2019 Universal Registration Document CHAPTER 1 - Overview of the Group
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Bluebird, Bluebird
Praise for Pleasantville “To say that Locke’s debut, Black Water Rising—ambitious, socially committed and beautifully written—created a stir is almost to understate the case, and one wonders if it weighed heavily on her shoulders that she would be obliged to deliver something equally impressive as a follow-up. She did just that with The Cutting Season and now we have Pleasantville . Pleasantville is every inch as impressive as its predecessors, with a new nuance and complexity burnishing the narrative . the next time you find yourself in the company of a crime reviewer, don’t bother asking who you should be reading. You know the answer: Attica Locke” Independent “Pleasantville is another superb example of Locke’s personalised genre of African-American political thrillers, as a murderous mayoral race in Houston in 1996 exposes an attempt at social engineering in the 1940s. In a crowded field in which even stars follow traditions, Locke has the feel of a true original” Mark Lawson, Guardian “In Pleasantville, Attica Locke returns to Jay Porter, the black lawyer hero of her magnificent first novel,Black Water Rising. This one is just as good” Marcel Berlins, The Times “Locke’s novel offers a beautifully detailed character in ‘Jay Edgar Porter’, a bereaved father struggling to cope with his loss. The story also has a fascinating political angle in the dirty-tricks campaign, aimed at disrupting the power of the black voting bloc and prefigures the Rove-Bush strategy in the 2000 presidential election. All told, it’s a gripping blend of the personal and the political” Declan Burke, Irish Times “It’s a fascinatingly complex setting and Locke maps it with great skill, charting the struggles of her characters as the crime remains unsolved . -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
TIAGO RODRIGUES Antoine Et Cléopâtre D’Après William Shakespeare
TIAGO RODRIGUES Antoine et Cléopâtre d’après William Shakespeare Théâtre de la Bastille – Du 14 septembre au 8 octobre 2016 Service de presse : Christine Delterme, Guillaume Poupin Assistante : Alice Marrey Tél : 01 53 45 17 13 | Fax : 01 53 45 17 01 [email protected] [email protected] [email protected] Revue de presse Radio/TV TIAGO RODRIGUES Antoine et Cléopâtre d’après William Shakespeare 45e édition – Festival d’Automne à Paris Ecouter : Vendredi 30 septembre 2016 France Culture / La Fabrique de l’Histoire / Emmanuel Laurentin – 9h05 à 10h Emission spéciale sur Antoine et Cléopâtre de Tiago Rodrigues http://www.franceculture.fr/emissions/la-fabrique-de-lhistoire/prix-dhistoire-du-senat-et-table-ronde-fiction PRESSE 25 ARTICLES L’Université Syndicaliste – Vendredi 26 août 2016 Les Echos Week-End – Lundi 29 août 2016 Tout Prévoir – Septembre 2016 Théâtral Magazine – Septembre / Octobre 2016 La Terrasse – Septembre 2016 Inferno Magazine.com – Lundi 3 octobre 2016 Libération – Mardi 6 septembre 2016 Libération – Vendredi 9 septembre 2016 Figaro Scope – Mercredi 14 septembre 2016 Du théâtre par gros temps.com – Jeudi 15 septembre 2016 Io Gazette – Jeudi 15 septembre 2016 (deux articles) Les Echos.fr – Jeudi 15 septembre 2016 Le Journal du Dimanche.fr – Jeudi 15 septembre 2016 Agence France Presse Mondiales – Vendredi 16 septembre 2016 Relaxnews.com – Vendredi 16 septembre 2016 Rue du théâtre.eu – Vendredi 16 septembre 2016 Théâtre Actu.com – Samedi 17 septembre 2016 Un fauteuil pour l’orchestre.com -
Jean-Yves Mollier
