Saint James Orthodox Church, Modesto, California
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UNIVERSITY of CALIFORNIA Los Angeles Byzantine Liturgy and The
UNIVERSITY OF CALIFORNIA Los Angeles Byzantine Liturgy and the Primary Chronicle A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic Languages and Literatures by Sean Delaine Griffin 2014 ABSTRACT OF THE DISSERTATION Byzantine Liturgy and the Primary Chronicle by Sean Delaine Griffin Doctor of Philosophy in Slavic Languages and Literatures University of California, Los Angeles, 2014 Professor Gail Lenhoff, Chair The monastic chroniclers of medieval Rus’ lived in a liturgical world. Morning, evening and night they prayed the “divine services” of the Byzantine Church, and this study is the first to examine how these rituals shaped the way they wrote and compiled the Povest’ vremennykh let (Primary Chronicle, ca. 12th century), the earliest surviving East Slavic historical record. My principal argument is that several foundational accounts of East Slavic history—including the tales of the baptism of Princess Ol’ga and her burial, Prince Vladimir’s conversion, the mass baptism of Rus’, and the martyrdom of Princes Boris and Gleb—have their source in the feasts of the liturgical year. The liturgy of the Eastern Church proclaimed a distinctively Byzantine myth of Christian origins: a sacred narrative about the conversion of the Roman Empire, the glorification of the emperor Constantine and empress Helen, and the victory of Christianity over paganism. In the decades following the conversion of Rus’, the chroniclers in Kiev learned these narratives from the church services and patterned their own tales of Christianization after them. The ii result was a myth of Christian origins for Rus’—a myth promulgated even today by the Russian Orthodox Church—that reproduced the myth of Christian origins for the Eastern Roman Empire articulated in the Byzantine rite. -
THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
Little Compline for Akathist Saturday
The Office of Little Compline with the Akathist Canon and Hymn **As served on the fifth Friday of Great Lent** **Instructions** An icon of the Theotokos (preferably the one described in the Synaxarion below) is placed on a stand in the middle of the solea. The candles are lit and the church is semi-illumined. The censer is used only for the stases of the Akathist Hymn. The curtain and Holy Doors are closed until the priest begins the first stasis of the Akathist Hymn. The priest wears a blue epitrachelion over his exorasson and starts Little Compline in front of the icon. Priest: Blessed is our God always, now and ever, and unto ages of ages. Choir: Amen. Priest: Glory to Thee, O God, glory to Thee. O heavenly King, the Comforter, Spirit of Truth, Who art in all places, and fillest all things, Treasury of good things, and Giver of life, come, and dwell in us, and cleanse us from every stain; and save our souls, O good One. People: Holy God, Holy Mighty, Holy Immortal: have mercy on us. (THRICE) Glory to the Father, and to the Son, and to the Holy Spirit; both now and ever, and unto ages of ages. Amen. All-holy Trinity, have mercy on us. Lord, cleanse us from our sins. Master, pardon our iniquities. Holy God, visit and heal our infirmities for Thy Name’s sake. Lord, have mercy. (THRICE) Glory to the Father, and to the Son, and to the Holy Spirit; both now and ever, and unto ages of ages. -
A Byzantine Christmas
VOCAL ENSEMBLE 26th Annual Season October 2017 Tchaikovsky: All-Night Vigil October 2017 CR Presents: The Byrd Ensemble November 2017 Arctic Light II: Northern Exposure December 2017 A Byzantine Christmas January 2018 The 12 Days of Christmas in the East February 2018 Machaut Mass with Marcel Pérès March 2018 CR Presents: The Tudor Choir March 2018 Ivan Moody: The Akáthistos Hymn April 2018 Venice in the East A Byzantine Christmas: Sun of Justice 1 What a city! Here are just some of the classical music performances you can find around Portland, coming up soon! JAN 11 | 12 FEB 10 | 11 A FAMILY AFFAIR SOLO: LUKÁŠ VONDRÁCˇEK, pianist Spotlight on cellist Marilyn de Oliveira Chopin, Smetana, Brahms, Scriabin, Liszt with special family guests! PORTLANDPIANO.ORG | 503-228-1388 