Robert Laffont, Soon Be Forgotten
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REFERENCE DOCUMENT Containing the Annual Financial Report Fiscal Year 2016 PROFILE
REFERENCE DOCUMENT containing the Annual Financial Report Fiscal Year 2016 PROFILE The Lagardère group is a global leader in content publishing, production, broadcasting and distribution, whose powerful brands leverage its virtual and physical networks to attract and enjoy qualifi ed audiences. The Group’s business model relies on creating a lasting and exclusive relationship between the content it offers and its customers. It is structured around four business divisions: • Books and e-Books: Lagardère Publishing • Travel Essentials, Duty Free & Fashion, and Foodservice: Lagardère Travel Retail • Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage: Lagardère Active • Sponsorship, Content, Consulting, Events, Athletes, Stadiums, Shows, Venues and Artists: Lagardère Sports and Entertainment 1945: at the end of World 1986: Hachette regains 26 March 2003: War II, Marcel Chassagny founds control of Europe 1. Arnaud Lagardère is appointed Matra (Mécanique Aviation Managing Partner of TRAction), a company focused 10 February 1988: Lagardère SCA. on the defence industry. Matra is privatised. 2004: the Group acquires 1963: Jean-Luc Lagardère 30 December 1992: a portion of Vivendi Universal becomes Chief Executive Publishing’s French and following the failure of French Offi cer of Matra, which Spanish assets. television channel La Cinq, has diversifi ed into aerospace Hachette is merged into Matra and automobiles. to form Matra-Hachette, 2007: the Group reorganises and Lagardère Groupe, a French around four major institutional 1974: Sylvain Floirat asks partnership limited by shares, brands: Lagardère Publishing, Jean-Luc Lagardère to head is created as the umbrella Lagardère Services (which the Europe 1 radio network. company for the entire became Lagardère Travel Retail ensemble. -
An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
LLEWELLYN 2018.Pdf
LLEWELLYN TRADE CATALOG WiNtEr 2018 CONTENT VISIT US AT New Releases................................ 1 SIBA New Orleans, LA • September 15 – 17, 2017 New Lo Scarabeo ............................ 33 NEIBA New Blue Angel............................. 39 Providence, RI • September 18 – 20, 2017 2018 Annuals............................... 45 NAIBA Cherry Hill, NJ • October 6 – 8, 2017 Recent Releases............................. 51 (Fall 2017: September - December) Minnesota Library Association Conference Rochester, MN • October 8 – 9, 2017 Ordering Information ........................ 54 Heartland Fall Forum Distributors ................................ 55 Lombard, IL • October 11 – 13, 2017 Top Sellers by Category....................... 56 Frankfurt Book Fair Frankfurt, Germany • October 11 – 15, 2017 • Hall 6.0, Stand A67 More than 200,000 Sold ........ Inside Back Cover NCIBA Discovery Show (Northern CA) San Francisco, CA • October 19 – 20, 2017 Call your sales representative Public Library Association Mind, Body, Spirit: Michelle Palazzolo: 1-800-843-6666 ext. 8419 Philadelphia, PA • March 20 – 24, 2018 • Booth 1716 Library: Katie Kane: 1-800-843-6666 ext. 8428 Sign up for The New Moon Subsidiary Rights Our monthly e-newsletter offers downloadable shelf talkers and flyers, World Rights: Oxana Schroeder articles for retailers, catalog PDFs, and more. Email [email protected] 1-800-843-6666, ext. 8416 with “Subscribe” in the subject field and provide the name of your store. Email: [email protected] Domestic Rights: Katie Stark Visit our blog for booksellers 1-800-843-6666, ext. 8363 Visit LlewellynBooksellers.blogspot.com for helpful articles written for retailers. Email: [email protected] Llewellyn Publicity and Promotion Advanced Reader Copies (ARCs) and NetGalley editions are available prepub- Little Books, Big Value lication. We support our books with national review coverage, social media outreach, regional author appearances, and print and online advertising. -
Lions Clubs International Liability Insurance Program
