What Went Wrong with the Shroud's Radiocarbon Date? Setting It All In
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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
6Th ICCN INTERNATIONAL CONFERENCE on CLINICAL NEONATOLOGY 22-24 September 2016 Centro Congressi Unione Industriale Torino - Turin
6th ICCN INTERNATIONAL CONFERENCE ON CLINICAL NEONATOLOGY 22-24 September 2016 Centro Congressi Unione Industriale Torino - Turin RATIONAL/AIM: The Division of Neonatology and NICU of Sant’Anna Hospital in affiliation with the “Crescere Insieme al Sant’Anna” Scientific and Research Neonatology Foundation is proud to announce the 6th edition of the “International Conference on Clinical Neonatology”, which will be held in Torino, Italy from the 22nd to the 24th of September 2016. In line with the spirit of the previous successful editions, held in November 2009, March 2010, May 2012, June 2013 and September 2014 the goal of this Conference is to present the latest, updated scientific evidence on the care, treatment and follow-up of preterm neonates. Once more, the congress will be a multidisciplinary program of neonatal and perinatal research and practice, giving the opportunity to interact and share clinical and research experiences with colleagues in the Neonatology community. Prominent international speakers from all the fields of Neonatology and Pediatrics will provide comprehensive, up-to-date, research-based answers to the most frequent questions that arise at patient’s bedside in everyday practice. TOPICS: ECMO: Indications, risks and benefits Nutrition of preterm infants NIDCAP and family-centered care Respiratory viral infections in neonates and infants Kidney and the neonate BPD and lung injury in the preterm infant Pulmonary hypertension in term and preterm neonates Bioactive substances and their role in the preterm neonate NEC: an update To close or not to close: how to survive with an open PDA Late pulmonary function in preterm infants Optimal enteral feeding of premature infants Steroids in neonatology – an update “Omics” in neonatology Oximetry in the NICU Multi resistant organisms: challenges and solutions Laboratory at bedside: what’s new in the NICU? Less surfactant and less intubation: has this policy improved the outcomes? GENERAL INFORMATION Prof. -
Joint Evaluation of Joint Programmes on Gender Equality in the United Nations System
THEMATIC EVALUATION JOINT EVALUATION OF JOINT PROGRAMMES ON GENDER EQUALITY IN THE UNITED NATIONS SYSTEM Final Synthesis Report – Annexes and Appendix November 2013 in partnership with ©2013 UN Women. All rights reserved. Acknowledgements Evaluation Team: A number of people contributed to this report. The evaluation was conducted by IOD PARC, an external and IOD PARC Julia Betts, Team Leader independent evaluation firm and expresses their views. Cathy Gaynor, Senior Gender and Evaluation Expert The evaluation process was managed by an Evaluation Angelica Arbulu, Gender Specialist Management Group that was chaired by the United Hope Kabuchu, Gender Specialist Nations Entity for Gender Equality and the Empowerment Hatty Dinsmore, Research Support of Women (UN Women) and composed of representa- Laura McCall, Research Support tives from the independent evaluation offices of the Judith Friedman, Research Support commissioning entities - United Nations Development Programme (UNDP), the United Nations Children’s Fund Evaluation Management Group: (UNICEF), the United Nations Population Fund (UNFPA), UN Women and the Millennium Development Goals Achievement Fund Shravanti Reddy (MDG-F) in partnership with the Governments of Spain and Belen Sanz Norway. Marco Segone Isabel Suarez The evaluation also benefitted from the active participation Chelsey Wickmark of reference groups. A global reference group was composed of United Nations staff with expertise in gender equality UNICEF and women empowerment, joint programmes, and United Colin Kirk Nations -
Analysis of Fabric Weaves