THIRDANGLE.ORG | 503-331-0301 FEB 16 | 17 | 18 JAN 13 | 14 IL FAVORITO SOLO: SUNWOOK KIM, pianist Violinist Ricardo Minasi directs a We Love Our Volunteers! Bach, Beethoven, Schumann, Schubert program of Italy’s finest composers. n tns to our lol volunteers o serve s users ste re o oe ersonnel osts PORTLANDPIANO.ORG | 503-228-1388 PBO.ORG | 503-222-6000 or our usns or n ottee eers n oe ssstnts Weter ou re ne to JAN 15 | 16 FEB 21 us or ou ve een nvolve sne te ennn tn ou or our otent n nness TAKÁCS QUARTET MIRÓ QUARTET WITH JEFFREY KAHANE “The consummate artistry of the Takács is Co-presented by Chamber Music Northwest ou re vlue rt o te O l n e re rteul simply breathtaking” The Guardian and Portland’5 Centers for the Arts FOCM.ORG | 503-224-9842 CMNW.ORG | 503-294-6400 JAN 26-29 FEB 21 WINTER FESTIVAL: CONCERTOS MOZART WITH MONICA Celebrating Mozart’s 262nd birthday, Baroque Mozart and Michael Haydn string quartets DEC 20 concertos, and modern concertos performed by Monica Huggett and other PDX VIVALDI’S MAGNIFICAT AND GLORIA CMNW.ORG | 503-294-6400 favorites. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
Service Instructions for Theophany (Epiphany) 2019 from His Eminence, Metropolitan JOSEPH
Service Instructions for Theophany (Epiphany) 2019 From His Eminence, Metropolitan JOSEPH The Royal Hours & Typika are served on the morning of Friday, January 04, which is the day BEFORE the Paramon (Eve). Therefore, we sing the Apolytikion of the Forefeast: Be thou ready, Zebulon… (HTM Horologion 369, Nassar 433). The Royal Hours may each be offered in either of the following orders: Consecutively, starting at 9:00 AM in the following manner: start the First Royal Hour with “Blessed is our God,” and OMIT the Dismissal at the end of each Hour (except the last), and OMIT the section between “Blessed is our God” to right before “Come let us worship” in the Third, Sixth and Ninth Hours. SIMPLY PUT, OMIT THE BOXED PORTIONS OF THE TEXT. At their usual times (6:00 AM, 9:00 AM, Noon and 3:00 PM), with the Ninth Royal Hour and Typika being served at 3:00 PM, followed immediately by Daily Vespers of Paramon (Eve) of Theophany. Alternatively, Vespers may be celebrated in the early evening hours. The Priest performs the Great Censing of the entire church at the start of the First and Ninth Royal Hours, and the Small Censing from the Beautiful Gate (Holy Doors) – like he would before the Great Entrance in Divine Liturgy – at the start of the Third and Sixth Royal Hours. NOTE: We do NOT celebrate Divine Liturgy on Friday, January 04. Our Patriarchate of Antioch reminds us that we follow this same pattern at Pascha, when Royal Hours are served on Holy Friday, and Divine Liturgies are celebrated only on the weekend. -
Aspects of St Anna's Cult in Byzantium
ASPECTS OF ST ANNA’S CULT IN BYZANTIUM by EIRINI PANOU A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre for Byzantine, Ottoman and Modern Greek Studies Institute of Archaeology and Antiquity College of Arts and Law The University of Birmingham January 2011 Acknowledgments It is said that a PhD is a lonely work. However, this thesis, like any other one, would not have become reality without the contribution of a number of individuals and institutions. First of all of my academical mother, Leslie Brubaker, whose constant support, guidance and encouragement accompanied me through all the years of research. Of the National Scholarship Foundation of Greece ( I.K.Y.) with its financial help for the greatest part of my postgraduate studies. Of my father George, my mother Angeliki and my bother Nick for their psychological and financial support, and of my friends in Greece (Lily Athanatou, Maria Sourlatzi, Kanela Oikonomaki, Maria Lemoni) for being by my side in all my years of absence. Special thanks should also be addressed to Mary Cunningham for her comments on an early draft of this thesis and for providing me with unpublished material of her work. I would like also to express my gratitude to Marka Tomic Djuric who allowed me to use unpublished photographic material from her doctoral thesis. Special thanks should also be addressed to Kanela Oikonomaki whose expertise in Medieval Greek smoothened the translation of a number of texts, my brother Nick Panou for polishing my English, and to my colleagues (Polyvios Konis, Frouke Schrijver and Vera Andriopoulou) and my friends in Birmingham (especially Jane Myhre Trejo and Ola Pawlik) for the wonderful time we have had all these years. -