LIONS CLUBS INTERNATIONAL LIABILITY INSURANCE PROGRAM GENERAL NAMED INSURED The International Association of Lions Clubs has a program of Commercial General Liability The International Association of Lions Clubs, all Insurance that covers Lions on a worldwide Districts (Single, Sub - and Multiple) of said basis. The policy is issued by ACE American Association, all individual Lions Clubs Insurance. All Clubs and Districts are organized or chartered by said Association, Leo automatically insured. No action on your part Clubs, Lioness Clubs and any other Lions is necessary. organization owned, controlled or operated by a Named Insured or by individual Lion members The purpose of this booklet is to describe the while acting on behalf of a Named Insured. plan in a manner that will enable Lions to understand its application to their activities. The If an entity falls within this definition, it is a Provisions of the policy apply to most normal named insured under the policy. Note, however, liability exposures of Lions Clubs and Districts, that the Constitution and By-Laws of the including their functions and activities. Claims International Association of Lions Clubs provide arising out of liability for the operation, use, or that no individual or entity other than Lions maintenance of aircraft, automobiles owned by Clubs and Districts may use the Lions name or Lions organizations and certain water- craft are emblem without a specific license granted by the not covered (See “Exclusions”). These pages are International Board of Directors. (See question explanatory only and cannot cover all possible number 20.) We cannot issue a certificate of situations. -
Jean-Yves Mollier
French publishing in World War Two: A habitus of submission? Jean-Yves Mollier The present article sets out to explore the situation of French publishing between June 1940 and August 1944. Before addressing the main argument, however, it is important to bear in mind that it is difficult to understand this key sector of French cultural life in the period immediately prior to the Nazi occupation without looking back at its development over the preceding decades and even centuries. Similarly, understanding the deeper meaning underlying the attitude of the leading publishers who occupied the higher echelons of the publishing union means bearing in mind their “centuries-old habitus of submission”1 to authority. Take for example the “voluntary delegation of notables representing Paris's industrial sector” led by the industrialists Emile Menier and Jean- François Cail and the printer Henri Plon to the Elysée Palace on December 19, 1851 to thank Louis- Napoléon Bonaparte for “guaranteeing the defence of order, family, and property” after seizing power in a coup seventeen days earlier.2 Though it is important not to overstate the importance of such an event in the contemporary context, it can be seen as symbolic of a craven attitude to power that remained largely unchanged in the summer of 1940. Napoleon I and his successors set up a system to police the book trade, with inspectors whose task it was to keep a close eye not only on ports and borders, but also printers, bookshops, pedlars, second-hand bookshops, and any other premises or itinerant points of sale where books could be acquired. -
Version Imprimable
Université Rennes 2 Nadège Barthélémy : “La sentience est un concept crucial en éthique animale” Nous vous proposons aujourd’hui de découvrir l’exposition virtuelle qui résulte de ce concours, et de lire le témoignage de Nadège Barthélémy, étudiante en Histoire à l’université, et membre de l’association antispéciste depuis 3 ans. Pouvez-vous nous présenter l’association Sentience ? Quel est son fonctionnement ? Nadège Barthélémy. Sentience Rennes est une association étudiante antispéciste. Nous sommes la branche rennaise d'une association appelée "Réseau Sentience". Nous agissons dans les universités afin de sensibiliser les étudiant.es à la cause animale. L’association a plusieurs objectifs parmi lesquels : végétaliser les restaurants universitaires et cafétérias, mettre en lumière la sentience des animaux, révéler la réalité des pratiques d'exploitation, faire connaître la notion de spécisme. Nous sommes composés d'adhérent.es et d'un bureau directionnel, bien que nous essayons au maximum de ne pas instaurer de hiérarchie : par exemple, chacun et chacune est à même de proposer des actions de sensibilisation. Après avoir fait couler beaucoup d’encre, le mot “sentience” est entré dans le Larousse 2020. Selon vous, quels enjeux se cachent derrière l’utilisation de ce terme ? N. B. La sentience est un concept crucial en éthique animale. Le consensus scientifique de Cambridge de 2012 révèle la sentience de la plupart des animaux non-humains. Ce mot a évidemment des implications éthiques. Ce même terme implique nécessairement d'attribuer aux animaux un statut moral. Quels types d’actions sont menées par l’antenne Sentience, ici à Rennes ? Avec quels acteurs rennais travaillez-vous ? N. -