Eglė Kumpikaitė, Inga Nėnienė Lithuanian Folk Skirts. Part II: Analysis of Fabric Weaves Kaunas University of Technology, Abstract Faculty of Design and Technologies, In the second part of the article, Lithuanian folk skirt fabrics are researched according Department of Textile Technology to weave. 7 fabric groups, from which the group of plain weave is the most widespread, Studentu Str. 56, LT-3031 Kaunas, Lithuania were selected. The second most common are twill weaves. In this article twill weaves E-mail: [email protected] are discussed wider by presenting their classification and plans of weave. Moreover, the prevalence of weaves were researched chronologically. The results show the predomination of plain and twill weaves in skirts of the XIX century, and various derived, combined weaves became more popular from the middle of the XIX century. These weaves started to be used gradually for geometrical patterns and fabric decoration. Comparison of the weaving tradition of skirts with respect to territory shows some similarities between the pattern and weave of Lithuanian fabric and those of neighboring countries. Key words: folk skirt, fabric weave, plan of weave, twill weaves. ture. The authors of this article focused n Experimental results on the technique of weaving skirts from and discussions beginning of the XIX century to the first n Introduction half of the XX century. They reviewed The objects of the investigation were Characteristics of the fabric are deter- a collection from one museum and ana- Lithuanian folk skirts from all regions mined not only by such parameters as the lysed variants of diamond twill, prepared of the country from the textile collec- raw material of threads, thread settings, plans of weave [5], and analysed com- tion of the department of Folk Art at the linear density and others, but also by fab- pound weaves, which are widespread in M. -
Evaluation of Physical Properties of Errandi-Acrylic Union Fabrics
Journal of Applied and Natural Science 10 (3): 925 - 930 (2018) ISSN : 0974-9411 (Print), 2231-5209 (Online) journals.ansfoundation.org Evaluation of physical properties of Errandi-acrylic union fabrics Sunita Boruah* Article Info Assistat Professor, Department of Fashion Design and Technology, Assam Women’s DOI:10.31018/jans.v10i3.1816 University, Jorhat-785004 (Assam), India Received: June 30, 2018 B. Baishya Kalita Revised: July 16, 2018 Professor, Department of Textiles and Apparel designing, College of Community Science, Accepted: July 30, 2018 Assam Agricultural University, Jorhat-785013 (Assam), India *Corresponding author. E-Mail: [email protected] How to Cite Abstract: Boruah, S. et al. (2018). Errandi silk has a potential of emerging as “A silk of the new millennium”. The experi- Evaluation of physical mental finding provides information on physical properties as well as subjective evalua- properties of Errandi- tions of Errandi silk -Acrylic union fabrics with twill and herringbone weave. The count and acrylic union fabrics. diameter of errandi silk fibre were higher than acrylic fibre and in case of woven fabrics, Journal of Applied and herringbone weave were found to have maximum value in cloth covers, weight and thick- Natural Science, 10(3): ness. A comparative subjective evaluation was done based on fabric quality by the panel 925 - 930 of 100 respondents. 100 per cent respondent opined that all the woven samples have good appearance, soft in hand and smooth in texture. It was observed that cent percent of respondents found errandi-acrylic blended union fabrics with twill and herringbone weaves were high in lustre. The costs of blended yarns and the cost of union fabrics of different proportion were got reduced in comparison to that of 100 per cent errandi-silk yarn (Rs.3000.00/kg) and controlled errandi silk fabrics (Rs.985.00/mt.). -
Kutlug Ataman
