© in This Web Service Cambridge University Press
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Funding of the Papal Army's Campaign to Germany During The
9 Petr VOREL Funding of the Papal Army’s Campaign to Germany during the Schmalkaldic War (Edition of the original accounting documentation “Conto de la Guerra de Allemagna” kept by the Pope’s accountant Pietro Giovanni Aleotti from 22 June 1546 to 2 September 1547) Abstract: This article is based on the recently discovered text of accounting documentation led by the Papal secret accountant Pietro Giovanni Aleotti. He kept records of income and expenses of Papal chamber connected with the campaign of Papal army that was sent from Italy to Germany by Pope Paul III (Alessandro Farnese) in the frame of the first period of so called Smalkaldic War (1546–1547). The author publishes this unique source in extenso and completes the edition by the detailed analysis of the incomes and expenses of this documentation. The analysis is extended by three partial texts dealing with 1) so called Jewish tax that was announced by Paul III in the financial support of military campaign, 2) credit granting of this campaign by the bank house of Benvenuto Olivieri in connection with the collection of Papal tithe in the Romagna region and 3) staffing of the commanding officers of Papal army during this campaign (in the attachment one can find a reconstruction of the officers’ staff with identification of the most important commanders). In the conclusion the author tries to determine the real motives why Paul III decided to take part in this campaign. In comparison to the previous works the author accents mainly the efforts of the Farnese family to raise their prestige at the end of the pontificate of Paul III and their immediate financial interests that are reflected in the account documentation. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history. -
The Signs of the Times, Vol. 12 (1886)
The Signs of the Times, Vol. 12 (1886) January 7, 1886 "The Ostrogoths and the Visigoths" The Signs of the Times 12, 1 , p. 4. THE peace which Constantine forced upon the Gothic nation in A.D. 331, continued for a period of thirty years. For the proper understanding of the further progress of our subject, it now becomes necessary to clearly define the distinction that existed between the two great divisions of the Gothic nation–the Ostro [Eastern] Goths, and the Visi [Western] Goths. As a matter of act this distinction existed from the earliest times of which we have any knowledge of the nation. "The Ostro and Visi, the eastern and western Goths, obtained those denominations from their original seats in Scandinavia. In all their future marches and settlements they preserved, with their names, the same relative situation."–Dec. and Fall, chap. 10, par. 8, note. Although this distinction was ever observed amongst them as a people, yet in all their wanderings and in all their expeditions, from the time they left the Baltic till the period of which we now treat, A.D. 361,–they were united and acted as one people. Now, however, we shall find them separated, and with the exception of a short interval, never more united. During the thirty years' peace with the Empire (A.D. 331-361), and under Hermanric, the last king of the united nation, the Gothic power was spread from the River Danube and the Black Sea to the Baltic. Of this we read:– "During a peaceful interval of thirty years, the Romans secured their frontiers, and the Goths extended their dominions. -
The Life of Michelangelo Buonarroti by John Addington Symonds</H1>
The Life of Michelangelo Buonarroti by John Addington Symonds The Life of Michelangelo Buonarroti by John Addington Symonds Produced by Ted Garvin, Keith M. Eckrich and PG Distributed Proofreaders THE LIFE OF MICHELANGELO BUONARROTI By JOHN ADDINGTON SYMONDS TO THE CAVALIERE GUIDO BIAGI, DOCTOR IN LETTERS, PREFECT OF THE MEDICEO-LAURENTIAN LIBRARY, ETC., ETC. I DEDICATE THIS WORK ON MICHELANGELO IN RESPECT FOR HIS SCHOLARSHIP AND LEARNING ADMIRATION OF HIS TUSCAN STYLE AND GRATEFUL ACKNOWLEDGMENT OF HIS GENEROUS ASSISTANCE CONTENTS CHAPTER page 1 / 658 I. BIRTH, BOYHOOD, YOUTH AT FLORENCE, DOWN TO LORENZO DE' MEDICI'S DEATH. 1475-1492. II. FIRST VISITS TO BOLOGNA AND ROME--THE MADONNA DELLA FEBBRE AND OTHER WORKS IN MARBLE. 1492-1501. III. RESIDENCE IN FLORENCE--THE DAVID. 1501-1505. IV. JULIUS II. CALLS MICHELANGELO TO ROME--PROJECT FOR THE POPE'S TOMB--THE REBUILDING OF S. PETER'S--FLIGHT FROM ROME--CARTOON FOR THE BATTLE OF PISA. 1505, 1506. V. SECOND VISIT TO BOLOGNA--THE BRONZE STATUE OF JULIUS II--PAINTING OF THE SISTINE VAULT. 1506-1512. VI. ON MICHELANGELO AS DRAUGHTSMAN, PAINTER, SCULPTOR. VII. LEO X. PLANS FOR THE CHURCH OF S. LORENZO AT FLORENCE--MICHELANGELO'S LIFE AT CARRARA. 1513-1521. VIII. ADRIAN VI AND CLEMENT VII--THE SACRISTY AND LIBRARY OF S. LORENZO. 1521-1526. page 2 / 658 IX. SACK OF ROME AND SIEGE OF FLORENCE--MICHELANGELO'S FLIGHT TO VENICE--HIS RELATIONS TO THE MEDICI. 1527-1534. X. ON MICHELANGELO AS ARCHITECT. XI. FINAL SETTLEMENT IN ROME--PAUL III.--THE LAST JUDGMENT AND THE PAOLINE CHAPEL--THE TOMB OF JULIUS. -
