1 Tabakliteratur in Der Frühen Neuzeit
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Read Book a History of Contemporary Italy Society and Politics
A HISTORY OF CONTEMPORARY ITALY SOCIETY AND POLITICS, 1943-1988 1ST EDITION PDF, EPUB, EBOOK Paul Ginsborg | --- | --- | --- | 9781403961532 | --- | --- Origins of the Mafia - HISTORY Antonio Beccadelli combined the comic realism of Italian popular verse with the language of Martial to explore the underside of the early Renaissance. The richly illuminated small parchment codex bears witness to the musical interests of the cardinal, himself an avid singer. Federico Borromeo founded the Ambrosiana library, art collection, and academy in Milan. Sacred Painting laid out the rules that artists should follow when creating religious art. Humanist Tragedies offers a sampling of Latin drama from the Tre- and Quattrocento. These five tragedies— Ecerinis , Achilleis , Progne , Hyempsal , and Fernandus Servatus —were nourished by a potent amalgam of classical, medieval, and pre-humanist sources. Humanist tragedy testifies to momentous changes in literary conventions during the Renaissance. It contains a famous defense of the value of studying ancient pagan poetry in a Christian world. This first English translation includes the famous letter about the discovery on the Via Appia of the perfectly preserved body of a Roman girl. Lilio Gregorio Giraldi authored many works on literary history, mythology, and antiquities. The work gives a panoramic view of European poetry in the late fifteenth and early sixteenth century, concentrating above all on Italy. Dialectical Disputations, Volume 1: Book I. Valla sought to replace the scholastic tradition of Aristotelian logic with a new logic based on the historical usage of classical Latin and on a commonsense approach. Marsilio Ficino , the Florentine scholar-philosopher-magus, was largely responsible for the Renaissance revival of Plato. -
University of Florida Thesis Or Dissertation Formatting
SMATHERS LIBRARIES’ LATIN AND GREEK RARE BOOKS COLLECTION UNIVERSITY OF FLORIDA 2016 1 TABLE OF CONTENTS page LECTORI: TO THE READER ........................................................................................ 20 LATIN AUTHORS.......................................................................................................... 24 Ammianus ............................................................................................................... 24 Title: Rerum gestarum quae extant, libri XIV-XXXI. What exists of the Histories, books 14-31. ................................................................................. 24 Apuleius .................................................................................................................. 24 Title: Opera. Works. ......................................................................................... 24 Title: L. Apuleii Madaurensis Opera omnia quae exstant. All works of L. Apuleius of Madaurus which are extant. ....................................................... 25 See also PA6207 .A2 1825a ............................................................................ 26 Augustine ................................................................................................................ 26 Title: De Civitate Dei Libri XXII. 22 Books about the City of God. ..................... 26 Title: Commentarii in Omnes Divi Pauli Epistolas. Commentary on All the Letters of Saint Paul. .................................................................................... -
Epigraphical Research and Historical Scholarship, 1530-1603
Epigraphical Research and Historical Scholarship, 1530-1603 William Stenhouse University College London A thesis submitted in fulfilment of the requirements of the Ph.D degree, December 2001 ProQuest Number: 10014364 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10014364 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis explores the transmission of information about classical inscriptions and their use in historical scholarship between 1530 and 1603. It aims to demonstrate that antiquarians' approach to one form of material non-narrative evidence for the ancient world reveals a developed sense of history, and that this approach can be seen as part of a more general interest in expanding the subject matter of history and the range of sources with which it was examined. It examines the milieu of the men who studied inscriptions, arguing that the training and intellectual networks of these men, as well as the need to secure patronage and the constraints of printing, were determining factors in the scholarship they undertook. It then considers the first collections of inscriptions that aimed at a comprehensive survey, and the systems of classification within these collections, to show that these allowed scholars to produce lists and series of features in the ancient world; the conventions used to record inscriptions and what scholars meant by an accurate transcription; and how these conclusions can influence our attitude to men who reconstructed or forged classical material in this period. -