KUTLUG ATAMAN Born: Istanbul, Turkey, 1961 Lives: Buenos Aires, Argentina, London, England and Istanbul, Turkey Education 1988 University of California, Los Angeles, MFA in Film 1985 University of California, Los Angeles, BA in Film 1983 Santa Monica College, Associate in Arts, Liberal Arts Selected Solo Exhibitions 2009 Solo, Ludwig Museum, Ludwig, Germany Mesopotamian Dramaturgies, Lentos Museum, Linz, Austria fff, Thomas Dane Gallery, London, UK 2008 Paradise and Küba, Vancouver Art Gallery, Vancouver, British Columbia. Paradise, Harris Museum & Art Gallery, Preston, England Küba, Tanas Berlin 2007 Art Basel Art Unlimited, Basel, Switzerland Paradise, Orange County Museum of Art, Newport Beach, California. Exhibition travels to BAK, Basis voor Actuele Kunst, Utrecht, The Netherlands Küba, Civic Centre, Southampton, UK 2006 Küba: Journey Against the Current, organized by Thyssen- Bornemisza Art Contemporary, Vienna, Austria. Exhibition travels to 13 destinations along the Danube * Küba, Harris Museum and Art Gallery, Preston, England DeRegulation with the Work of Kutlug Ataman, Museum van Hedendaagse Kunst, Antwerp, Belgium. Exhibition travels to Herzliya Museum of Art, Herzliya, Israel Küba, Extra City, Antwerp, Belgium Sherman Galleries, Syndey, Australia 2005 Küba, Artangel, London* Küba, Theater der Welt, Stuttgart, Germany Perfect Strangers, Museum of Contemporary Art, Sydney, Australia* Stefan’s Room, Rhona Hoffman Gallery, Chicago 2004 Stefan’s Room, Lehmann Maupin, New York 2003 Long Streams, Serpentine Gallery, London Long Streams, GEM, Museum voor Aktuele Kunst, The Hague 2002 Never My Soul! Lehmann Maupin Gallery, New York Long Streams, Nikolaj, Copenhagen, Denmark* Women Who Wear Wigs, Istanbul Contemporary Arts Museum A Rose Blooms in the Garden of Sorrows, BAWAG Foundation, Vienna, Austria* Context: Europe 2002 – Impulses from South-Eastern Europe, Theater Des Augenblicks, Vienna. -
Tweed Brochure
TWEED From our establishment in 1957, we have become one of the oldest exclusive manufacturers of commercial ooring in the United States. As one of the largest privately held mills, our FAMILY-OWNERSHIP provides a heritage of proven performance and expansive industry knowledge. Most importantly, our focus has always been on people... ensuring them that our products deliver the highest levels of BEAUTY, PERFORMANCE and DEPENDABILITY. (cover) Tweed Pleat, ashlar. (right) Tweed Stitch, ashlar. TWEED 3 Tweed Pleat, herringbone. Tweed Pleat, herringbone with Boucle Knot, ashlar. Tweed Pleat, herringbone. FIRETWEED & ICE 5 tweed 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2978 color 2979 color 2980 color 2981 color 2982 color 2983 color 2984 color 2985 color 2986 stitch pleat hem needle tailor serge weft woolen measure style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2987 color 2988 color 2989 color 2990 color 2991 color 2992 color 2993 color 2994 selvage thread placket dart seam flannel thimble suit Tweed Hem, herringbone. TWEED 7 coordinating palette 1 2 3 4 6 8 5 7 Beyond the beauty of individual products, our flooring coordinates effortlessly with each other. This offering enables you to blend a range of designs with tonal simplicity to create palettes that reflect the demands of each unique space. 1 Tweed 7588 #7083 Stitch Modular 2 Modern Classics V5002 #1029 Annie LVT 3 Boucle 7081 #2703 Texture Modular 4 Fractured Plaid 7587 #2873 Calico Modular 5 Analog Mono 1822 #1555 Equivalent Kinetex 6 Legend V5010 #1059 Fiction LVT 7 Boucle 3081 #2703 Texture Broadloom 8 Stria 7585 #2741 Merino Modular Tweed Stitch, ashlar with Modern Classics Annie, ashlar. -
Download the Working Paper