The Impact of the Roman Army (200 BC – AD 476)
Impact of Empire 6 IMEM-6-deBlois_CS2.indd i 5-4-2007 8:35:52 Impact of Empire Editorial Board of the series Impact of Empire (= Management Team of the Network Impact of Empire) Lukas de Blois, Angelos Chaniotis Ségolène Demougin, Olivier Hekster, Gerda de Kleijn Luuk de Ligt, Elio Lo Cascio, Michael Peachin John Rich, and Christian Witschel Executive Secretariat of the Series and the Network Lukas de Blois, Olivier Hekster Gerda de Kleijn and John Rich Radboud University of Nijmegen, Erasmusplein 1, P.O. Box 9103, 6500 HD Nijmegen, The Netherlands E-mail addresses: [email protected] and [email protected] Academic Board of the International Network Impact of Empire geza alföldy – stéphane benoist – anthony birley christer bruun – john drinkwater – werner eck – peter funke andrea giardina – johannes hahn – fik meijer – onno van nijf marie-thérèse raepsaet-charlier – john richardson bert van der spek – richard talbert – willem zwalve VOLUME 6 IMEM-6-deBlois_CS2.indd ii 5-4-2007 8:35:52 The Impact of the Roman Army (200 BC – AD 476) Economic, Social, Political, Religious and Cultural Aspects Proceedings of the Sixth Workshop of the International Network Impact of Empire (Roman Empire, 200 B.C. – A.D. 476) Capri, March 29 – April 2, 2005 Edited by Lukas de Blois & Elio Lo Cascio With the Aid of Olivier Hekster & Gerda de Kleijn LEIDEN • BOSTON 2007 This is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. -
Netherlandish Culture of the Sixteenth Century SEUH 41 Studies in European Urban History (1100–1800)
Netherlandish Culture of the Sixteenth Century SEUH 41 Studies in European Urban History (1100–1800) Series Editors Marc Boone Anne-Laure Van Bruaene Ghent University © BREPOLS PUBLISHERS THIS DOCUMENT MAY BE PRINTED FOR PRIVATE USE ONLY. IT MAY NOT BE DISTRIBUTED WITHOUT PERMISSION OF THE PUBLISHER. Netherlandish Culture of the Sixteenth Century Urban Perspectives Edited by Ethan Matt Kavaler Anne-Laure Van Bruaene FH Cover illustration: Pieter Bruegel the Elder - Three soldiers (1568), Oil on oak panel, purchased by The Frick Collection, 1965. Wikimedia Commons. © 2017, Brepols Publishers n.v., Turnhout, Belgium. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior permission of the publisher. D/2017/0095/187 ISBN 978-2-503-57582-7 DOI 10.1484/M.SEUH-EB.5.113997 e-ISBN 978-2-503-57741-8 Printed on acid-free paper. © BREPOLS PUBLISHERS THIS DOCUMENT MAY BE PRINTED FOR PRIVATE USE ONLY. IT MAY NOT BE DISTRIBUTED WITHOUT PERMISSION OF THE PUBLISHER. Table of Contents Ethan Matt Kavaler and Anne-Laure Van Bruaene Introduction ix Space & Time Jelle De Rock From Generic Image to Individualized Portrait. The Pictorial City View in the Sixteenth-Century Low Countries 3 Ethan Matt Kavaler Mapping Time. The Netherlandish Carved Altarpiece in the Early Sixteenth Century 31 Samuel Mareel Making a Room of One’s Own. Place, Space, and Literary Performance in Sixteenth-Century Bruges 65 Guilds & Artistic Identities Renaud Adam Living and Printing in Antwerp in the Late Fifteenth and Early Sixteenth Centuries. -
Postprint : Author's Final Peer-Reviewed Version
This item is the archived peer-reviewed author-version of: Chivalric solidarity or royal supremacy? The symbolic revival of the Order of the Golden Fleece (15661598) Reference: Thiry Steven.- Chivalric solidarity or royal supremacy? The symbolic revival of the Order of the Golden Fleece (15661598) Dutch crossing : a journal of low countries studies - ISSN 0309-6564 - 43:1(2019), p. 27-46 Full text (Publisher's DOI): https://doi.org/10.1080/03096564.2018.1559505 To cite this reference: https://hdl.handle.net/10067/1566180151162165141 Institutional repository IRUA Chivalric Solidarity or Royal Supremacy? The Symbolic Revival of the Order of the Golden Fleece (1566-1598) STEVEN THIRY University of Antwerp / Research Foundation Flanders Founded in 1430, the Order of the Golden Fleece was perhaps the most iconic dynastic institution in the Low Countries. It bound together a selective group of high nobles, promoting shared values and loyalty, and was an inexhaustible storehouse of political imagery. The Dutch Revolt seriously disrupted this