DOCSLIB.ORG

Offset + Balance MODULAR

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Offset + Balance MODULAR Industrial inspiration. OFFSET 11338 Acid Resist 30801 18” x 36” Modular BALANCE 11339 Acid Resist 30801 18” x 36” Modular METRI II 04654 Citrine 62109 18” x 36” Modular Vertical ashlar installation Playful patterns Offset is a non-directional, organic pattern that comes and goes with an almost pixelated effect, giving the impression of a transferred design. Balance builds on this idea by adding a random stitch detail to provide more direction and a playful accent. OFFSET 11338 Screen Tint 30805 Flash Point 30803 18” x 36” Modular Vertical ashlar installation BALANCE 11339 OFFSET 11338 Ink Film 30807 Ink Film 30807 18” x 36” Modular 18” x 36” Modular Vertical ashlar installation Herringbone installation OFFSET 11338 Screen Tint 30805 18” x 36” Modular BALANCE 11339 Screen Tint 30805 18” x 36” Modular Mixed tile installation Inspired by the unfinished and exposed raw materials used for industrial printing techniques, Offset and Balance create a casual sophistication that doesn’t feel heavily designed. Both styles create the illusion of having a fuller texture, and provide outstanding performance with permanent stain resistant properties. With an agile approach to design and the convenience of Quickship, these two styles work together to bring industrial resourcefulness to any project. Suzanne Tick is the founder of Suzanne Tick Inc., specializing in materials brand strategy, product design, development, and direction for commercial interiors. Her designs, across product platforms, have won numerous design awards and continue to break new ground in the industry. In addition to her work in commercial interiors, Suzanne maintains a hand weaving practice and creates woven sculptures from repurposed materials. Her work is exhibited worldwide, including MoMA and Art Basel, as well as collected by private and corporate clients. BALANCE 11339 Acid Resist 30801 18” x 36” Modular Vertical ashlar installation BALANCE 11339 Acid Resist 30801 18” x 36” Modular CONTOUR® SERIES LVT/BROADCLOTH Bleachfield 0990 18” x 18” BALANCE 11339 METALEDGE™ TRANSITION MET002 Flash Point 30803 Ironstone 00178 18” x 36” Modular Vertical ashlar installation Vertical ashlar installation 1 Great spaces. One surface at a time. At Tarkett, we believe in placing people in the center of every space. So we’ve developed a portfolio of products designed to work together both functionally and aesthetically, helping you create more productive workspaces that maximize return on investment. The Tarkett Solution SPECtrum™ helps you expertly recommend a flooring platform for the specific needs of every space and every budget. And our full palette of colors, patterns, and textures is coordinated to work together visually across platforms. So the endless balance of function, safety, and longevity is always done on budget, in style, sustainably. Without compromise. PRODUCTS SHOWN: 1 Soft Surface, Powerbond/Modular, Metri II (Citrine) 2 Soft Surface, Powerbond/Modular, Angulate (Light Movement) 3 Soft Surface, Modular, Offset (Acid Resist) 4 Soft Surface, Modular, Balance (Acid Resist) 5 Luxury Vinyl Tile, Contour® Series, Abstract +Techtonic™, Broadcloth (Bleachfield) 6 Soft Surface, Powerbond/Modular, Output (Solar Fade) 7 Soft Surface, Woven, Indent (Gold Spool) 8 Finishing Accessories, Metaledge™ (Steel) 9 Luxury Vinyl Tile, Contour® Series Abstract +Techtonic™, Color Play, Color Beam (Straw) 10 Luxury Vinyl Tile, Contour® Series Abstract +Techtonic™, Faux Bois (Amarillo) 11 Finishing Accessories, Metaledge™ (Steel) 12 Heterogeneous Vinyl Sheet, Acczent, Tisse (Cool Grey) 13 Rubber Tile, Mesto