Myth and Prophecy in Juan Ginés De Sepúlveda's Crusading
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California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history. -
Charles V in Bologna: the Self-Fashioning of a Man and a City Author(S): Konrad Eisenbichler Source: Renaissance Studies, Vol
Charles V in Bologna: the self-fashioning of a man and a city Author(s): Konrad Eisenbichler Source: Renaissance Studies, Vol. 13, No. 4, Special Issue: Civic Self-Fashioning in Renaissance Bologna: historical and scholarly contexts (DECEMBER 1999), pp. 430-439 Published by: Wiley Stable URL: http://www.jstor.org/stable/24412718 Accessed: 30-01-2017 09:04 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Wiley is collaborating with JSTOR to digitize, preserve and extend access to Renaissance Studies This content downloaded from 217.112.157.113 on Mon, 30 Jan 2017 09:04:47 UTC All use subject to http://about.jstor.org/terms Renaissance Studies Vol. 13 No. 4 Charles V in Bologna: the self-fashioning of a man and, a city Konrad Eisenbichler The imperial coronation of Charles V in Bologna on 24 February 1530 was a one of the most important ceremonial events of the sixteenth century. It anointed Charles V as political leader of the Christian world, it formalized the newly established peace and collaboration between the emperor and the pope, and it provided the context for a number of political agreements that were to determine the course of European history for the remainder of the century, if not beyond. -
© in This Web Service Cambridge University Press
Cambridge University Press 978-0-521-81431-7 - Emperor Charles V, Impresario of War: Campaign Strategy, International Finance, and Domestic Politics James D. Tracy Index More information Index accounts, balancing of, 18, 19 Amadeo VI, count of Savoy, 18 Achioli, Rafael, 96 n19 Amsterdam, 68, 69, 72; and “coronation Adige/Etsch River, 210, 238 subsidy,” 261; and sales of renten, 270 Adorno, Antoniotto, 43 Anabaptists, 33 n47; as enforced oarsmen, Adorno family, of Genoa, 40 146 Adrian VI, pope (1521–3), 66, 89 n97, 104 Andalusia, 80; and caballeros, 84; and grandee “adventurers,” 139; see also aventuriers estates, 83 Aigues-Mortes, meeting of Charles V and Andelot, Jean d’, 206 Francis I at, 164 Angevin dynasty (1268–1442), 41, 54 Alarcon, Fernando de, marquess of Rende, 44, Angouleme,ˆ duke of, 158, 163, 164 125, 277, 278 Anne Jagellio, princess of Hungary, wife of Alba, Fadrique Alvarez´ de Toledo, second duke Ferdinand I: death of, 215; dowry of, 106 of, 24, 26, 274, 297 Anne of Brittany, and Maximilian 1, 73–4 n28 Alba, Fernando Alvarez´ de Toledo, third duke Antibes, 43, 161 of, 24–5, 176 n42 Antwerp, 68, 72 91; bankers of, 225;asa Albrecht-Alcibiades, margrave of Brandenburg, leading financial center, 99; merchant fairs 215, 233, 238, 239, 242 n26, 315; defeat of by in, 96 John Frederick, 222, 223; and Moritz, 235; Antwerp Toll, 50 and Treaty of Chambord, 234 Aragon,´ 2; Cortes of, 2 n1, 200; rebellion in, Albuquerque, Beltran´ de la Cueva, duke of, 135 n8 81 n59, 297 Aramon, Gabriel d’, 233 alcabala (traditional sales tax), 50, 87 -
Exegesis and Dissimulation in Visual Treatises
Political Art of the Papacy: Visual Representations of the Donation of Constantine in the Early Modern Period by Silvia Tita A dissertation submitted in partial fulfillment on the requirements for the degree of Doctor of Philosophy (History of Art) in the University of Michigan 2013 Doctoral Committee: Professor Megan L. Holmes, Co-Chair Lecturer Thomas C. Willette, Co-Chair Professor Celeste A. Brusati Professor Louise K. Stein Associate Professor Achim Timmermann © Silvia Tita 2013 Acknowledgments The research period of this project brought me great intellectual joy. This would not have happened without the assistance of many professionals to whom I am much indebted. My deep gratitude to the staffs of the Biblioteca Apostolica Vaticana (with special thanks to Dott. Paolo Vian), the Archivio Segreto Vaticano, the Archivio di Stato Roma, the Biblioteca Angelica, the Biblioteca Casanatense, the Biblioteca Centrale di Roma, the Bibliotheca Hertziana, the Biblioteca di Storia dell'Arte et Archeologia, the Istituto Nazionale per la Grafica in Rome, the Biblioteca Marucelliana in Florence, Bibliothèque Nationale de France in Paris, the Departement des Arts Graphique and the Departement des Objets d'Art of the Louvre. I would also like to thank to the curators of the Kunstkammer Department of the Kunsthistorisches Museum in Vienna, especially to Dr. Konrad Schlegel who generously informed me on the file of the Constantine Cabinet. The project was born and completed as it is in Michigan. I would like to thank all members of my committee. Tom Willette deeply believed in the project and my ideas from the very beginning and offered great advice during our long conversations. -
