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Course Catalogue 2016 /2017
Course Catalogue 2016 /2017 1 Contents Art, Architecture, Music & Cinema page 3 Arabic 19 Business & Economics 19 Chinese 32 Communication, Culture, Media Studies 33 (including Journalism) Computer Science 53 Education 56 English 57 French 71 Geography 79 German 85 History 89 Italian 101 Latin 102 Law 103 Mathematics & Finance 104 Political Science 107 Psychology 120 Russian 126 Sociology & Anthropology 126 Spanish 128 Tourism 138 2 the diversity of its main players. It will thus establish Art, Architecture, the historical context of this production and to identify the protagonists, before defining the movements that Music & Cinema appear in their pulse. If the development of the course is structured around a chronological continuity, their links and how these trends overlap in reality into each IMPORTANT: ALL OUR ART COURSES ARE other will be raised and studied. TAUGHT IN FRENCH UNLESS OTHERWISE INDICATED COURSE CONTENT : Course Outline: AS1/1b : HISTORY OF CLASSIC CINEMA introduction Fall Semester • Impressionism • Project Genesis Lectures: 2 hours ECTS credits: 3 • "Impressionist" • The Post-Impressionism OBJECTIVE: • The néoimpressionnism To discover the great movements in the history of • The synthetism American and European cinema from 1895 to 1942. • The symbolism • Gauguin and the Nabis PontAven COURSE PROGRAM: • Modern and avantgarde The three cinematic eras: • Fauvism and Expressionism Original: • Cubism - The Lumière brothers : realistic art • Futurism - Mélies : the beginnings of illusion • Abstraction Avant-garde : - Expressionism -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G. Phd, Mphil, Dclinpsychol) at the University of Edinburgh
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Desire for Perpetuation: Fairy Writing and Re-creation of National Identity in the Narratives of Walter Scott, John Black, James Hogg and Andrew Lang Yuki Yoshino A Thesis Submitted to The University of Edinburgh for the Degree of Doctor of Philosophy Department of English Literature 2013 Abstract This thesis argues that ‘fairy writing’ in the nineteenth-century Scottish literature serves as a peculiar site which accommodates various, often ambiguous and subversive, responses to the processes of constructing new national identities occurring in, and outwith, post-union Scotland. It contends that a pathetic sense of loss, emptiness and absence, together with strong preoccupations with the land, and a desire to perpetuate the nation which has become state-less, commonly underpin the wide variety of fairy writings by Walter Scott, John Black, James Hogg and Andrew Lang. -
Publishing in the Nineteenth Century
1 Publishing in the Nineteenth Century Originally published as “Editer au XIXe siècle”, Revue d’histoire littéraire de la France, vol. 107, no. 4, 2007, pp. 771–90. Introduction When Roger Chartier and Henri-Jean Martin were preparing the introduction to the first volume of their monumental Histoire de l’Édition francaise (History of French publishing), which they entitled Le livre conquérant. Du Moyen Age au milieu du XVIIe siècle (The Conquering Book. From the Middle Ages to the mid-seventeenth century), they encountered a problem – one might even call it an aporia. They explained their twin debt both to Lucien Febvre, the initiator of research into the history of the book,1 and to Jean-Pierre Vivet, a journalist turned director of Promodis Publishing, who had expressed his desire to “see [the publisher] placed at the center of these four volumes,” which he had entrusted to them.2 This outspoken directive implied that the figure of the publisher long predated the invention of printing, and that he had been performing the role of broker or mediator without interruption from the thirteenth up