Proba the Prophet Mnemosyne Supplements Late Antique Literature
Proba the Prophet Mnemosyne Supplements late antique literature Editors David Bright (Emory) Scott McGill (Rice) Joseph Pucci (Brown) Editorial Board Laura Miguélez-Cavero (Oxford) Stratis Papaioannou (Brown) Aglae Pizzone (Geneva) Karla Pollmann (Kent) volume 378 The titles published in this series are listed at brill.com/mns-lal Proba the Prophet The Christian Virgilian Cento of Faltonia Betitia Proba By Sigrid Schottenius Cullhed leiden | boston Cover illustration: Grenoble, Bibliothèque Municipale, 352 (a. 1470) 373v. Library of Congress Cataloging-in-Publication Data Cullhed, Sigrid Schottenius, author. Proba the Prophet : the Christian Virgilian Cento of Faltonia Betitia Proba / By Sigrid Schottenius Cullhed. pages cm. – (Mnemosyne supplements ; v. 378) Includes bibliographical references and index. ISBN 978-90-04-26472-4 (hardback : alk. paper) – ISBN 978-90-04-28948-2 (e-book) 1. Proba, active 4th century. Cento. 2. Bible–In literature. 3. Centos–History and criticism. I. Proba, active 4th century. Cento. II. Title. PA6801.A49P828 2015 873'.01–dc23 2014047087 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. issn 2214-5621 isbn 978-90-04-26472-4 (hardback) isbn 978-90-04-28948-2 (e-book) Copyright 2015 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
“How Strangely Chang'd”: the Re-Creation of Ovid by African
“How Strangely Chang’d”: The Re-creation of Ovid by African American Women Poets By Rachel C. Morrison Submitted to the graduate degree program in Classics and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ______________________________________ Chair: Emma Scioli ______________________________________ Pam Gordon ______________________________________ Tara Welch Date Approved: 10 May 2018 The thesis committee for Rachel C. Morrison certifies that this is the approved version of the following thesis: “How Strangely Chang’d”: The Re-creation of Ovid by African American Women Poets ______________________________________ Chair: Emma Scioli ______________________________________ Pam Gordon ______________________________________ Tara Welch Date Approved: 10 May 2018 ii Abstract This project examines the re-creation of Ovid by African American women poets. Phillis Wheatley, an enslaved Black woman writing in colonial America, engages with Ovid’s account of Niobe in her epyllion “Niobe in Distress.” Henrietta Cordelia Ray, who was active in the late nineteenth and early twentieth centuries, picks up where Wheatley left off in a sonnet called “Niobe.” Elsewhere, in “Echo’s Complaint,” Ray also imagines what Echo might say to Narcissus if she had full control over her words—an imaginative exercise that has resonances with Ovid’s Heroides. Finally, in her 1995 book Mother Love, the contemporary poet Rita Dove re-examines the tale of Demeter and Persephone from a number of different angles. In reworking the Metamorphoses, all three poets paint vivid images of vulnerable girls and bereft mothers. Moreover, Wheatley, Ray, and Dove play with Ovidian elements to explore themes of repetition, voice, motherhood, and power dynamics. -
The Royal Navy, October 1801
The Royal Navy October 1801 At Home San Josef 112 Ville de Paris 110 Royal George 100 Royal Sovereign 100 Atlas 98 Barfleur 98 Formidable 98 Glory 98 London 98 Neptune 98 Prince 98 Prince George 98 Princess Royal 98 Prince of Wales 98 Temeraire 98 Windsor Castle 98 Namur 90 Malta 80 Donegal 80 Juste 80 Hercule 74 Achilles 74 Belleisle 74 Bellerophon 74 Blenheim 74 Brunswick 74 Canada 74 Captain 74 Centaur 74 Courageux 74 Defiance 74 Edgar 74 Elephant 74 Excellent 74 Impetueux 74 Irresistible 74 Magnificent 74 Majestic 74 Mars 74 Monarch 74 Orion 74 Princess of Orange 74 Resolution 74 Robust 74 Saturn 74 Terrible 74 Theseus 74 Thunderer 74 Vengeance 74 1 Leyden 68 De Ruyter 68 Agamemnon 64 Ardent 64 Asia 64 Polyphemus 64 Raisonnable 64 Ruby 64 St. Albans 64 Standard 64 Veteran 64 York 64 Batavia 54 Beschermer 54 Isis 50 Loire 46 Amelia 44 Anson 44 Fisgard 44 FortunQe 44 Indefatigable 44 Revolutionnaire 44 Serapis 44 Vlieter 44 Acasta 40 Beaulieu 40 Cambrian 40 Desire 40 Princess Charlotte 40 San Firoenzo 40 Amazon 38 Amethyst 38 Boadecia 38 Clyde 38 Diamond 38 Diana 38 Hussar 38 Latona 38 Medusa 38 Naiade 38 Unité 38 Urania 38 Alceste 36 Ambuscade 36 Blanche 36 Dedaigneuse 36 Doris 36 Dryad 36 Glenmore 36 Immortalité 36 Nymphe 36 Oiseau 36 Phoebe 36 Sirius 36 Thalia 36 2 Trent 36 Surprize 34 Aquilon 32 Aeolus 32 Castor 32 Galathea 32 Lowestoffe 32 Magicienne 32 Maidstone 32 Narcissus 32 Shannon 32 Tartar 32 Triton 32 Unicorn 32 Arrow 30 Dart 30 Amphitrite 28 Brilliant 28 Enterprize 28 Heldin 28 Lapwig 28 Nemesis 28 Jamaica 26 Waakzamheid -
The Humanist Movement in Quattrocento Naples