Frankfurt October
Translation Rights List Frankfurt October 1 1 Contents • About Bookouture p. 3 • Rights Department p. 4 • Historical p. 5 • Crime Thriller p. 21 • Women’s Fiction p. 78 • p. 104 • Schedule 2021 p. 106 • Rights Representatives p. 111 2 Digital publisher of brilliant fiction Bookouture is a fast-growing UK-based digital imprint specialising in a broad range of fiction and building authors globally. At just 8 years old, and with a team of 38 people, Bookouture has already scored 353 Amazon UK top 100 hits, and sold over 40 million copies. • From only 634 books and 154 authors, we sold 9.2 million copies in 2019 • We have had over 52 top-five Kindle bestsellers and over 78 top-ten Kindle bestsellers. 51% of all our titles have hit the Amazon UK Top 100. • We publish super-smart writing that keeps our readers up late into the night o Women’s fiction o Crime o Historical o Psychological suspense o Police procedurals o Chick lit o Paranormal romance o Young adult o Seasonal fiction o Sagas o Romance o Psychological thrillers o Thrillers o Holiday reads ‘Britain's Hottest Digital Publisher ’ 3 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director Worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, the Indian Subcontinent and all of Eastern Europe excluding Poland [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager The USA, France, Greece, Hebrew -
Participants Brochure REPUBLIC of KOREA 10 > 17 June 2017 BELGIAN ECONOMIC MISSION
BELGIAN ECONOMIC MISSION Participants Brochure REPUBLIC OF KOREA 10 > 17 June 2017 BELGIAN ECONOMIC MISSION 10 > 17 June 2017 Organised by the regional agencies for the promotion of Foreign Trade & Investment (Brussels Invest & Export, Flanders Investment & Trade (FIT), Wallonia Export-Investment Agency), FPS Foreign Affairs and the Belgian Foreign Trade Agency. Publication date: 10th May 2017 REPUBLIC OF KOREA This publication contains information on all participants who have registered before its publication date. The profiles of all participants and companies, including the ones who have registered at a later date, are however published on the website of the mission www.belgianeconomicmission.be and on the app of the mission “Belgian Economic Mission” in the App Store and Google Play. Besides this participants brochure, other publications, such as economic studies, useful information guide, etc. are also available on the above-mentioned website and app. REPUBLIC OF KOREA BELGIAN ECONOMIC MISSIONS 4 CALENDAR 2017 IVORY COAST 22 > 26 October 2017 CALENDAR 2018 ARGENTINA & URUGUAY June 2018 MOROCCO End of November 2018 (The dates are subject to change) BELGIAN ECONOMIC MISSION REPUBLIC OF KOREA Her Royal Highness Princess Astrid, Princess mothers and people lacking in education and On 20 June 2013, the Secretariat of the Ot- of Belgium, was born in Brussels on 5 June skills. tawa Anti-Personnel Mine Ban Convention 1962. She is the second child of King Albert announced that Princess Astrid - as Special II and Queen Paola. In late June 2009, the International Paralym- Envoy of the Convention - would be part of pic Committee (IPC) Governing Board ratified a working group tasked with promoting the After her secondary education in Brussels, the appointment of Princess Astrid as a mem- treaty at a diplomatic level in states that had Princess Astrid studied art history for a year ber of the IPC Honorary Board. -
Course Catalogue 2016 /2017
Course Catalogue 2016 /2017 1 Contents Art, Architecture, Music & Cinema page 3 Arabic 19 Business & Economics 19 Chinese 32 Communication, Culture, Media Studies 33 (including Journalism) Computer Science 53 Education 56 English 57 French 71 Geography 79 German 85 History 89 Italian 101 Latin 102 Law 103 Mathematics & Finance 104 Political Science 107 Psychology 120 Russian 126 Sociology & Anthropology 126 Spanish 128 Tourism 138 2 the diversity of its main players. It will thus establish Art, Architecture, the historical context of this production and to identify the protagonists, before defining the movements that Music & Cinema appear in their pulse. If the development of the course is