to the twentieth century, as is the case today. The two editors were very well aware that sustaining such a notion could prove risky, and so they added this further comment, which partly contradicted what had gone before: The story we would like to tell is one in which the role of the publisher was gradually asserted and became more clearly defined; he was bold in the age of the conquering 1 Lucien Febvre and Henri-Jean Martin, L’apparition du livre (Paris: Albin Michel, 1958), translated into English as The Coming of the Book: The Impact of Printing, 1450-1800 (London: Verso, 1976). -
Reference Document Including the Annual Financial Report
REFERENCE DOCUMENT INCLUDING THE ANNUAL FINANCIAL REPORT 2012 PROFILE LAGARDÈRE, A WORLD-CLASS PURE-PLAY MEDIA GROUP LED BY ARNAUD LAGARDÈRE, OPERATES IN AROUND 30 COUNTRIES AND IS STRUCTURED AROUND FOUR DISTINCT, COMPLEMENTARY DIVISIONS: • Lagardère Publishing: Book and e-Publishing; • Lagardère Active: Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage; • Lagardère Services: Travel Retail and Distribution; • Lagardère Unlimited: Sport Industry and Entertainment. EXE LOGO L'Identité / Le Logo Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins Echelle: d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. Agence d'architecture intérieure LAGARDERE - Concept C5 - O’CLOCK Optimisation Les entrepreneurs devront s’engager à executer les travaux selon les règles de l’art et dans le respect des règlementations en vigueur. Ce 15, rue Colbert 78000 Versailles Date : 13 01 2010 dessin est la propriété de : VERSIONS - 15, rue Colbert - 78000 Versailles. Ne peut être reproduit sans autorisation. tél : 01 30 97 03 03 fax : 01 30 97 03 00 e.mail : [email protected] PANTONE 382C PANTONE PANTONE 382C PANTONE Informer, Rassurer, Partager PROCESS BLACK C PROCESS BLACK C Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la Echelle: Agence d'architecture intérieure solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. -
Avant La Lettre: Contradictory Affinities in Antonio Flores, Juan Bautista Amorós (Silverio Lanza) and Ángel Ganivet
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen's University Research Portal Avant la Lettre: Contradictory Affinities in Antonio Flores, Juan Bautista Amorós (Silverio Lanza), and Ángel Ganivet Lawless, G. (2018). Avant la Lettre: Contradictory Affinities in Antonio Flores, Juan Bautista Amorós (Silverio Lanza), and Ángel Ganivet. Modern Languages Open, (1), [13]. DOI: 10.3828/mlo.v0i0.180 Published in: Modern Languages Open Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2018 the author. This is an open access article published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:06. -
Catalogue 2020
CATALOGUE 2020 www.editions-foucher.fr SOMMAIRE RÉFORME LYCÉE PRO Pages NUMÉRIQUE 2-5 LES CARNETS DE RÉUSSITE NE Maths CAP - BAC PRO 6 Français CAP - BAC PRO 6 Physique-Chimie CAP - BAC PRO N 7 ESPAGNOL ¡Actúa! 2de BAC PRO 8 Nuevo TIP-TOP Español 2de BAC PRO 8 TIP-TOP 1re Tle BAC PRO 8 ANGLAIS NEW TIP-TOP English CAP NE 9 N PRO TIP-TOP 1re Tle BAC PRO N 10 NEW TIP-TOP English 2de BAC PRO - 1re Tle BAC PRO 10 Skill Up! 2de BAC PRO 11 Plateformes d'entraînement 2de BAC PRO - 11 www.reussirenlangues.fr/skillup2de FRANCAIS Les nouveaux cahiers CAP NE 12 Passerelles 2de BAC PRO - 1re Tle BAC PRO N 13 Manuel et Nouveaux cahiers Tle BAC PRO (ancien programme) 13 Lectures croisées 2de 1re Tle BAC PRO 14 N Les nouveaux cahiers Méthodes Examens 2de 1re Tle BAC PRO 14 HISTOIRE-GÉOGRAPHIE | EMC Les nouveaux cahiers CAP NE 15 Les nouveaux cahiers 2de BAC PRO - 1re BAC PRO N 16 Passerelles 2de BAC PRO - 1re BAC PRO N 16 Manuel et Nouveaux cahiers Tle BAC PRO (ancien programme) 16-17 MATHÉMATIQUES Les nouveaux cahiers CAP Groupement 1 / Groupement 2 N 18 N Modulo 2de BAC PRO - 1re BAC PRO Groupements AB, Groupement