French publishing in World War Two: A habitus of submission? Jean-Yves Mollier The present article sets out to explore the situation of French publishing between June 1940 and August 1944. Before addressing the main argument, however, it is important to bear in mind that it is difficult to understand this key sector of French cultural life in the period immediately prior to the Nazi occupation without looking back at its development over the preceding decades and even centuries. Similarly, understanding the deeper meaning underlying the attitude of the leading publishers who occupied the higher echelons of the publishing union means bearing in mind their “centuries-old habitus of submission”1 to authority. Take for example the “voluntary delegation of notables representing Paris's industrial sector” led by the industrialists Emile Menier and Jean- François Cail and the printer Henri Plon to the Elysée Palace on December 19, 1851 to thank Louis- Napoléon Bonaparte for “guaranteeing the defence of order, family, and property” after seizing power in a coup seventeen days earlier.2 Though it is important not to overstate the importance of such an event in the contemporary context, it can be seen as symbolic of a craven attitude to power that remained largely unchanged in the summer of 1940. Napoleon I and his successors set up a system to police the book trade, with inspectors whose task it was to keep a close eye not only on ports and borders, but also printers, bookshops, pedlars, second-hand bookshops, and any other premises or itinerant points of sale where books could be acquired. -
Rapport — Livres De La Jungle Les Impacts De L'édition
2018 LES LIVRES DE LA JUNGLE L’édition Jeunesse française abîme-t-elle les forêts ? Daniel Vallauri, Chloé Moitié, Manon Garin, Antoine Meunier, Lisa King, Julien Tavernier © Tatiana Bobkova/Shutterstock © Tatiana WWF Le WWF est l’une des toutes premières organisations indépendantes de protection de l’environnement dans le monde. Avec un réseau actif dans plus de 100 pays et fort du soutien de près de 6 millions de membres, le WWF œuvre pour mettre un frein à la dégradation de l’environnement naturel de la planète et construire un avenir où les humains vivent en harmonie avec la nature, en conservant la diversité biologique mondiale, en assurant une utilisation soutenable des ressources naturelles renouvelables, et en faisant la promotion de la réduction de la pollution et du gaspillage. Depuis 1973, le WWF France agit au quotidien afin d’offrir aux générations futures une planète vivante. Avec ses bénévoles et le soutien de ses 220 000 donateurs, le WWF France mène des actions concrètes pour sauvegarder les milieux naturels et leurs espèces, assurer la promotion de modes de vie durables, former les décideurs, accompagner les entreprises dans la réduction de leur empreinte écologique, et éduquer les jeunes publics. Mais pour que le changement soit acceptable, il ne peut passer que par le respect de chacune et chacun. C’est la raison pour laquelle la philosophie du WWF est fondée sur le dialogue et l’action. Depuis décembre 2009, la navigatrice Isabelle Autissier est présidente du WWF France et Pascal Canfin en est le directeur général depuis le 5 janvier 2016. -
Littérature Étrangère Et Monde Du Livre, À Paris, Au XIX° Siècle. Diana
I Seminário Brasileiro sobre Livro e História Editorial Realização: FCRB · UFF/PPGCOM · UFF/LIHED 8 a 11 de novembro de 2004 · Casa de Rui Barbosa — Rio de Janeiro — Brasil O texto apresentado no Seminário e aqui disponibilizado tem os direitos reservados. Seu uso está regido pela legislação de direitos autorais vigente no Brasil. Não pode ser reproduzido sem prévia autorização do autor. Littérature étrangère et monde du livre, à Paris, au XIX° siècle. Diana Cooper-Richet Centre d’Histoire Culturelle des sociétés contemporaines Université de Versailles Saint-Quentin-en-Yvelines Si Paris a été, pour reprendre