Parish Typikon:Ii
Chart II 29 Chart II th th rd nd st PARISH 5 CLASS 4 CLASS 3 CLASS 2 CLASS 1 CLASS SIMPLE DOXOLOGY VIGIL/POLYELEOS MOTHER OF GOD THE MASTER TYPIKON: II COMMEMORATION COMMEMORATION COMMEMORATION GREAT FEAST GREAT FEAST SUNDAY SUNDAY SUNDAY SUNDAY ANY DAY Vespers Great Great Great Great Great Opening “Blessed is our “Blessed is our “Blessed is our “Blessed is our “Blessed is our Exclamation God…” God…” God…” God…” God…” Psalm 103 Yes Yes Yes; may chant Yes; may chant Yes; may chant anoixantaria anoixantaria anoixantaria Litany of Peace Yes Yes Yes Yes Yes Psalter Kathisma I Kathisma I Kathisma I Kathisma I No, except on (Psalms 1-8) (Psalms 1-8) (Psalms 1-8) (Psalms 1-8) Palm & Thomas Sundays, & when 9/14 is a Sunday Little Litany "For thine is the "For thine is the "For thine is the "For thine is the Only if the Psalter might…" might…" might…" might…" was read. Lord, I have cried Octoechos=7 Octoechos=6 Octoechos=6 Octoechos=4 Menaion Menaion=31 Menaion=4 Menaion=42 Menaion=6 (for a Double Simple it is 2+1=3 from the Menaion) 1 When a Simple (5th Class) Commemoration with two doxastika (one on Lord, I have cried and another on the aposticha) coincides with a Sunday, the following changes to the above-listed rubrics are observed. GREAT VESPERS: At Lord, I have cried chant 6 from the Octoechos and 4 for the commemoration from the Menaion (doubling the first if necessary), Glory from the Menaion and Both now from the Octoechos in the tone of the week. -
The Service of Matins 5Th Saturday of Lent: the Akathist Hymn Hilarion the New, Herodion the Apostle of the 70, Stephen the Wonderworker
The Service of Matins 5th Saturday of Lent: The Akathist Hymn Hilarion the New, Herodion the Apostle of the 70, Stephen the Wonderworker Maui Orthodox Christian Mission Metropolis of San Francisco Greek Orthodox Archdiocese of America Service held at Saint Theresa Church Kihei, Maui, Hawaii (Dated: March 28, 2015) Maui Orthodox Christian Mission Project for a Daily Sequential Hymnal in English Liturgical Texts courtesy from the following: Holy Cross Press 50 Goddard Avenue, Brookline, Massachusetts The Greek Orthodox Metropolis of Denver 4550 East Alameda Avenue, Denver, Colorado Fr. Seraphim Dedes 7900 Greenside Ct., Charlotte, North Carolina Contents Acknowledgements Orthros (Service of Matins) Akolouth (Fixed portion) ROYAL BEGINNING 5 Trisagion 5 THE ROYAL TROPARIA 6 Troparion of the Cross 6 Kontakion of the Cross 6 Theotokion 6 LITANY 6 HEXAPSALM (Six Psalms) 7 Psalm 3 7 Psalm 37 8 Psalm 62 9 Psalm 87 10 Psalm 102 11 Psalm 142 12 LITANY OF THE PEACE (The Great Litany) 13 Sequences (Variable portion) THEOS KYRIOS (God is Lord) 16 Mode pl. 4. 16 APOLYTIKIA AND THEOTOKION 16 Apolytikia 16 Saturday of the Akathist Hymn 16 Mode pl. 4. 16 Saturday of the Akathist Hymn 16 Mode pl. 4. 16 THE PSALTER 17 Maui Orthodox Christian Mission | www.mauimission.org 1 THE LITTLE LITANY 17 SESSIONAL HYMNS (Kathismata) 17 Kathisma I 17 Mode 1. Your tomb, O Savior. 17 PSALM 50 18 KONTAKION 19 Mode pl. 4. 19 OIKOS 19 Mode pl. 4. 19 SYNAXARION 20 KATAVASIAE OF THE THEOTOKOS 21 Mode 4e. 21 Ode i 21 Ode iii 21 Ode iv 21 Ode v 21 Ode vi 21 Ode vii 21 Ode viii 22 MAGNIFICAT 22 Mode 4. -
Saint George Antiochian Orthodox Christian Church the Lord Will Give Strength to His People
EPISTLE: Saint George Antiochian Orthodox Christian Church The Lord will give strength to His people. Bring to the Lord, O sons of God, bring to the Lord honor and glory. 