C N 19 Manuels 1re BAC PRO Gpmts AB - Tle BAC PRO Gpmts AB, Gpmt C (ancien programme) 19 PRÉVENTION SANTÉ ENVIRONNEMENT Les nouveaux cahiers CAP NE 20 Les nouveaux cahiers 2de BAC PRO - 1re BAC PRO - 1re Tle BAC PRO N 21 Les nouveaux cahiers (ancien programme) 40 CAP VENTE Passeport Vendeurs Economie-Droit CAP 23 Passeport Vendeurs Vendre C1 C2 C3 C4 CAP 23 N ÉCONOMIE-DROIT / ÉCONOMIE GESTION Ressources Plus Economie-Droit 2de BAC PRO - 1re Tle BAC PRO - 2de 1re Tle BAC PRO N 24 Ressources Plus Economie-Gestion 2de BAC PRO - 1re Tle BAC PRO - 2de 1re Tle BAC PRO N 25 FAMILLES DES MÉTIERS GATL/BAC PRO GA Environnement Pro AGOrA/OTM/L 2de BAC PRO N 26 Parcours interactifs AGOrA/OTM/L 2de BAC PRO N 27 Environnement Pro - Parcours interactifs 1re BAC PRO GA - Tle BAC PRO GA 28 Les références et tarifs indiqués sont sous réserve de modification. -
The Porcupine and the End of History Oklukirpi Ve Tarihin Sonu
The Porcupine and the End of History Oklukirpi ve Tarihin Sonu Baysar Taniyan Pamukkale University, Turkey Abstract Set in a fictional East European country in the aftermath of the collapse of communism, Julian Barnes’s The Porcupine (1992) is a political satire where he juxtaposes two dominant ideologies; capitalist liberal democracy and communism. Although this short novel has a conventional narrative form, postmodern discussions on history can be observed, especially the discussion which has revolved around the idea of “the end of history”. It was Francis Fukuyama’s controversial article entitled “The End of History” (1989) that has sparked this specific debate. In 1992, he elaborated his thesis in a book titled The End of History and the Last Man, the same year Barnes published his novel. Fukuyama suggests that the modern Western liberal democracy is the ultimate and the most successful form of human government, the point where the Hegelian dialectic of history comes to an end. The aim of this article is to present a critical reading of the novel in the context of Fukuyama’s thesis and the discussion generated by this thesis. While it is true that Fukuyama’s thesis has now been outdated and negated, this reading may still provide fresh insights for the current political panorama of the world shaped by surging nationalism, increasing populism and growing conservatism. Keywords: Julian Barnes, The Porcupine, history, Francis Fukuyama, end of history Öz Komünizmin çöküşü sonrası kurgusal bir doğu Avrupa ülkesinde geçen Julian Barnes’ın Oklukirpi (1992) adlı romanı, kapitalist liberalizm ve komünizm gibi iki başat ideolojiyi karşı karşıya getiren politik bir hicivdir. -
Robert Laffont, Soon Be Forgotten
FRENCH PUBLISHING 2017 FRANKFURT GUEST OF HONOUR Special issue - October 2017 CHRISTEL PETITCOLLIN our number 1 bestselling author in SELF-IMPROVEMENT JePenseMieux COUV_Mise en page 1 10/02/2015 15:26 Page1 La parution de Je pense trop a été (et est encore !) une aventure extraordinaire. Je n’avais jamais reçu autant de lettres, d’e-mails, de posts, de textos à propos d’un de mes livres ! Vous m’avez fait part de votre enthousiasme, de votre soulagement et vous m’avez bombardée de questions : sur les moyens d’endiguer votre hyperémotivité, de développer votre confiance en vous, de bien vivre votre surefficience dans le monde du travail et dans vos relations amoureuses… Vous avez abondamment commenté le livre. Je me suis donc appuyée sur vos réactions, vos avis, vos témoignages et vos astuces personnelles pour répondre à toutes ces questions. Je pense trop est devenu le socle à partir duquel j’ai élaboré avec votre participation active de nouvelles pistes de réflexion pour mieux gérer votre cerveau. Je pense mieux est un livre-lettre, un livre-dialogue, Over destiné aux lecteurs qui connaissent déjà Je pense trop et qui en attendent la suite. 175,000 Christel Petitcollin est conseil et formatrice en communication et développement personnel, conférencière et écrivain. Passionnée de relations humaines, elle sait donner à ses livres un ton simple, accessible et concret. Elle est l’auteur des best-sellers Échapper aux manipulateurs, Divorcer d’un manipu- copies lateur, Enfants de manipulateurs et Je pense trop. © Anna Skortsova © sold in France -
