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Read Book a History of Contemporary Italy Society and Politics
A HISTORY OF CONTEMPORARY ITALY SOCIETY AND POLITICS, 1943-1988 1ST EDITION PDF, EPUB, EBOOK Paul Ginsborg | --- | --- | --- | 9781403961532 | --- | --- Origins of the Mafia - HISTORY Antonio Beccadelli combined the comic realism of Italian popular verse with the language of Martial to explore the underside of the early Renaissance. The richly illuminated small parchment codex bears witness to the musical interests of the cardinal, himself an avid singer. Federico Borromeo founded the Ambrosiana library, art collection, and academy in Milan. Sacred Painting laid out the rules that artists should follow when creating religious art. Humanist Tragedies offers a sampling of Latin drama from the Tre- and Quattrocento. These five tragedies— Ecerinis , Achilleis , Progne , Hyempsal , and Fernandus Servatus —were nourished by a potent amalgam of classical, medieval, and pre-humanist sources. Humanist tragedy testifies to momentous changes in literary conventions during the Renaissance. It contains a famous defense of the value of studying ancient pagan poetry in a Christian world. This first English translation includes the famous letter about the discovery on the Via Appia of the perfectly preserved body of a Roman girl. Lilio Gregorio Giraldi authored many works on literary history, mythology, and antiquities. The work gives a panoramic view of European poetry in the late fifteenth and early sixteenth century, concentrating above all on Italy. Dialectical Disputations, Volume 1: Book I. Valla sought to replace the scholastic tradition of Aristotelian logic with a new logic based on the historical usage of classical Latin and on a commonsense approach. Marsilio Ficino , the Florentine scholar-philosopher-magus, was largely responsible for the Renaissance revival of Plato. -
ON TRANSLATING the POETRY of CATULLUS by Susan Mclean
A publication of the American Philological Association Vol. 1 • Issue 2 • fall 2002 From the Editors REMEMBERING RHESUS by Margaret A. Brucia and Anne-Marie Lewis by C. W. Marshall uripides wrote a play called Rhesus, position in the world of myth. Hector, elcome to the second issue of Eand a play called Rhesus is found leader of the Trojan forces, sees the WAmphora. We were most gratified among the extant works of Euripi- opportunity for a night attack on the des. Nevertheless, scholars since antiq- Greek camp but is convinced first to by the response to the first issue, and we uity have doubted whether these two conduct reconnaissance (through the thank all those readers who wrote to share plays are the same, suggesting instead person of Dolon) and then to await rein- with us their enthusiasm for this new out- that the Rhesus we have is not Euripi- forcements (in the person of Rhesus). reach initiative and to tell us how much dean. This question of dubious author- Odysseus and Diomedes, aided by the they enjoyed the articles and reviews. ship has eclipsed many other potential goddess Athena, frustrate both of these Amphora is very much a communal project areas of interest concerning this play enterprises so that by morning, when and, as a result, it is too often sidelined the attack is to begin, the Trojans are and, as we move forward into our second in discussions of classical tragedy, when assured defeat. issue, we would like to thank those who it is discussed at all. George Kovacs For me, the most exciting part of the have been so helpful to us: Adam Blistein, wanted to see how the play would work performance happened out of sight of Executive Director of the American Philo- on stage and so offered to direct it to the audience. -
Scribes and Scholars (3Rd Ed. 1991)
SCRIBES AND SCHOLARS A Guide to the Transmission of Greek and Latin Literature BY L. D. REYNOLDS Fellow and Tutor of Brasenose College, Oxford AND N. G. WILSON Fellow and Tutor of Lincoln College, Oxford THIRD EDITION CLARENDON PRESS • OXFORD Oxford University Press, Walton Street, Oxford 0x2 6DP Oxford New York Athens Auckland Bangkok Bombay Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto and associated companies in Berlin Ibadan Oxford is a trade mark of Oxford University Press Published in the United States by Oxford University Press Inc., New York © Oxford University Press 1968, 1974, 1991 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press. Within the UK, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms and in other countries should be sent to the Rights Department, Oxford University Press, at the address above This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Scribes and scholars: a guide to the transmission of Greek and Latin literature/by L. -
Epigraphical Research and Historical Scholarship, 1530-1603