Pietro Aretino, the Scourge of Princes
Digitized by the Internet Archive in 2010 with funding from University of Toronto http://www.archive.org/details/pietroaretinoscoOOhutt Yt/ V " PIETRO ARETINO PIETRO ARETINO The Scourge of Princes By EDWARD HUTTON WiM a Portrait afttr Titian CONSTABLE & CO LTD LONDON : BOMBAY : SYDNEY 1922 Printed in Great Britain at Tkt MayAotuir Press, Plymouth. William Brendon & Son, Ltd. TO MY FRIEND NORMAN DOUGLAS NOTE My various debts to previous writers on the subject of this work are duly acknowledged in the notes throughout the book, but I wish here especially to mention Comm. Alessandro Luzio, of Mantua, to whom every writer upon Pietro Aretino owes so much, my friend Professor Cesare Foligno, of Oxford, who has generously given time and thought to reading the proofs, and my friend Comm. Biagi, of Florence, who obtained for me more than one rare opuscolo. INTRODUCTION ARETINE. The name is infamous. Why ? -^ ^ Was the man really the monster he is universally represented to have been from his time to our own ? His legend, as the French say, would seem to affirm it. There we read of one who was born in a hospital, the son of a courtesan, and boasted of it ; who was without name, without family, without friends and protectors, without education ; who at thirteen years of age robbed his mother and fled to Perugia ; who at eighteen fled from Perugia to Rome, where he robbed his master, Agostino Chigi, and presently appeared as the creature of Cardinal de' Medici, whom he supported with an infinite wealth of libel, calumny and the most vile and shameless -
SCENARIO BOOK, 500Th Anniversary Edition 1
Here I Stand SCENARIO BOOK, 500th Anniversary Edition 1 SCENARIO BOOK 500th Anniversary Edition T A B L E O F C O N T E N T S ABOUT THIS BOOK .......................................................... 2 Victory Point Calculations ............................................... 7 GETTING STARTED .......................................................... 2 PLAY-BY-EMAIL TIPS ...................................................... 7 SCENARIOS ....................................................................... 2 Interruptions to Play ......................................................... 7 Setup Guidelines .............................................................. 2 Response Card Play.......................................................... 7 1517 Scenario ................................................................... 3 DESIGNER’S NOTES ........................................................ 7 1532 Scenario ................................................................... 4 EXTENDED EXAMPLE OF PLAY ................................... 9 Tournament Scenario ....................................................... 6 THE GAME AS HISTORY ................................................. 15 SETTING YOUR OWN TIME LIMIT ............................... 6 CHARACTERS OF THE REFORMATION ....................... 19 GAMES WITH 3 TO 5 PLAYERS ...................................... 6 EVENTS OF THE REFORMATION .................................. 35 Configurations .................................................................. 6 TWO -PLAYER -
Chivalry and the Perfect Prince
Chivalry and the Perfect Prince Habent sua fata libelli SIXTEENTH CENTURY ESSAYS & STUDIES SERIES GENERAL EDITOR Michael Wolfe St. John’s University EDITORIAL BOARD OF SIXTEENTH CENTURY ESSAYS & STUDIES ELAINE BEILIN RAYMOND A. MENTZER Framingham State College University of Iowa CHRISTOPHER CELENZA HELEN NADER Johns Hopkins University University of Arizona MIRIAM U. CHRISMAN CHARLES G. NAUERT University of Massachusetts, Emerita University of Missouri, Emeritus BARBARA B. DIEFENDORF MAX REINHART Boston University University of Georgia PAULA FINDLEN SHERYL E. REISS Stanford University Cornell University SCOTT H. HENDRIX ROBERT V. SCHNUCKER Princeton Theological Seminary Truman State University, Emeritus JANE CAMPBELL HUTCHISON NICHOLAS TERPSTRA University of Wisconsin–Madison University of Toronto ROBERT M. KINGDON MARGO