Highlights 2017-2018
http://enter.lagardere.net www.lagardere.com Highlights 2017-2018 But who is Vinca Rockwell? 03 New Guillaume Musso novel released by Calmann-Lévy Good buzz 02 WeBuzz has launched! May 2018 #147 SPORTS AND ENTERTAINMENT © Lagardère Sports Masters Lagardère Sports – the organizer and promoter of the BNP Paribas WTA Finals (in October in Singapore) at the Singapore Sports Hub, presented by SC Global in partnership with the WTA* – kicked off sales of its hospitality ser- vices on 8 March, with tennis legend Billie Jean King on hand for the event. It also launched a charity campaign to benefi t SportCares, an initiative to im- prove the lives of at-risk youth through sports. Joined by nearly 200 repre- sentatives from the Masters, King also WeBuzz has launched! celebrated successful women by cre- ating a human ‘silhouette’ of the WTA trophy’s outline! *Women’s Tennis Association. Good buzz ACTIVE Mid-February saw the launch of media are unaware of the real icons ber of social networks (including WeBuzz, the fi rst magazine to take and infl uencers in this, the age of YouTube, Facebook, Instagram and an “entertaining and informative” the digital native. WeBuzz is the Snapchat). These are all platforms look at the focus of interest for fi rst magazine to take their work on which the monthly magazine girls and boys alike – the stars of seriously and fi nally give their fans distributes additional content (teas- the web! WeBuzz meets the needs what they want!” ers, news, videos of life behind the © Nicky Shaw-Glyndebourne Festival of “young people who have grown Every month, the magazine pub- scenes at the magazine, tutorials International up with social networks, who get lishes news from the social net- and more) while remaining in touch their information and entertainment works and the worlds of gaming with its readers. -
Annuaire D'éditeurs Français 2018
ANNUAIRE D’ÉDITEURS FRANÇAIS 2018 2018 DIRECTORY OF FRENCH PUBLISHERS Bureau international de l’édition française 115, bd Saint-Germain - 75006 Paris, France t. +33 (0)1 44 41 13 13 - f. +33 (0)1 46 34 63 83 [email protected] - www.bief.org ANNUAIRE D’ÉDITEURS FRANÇAIS 2018 2018 DIRECTORY OF FRENCH PUBLISHERS PROMOUVOIR L’ÉDITION FRANÇAISE À L’ÉTRANGER Depuis 140 ans, le BIEF est l’outil de promotion de l’édition française à l’étranger. Organisme professionnel, il regroupe 280 maisons d’édition et bénéficie notamment de l’appui du Centre national du livre. Son programme d’activité s’articule autour de cinq types d’actions : - La participation à des foires internationales du livre, - La publication de catalogues bilingues, outils d’information sur les livres français, - La réalisation d’études et d’organigrammes sur des marchés du livre dans le monde, - L’organisation de rencontres et d’échanges entre professionnels du livre, - La formation et la mise en réseau d’éditeurs et de libraires du monde entier. Cet annuaire présente les adhérents du BIEF. Il permet aux professionnels étrangers de disposer des coordonnées des personnes en charge de l’international – droits étrangers, export, droits audiovisuels – dans chaque maison d’édition ainsi que les domaines éditoriaux publiés. nb : Cet annuaire regroupe les adhérents du BIEF au 10 janvier 2018. Les informations présentées proviennent directement des éditeurs. PROMOTING FRENCH PUBLISHING AROUND THE WORLD For the last 140 years, the BIEF has been promoting French publishers’ internationally. This organization of and for industry professionals, has 280 publishing company members and is funded in part by the Centre National du Livre. -
