Juan Medina-Contreras Representation of defense https://orcid.org/0000-0001-5939-9069
[email protected] organizations in the Marvel Universidad Pontificia de Salamanca Cinematic Universe (2008-2019) Pedro Sangro Colón https://orcid.org/0000-0001-9085-8673 Abstract
[email protected] Universidad Pontificia de Salamanca Homeland security and defense are common themes in superhero films. The Marvel Cinematic Universe (MCU) is formed by more than twenty films made over the course of a decade (2008-2019), Submitted during the government of three different Presidents of the United September 20th, 2019 Approved States. In this paper we analyze the diminishing representation of February 21st, 2020 real defense forces in the MCU films. How the interference of the superhero is used as a narrative excuse to suggest a lack of or © 2020 deficiencies in the law concerning freedom and defense is also Communication & Society studied, as well as how the films make a metaphorical discourse ISSN 0214-0039 th E ISSN 2386-7876 about the historical reality after September 11 . doi: 10.15581/003.33.4.19-32 www.communication-society.com Keywords Marvel Cinematic Universe, Film studies, organisms of 2020 – Vol. 33(4) defense, films after 9/11, Superhero genre. pp. 19-32 1. Introduction: the keys of Marvel’s superhero movies How to cite this article: Medina-Contreras, J. & Sangro Superhero movies can be defined as a subcategory of the action-fantastic Colón, P. (2020). Representation of genre, characterized by the presence of one or more characters that defense organizations in the possess supernatural talents −a gift that places them somewhere above Marvel Cinematic Universe (2008- other mortals.