TODD University of Wisconsin, Emeritus University of Pennsylvania RONALD LOVE JAMES TRACY University of West Georgia University of Minnesota MARY B. MCKINLEY MERRY WIESNER-HANKS University of Virginia University of Wisconsin–Milwaukee front_Chivalry Page iii Wednesday, February 13, 2008 11:52 AM CHIVALRY thePERFECT &PRINCE Tournaments, Art, and Armor at the Spanish Habsburg Court BRADEN FRIEDER Sixteenth Century Essays & Studies 81 Truman State University Press front_Chivalry Page iv Tuesday, February 12, 2008 9:19 AM Copyright © 2008 Truman State University Press, Kirksville, Missouri USA All rights reserved tsup.truman.edu Cover art: Titian, Portrait of Philip II, 1549. Oil on canvas. Madrid, Museo del Prado (411). Used by permission. Cover design: Teresa Wheeler Type: Goudy Old Style, © URW Printed by: Thomson-Shore, Dexter, Michigan USA Library of Congress Cataloging-in-Publication Data Frieder, Braden K. Chivalry and the perfect prince : tournaments, art, and armor at the Spanish Habsburg court, 1504–1605 / Braden K. -
Complete Poems: a Bilingual Edition
Complete Poems: A Bilingual Edition VERONICA GAMBARA • Critical introduction by MOLLY M. MARTIN Edited and translated by MOLLY M. MARTIN AND PAOLA UGOLINI Iter Inc. Centre for Reformation and Renaissance Studies Toronto 2014 Iter: Gateway to the Middle Ages and Renaissance Tel: 416/978–7074 Email: [email protected] Fax: 416/978–1668 Web: www.itergateway.org Centre for Reformation and Renaissance Studies Victoria University in the University of Toronto Tel: 416/585–4465 Email: [email protected] Fax: 416/585–4430 Web: www.crrs.ca © 2014 Iter Inc. & Centre for Reformation and Renaissance Studies All rights reserved. Printed in Canada. Iter and the Centre for Reformation and Renaissance Studies gratefully acknowledge the generous support of James E. Rabil, in memory of Scottie W. Rabil, toward the publication of this book. Library and Archives Canada Cataloguing in Publication Gàmbara, Veronica, 1485-1550 [Poems] Complete poems / Veronica Gambara ; critical introduction by Molly M. Martin ; edited and translated by Molly M. Martin and Paola Ugolini. — A bilingual edition. (The other voice in early modern Europe : The Toronto series ; 34) Includes bibliographical references and index. Issued in print and electronic formats. Poems in Italian with English translations; remaining text in English. ISBN 978-0-7727-2168-6 (pbk.) ISBN 978-0-7727-2169-3 (pdf) 1. Gàmbara, Veronica, 1485–1550—Translations into English. 2. Gàmbara, Veronica, 1485–1550—Criticism and interpretation. I. Ugolini, Paola, editor, translator II. Martin, Molly M., editor, translator, writer of added commentary III. Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies, issuing body IV. Iter Inc, issuing body V. -
Historiography of Duke Cosimo I De' Medici's Cultural Politics And
Historiography of Duke Cosimo I de’ Medici’s Cultural Politics and Theories of Cultural Hegemony and Opposition By Sang Woo Kim Introduction “Thus the Republic died.” Or so it was believed when the new constitution of 1532 declaring Alessandro de’ Medici hereditary duke put an end to the legendary struggle between the Medicean and republican governments, “the great and memorable drama” of the Florentine Renaissance. 1 Duke Alessandro’s assassination in 1537 and uncertainty surrounding his adolescent and politically inexperienced successor, Cosimo de’ Medici, briefly rekindled hope for a return to a republic. However, not only did the eighteen-year-old cousin of the Duke survive the crisis, but Cosimo would go on to rule Florence for thirty-seven years and build a Grand Dukedom that survived until 1737. The consolidation of the Medici dukedom under Cosimo has had an impact upon the manner in which historians characterize the Duke and interpret the political, social and cultural aspects of his state. In short, Duke Cosimo, and not Alessandro, came to be considered the destroyer of Florentine liberty and republicanism. 2 As one scholar puts it, his time marked the political transition that “led Florence from a republicanism uniquely energetic in its cult of liberty to the drowsy acceptance of near-absolutist rule.” 3 Artists and intellectuals of the Medici dukedom have thus been portrayed as unable to recreate the cultural vibrancy that had characterized the Florentine scenes in the so-called High Renaissance. This thesis takes part in the vigorous attempt of recent scholarship to revise these historical assumptions, investigating some of the inner workings of the visual culture of sixteenth century Florence. -