From Lost Laughter to Latin Philosophy: The Humanist Movement in Quattrocento Naples Matthias Roick1 The humanist movement had a major impact on early modern culture. Humanists introduced new languages, literary canons, and styles of inquiry to the arts and sciences, and shifted their coordinates within society and politics. In the case of Naples, humanism arrived in two different moments in the kingdom, the first embodied in the figure of Petrarch, who entered into an intellectual exchange with King Robert of Anjou and his court in the early 1340s, the other by a coterie of humanists who became part of the Aragonese court after Alfonso the Magnanimous’s conquest of the kingdom in 1442. As regards Petrarch’s pioneering engagement, it certainly had a “galvanising character” and marked the inception of “royal humanism,” as Peter Stacey has argued.2 Nonetheless, it seems to have elicited a rather limited reaction within the Neapolitan setting itself. Falling into an early stage of the humanist movement, Petrarch’s “conquest” of Naples hinged more on his personal authority than on any institutionalized structures.3 The Quattrocento phase of Neapolitan humanism differed significantly from this episode. The humanist culture at the Aragonese court did not depend on a single, emblematic figure like Petrarch, but on a group of humanists who put down roots at court and in the royal administration. Moreover, the second “conquest” of Naples could rely on a new humanist culture that had formed in the first decades of the century. At the same time, the arrival of this humanist culture in Naples contributed to its transformation. -
Oral Poetry and Performance
Dickinson College Dickinson Scholar Faculty and Staff Publications By Year Faculty and Staff Publications 2015 Canterino and Improvvisatore: Oral Poetry and Performance Blake McDowell Wilson Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/faculty_publications Part of the Music Commons Recommended Citation Wilson, Blake. "Canterino and Improvvisatore: Oral Poetry and Performance." In The Cambridge History of Fifteenth-Century Music, edited by Anna Maria Busse Berger and Jesse Rodin, 292-310. Cambridge, UK: Cambridge University Press, 2015. This article is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. 16 . Canterino and improvvisatore. oral poetry and performance BLAKE WILSON Fifteenth-century Italy witnessed a distinctive chapter in the ancient and global history of oral poetry. Aspects of Renaissance Italian poetic performance are clearly linked with oral practices of all times and places: the conception of poetry as a multivalent and nearly universal form of human discourse, a tendency for poetic voice to culminate in song (often instrumentally accom• panied), and the inseparability of oral poetry from the agonistic environment of performance.1 The interrelated operations of memory and improvisation, too, played essential roles: music was never notated and always improvised, while the poetry was sometimes improvised but may have been conditioned by writing. The capacity of a well-trained memory to engage in both recall and combinatorial invention meant that while "improvisation" of text or music almost always involved some element of composition in performance, it was rarely ex nihilo, but involved the refashioning (rifacimento) of preexistent materials. -
A Genettean Reading of Petronius' Satyrica
NIHIL SINE RATIONE FACIO: A GENETTEAN READING OF PETRONIUS’ SATYRICA BY OLIVER SCHWAZER Thesis submitted to University College London for the degree of Doctor of Philosophy DEPARTMENT OF GREEK AND LATIN UNIVERSITY COLLEGE LONDON 1 DECLARATION I, Oliver Schwazer, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed: _________________________________ 2 ABSTRACT My thesis is a narratological analysis of Petronius’ Satyrica, particularly of the first section taking place in South Italy (Petron. 1–99), based on the methodology and terminology of Gérard Genette. There are two main objectives for the present study, which are closely connected to each other. One the one hand, I wish to identify and analyse the narrative characteristics of the Satyrica, including a selection of its literary models and the ways in which they are imitated or transformed and embedded in a new narrative schema, as well as the impact, which those texts that are connected to it have on our interpretation of the work. My narratological investigation of transtextuality in the case of Petronius includes: the assessment of matters of onymity and pseudonymity, rhematic and thematic titles, and the real and implied author in the sections on para-, inter- and metatexts; features belonging to the categories of narrative voice, mood, and time in the section on the narration (‘narrating’) and the récit (‘narrative’); the hypertextual relationships between the Satyrica and a selection of its potential models or sources in the section on the histoire (‘story’); and the architext or genre of the Satyrica. -
Seventeenth-Century News NEO-LATIN NEWS