l’expression de Walter Benjamin, la Capitale du XIX° siècle1, elle l’a sans doute surtout été de la « République mondiale des lettres »2. N’a-t-il pas été amplement montré que cette ville était dotée d’un prestige littéraire à nul autre pareil? Par ailleurs, au cours de la même période, Paris est devenue une cité cosmopolite vers laquelle affluent de nombreux étrangers. Tout ceci contribuera à faire de celle que l’on nomme la « Ville Lumière », un espace dans lequel les transferts culturels sont à la fois d’une extrême variété et d’une incomparable richesse. Dans ce contexte, la diffusion de la littérature étrangère progresse. Elle emprunte différents types de canaux, tant sur le plan des supports qui portent les textes venus d’ailleurs, que sur celui de la langue dans laquelle ils sont offerts aux lecteurs. La littérature étrangère peut, en effet, emprunter deux voies pour tenter de se faire connaître, celle de la version originale, c’est-à-dire celle de la publication dans la langue dans laquelle le texte a été écrit, celle qui ne s’adresse qu’à un public d’initiés maîtrisant au moins un vocable autre que le sien. -
Frankfurt October
Translation Rights List Frankfurt October 1 1 Contents • About Bookouture p. 3 • Rights Department p. 4 • Historical p. 5 • Crime Thriller p. 21 • Women’s Fiction p. 78 • p. 104 • Schedule 2021 p. 106 • Rights Representatives p. 111 2 Digital publisher of brilliant fiction Bookouture is a fast-growing UK-based digital imprint specialising in a broad range of fiction and building authors globally. At just 8 years old, and with a team of 38 people, Bookouture has already scored 353 Amazon UK top 100 hits, and sold over 40 million copies. • From only 634 books and 154 authors, we sold 9.2 million copies in 2019 • We have had over 52 top-five Kindle bestsellers and over 78 top-ten Kindle bestsellers. 51% of all our titles have hit the Amazon UK Top 100. • We publish super-smart writing that keeps our readers up late into the night o Women’s fiction o Crime o Historical o Psychological suspense o Police procedurals o Chick lit o Paranormal romance o Young adult o Seasonal fiction o Sagas o Romance o Psychological thrillers o Thrillers o Holiday reads ‘Britain's Hottest Digital Publisher ’ 3 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director Worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, the Indian Subcontinent and all of Eastern Europe excluding Poland [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager The USA, France, Greece, Hebrew -
Course Catalogue 2016 /2017
Course Catalogue 2016 /2017 1 Contents Art, Architecture, Music & Cinema page 3 Arabic 19 Business & Economics 19 Chinese 32 Communication, Culture, Media Studies 33 (including Journalism) Computer Science 53 Education 56 English 57 French 71 Geography 79 German 85 History 89 Italian 101 Latin 102 Law 103 Mathematics & Finance 104 Political Science 107 Psychology 120 Russian 126 Sociology & Anthropology 126 Spanish 128 Tourism 138 2 the diversity of its main players. It will thus establish Art, Architecture, the historical context of this production and to identify the protagonists, before defining the movements that Music & Cinema appear in their pulse. If the development of the course is structured around a chronological continuity, their links and how these trends overlap in reality into each IMPORTANT: ALL OUR ART COURSES ARE other will be raised and studied. TAUGHT IN FRENCH UNLESS OTHERWISE INDICATED COURSE CONTENT : Course Outline: AS1/1b : HISTORY OF CLASSIC CINEMA introduction Fall Semester • Impressionism • Project Genesis Lectures: 2 hours ECTS credits: 3 • "Impressionist" • The Post-Impressionism OBJECTIVE: • The néoimpressionnism To discover the great movements in the history of • The synthetism American and European cinema from 1895 to 1942. • The symbolism • Gauguin and the Nabis PontAven COURSE PROGRAM: • Modern and avantgarde The three cinematic eras: • Fauvism and Expressionism Original: • Cubism - The Lumière brothers : realistic art • Futurism - Mélies : the beginnings of illusion • Abstraction Avant-garde : - Expressionism -