2. Hendrik III: Planting the Nassau Flag
UvA-DARE (Digital Academic Repository) Nassau on horseback: Meaning, form and function of Nassau equestrian imagery in the Netherlands since the 16th century Rijkens, P.R. Publication date 2015 Document Version Final published version Link to publication Citation for published version (APA): Rijkens, P. R. (2015). Nassau on horseback: Meaning, form and function of Nassau equestrian imagery in the Netherlands since the 16th century. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 2. Hendrik III: planting the Nassau flag In 1529, Hendrik III, Count of Nassau, commissioned Bernard van Orley to design a set of nine tapestries depicting as many Nassau generations (back to the 13th century), riding horseback side by side with their respec- tive spouses. -
On the POLITICAL OPTIONS of the HUMANIST NICHOLAUS OLAHUS
European Journal of Science and Theology, August 2014, Vol.10, No.4, 27-35 _______________________________________________________________________ ON THE POLITICAL OPTIONS OF THE HUMANIST NICHOLAS OLAHUS Cornelia Popa-Gorjanu* ‚1 Decembrie 1918’ University of Alba Iulia, 11-13, N. Iorga str., 510009, Alba Iulia, Romania (Received 18 January 2014, revised 23 March 2014) Abstract This papers aims to show that the political options of the humanist Nicholas Olahus, who entered Habsburg service in the troubled years following the death of King Louis II of Hungary at Mohács, were determined primarily by his religious allegiance, his loyalty to the Catholic Church and the Habsburg promise to collaborate with the Papacy. I have made extensive use of his correspondence from 1526-1530 to examine the evolution of his political orientation, options and arguments. Keywords: Nicholas Olahus, Humanism, Habsburg Empire 1. Introduction This paper examines Nicholas Olahus‟ political options from 1526 to 1530, when the struggle between Ferdinand Habsburg and John Szapolyai for the crown of Hungary provoked a split in the former circle of intellectuals active at the court of Louis II of Hungary. I have made extensive use of the correspondence sent or received by Nicholas Olahus. Correspondence was always a practical means to preserve and consolidate relationships between individuals at considerable distances from each other. Friends not only expressed their feelings of separation from their companions, but also sent gifts and the latest news pertaining to their spheres of interest (cultural, artistic, social, economic and political). Personal trust played an important role in the formation of such relationships, and the preservation of a constant correspondence nurtured the growth of personal trust. -
COMPLETE POEMS E Other Voice in Early Modern Europe
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/321159125 Veronica Gambara. Complete Poems. Book · November 2014 CITATIONS READS 0 277 1 author: Paola Ugolini University at Buffalo, The State University of New York 8 PUBLICATIONS 0 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Encyclopedia of Renaissance Philosophy View project All content following this page was uploaded by Paola Ugolini on 06 August 2019. The user has requested enhancement of the downloaded file. COMPLETE POEMS !e Other Voice in Early Modern Europe: !e Toronto Series, xx The Other Voice in Early Modern Europe: The Toronto Series SERIES EDITORS Margaret L. King and Albert Rabil, Jr. SERIES EDITOR, ENGLISH TEXTS Elizabeth H. Hageman Previous Publications in the Series M!"#$ M!#í! R%&! P$#)$**$ "2 G2'11$* Journey of Five Capuchin Nuns Complete Poems: A Bilingual Edition Edited and translated by Sarah E. Edited by Karen Simroth James Owens Translated by Marta Rijn Finch Volume 1, 2009 Volume 6, 2010 G'%(!) B!**'&*! A)"#$')' A)*%)'! P21.' Love in the Mirror: A Bilingual Edition Saints’ Lives and Bible Stories for the Edited and translated by Jon R. Snyder Stage: A Bilingual Edition Volume 2, 2009 Edited by Elissa B. Weaver Translated by James Wyatt Cook R!+,%)" "$ S!-!)!. !)" Volume 7, 2010 S',%)$ Z!)!../' Two Women of the Great Schism: 0e V!1$#'! M'!)' Revelations of Constance de Rabastens Celinda, A Tragedy: A Bilingual by Raymond de Sabanac and Life of Edition the Blessed Ursulina of Parma by Edited by Valeria Finucci Simone Zanacchi Translated by Julia Kisacky Edited and translated by Renate Annotated by Valeria Finucci and Blumenfeld-Kosinski and Bruce L.