Configurations™ (Story Book) Color may vary from actual swatch. To order a sample, please visit tarkettna.com. Patterns are not shown to scale. Doing Good. Together. CONSTRUCTION OPTIONS Through our ReStart® program, we ensure 100% of the flooring and samples returned are recycled or reused, guaranteed. Lifetime 100% Backing Limited Closed-Loop Recycled Systems Warranty Rollability Recyclable Installation Content ER3® • Excellent • Direct Glue • TM MODULAR TarkettTAPE ethos® Excellent • • Direct Glue • TarkettTAPE Flex-AireTM Good Peel & Stick • • Direct Glue • Rollability is the ability to move (or roll) pieces of furniture such as chairs or beds on flooring At Tarkett North America, we believe that together, we can make a positive impact on people and the planet. That’s why we’re Doing Good—Together, connecting our sustainability efforts with what our customers value and our world needs. It’s an active, THIRD PARTY ENVIRONMENTAL CERTIFICATIONS living commitment to create a future where people and the planet prosper in balance. Where sustainable flooring solutions don’t just perform, they inspire. ReStart® includes Tarkett’s third-party certified reclamation and recycling program that reclaims and recycles post consumer Offset and Balance are available on ethos® Modular with Omnicoat Technology™, a Living Product Challenge Imperative certified flooring, installation waste, samples and portfolios. To initiate ReStart, contact customer service at 800.248.2878. backing made with PVB film from recycled windshields. The two styles also include Eco-Ensure™ soil protection technology, a fluorine-free chemistry that is Cradle to Cradle® Gold Material Health certified. Product Recycled Content* NSF 140 Cradle to Cradle Overall Post-consumer SCS Rating CertifiedTM v3.1** CERTIFIED ER3® Modular 45-66% 14% Platinum CERTIFIED ethos® Modular with Omnicoat TechnologyTM 47-75% 28% Platinum Silver CERTIFIED Flex-AireTM Cushion Modular 21-41% 4% Gold *Minimum recycled content certified by Scientific Certifications Systems (SCS) and varies by product style. **Cradle to Cradle Certified is a certification mark licensed by Cradle to Cradle Products Innovation Institute. Tarkett offers Environmental Product Declarations (EPD) for the following: ethos Modular, ER3 Modular, and Flex-Aire Cushion Modular. Developing products based on Building a circular economy Inviting others to join us Cradle to Cradle® principles that inclusive of programs and business in Doing Good through contribute to people friendly models that encourage take back, education, collaboration, spaces AND respect the planet’s reuse, recycling and elimination of transparency and natural capital. waste. communication. OFFSET 11338 BALANCE 11339 Coordinate Group: 6 6 Modular Tile Sizes: 18” x 36” , 24” x 24” 18” x 36” , 24” x 24” Sample Size: 18” x 36” 18” x 36” Surface Texture: Stratatec® Patterned Loop Stratatec® Patterned Loop Yarn Content: Dynex SD® Nylon Dynex SD® Nylon Gauge: 5/64 5/64 Dye Method: Solution Dyed Solution Dyed Pile Height: 0.141” (3.6 mm) 0.141” (3.6 mm) Pattern Match: Not applicable Not applicable Modular Construction Options: ER3® Modular, ethos® Modular ER3® Modular, ethos® Modular with Omnicoat Technology™, with Omnicoat Technology™, Flex-Aire Modular® Cushion Flex-Aire Modular® Cushion Modular Installation Options: ON THE COVER OFFSET 11338 Acid Resist 30801 18” x 36” Modular BALANCE 11339 Acid Resist 30801 18” x 36” Modular METRI II 04654 Citrine 62109 18” x 36” Modular Vertical ashlar installation Tarkett North America 30000 Aurora Road Solon, Ohio 44139 800.248.2878 ©2019 Tarkett USA Inc. tarkettna.com 02/2019.
Recommended publications
  • Natural Materials for the Textile Industry Alain Stout