venerable company. Its officers became estranged, the numbers of knights rapidly declined, and original objectives were questioned. Nevertheless, the Order’s Burgundian heritage and its enduring material memory retained a strong political potential. This article explores how both royalists and dissidents exploited the signs and codes of old to criticize − and even redress − royal policy. As such the (sometimes contradictory) use of the Order’s symbolism ensured the Netherlands’ status as ritualistic nerve centre. KEYWORDS Order of the Golden Fleece, Memory, Viglius Ab Aytta, symbolic persistence, Dutch Revolt Introduction In late November 1565 fourteen knights of the Order of the Golden Fleece gathered in the Brussels palace to celebrate the annual feast of their patron saint, St Andrew. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Dante and the Florentine Chronicles Permalink https://escholarship.org/uc/item/57h1d6zt Author Prina, Marco Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Dante and the Florentine Chronicles by Marco Prina A dissertation submitted in partial satisfaction of the requirements for the joint degree of Doctor of Philosophy in Italian Studies and Medieval Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Albert Ascoli, Co-Chair Professor Steven Botterill, Co-Chair Professor Frank Bezner Fall 2014 Abstract Dante and the Florentine Chronicles by Marco Prina Doctor of Philosophy in Italian Studies & Medieval Studies University of California, Berkeley Professor Albert Ascoli, Co-Chair Professor Steven Botterill, Co-Chair This dissertation examines Dante’s engagement with the traditions regarding collective memory in medieval Florence. In particular, it investigates the ways in which Dante responds to public and private attempts at forging both individual and collective identity in Florence. Selecting key chronicles, inscriptions and visual sources alluded to in the Commedia, the implications of Dante’s representation in terms of his ideological response are then extensively discussed. After introducing the central passages from the Commedia relevant to my project and a review of selected secondary literature on Dante and history, the dissertation introduces the Medieval Latin Chronica de origine civitatis florentiae as Dante’s most important source regarding his city’s foundation. In so doing, the textual readings are informed by the formation and control of memory, history and identity in historical context. -
Myth and Prophecy in Juan Ginés De Sepúlveda's Crusading
Bulletin for Spanish and Portuguese Historical Studies Journal of the Association for Spanish and Portuguese Historical Studies Volume 35 | Issue 1 Article 4 2011 Myth and Prophecy in Juan Ginés de Sepúlveda’s Crusading "Exhortación" Luna Nájera Guest Researcher at the Scaliger Institute, [email protected] Follow this and additional works at: https://digitalcommons.asphs.net/bsphs Recommended Citation Nájera, Luna (2011) "Myth and Prophecy in Juan Ginés de Sepúlveda’s Crusading "Exhortación"," Bulletin for Spanish and Portuguese Historical Studies: Vol. 35 : Iss. 1 , Article 4. https://doi.org/10.26431/0739-182X.1008 Available at: https://digitalcommons.asphs.net/bsphs/vol35/iss1/4 This Article is brought to you for free and open access by Association for Spanish and Portuguese Historical Studies. It has been accepted for inclusion in Bulletin for Spanish and Portuguese Historical Studies by an authorized editor of Association for Spanish and Portuguese Historical Studies. For more information, please contact [email protected]. Myth and Prophecy in Juan Ginés de Sepúlveda’s Crusading "Exhortación" Cover Page Footnote I am grateful to Prof. Eva Woods Peiró for sharing her workspace with me while I was doing research for this project during the year I was her colleague at Vassar College. Her supportive collegiality was, and continues to be, invaluable. I am also indebted to the members of Vassar College’s Medieval and Renaissance Faculty Seminar, whose feedback on an earlier version of this article greatly broadened my perspective of Sepúlveda. This article is available in Bulletin for Spanish and Portuguese Historical Studies: https://digitalcommons.asphs.net/bsphs/vol35/ iss1/4 BULLETIN FOR SPANISH AND PORTUGUESE HISTORICAL STUDIES 35:1/December 2010/48-68 Myth and Prophecy in Juan Ginés de Sepúlveda’s Crusading “Exhortación” LUNA NÁJERA Leiden University, Scaliger Institute The Spanish humanist Juan Ginés de Sepúlveda (ca. -
The Triumphs of Alexander Farnese: a Contextual Analysis of the Series of Paintings in Santiago, Chile
