a herringbone weave on a white warp with a dark weft; the other, a plain weave fabric woven with a weft which has colored nubs. -
Important Jewelry
IMPORTANT JEWELRY Wednesday, October 18, 2017 NEW YORK IMPORTANT JEWELRY AUCTION Wednesday, October 18, 2017 at 10am EXHIBITION Saturday, October 14, 10am – 5pm Sunday, October 15, Noon – 5pm Monday, October 16, 10am – 5pm Tuesday, October 17, 10am – 2pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $45 INCLUDING PROPERTY FROM CONTENTS THE ESTATES OF Important Jewelry 1-519 Conditions of Sale I Emmajane DeLong Terms of Guarantee III Geraldine Hickox Information on Sales & Use Tax IV Barbara Hartley Lord Buying at Doyle V Aileen Mehle Selling at Doyle VII A New York City Private Estate Auction Schedule VIII Company Directory IX Absentee Bid Form XI INCLUDING PROPERTY FROM A Beverly Hills Collector A Connecticut Collector A Distinguished Lady A Lady A Pennsylvania Collector A Family of Spanish Descent Lot 519 5 3 1 2 4 5 1 2 3 4 5 Pair of Gold, Cabochon Peridot and High Karat Gold and Emerald Pair of High Karat Gold Earclips, Zolotas Gold ‘Mycenaean’ Necklace, Ilias Lalaounis Gold ‘Mycenaean’ Bracelet, Ilias Lalaounis Aquamarine and Mother-of-Pearl Earclips, Bangle Bracelet 22 kt., composed of hammered gold 18 kt., composed of pairs of scrolled links on 18 kt., composed of pairs of scrolled Elizabeth Locke 22 kt., the tubular bangle of polished twisted overlapping elongated oval bombé panels, a double strand mesh gold chain, links, no. F69, with maker’s mark, model 18 kt., the oval hammered gold stepped gold spaced by slender rope-twist bands, signed Zolotas, with maker’s mark, with maker’s mark, approximately 63 dwts.