    Natural Materials for the Textile Industry Alain Stout

    English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ...................................................................................................................
  • Analysis of Fabric Weaves

    Analysis of Fabric Weaves

    Eglė Kumpikaitė, Inga Nėnienė Lithuanian Folk Skirts. Part II: Analysis of Fabric Weaves Kaunas University of Technology, Abstract Faculty of Design and Technologies, In the second part of the article, Lithuanian folk skirt fabrics are researched according Department of Textile Technology to weave. 7 fabric groups, from which the group of plain weave is the most widespread, Studentu Str. 56, LT-3031 Kaunas, Lithuania were selected. The second most common are twill weaves. In this article twill weaves E-mail: [email protected] are discussed wider by presenting their classification and plans of weave. Moreover, the prevalence of weaves were researched chronologically. The results show the predomination of plain and twill weaves in skirts of the XIX century, and various derived, combined weaves became more popular from the middle of the XIX century. These weaves started to be used gradually for geometrical patterns and fabric decoration. Comparison of the weaving tradition of skirts with respect to territory shows some similarities between the pattern and weave of Lithuanian fabric and those of neighboring countries. Key words: folk skirt, fabric weave, plan of weave, twill weaves. ture. The authors of this article focused n Experimental results on the technique of weaving skirts from and discussions beginning of the XIX century to the first n Introduction half of the XX century. They reviewed The objects of the investigation were Characteristics of the fabric are deter- a collection from one museum and ana- Lithuanian folk skirts from all regions mined not only by such parameters as the lysed variants of diamond twill, prepared of the country from the textile collec- raw material of threads, thread settings, plans of weave [5], and analysed com- tion of the department of Folk Art at the linear density and others, but also by fab- pound weaves, which are widespread in M.
  • Evaluation of Physical Properties of Errandi-Acrylic Union Fabrics

    Evaluation of Physical Properties of Errandi-Acrylic Union Fabrics

    Journal of Applied and Natural Science 10 (3): 925 - 930 (2018) ISSN : 0974-9411 (Print), 2231-5209 (Online) journals.ansfoundation.org Evaluation of physical properties of Errandi-acrylic union fabrics Sunita Boruah* Article Info Assistat Professor, Department of Fashion Design and Technology, Assam Women’s DOI:10.31018/jans.v10i3.1816 University, Jorhat-785004 (Assam), India Received: June 30, 2018 B. Baishya Kalita Revised: July 16, 2018 Professor, Department of Textiles and Apparel designing, College of Community Science, Accepted: July 30, 2018 Assam Agricultural University, Jorhat-785013 (Assam), India *Corresponding author. E-Mail: [email protected] How to Cite Abstract: Boruah, S. et al. (2018). Errandi silk has a potential of emerging as “A silk of the new millennium”. The experi- Evaluation of physical mental finding provides information on physical properties as well as subjective evalua- properties of Errandi- tions of Errandi silk -Acrylic union fabrics with twill and herringbone weave. The count and acrylic union fabrics. diameter of errandi silk fibre were higher than acrylic fibre and in case of woven fabrics, Journal of Applied and herringbone weave were found to have maximum value in cloth covers, weight and thick- Natural Science, 10(3): ness. A comparative subjective evaluation was done based on fabric quality by the panel 925 - 930 of 100 respondents. 100 per cent respondent opined that all the woven samples have good appearance, soft in hand and smooth in texture. It was observed that cent percent of respondents found errandi-acrylic blended union fabrics with twill and herringbone weaves were high in lustre. The costs of blended yarns and the cost of union fabrics of different proportion were got reduced in comparison to that of 100 per cent errandi-silk yarn (Rs.3000.00/kg) and controlled errandi silk fabrics (Rs.985.00/mt.).
  • Tweed Brochure

    Tweed Brochure

    TWEED From our establishment in 1957, we have become one of the oldest exclusive manufacturers of commercial ooring in the United States. As one of the largest privately held mills, our FAMILY-OWNERSHIP provides a heritage of proven performance and expansive industry knowledge. Most importantly, our focus has always been on people... ensuring them that our products deliver the highest levels of BEAUTY, PERFORMANCE and DEPENDABILITY. (cover) Tweed Pleat, ashlar. (right) Tweed Stitch, ashlar. TWEED 3 Tweed Pleat, herringbone. Tweed Pleat, herringbone with Boucle Knot, ashlar. Tweed Pleat, herringbone. FIRETWEED & ICE 5 tweed 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2978 color 2979 color 2980 color 2981 color 2982 color 2983 color 2984 color 2985 color 2986 stitch pleat hem needle tailor serge weft woolen measure style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2987 color 2988 color 2989 color 2990 color 2991 color 2992 color 2993 color 2994 selvage thread placket dart seam flannel thimble suit Tweed Hem, herringbone. TWEED 7 coordinating palette 1 2 3 4 6 8 5 7 Beyond the beauty of individual products, our flooring coordinates effortlessly with each other. This offering enables you to blend a range of designs with tonal simplicity to create palettes that reflect the demands of each unique space. 1 Tweed 7588 #7083 Stitch Modular 2 Modern Classics V5002 #1029 Annie LVT 3 Boucle 7081 #2703 Texture Modular 4 Fractured Plaid 7587 #2873 Calico Modular 5 Analog Mono 1822 #1555 Equivalent Kinetex 6 Legend V5010 #1059 Fiction LVT 7 Boucle 3081 #2703 Texture Broadloom 8 Stria 7585 #2741 Merino Modular Tweed Stitch, ashlar with Modern Classics Annie, ashlar.
  • BED BANK County Is Declared a Disaster Area in Wake of Hurricane