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2014 The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile Michael J. Panbehchi Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Other History of Art, Architecture, and Archaeology Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3628 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Michael John Panbehchi 2014 All Rights Reserved The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. by Michael John Panbehchi B.A., Virginia Commonwealth University, 1988 B.A., Virginia Commonwealth University, 1994 M.A., New Mexico State University, 1996 Director: Michael Schreffler, Associate Professor, Department of Art History Virginia Commonwealth University Richmond, Virginia November, 2014 ii Acknowledgment The author wishes to thank several people. I would like to thank my parents for their continual support. I would also like to thank my son José and my wife Lulú for their love and encouragement. More importantly, I would like to thank my wife for her comments on the drafts of this dissertation as well as her help with a number of the translations. -
Illyrian Policy of Rome in the Late Republic and Early Principate
ILLYRIAN POLICY OF ROME IN THE LATE REPUBLIC AND EARLY PRINCIPATE Danijel Dzino Thesis submitted for the degree of Doctor of Philosophy in the Department of Classics University of Adelaide August 2005 II Table of Contents TITLE PAGE I TABLE OF CONTENTS II ABSTRACT V DECLARATION VI ACKNOWLEDGMENTS VII LIST OF FIGURES VIII LIST OF PLATES AND MAPS IX 1. Introduction, approaches, review of sources and secondary literature 1.1 Introduction 1 1.2 Rome and Illyricum (a short story) 2 1.3 Methodology 6 1.4.1 Illyrian policy of Rome in the context of world-system analysis: Policy as an interaction between systems 9 1.4.2 The Illyrian policy of Rome in the context of world-system analysis: Working hypothesis 11 1.5 The stages in the Roman Illyrian relationship (the development of a political/constitutional framework) 16 1.6 Themes and approaches: Illyricum in Roman historiography 18 1.7.1 Literature review: primary sources 21 1.7.2 Literature review: modern works 26 2. Illyricum in Roman foreign policy: historical outline, theoretical approaches and geography 2.1 Introduction 30 2.2 Roman foreign policy: Who made it, how and why was it made, and where did it stop 30 2.3 The instruments of Roman foreign policy 36 2.4 The place of Illyricum in the Mediterranean political landscape 39 2.5 The geography and ethnography of pre-Roman Illyricum 43 III 2.5.1 The Greeks and Celts in Illyricum 44 2.5.2 The Illyrian peoples 47 3. The Illyrian policy of Rome 167 – 60 BC: Illyricum - the realm of bifocality 3.1 Introduction 55 3.2 Prelude: the making of bifocality 56 3.3 The South and Central Adriatic 60 3.4 The North Adriatic 65 3.5 Republican policy in Illyricum before Caesar: the assessment 71 4. -
THE FLORENTINE HOUSE of MEDICI (1389-1743): POLITICS, PATRONAGE, and the USE of CULTURAL HERITAGE in SHAPING the RENAISSANCE by NICHOLAS J
THE FLORENTINE HOUSE OF MEDICI (1389-1743): POLITICS, PATRONAGE, AND THE USE OF CULTURAL HERITAGE IN SHAPING THE RENAISSANCE By NICHOLAS J. CUOZZO, MPP A thesis submitted to the Graduate School—New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Art History written under the direction of Archer St. Clair Harvey, Ph.D. and approved by _________________________ _________________________ _________________________ New Brunswick, New Jersey May, 2015 ABSTRACT OF THE THESIS The Florentine House of Medici (1389-1743): Politics, Patronage, and the Use of Cultural Heritage in Shaping the Renaissance By NICHOLAS J. CUOZZO, MPP Thesis Director: Archer St. Clair Harvey, Ph.D. A great many individuals and families of historical prominence contributed to the development of the Italian and larger European Renaissance through acts of patronage. Among them was the Florentine House of Medici. The Medici were an Italian noble house that served first as the de facto rulers of Florence, and then as Grand Dukes of Tuscany, from the mid-15th century to the mid-18th century. This thesis evaluates the contributions of eight consequential members of the Florentine Medici family, Cosimo di Giovanni, Lorenzo di Giovanni, Giovanni di Lorenzo, Cosimo I, Cosimo II, Cosimo III, Gian Gastone, and Anna Maria Luisa, and their acts of artistic, literary, scientific, and architectural patronage that contributed to the cultural heritage of Florence, Italy. This thesis also explores relevant social, political, economic, and geopolitical conditions over the course of the Medici dynasty, and incorporates primary research derived from a conversation and an interview with specialists in Florence in order to present a more contextual analysis.