Working Paper Series #2016-061 Patents, exhibitions and markets for innovation in the early twentieth century: Evidence from Turin 1911 International Exhibition Giacomo Domini Maastricht Economic and social Research institute on Innovation and Technology (UNU‐MERIT) email: [email protected] | website: http://www.merit.unu.edu Maastricht Graduate School of Governance (MGSoG) email: info‐[email protected] | website: http://www.maastrichtuniversity.nl/governance Boschstraat 24, 6211 AX Maastricht, The Netherlands Tel: (31) (43) 388 44 00 UNU-MERIT Working Papers ISSN 1871-9872 Maastricht Economic and social Research Institute on Innovation and Technology UNU-MERIT Maastricht Graduate School of Governance MGSoG UNU-MERIT Working Papers intend to disseminate preliminary results of research carried out at UNU-MERIT and MGSoG to stimulate discussion on the issues raised. Patents, exhibitions and markets for innovation in the early twentieth century: Evidence from Turin 1911 International Exhibition Giacomo Domini* Abstract. This work contributes to the recent literature on international exhibitions, and on the use of data from these events as a proxy for innovation in economic history. In particular, it investigates the nature of international exhibitions, the role they played in the early twentieth century, the reasons why economic agents attended them, the relationship between exhibition data and patent data, and their suitability for measuring innovation. To do so, it makes an in-depth analysis of the International Exhibition held in Turin in 1911, and it matches a new database, built from the catalogue of this event, with data about patents granted in Italy. It is found that exhibiting and patenting did mostly occur separately, as exhibitions mainly worked as markets for products, which attracted firms, while patents were primarily taken out by individuals, most of whom might not be interested in that function. -
BED BANK County Is Declared a Disaster Area in Wake of Hurricane
Weather ~" Distribution Fair today; high about 70. BED BANK Today Cloudy tonight, low 60. Chance of rain tomorrow; high, 60s. 16,250 MONDAY THROUGH TttlDAY-EST. Wl See weather and tides page 2, 35 C P E E K VOL. 83, NO. 53 Iisucd Dally, Monday through Friday, entered as Second Clasi Matter RED BANK, N. J., THURSDAY, SEPTEMBER 15, 1960 7c PER COPY R Y S, F R PAGE ONE at the Post OHlce at Red Bank. N. J., under the Act of March 3, 1879. Soviet Attack County Is Declared On Dag Poses A Disaster Area In Crisis for UN Wake of Hurricane UNITED NATIONS, N. Y. (AP)-.The United Nations faced a major crisis today as a result of a slashing Soviet attack on Secre- tary General Dag Hammarskjold and his Congo policies. Officials Inspect Damage, A wide-open break was threatened virtually on the eve ol Soviet Premier Nikita S. Khrushchev's appearance here. The Western powers, led by Ethel Plan U.S., State Aid Bills the United States, prepared to rally to Hammarskjold's sup- Three major developments took place yesterday AF Finds in the aftermath of Hurricane Donna. port in another round of Se- •Is. New curity Council meetings begin- Rep. James C. Auchincloss toured scenes of storm ning this morning on the cha- destruction in the Bayshore, and announced that Mon- otic Congo situation. Missing The Soviet attack, more bitter Threat mouth County has been declared a disaster area, along than any ever made by a big with Atlantic, Cape May and Ocean Counties. -
WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion
WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion Over the years, the wool industry has attempted to standardize wool textile terminology. The following is list of such terms listed in “Twills, Tweeds and All-Wool Fabrics” by Harriet C. Douglas. Public Domain on arizona.edu. Broken Twill – are twills in which one or more shafts are omitted in the threading, but the weaving is regular. Dornik is an example. Cheviot Tweeds – originally from the Cheviot Hills of Scotland. Made from the rough, coarse wool of the Cheviot wool in plain weave or in 2/2 twill, with warp and weft of the same color. Often pieced dyed rather than skein dyed. Combined Twills – are Fancy twills woven in small patterns with broken diagonals and irregular warp and weft skips. Corkscrew Twills – are warp and weft rib twills produced on an uneven number of shafts, by weaving semi-opposites. One of the few twills which is not a balanced weave. Curved Twills – are Fancy twills in which the twill lines have a waved or curved nature. District Checks – is the general name applied to the Scotch Tweed checks developed during the rein of Queen Victoria for hunting and sport wear. They are characterized by a certain boldness of small figures, but “protective coloration”. They include such checks as the Glenns, The Glen Urquharts and the Shepherd check, woven on two, three or four colors. Donegal Tweed – has two types. One is a herringbone weave on a white warp with a dark weft; the other, a plain weave fabric woven with a weft which has colored nubs. -