    BED BANK County Is Declared a Disaster Area in Wake of Hurricane

    Weather ~" Distribution Fair today; high about 70. BED BANK Today Cloudy tonight, low 60. Chance of rain tomorrow; high, 60s. 16,250 MONDAY THROUGH TttlDAY-EST. Wl See weather and tides page 2, 35 C P E E K VOL. 83, NO. 53 Iisucd Dally, Monday through Friday, entered as Second Clasi Matter RED BANK, N. J., THURSDAY, SEPTEMBER 15, 1960 7c PER COPY R Y S, F R PAGE ONE at the Post OHlce at Red Bank. N. J., under the Act of March 3, 1879. Soviet Attack County Is Declared On Dag Poses A Disaster Area In Crisis for UN Wake of Hurricane UNITED NATIONS, N. Y. (AP)-.The United Nations faced a major crisis today as a result of a slashing Soviet attack on Secre- tary General Dag Hammarskjold and his Congo policies. Officials Inspect Damage, A wide-open break was threatened virtually on the eve ol Soviet Premier Nikita S. Khrushchev's appearance here. The Western powers, led by Ethel Plan U.S., State Aid Bills the United States, prepared to rally to Hammarskjold's sup- Three major developments took place yesterday AF Finds in the aftermath of Hurricane Donna. port in another round of Se- •Is. New curity Council meetings begin- Rep. James C. Auchincloss toured scenes of storm ning this morning on the cha- destruction in the Bayshore, and announced that Mon- otic Congo situation. Missing The Soviet attack, more bitter Threat mouth County has been declared a disaster area, along than any ever made by a big with Atlantic, Cape May and Ocean Counties.
  • WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion

    WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion

    WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion Over the years, the wool industry has attempted to standardize wool textile terminology. The following is list of such terms listed in “Twills, Tweeds and All-Wool Fabrics” by Harriet C. Douglas. Public Domain on arizona.edu. Broken Twill – are twills in which one or more shafts are omitted in the threading, but the weaving is regular. Dornik is an example. Cheviot Tweeds – originally from the Cheviot Hills of Scotland. Made from the rough, coarse wool of the Cheviot wool in plain weave or in 2/2 twill, with warp and weft of the same color. Often pieced dyed rather than skein dyed. Combined Twills – are Fancy twills woven in small patterns with broken diagonals and irregular warp and weft skips. Corkscrew Twills – are warp and weft rib twills produced on an uneven number of shafts, by weaving semi-opposites. One of the few twills which is not a balanced weave. Curved Twills – are Fancy twills in which the twill lines have a waved or curved nature. District Checks – is the general name applied to the Scotch Tweed checks developed during the rein of Queen Victoria for hunting and sport wear. They are characterized by a certain boldness of small figures, but “protective coloration”. They include such checks as the Glenns, The Glen Urquharts and the Shepherd check, woven on two, three or four colors. Donegal Tweed – has two types. One is a herringbone weave on a white warp with a dark weft; the other, a plain weave fabric woven with a weft which has colored nubs.
  • APTX 111 2 Title: Textile Science and Fabric Care 3 Credit Hours