180 seventeenth-century news NEO-LATIN NEWS Vol. 60, Nos. 3 & 4. Jointly with SCN. NLN is the offi cial publica- tion of the American Association for Neo-Latin Studies. Edited by Craig Kallendorf, Texas A&M University; Western European Editor: Gilbert Tournoy, Leuven; Eastern European Editors: Jerzy Axer, Barbara Milewska-Wazbinska, and Katarzyna Tomaszuk, Centre for Studies in the Classical Tradition in Poland and East- Central Europe, University of Warsaw. Founding Editors: James R. Naiden, Southern Oregon University, and J. Max Patrick, University of Wisconsin-Milwaukee and Graduate School, New York University. ♦ Bessarion Scholasticus: A Study of Cardinal Bessarion’s Latin Library. By John Monfasani. Byzantios: Studies in Byzantine His- tory and Civilization, 3. Turnhout: Brepols, 2011. XIV + 306 pp. 65 euros. Bessarion fi rst made a name for himself as a spokesman for the Greek side at the Council of Ferrara-Florence in 1438-39. He became a cardinal in the western church and was a serious candidate for the papacy more than once. Bessarion amassed an enormous library that was especially famous for its collection of Greek manuscripts, then left it to the Republic of Venice with the intention of making it the core of what is now the Biblioteca Marciana. He patronized humanist scholars and writers and was himself Italy’s leading Platonist before Marsilio Ficino, with his In calumniatores Platonis being an important text in the Renaissance Plato-Aristotle controversy. He died in 1472, well known and well respected. Th is is the Bessarion we all think we know, but the Bessarion who emerges from the pages of Bessarion Scholasticus stubbornly refuses to be constrained within these limits. -
Roberto Delle Donne La Corte Napoletana Di Alfonso Il Magnanimo: Il Mecenatismo Regio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Reti Medievali Open Archive Roberto Delle Donne La corte napoletana di Alfonso il Magnanimo: il mecenatismo regio [A stampa in La Corona de Aragón en el centro de su Historia 1208-1458. La Monarchia Aragonesa y los Reinos dela Corona , Zaragoza, Gobierno de Aragón, 2010, pp. 255-270 © dell’autore - Distribuito in formato digitale da “Reti Medievali”, www.retimedievali.it]. LA CORTE NAPOLETANA DI ALFONSO IL MAGNANIMO: IL MECENATISMO REGIO ROBERTO DELLE DONNE Università di Napoli Nel 1444, due anni dopo l’insediamento della dinastia dei Trastàmara d’Ara- gona nel Regnum Siciliae citra Pharum , giunse a Napoli Borso D’Este, fratello del marchese di Ferrara. Borso, che fu ospite di Alfonso il Magnanimo, scrisse per il fratello Leonello un’insieme di pregevoli osservazioni sulla città di Napoli e sullo stato del Regno, in cui, tra l’altro, annotava come Alfonso non badasse a spese per dare splendore alla sua corte. L’attento osservatore ferrarese stimava che il sovra- no, per mantenerla, dovesse spendere circa 1000 ducati al giorno e che tali costi dovessero lievitare ad almeno 1500 ducati giornalieri quando il re lasciava Napo- li e muoveva con il suo seguito. 1 D’altronde, il Compte del banch d.en Miraball , scoperto alcuni anni fa da Henri Lapeyre nell’Archivo del Reino de Valencia e pubblicato di recente da Ger- mán Navarro e David Igual, 2 certamente non induce a rivedere al ribasso tali sti- me, e non è difficile ipotizzare, sulla base dei dati disponibili, che i costi com- 1. -
Greece's No. 1 Film Hit Comes to NYC Director Papakalaitis Tells TNH
S o C V st ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ W ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ E 101 ΑΠΟ ΤΟ 1915 The National Herald anniversa ry N www.thenationalherald.com A weeKlY greeK-AmericAn PublicAtion 1915-2016 VOL. 20, ISSUE 1004 January 7-13, 2017 c v $1.50 Greece’s No. 1 Film Hit Murdered Comes to NYC Director Greek Papakalaitis Tells TNH Ambassador By Penelope Karageorge you have a love story, you have in Brazil the to have an obstacle. So I decided Worlds Apart, the film that the obstacle would be reality, rocked Greece, breaking box of - the political/social crisis that’s Latest fice records and ranking No. 1 not only in Greece but all over over any film in the last decade, Europe.” is ready to win new audiences Is Worlds Apart a comedy or in the US. a tragedy? “It’s life,” he says. “I Team Sent from It opens Friday January 13 like to laugh. I like to cry. We Greece to investigate at Manhattan’s Village East Cin - have from the moment we are ema, a multiplex on Second Av - born until the end when we and receive a report enue. On January 20, the film leave this world all the colors of will open in Los Angeles at the life. So in this movie you laugh on the crime Arclight Cinema. With the odds a lot but you cry a lot. But don’t against a Greek film finding dis - say what happens!” He adds: ATHENS – A team of Greek po - tribution in the USA, it is excit - “The good thing about this film lice was sent to Rio de Janeiro ing to have Cinema Libre Studio is that that audiences all over to get a report on the murder of bring this exceptional film to the world understand the Greek Ambassador Kyriakos Americans.