structured around a chronological continuity, their links and how these trends overlap in reality into each IMPORTANT: ALL OUR ART COURSES ARE other will be raised and studied. TAUGHT IN FRENCH UNLESS OTHERWISE INDICATED COURSE CONTENT : Course Outline: AS1/1b : HISTORY OF CLASSIC CINEMA introduction Fall Semester • Impressionism • Project Genesis Lectures: 2 hours ECTS credits: 3 • "Impressionist" • The Post-Impressionism OBJECTIVE: • The néoimpressionnism To discover the great movements in the history of • The synthetism American and European cinema from 1895 to 1942. • The symbolism • Gauguin and the Nabis PontAven COURSE PROGRAM: • Modern and avantgarde The three cinematic eras: • Fauvism and Expressionism Original: • Cubism - The Lumière brothers : realistic art • Futurism - Mélies : the beginnings of illusion • Abstraction Avant-garde : - Expressionism -
La Région, De L'identité À La Citoyenneté
La région, de l’identité à la citoyenneté Ouvrage publié avec le soutien de la Délégation interministérielle au développement de la vallée de la Seine, de l’UMR 6266 IDEES (universités de Caen, de Rouen et du Havre), du Conseil régional de Basse-Normandie et de la Lyonnaise des Eaux www.editions-hermann.fr ISBN : 978 2 7056 9312 1 © 2016, Hermann Éditeurs, 6 rue Labrouste, 75015 Paris Toute reproduction ou représentation de cet ouvrage, intégrale ou partielle , serait illicite sans l’autorisation de l’éditeur et constituerait une contrefaçon. Les cas strictement limités à l’usage privé ou de citation sont régis par la loi du 11 mars 1957. COLLOQUE DE CERISY La région, de l’identité à la citoyenneté Sous la direction de Armand Frémont et Yves Guermond Avec le concours du Groupe des quinze géographes normands Postface de Martin Vanier Depuis 1876 Le Groupe des quinze géographes normands Le Groupe des quinze géographes normands, constitué en 2011 dans l’optique d’une unification de la Normandie, est composé d’Arnaud Brennetot, Madeleine Brocard, Pascal Buléon, Michel Bussi, Pierre-Henri Emangard, Anne-Marie Fixot, Armand Frémont, François Gay, Gérard Granier, Yves Guermond, Robert Hérin, Bruno Lecoquierre, Lilian Loubet, Sophie de Ruffray et Patricia Sajous. La région, de l’identité à la citoyenneté Armand Frémont En janvier 2016, une importante réforme des régions devenait effective. Assez curieusement, les géographes français ne se manifestèrent guère dans les débats qui précédèrent la réforme, à quelques exceptions notables près. Aucun débat au niveau national. Aucun enthousiasme, aucune indignation. Aucune plume fracassante. Pourtant, il s’agissait bien là d’une matière géographique, la région, la commune, le pays, le territoire plus généralement. -
Publishing in the Nineteenth Century
1 Publishing in the Nineteenth Century Originally published as “Editer au XIXe siècle”, Revue d’histoire littéraire de la France, vol. 107, no. 4, 2007, pp. 771–90. Introduction When Roger Chartier and Henri-Jean Martin were preparing the introduction to the first volume of their monumental Histoire de l’Édition francaise (History of French publishing), which they entitled Le livre conquérant. Du Moyen Age au milieu du XVIIe siècle (The Conquering Book. From the Middle Ages to the mid-seventeenth century), they encountered a problem – one might even call it an aporia. They explained their twin debt both to Lucien Febvre, the initiator of research into the history of the book,1 and to Jean-Pierre Vivet, a journalist turned director of Promodis Publishing, who had expressed his desire to “see [the publisher] placed at the center of these four volumes,” which he had entrusted to them.2 This outspoken directive implied that the figure of the publisher long predated the invention of printing, and that he had been performing the role of broker or mediator without interruption from the thirteenth up to the twentieth century, as is the case today. The two editors were very well aware that sustaining such a notion could prove risky, and so they added this further comment, which partly contradicted what had gone before: The story we would like to tell is one in which the role of the publisher was gradually asserted and became more clearly defined; he was bold in the age of the conquering 1 Lucien Febvre and Henri-Jean Martin, L’apparition du livre (Paris: Albin Michel, 1958), translated into English as The Coming of the Book: The Impact of Printing, 1450-1800 (London: Verso, 1976).