    APTX 111 2 Title: Textile Science and Fabric Care 3 Credit Hours

    DETAILED COURSE CONTENTS 1st year (I Semester) Course No: APTX 111 2 Title: Textile Science and Fabric care 3 Credit Hours: 3(2+1) 4 General Objective: To impart knowledge about basics of textiles and their care 5 Specific Objectives: Theory By the end of the course, student will be able to To grasp basic concepts related to textile fibers, yarns, fabrics To enlarge vocabulary of textile fibers, yarns and fabrics To keep up with the basics and advances in textile fibers To understand the care and storage aspects of different fabrics available in market Practical By the end of the course, student will be able to Distinguish common fibre types Understand processes used in forming yarns and fabrics from fibres Identify some common yarn and fabric construction techniques Understand how different fibres degrade, how textile construction affects degradation, how to take care of different fabrics Undertake fibre , yarn and fabric identification strategies Theory lecture outlines 1. Textile: definition, forms of textile, importance of textile industry in national economy 2. Classification of textile fibres 3. Properties of textile fibres- primary properties 4. Properties of textile fibres-secondary properties 5. Molecular structure of textile fibres: Monomers, polymers and their types, polymerization and its types, degree of polymerization and orientation 6. Cotton: Fibre production, fibre varieties and their grading ,fibre morphology, physical, chemical and biological properties and end-uses 7. Bast fibres: Flax, fibre production, fibre morphology, physical, chemical and biological properties and end-uses 8. Jute: Fibre production, fibre morphology, physical, chemical and biological properties and end-uses 9. Other bast fibres : Hemp and ramie fibre production, fibre morphology and physical, chemical and biological properties and end-uses 10.
  • Teasel-England-Brochure.Pdf

    Teasel-England-Brochure.Pdf

    1 CONTENTS Page Discover Teasel England 3 Inspiration 4 Sofas 6 Armchairs 8 Dining Chairs & Cubes 10 Teasel England Fabrics 12 Stools & Ottomans 14 Headboards 16 Cushions & Accessories 18 Curtains & Blinds 20 Furniture and Fabric Details 22 What People Say 24 2 www.teaselengland.com DISCOVER TEASEL ENGLAND For centuries Britain has produced stunning cloths and at Teasel England we are both proud and excited to be part of this continuing heritage. Our fabrics and furniture are steeped in tradition and craftsmanship, but appear contemporary, striking and stylish. Teasel England furniture is handmade to order, traditionally built in Gloucestershire and upholstered in Teasel England fabrics with a range of trims and detailing available. Our furniture range consists of beautifully designed and crafted sofas, armchairs, dining chairs, stools, ottomans, cubes, headboards and accessories. Wool is a wonderful fibre, naturally comfortable yet durable, stain resistant and fire retardant. Teasel England fabrics are 100% pure new wool, designed by and hand woven for Teasel in England. Our fabric collections show a new, updated yet subtle version of signature British weaves, tweeds, plains, herringbones and checks. The highest quality yarns and sophisticated colourways have resulted in our fabrics being selected by the leading interior designers in Britain. If this brochure gives you some inspiration for your home or a project, please take some time to look at the Teasel England website which shows our complete range of furniture, fabrics and accessories. We would also like to welcome you to visit our interiors shop in Tetbury, in the heart of the Cotswolds, where you can sample first hand our beautiful range of furniture, see and feel the Teasel England fabric collections and explore our range of unique accessories.
  • Fabric Construction

    Fabric Construction

    Fabric Construction Textile materials are produced by different construction methods. There are many advantages and disadvantages to each method which affect their end use. Weaving and knitting are the most common fabric construction methods. Other methods include non-woven fabrics such as felting, laminating and bonding. Woven Fabric Fabrics are woven on a loom by interlacing two yarns at right angles to each other. The horizontal yarns are called weft yarns. Warp yarns run The weft yarns are wrapped around the vertical the length warp yarns to create of the fabric, known an edge to the fabric, as the grain. known as the Selvedge. • Bias-the diagonal or cross grain of a woven fabric. • Selvedge- is the edge of a woven fabric that doesn’t fray. • Grain- runs the length of the fabric. ADVANTAGES DISADVANTAGE • Woven fabrics are at their strongest • Woven fabrics easily fray when cut. along the grain. • Lack elasticity. • The closer the weave the stronger and firmer the fabric. There are various woven fabrics; however below are the varieties you are likely to encounter: Plain weave Cotton, calico, muslin, lawn, shantung and rip-stop Nylon are common examples of plain weave fabrics. Characteristics: it looks the same from the front and back, has an even surface making it an ideal choice to print on. Twill weave Denim is the most popular twill weave fabric other examples include, drill, serge and gabardine. Characteristics: the front and back of the fabric is different. It is a strong and durable fabric ideal for home furnishings and work wear. Satin weave Satin, Sateen, duchesse and damask are all examples of satin weave fabrics.
  • Téléchargez Le Livret Avec Tous Les Résumés