A Critical Summary of Observations, Data and Hypotheses
TThhee SShhrroouudd ooff TTuurriinn A Critical Summary of Observations, Data and Hypotheses If the truth were a mere mathematical formula, in some sense it would impose itself by its own power. But if Truth is Love, it calls for faith, for the ‘yes’ of our hearts. Pope Benedict XVI Version 4.0 Copyright 2017, Turin Shroud Center of Colorado Preface The purpose of the Critical Summary is to provide a synthesis of the Turin Shroud Center of Colorado (TSC) thinking about the Shroud of Turin and to make that synthesis available to the serious inquirer. Our evaluation of scientific, medical forensic and historical hypotheses presented here is based on TSC’s tens of thousands of hours of internal research, the Shroud of Turin Research Project (STURP) data, and other published research. The Critical Summary synthesis is not itself intended to present new research findings. With the exception of our comments all information presented has been published elsewhere, and we have endeavored to provide references for all included data. We wish to gratefully acknowledge the contributions of several persons and organizations. First, we would like to acknowledge Dan Spicer, PhD in Physics, and Dave Fornof for their contributions in the construction of Version 1.0 of the Critical Summary. We are grateful to Mary Ann Siefker and Mary Snapp for proofreading efforts. The efforts of Shroud historian Jack Markwardt in reviewing and providing valuable comments for the Version 4.0 History Section are deeply appreciated. We also are very grateful to Barrie Schwortz (Shroud.com) and the STERA organization for their permission to include photographs from their database of STURP photographs. -
Download Resume
EUGENE RODRIGUEZ [email protected] eugenerodriguez7408 www.eugenerodriguez.com SELECTED SOLO EXHIBITIONS PAINTING and FILM 2020 APARTAMENTOS TENDILLAS DE SANTA ANA, Granada, Spain. 2013 MERCED COLLEGE ART GALLERY, Merced, CA. 2012 ENCANTADA GALLERY OF FINE ARTS, San Francisco, CA. 2009 MACLA, San Jose, CA. “Another Country”. Catalogue. 2007 ENCANTADA GALLERY OF FINE ARTS, San Francisco, CA. 2006 TRIBES GALLERY, New York, NY. International Juried Exhibition, Juror - Robert Storr. Film Screenings – Echo Of A Screen, WIN, and Future Tense. ENCANTADA GALLERY OF FINE ARTS, San Francisco, CA. 2004 GALLERY 49, New York, NY. ENCANTADA GALLERY OF FINE ARTS, San Francisco, CA. 2002 ENCANTADA GALLERY OF FINE ARTS, San Francisco, CA. 2000 ENCANTADA GALLERY OF FINE ARTS, San Francisco, CA. SANCHEZ ART CENTER, Pacifica, CA. 1994 FRANKLIN FURNACE, New York, NY. “Doubting the House of Fiction”, Multi-Media Installation. Juried by Guillermo Gomez-Pena. SELECTED GROUP EXHIBITIONS PAINTING AND FILM 2020 SUPERFINE! ART FAIR, San Francisco, CA. 2019 STATE OF CALIFORNIA BUILDING, OFFICE OF STATE SENATOR SCOTT WIENER, San Francisco, CA, “We Belong-Pertenecemos”. MANIFEST DESTINY ART, Barcelona, Spain. “Nostalgia”. 1 CHIMMAYA GALLERY, Los Angeles, CA.2018 CHIMMAYA GALLERY, Los Angeles, CA. JEFF KING & COMPANY, San Francisco, CA. RIALTO MERCATO, San Francisco, CA. 2017 RIALTO MERCATO, San Francisco, CA. CHIMMAYA GALLERY, Los Angeles, CA. bG GALLERY, Santa Monica, CA. Spectrum 4. 2016 BERKELEY ART CENTER, Berkeley, CA. Artists’ Annual. MACLA, “The Chicana/o Biennial”, San Jose, CA. Co-Curator. OLD WEST MUSEUM, Cheyenne, WY. 2015 BRAND LIBRARY ART GALLERY, Glendale, CA. BRAND 43 Works on Paper. Catalogue. AXIS GALLERY, Sacramento, CA. National Juried Exhibition.