3268 LAG Doc De Ref 2017 LIVRE GB.Indb
REFERENCE DOCUMENT containing the Annual Financial Report FISCAL YEAR 2017 PROFILE The Lagardère group is a global leader in content publishing, production, broadcasting and distribution, whose powerful brands leverage its virtual and physical networks to attract and enjoy quali= ed audiences. The Group’s business model relies on creating a lasting and exclusive relationship between the content it offers and its customers. It is structured around four business divisions: • Books and e-Books: Lagardère Publishing • Travel Essentials, Duty Free & Fashion, and Foodservice: Lagardère Travel Retail • Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage: Lagardère Active • Sponsorship, Content, Consulting, Events, Athletes, Stadiums, Shows, Venues and Artists: Lagardère Sports and Entertainment 1945: at the end of World 1986: Hachette regains 26 March 2003: War II, Marcel Chassagny founds control of Europe 1. Arnaud Lagardère is Matra (Mécanique Aviation appointed Managing Partner TRAction), a company focused 10 February 1988: of Lagardère SCA. on the defence industry. Matra is privatised. 2004: the Group acquires 1963: Jean-Luc Lagardère 30 December 1992: a portion of Vivendi Universal becomes Chief Executive Publishing’s French and following the failure of French Of= cer of Matra, which Spanish assets. television channel La Cinq, has diversi ed into aerospace Hachette is merged into Matra and automobiles. to form Matra-Hachette, and 2007: the Group reorganises Lagardère Groupe, a French around four major institutional 1974: Sylvain Floirat asks partnership limited by shares, brands: Lagardère Publishing, Jean-Luc Lagardère to head is created as the umbrella Lagardère Services (which the Europe 1 radio network. company for the entire became Lagardère Travel Retail ensemble. -
Bibliographie (1) Air Et Cosmos/N°2563/ 29 Septembre 2017 (2) Les
Bibliographie (1) Air et Cosmos/N°2563/ 29 Septembre 2017 (2) Les cahiers de l’Express/N°22/ La conquête de l’espace/Juillet 1993 (3) Les satellites artificiels / Que sais-je ? N°813 / PUF / 1965 (4) Paris-Match / N° 445/ 19 Octobre 1957 (5) Les dossiers du futur/Olivier Orban/Daniel Garric/Décembre 1980 (6) Le Figaro.fr/histoire/archives/02 Novembre 2017 (7) Le livre de l’espace / Denoel / 1978 // (7-1) Le Point/ Hors-Série/ Les chefs d’œuvre de la science-fiction/Novembre-Décembre 2018 (8) La lune et les planètes / Pierre de Latil / 1969 / Collection « Les beaux livres » Hachette (9) Dernières nouvelles du cosmos/ Hubert Reeves/Editions Points/02-2011 (10) Les merveilles du ciel / Guido Ruggieri / 1968 / Collection « Les beaux livres » Hachette (11) Sciences et avenir/N° 850/Décembre 2017 (11-1) Lefigaro.fr/ sciences/ 2018-12-27/01008- 20181227ARTIFIG-decouverte de la plus lointaine planète // (11-2) Sciences et Avenir / N° 864 / Février 2019 (12) Univers / Explorer le monde astronomique/ Phaidon/ Novembre 2017 (13) L’espace pour l’homme / Dominos Flammarion /1993 (14) Le point /N°2348 / 7 Septembre 2017 (15) Sciences et avenir / (16) Sciences et Avenir / N° 858 / Aout 2018 // (16-1) Sciences et Avenir / N° 863 / Janvier 2019 (17) Lefigaro.fr/15-05-2018 (18) Sciences et avenir/N° 846/Aout 2017 (19) Air et Cosmos /N° 835/Septembre 2016 (20) Lefigaro.fr/2018-06-28 (21) Begeek / 25-03-2018 (22) Sciences et Avenir / N° 859 / Septembre 2018 // (22-1) : Le Point/N°2405/4 Octobre 2018// (22- 2) : Air & Cosmos/N° 2620/ 7 Décembre 2018 (23) La -