1250 Oakdale Avenue, West Saint Paul, Minnesota 55118 Parish Website: http://www.saintgeorge-church.org The Reading from the Epistle of St. Paul to the Corinthians. (1:10-17) Church Phone: 651-457-0854 rethren, I appeal to you, by the Name of our Lord Jesus Christ, that all of you agree and that The Most Reverend Metropolitan JOSEPH, Archbishop of New York, there be no dissension among you, but that you be united in the same mind and the same Metropolitan of all North America B judgment. For it has been reported to me by Chloe’s people that there is quarreling among Right Reverend Bishop ANTHONY, Auxiliary Bishop, you, my brethren. What I mean is that each one of you says, “I belong to Paul,” or “I belong to Apollos,” or “I belong to Cephas,” or “I belong to Christ.” Is Christ divided? Was Paul crucified Diocese of Toledo and the Midwest for you? Or were you baptized in the name of Paul? I thank God that I baptized none of you except Right Reverend Archimandrite John Mangels, Pastor Crispos and Gaius; lest anyone should say that you were baptized in my name. (I did baptize also Reverend Father John Chagnon, attached Very Reverend Archpriest Paul Hodge, attached the household of Stephanas. Beyond that, I do not know whether I baptized anyone else.) For Christ Reverend Deacon John Mikhail, attached did not send me to baptize but to preach the Gospel, and not with eloquent wisdom, lest the cross Very Reverend Archpriest Thomas Begley, retired Rt. -
Hymnographica & Liturgica
Hymnographica & Liturgica 1 Downloaded from Brill.com09/27/2021 04:01:58AM via free access . 2 Downloaded from Brill.com09/27/2021 04:01:58AM via free access Roman Krivko Moscow, Russia [email protected] A TYPOLOGY OF BYZANTINE OFFICE MENAIA OF THE NINTH — FOURTEENTH CENTURIES* I. Introduction I.1. The Research Goal and Classifi cation Criteria This article aims at describing the structure of Byzantine offi ce Menaia of the 9th–14th cc. from a historical point of view. The typo- logical classifi cation of sources will be based on a) genre content, and b) structure, i. e. the order in which the genres are arranged. The fol- lowing classifi cation criteria are taken into consideration: 1) the use of (*) This article was wri en as a part of the research project “Sprache der altkirchenslavischen liturgischen Denkmäler” carried out at the Seminar für Slavische Philologie der Georg-August-Universität Gö ingen (2009-2010) and fi nanced by the Alexander von Humboldt Foundation. For the invitation to Gö ingen and for every support provided during my research stay in Göt- tingen, I am deeply grateful to Prof. em. Dr. Dr. h.c. Werner Lehfeldt. The manuscripts from the collections of the Bibliotheca Apostolica Vaticana were consulted according to the microfi lms held by the Vatican Film Library — Center for Medieval and Renaissance Studies at St. Louis University (St. Louis, MO, USA); the research in the Vatican Film Library was supported by the NEH — National Endowment for the Humanities Fellowship (October 2008). For numerous bibliographical consultations regarding Vatican manuscripts I am obliged to Dr. -
Peter Tchaikovsky
VOCAL ENSEMBLE 26th Annual Season October 2017 Tchaikovsky: All-Night Vigil October 2017 CR Presents: The Byrd Ensemble November 2017 Arctic Light II: Northern Exposure December 2017 Peter Tchaikovsky: A Byzantine Christmas January 2018 Selections from The 12 Days of Christmas in the East February 2018 All-Night Vigil Machaut Mass with Marcel Pérès op. 52 March 2018 Nine Sacred Pieces CR Presents: The Tudor Choir March 2018 Ivan Moody: The Akáthistos Hymn April 2018 Venice in the East Benedict Sheehan Guest Director “like jeweled light flooding the space” “наполнение пространства хрустальным светом” —LOS ANGELES TIMES 1 This choir is a proud member of the Access the rich variety of excellent performances available in our online calendar at www.seattlesings.org or scan the image below. presents THE BYRD ENSEMBLE returns to Portland MARKDAVIN OBENZA director Sunday 29 October 2017, 3:00pm St. Stephen’s Catholic Church, Portland PROGRAM William BYRD: Magnificat BYRD: Domine quis habitabit BYRD: Ad Dominum cum tribularer Western motets by Renaissance greats Byrd, Palestrina, and Arvo PÄRT: Tribute to Caesar Gibbons complemented by the Eastern style of Tavener, Stravinksy, John TAVENER: Funeral Ikos and Pärt. Written over the span of 500 years, each one of these Igor STRAVINSKY: Our Father PALESTRINA: Magnificat masterpieces reflects a profound spirituality. Includes Barber’s Orlando GIBBONS: Hosanna to the son Agnus Dei, the Adagio for Strings adapted for a cappella ensemble. of David Samuel BARBER: Agnus Dei cappellaromana.org 503.236.8202 2 Peter Tchaikovsky Selections from All-Night Vigil op. 52 & Nine Sacred Pieces Friday, 20 October 2017 at 8:00 pm St.