Franco-American Children's Book Publishers Conference
FRANCO-AMERICAN CHILDREN’S BOOK PUBLISHERS CONFERENCE NEW YORK • JUNE 9TH –10 TH 2016 FRENCH EMBASSY– 972 FIFTH AVENUE FRANCO-AMERICAN CHILDREN’S BOOK PUBLISHERS CONFERENCE ORGANIZATION CHART OF FRENCH PUBLISHING 2016 4 5 Promoting French publishing all over the world BIEF The BIEF –Bureau International de l’Édition Française– is a French publishers’ association. Our vocation is to promote the production of our 280 members BUREAU all over the world. BIEF provides an essential service to professionals by facilitating publishers’ projects INTERNATIONAL for export development, rights sales and acquisitions, DE L’ÉDITION and international partnerships. Our action is organized around three main axes: — A showcase for French publishing at book fairs FRANÇAISE throughout the world; — Scrutiny and analysis of international markets; — Connecting publishers all over the world through professional exchanges. Our activities: — BIEF assures the collective visibility of the production of its members, 280 French publishers, at many salons, fairs, thematic expositions and international congresses; — It undertakes to produce surveys and charts for its members, providing information about the book market on the international scene; — It publishes thematic catalogues in several languages, and distributes them both at book fairs and directly to target publishers; — It publishes a review, La Lettre, diffusing all the latest news of its activities; — It organizes, for its members, thematic meeting with booksellers or foreign publishers such as this one. Via BIEF’s New York office, The French Publishers’ Agency, it provides the services of a rights agency for English-speaking countries. The site www.bief.org is open to non-members and contains lots of useful information. -
“I Love You 3000” an Analysis of the Marvel Cinematic Universe
Emilie Højer Jørgensen and Maya Majgaard Herr Steen Ledet Christiansen Engelsk speciale 2 June 2020 Aalborg University “I love you 3000” An analysis of the Marvel Cinematic Universe Jørgensen & Herr 2 Abstract In this thesis, we will examine if the Marvel Cinematic Universe can be considered complex. We will analyse the following films Captain America: Civil War, Black Panther, Avengers: Infinity War, and Avengers: Endgame which are all from Marvel Cinematic Universe’s third phase. We have chosen these films because they are connected in terms of storylines, characters, and worlds. We will focus on transmedia storytelling, seriality, kernels and satellites, worldbuilding, and complex media in order to examine the complexities within the films. Traditionally, transmedia storytelling is defined as one continuous story across multiple instalments and platforms. Two important aspects of transmedia storytelling are seriality and worldbuilding, where seriality deals with how stories are told across instalments and worldbuilding deals with how a fictional world is created and what it takes to make a fictional world believable. Kernels and satellites deal with major and minor events that occur in a narrative text and how they impact each other and complex media deals with how popular culture is becoming more and more complex because of multiple storylines that occur in different mediums. It is through these concepts that we will analyse the complexities within the films. Civil War and the two Avengers films are very serial because they are linked together through information and events that continue from previous films. The three films require the viewers to be familiar with the universe beforehand because they rely heavily on characters, storylines, and events from previous films.