Publishing in the Nineteenth Century
1 Publishing in the Nineteenth Century Originally published as “Editer au XIXe siècle”, Revue d’histoire littéraire de la France, vol. 107, no. 4, 2007, pp. 771–90. Introduction When Roger Chartier and Henri-Jean Martin were preparing the introduction to the first volume of their monumental Histoire de l’Édition francaise (History of French publishing), which they entitled Le livre conquérant. Du Moyen Age au milieu du XVIIe siècle (The Conquering Book. From the Middle Ages to the mid-seventeenth century), they encountered a problem – one might even call it an aporia. They explained their twin debt both to Lucien Febvre, the initiator of research into the history of the book,1 and to Jean-Pierre Vivet, a journalist turned director of Promodis Publishing, who had expressed his desire to “see [the publisher] placed at the center of these four volumes,” which he had entrusted to them.2 This outspoken directive implied that the figure of the publisher long predated the invention of printing, and that he had been performing the role of broker or mediator without interruption from the thirteenth up to the twentieth century, as is the case today. The two editors were very well aware that sustaining such a notion could prove risky, and so they added this further comment, which partly contradicted what had gone before: The story we would like to tell is one in which the role of the publisher was gradually asserted and became more clearly defined; he was bold in the age of the conquering 1 Lucien Febvre and Henri-Jean Martin, L’apparition du livre (Paris: Albin Michel, 1958), translated into English as The Coming of the Book: The Impact of Printing, 1450-1800 (London: Verso, 1976). -
Paylaşım 2018/1
2018/01 paylasımKartonsan Karton Sanayi ve Ticaret A.Ş. KARA SOKAK EDEBİYATIN SÜFRAJET SABRIN SİNEMANIN ÜNLÜ SANATI DEV MÜZİSYENİ DEDEKTİFLERİ AFİŞLERİ KAĞIT DANTEL Paylaşım Endemik ve nadir türleriyle Yaşam Kültürü Dergisi Kartonsan Karton Sanayi A.Ş. tarafından T.C. yasalarına uygun olarak yayınlanır ve ücretsizdir. Dergide yayımlanan yazı ve görseller izinsiz kullanılamaz. Anadolu'nun Çiçekleri Acılarını tuvale hapseden kadın Yayın Türü Yaygın Süreli Yayın İmtiyaz Sahibi Kartonsan A.Ş. adına Haluk İlber Frida Kahlo Sorumlu Yazı İşleri Müdürü Atiye Tuğtekin Yönetim Yeri KARTONSAN Karton Sanayi ve Ticaret A.Ş. Prof. Bülent Tarcan Caddesi Pak İş Merkezi No:5 Kat:3 Gayrettepe . İSTANBUL Tel: +90 (212) 273 20 00 Faks: +90 (212) 273 21 70 www.kartonsan.com.tr Baskı & Cilt Sabrın Sanatı ANKA Matbaacılık Sanayi ve Ticaret Ltd. Şti. Fevzi Çakmak Mahallesi, 2. Cd. 1119. Sk. No:3, 34220 Esenler . İstanbul Tel: +90 (0212) 565 9033 Faks: +90 (0212) 565 9034 Kağıt www.ankamatbaa.com.tr Danteller İngiltere'de kadına seçme hakkı Yayıncı verilmesinin SYNERGY Bilişim ve İletişim Hizmetleri Ltd. Şti. Parşömenin keşfedildiği 100. yılında Mall of İstanbul Ofiice No:136 topraklar Başakşehir İSTANBUL Tel: +90 (212) 347 40 00 Faks: +90 (212) 347 40 04 www.kurumsalyayin.com Sufrajet Bergama Afişleri Moda ve tarihsel gelişimin izini süren Sinema Müziklerinin Dahi Çocuğu Çanta Müzesi Dany Elfman Paylaşım Yaşam Kültürü Dergisi, %100 geri dönüşümlü kağıt kullanılarak hazırlanmıştır. Kapakta Kartonsan ürünlerinden Lutriplex 350 gr. kağıt kullanılmıştır. Holmes'tan Poirot'ya Paylasim Life Style Magazine is printed on 100% recycled paper. Cover pages printed on Lutriplex 350 gr. paper produced by Kartonsan. Edebiyatın Ünlü Dedektifleri doğa Endemik türler nadir bulunmaları nedeniyle ülke ekonomisi için önemli bir değer oluşturma- nın tüm olumsuzlukları ile karşı karşıya kalıyor- lar.