    Téléchargez Le Livret Avec Tous Les Résumés

    Table des matières Table des matières ----------------------------------------------------------------------------------------------- 3 Programme -------------------------------------------------------------------------------------------------------- 5 Biographie et résumé des intervenants ------------------------------------------------------------------ 10 Frédéric Alchalabi (Université de Nantes) ------------------------------------------------------------------------ 10 Amélie Bernazzani (CESR, Tours)------------------------------------------------------------------------------------ 11 Louis-Gabriel Bonicoli (Université Paris-Ouest-Arscan, équipe THEMAM) ------------------------------ 12 Laurence Buchholzer (Université de Strasbourg) --------------------------------------------------------------- 14 Olivier Richard (Université de Mulhouse) ------------------------------------------------------------------------ 14 Christelle Chaillou (EPHE)--------------------------------------------------------------------------------------------- 15 Diane Chamboduc de Saint-Pulgent (Université de Paris-Sorbonne Paris IV) -------------------------- 16 Morwenna Coquelin (EHESS, Gahom et Université de Bourgogne, ARTeHIS) -------------------------- 17 Els De Paermentier (Université de Gand) ------------------------------------------------------------------------ 18 Emiliano Degl’Innocenti (Università di Firenze) ---------------------------------------------------------------- 20 Beatrice Delaurenti (EHESS)------------------------------------------------------------------------------------------
  • Geiger Textiles Price List

    Geiger Textiles Price List

    Price List and Specification Guide EFFECTIVE JUNE 2021 02 Textiles 84 Price Groups 85 Custom Finishes 86 Warranty 87 Additional Information 88 Maintenance Guidelines 800.456.6452 geigertextiles.com © 2021 Geiger 1 Allusion DESIGNED BY BASSAMFELLOWS APPLICATION Seating CONTENT 60% Alpaca, 27% Wool, 13% Nylon BACKING Cotton WIDTH 56" REPEAT None ABRASION 95,000 Cycles, Martindale* FLAMMABILITY CA TB 117-2013 WEIGHT 25.2 Oz Per Linear Yard 1GS01 Moonlight 1GS02 Pearl Gray 1GS03 Platinum ORIGIN Italy ENVIRONMENTAL SCS Indoor Advantage™ Gold Contains Bio-Based Materials FR Chemical Free Prop 65 Chemical Free REACH Compliant Healthier Hospitals Compliant Living Future Red List Compliant WELL Building Standard Compliant 1GS04 Smoky Taupe 1GS05 Camel 1GS06 Swiss Red MAINTENANCE S – Clean with Mild, Dry Cleaning Solvent CUSTOM FINISHES Alta™ Plush PRICE GROUP 8 NET PRICE $135 Per Yard *Abrasion test results exceeding ACT Performance Guidelines are not an indicator of product lifespan. Multiple factors affect fabric durability 1GS07 Chestnut 1GS08 Deep 1GS09 Navy Brown Cerulean and appearance retention. 1GS10 Black Green 1GS11 Sterling 1GS12 Anthracite 800.456.6452 geigertextiles.com © 2021 Geiger 2 Alpaca Mohair DESIGNED BY SUSAN LYONS APPLICATION Seating CONTENT 100% Alpaca BACKING Cotton/Polyester WIDTH 54" REPEAT None ABRASION 40,000 Cycles, Martindale FLAMMABILITY CA TB 117-2013 WEIGHT 29.7 Oz Per Linear Yard 18510 Dune 18511 Trench 18512 Vicuna ORIGIN Belgium ENVIRONMENTAL SCS Indoor Advantage™ Gold Contains Bio-Based Materials FR Chemical
  • The Textile Museum Thesaurus

    The Textile Museum Thesaurus

    The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy ..................................................................................