Epigraphical Research and Historical Scholarship, 1530-1603 William Stenhouse University College London A thesis submitted in fulfilment of the requirements of the Ph.D degree, December 2001 ProQuest Number: 10014364 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10014364 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis explores the transmission of information about classical inscriptions and their use in historical scholarship between 1530 and 1603. It aims to demonstrate that antiquarians' approach to one form of material non-narrative evidence for the ancient world reveals a developed sense of history, and that this approach can be seen as part of a more general interest in expanding the subject matter of history and the range of sources with which it was examined. It examines the milieu of the men who studied inscriptions, arguing that the training and intellectual networks of these men, as well as the need to secure patronage and the constraints of printing, were determining factors in the scholarship they undertook. It then considers the first collections of inscriptions that aimed at a comprehensive survey, and the systems of classification within these collections, to show that these allowed scholars to produce lists and series of features in the ancient world; the conventions used to record inscriptions and what scholars meant by an accurate transcription; and how these conclusions can influence our attitude to men who reconstructed or forged classical material in this period. -
The Social and Political Context for Obstruction in Roman Love
THE SOCIAL AND POLITICAL CONTEXT FOR OBSTRUCTION IN ROMAN LOVE ELEGY by AMY K. LEONARD (Under the Direction of Charles Platter) ABSTRACT This thesis will examine the presence of erotic obstruction in the poems of the first century B.C. writers of Roman love elegy: Tibullus, Propertius and Ovid. While erotic poetry prior to this time period had long necessitated a sense of obstruction, the deliberate construction of a failed love-affair by the Roman elegists serves to define their particular use of obstruction as a unique discursive strategy. The observation has been made that the time period marking the emergence and disappearance of Roman elegy qualifies it as a discrete, time-bound genre. In light of these time considerations, the obstruction motif in elegy, as a means of articulating a continual sense of failure, is capable of giving involuntary voice to events taking place on the Roman socio-political front, specifically, as this thesis will argue, a perceived loss of autonomy under the changing political structures at the end of the Republic. INDEX WORDS: Obstruction, Roman love elegy, Tibullus, Propertius, Ovid, Door, Vir, Lena, Illness, Distance, Unfaithfulness, Amores 2.19, Amores 3.4 THE SOCIAL AND POLITICAL CONTEXT FOR OBSTRUCTION IN ROMAN LOVE ELEGY by AMY KIRK LEONARD B.A., The University of Georgia, 1996 A Thesis Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 © 2004 Amy Kirk Leonard All Rights Reserved THE SOCIAL AND POLITICAL CONTEXT FOR OBSTRUCTION IN ROMAN LOVE ELEGY by AMY KIRK LEONARD Major Professor: Charles Platter Committee: Keith Dix Nancy Felson Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2004 DEDICATION I dedicate this thesis to my husband, David Leonard, without whose unconditional support during my years in graduate school I would never have made it to the completion of this degree. -
Imitatio and Intertextuality in Sixteenth- Century English Receptions of Classical Latin Love Elegy
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Turning others leaves: imitatio and intertextuality in sixteenth- century English receptions of classical Latin love elegy http://bbktheses.da.ulcc.ac.uk/74/ Version: Full Version Citation: Grant, Linda (2014) Turning others leaves: imitatio and intertextuality in sixteenth-century English receptions of classical Latin love elegy. PhD thesis, Birkbeck, University of London. c 2014 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email 1 ‘Turning others’ leaves’: imitatio and intertextuality in sixteenth-century English receptions of classical Latin love elegy Linda Grant PhD Thesis Birkbeck, University of London 2014 2 Statement of originality I declare that this thesis is the product of my own work, and that any work used from other authors has been properly acknowledged. ------------------------------------------------------ Linda Grant, April 2014 3 Abstract This thesis situates itself within the field of classical reception, and explores the appropriation and imitation of Latin erotic elegy (Catullus, Propertius, Ovid, Sulpicia) in the love poetry of sixteenth-century England. It shows imitatio to be a dynamic, rich and sophisticated practice, one which may be productively read as both a form of intertextuality and reception, terms which capture its contingent and active nature. The readings here re-calibrate Petrarch’s canzoniere suggesting that this influential sequence of love sonnets is itself a moralised re- writing of Roman erotic elegy. By re-framing the ‘Petrarchan’ love poetry of Thomas Wyatt, Philip Sidney, John Donne and Mary Sidney as elegiac receptions, the readings here re-open these familiar texts and offer fresh interpretations of how they can be made to mean. -
Catullus and Roman Dramatic Literature Christopher Brian Polt a Dissertation Submitted to the Faculty of the University of North
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository Catullus and Roman Dramatic Literature Christopher Brian Polt A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics. Chapel Hill 2010 Approved by, James J. O‟Hara Sharon L. James Werner Riess Robert G. Babcock Mario Erasmo © 2010 Christopher Brian Polt ALL RIGHTS RESERVED ii ABSTRACT Christopher Brian Polt: Catullus and Roman Dramatic Literature (Under the direction of James J. O‟Hara) This dissertation examines how Roman drama, and Roman Comedy in particular, informs the poetry of Catullus. It argues that Latin drama continued to play a significant role in Roman thought and literature after the second century BCE and offered a shared cultural vocabulary through which authors could communicate private ideas about love, friendship, and rivalry. It argues that many of Catullus‟s poems contain meaningful intertextual allusions to Roman Comedy whose presence contributes additional layers of complexity to his work. It also argues that reading Catullus with an eye towards theatricality and performativity reveals new ways in which his poetry can be understood, from both ancient and modern perspectives. Chapter One outlines evidence for ongoing interest in the Roman stage in the first century BCE, including scholarly and antiquarian study, large scale public performance, and private entertainment at aristocratic dinner parties and literary recitations. Chapter Two examines Catullus‟s engagement with Plautus and Terence in his erotic epigrams and argues that the Catullan speaker consistently invokes the figure of the young lover from Roman Comedy. -
The Humanist Movement in Quattrocento Naples
From Lost Laughter to Latin Philosophy: The Humanist Movement in Quattrocento Naples Matthias Roick1 The humanist movement had a major impact on early modern culture. Humanists introduced new languages, literary canons, and styles of inquiry to the arts and sciences, and shifted their coordinates within society and politics. In the case of Naples, humanism arrived in two different moments in the kingdom, the first embodied in the figure of Petrarch, who entered into an intellectual exchange with King Robert of Anjou and his court in the early 1340s, the other by a coterie of humanists who became part of the Aragonese court after Alfonso the Magnanimous’s conquest of the kingdom in 1442. As regards Petrarch’s pioneering engagement, it certainly had a “galvanising character” and marked the inception of “royal humanism,” as Peter Stacey has argued.2 Nonetheless, it seems to have elicited a rather limited reaction within the Neapolitan setting itself. Falling into an early stage of the humanist movement, Petrarch’s “conquest” of Naples hinged more on his personal authority than on any institutionalized structures.3 The Quattrocento phase of Neapolitan humanism differed significantly from this episode. The humanist culture at the Aragonese court did not depend on a single, emblematic figure like Petrarch, but on a group of humanists who put down roots at court and in the royal administration. Moreover, the second “conquest” of Naples could rely on a new humanist culture that had formed in the first decades of the century. At the same time, the arrival of this humanist culture in Naples contributed to its transformation. -
Oral Poetry and Performance
Dickinson College Dickinson Scholar Faculty and Staff Publications By Year Faculty and Staff Publications 2015 Canterino and Improvvisatore: Oral Poetry and Performance Blake McDowell Wilson Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/faculty_publications Part of the Music Commons Recommended Citation Wilson, Blake. "Canterino and Improvvisatore: Oral Poetry and Performance." In The Cambridge History of Fifteenth-Century Music, edited by Anna Maria Busse Berger and Jesse Rodin, 292-310. Cambridge, UK: Cambridge University Press, 2015. This article is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. 16 . Canterino and improvvisatore. oral poetry and performance BLAKE WILSON Fifteenth-century Italy witnessed a distinctive chapter in the ancient and global history of oral poetry. Aspects of Renaissance Italian poetic performance are clearly linked with oral practices of all times and places: the conception of poetry as a multivalent and nearly universal form of human discourse, a tendency for poetic voice to culminate in song (often instrumentally accom• panied), and the inseparability of oral poetry from the agonistic environment of performance.1 The interrelated operations of memory and improvisation, too, played essential roles: music was never notated and always improvised, while the poetry was sometimes improvised but may have been conditioned by writing. The capacity of a well-trained memory to engage in both recall and combinatorial invention meant that while "improvisation" of text or music almost always involved some element of composition in performance, it was rarely ex nihilo, but involved the refashioning (rifacimento) of preexistent materials. -
Seventeenth-Century News NEO-LATIN NEWS
180 seventeenth-century news NEO-LATIN NEWS Vol. 60, Nos. 3 & 4. Jointly with SCN. NLN is the offi cial publica- tion of the American Association for Neo-Latin Studies. Edited by Craig Kallendorf, Texas A&M University; Western European Editor: Gilbert Tournoy, Leuven; Eastern European Editors: Jerzy Axer, Barbara Milewska-Wazbinska, and Katarzyna Tomaszuk, Centre for Studies in the Classical Tradition in Poland and East- Central Europe, University of Warsaw. Founding Editors: James R. Naiden, Southern Oregon University, and J. Max Patrick, University of Wisconsin-Milwaukee and Graduate School, New York University. ♦ Bessarion Scholasticus: A Study of Cardinal Bessarion’s Latin Library. By John Monfasani. Byzantios: Studies in Byzantine His- tory and Civilization, 3. Turnhout: Brepols, 2011. XIV + 306 pp. 65 euros. Bessarion fi rst made a name for himself as a spokesman for the Greek side at the Council of Ferrara-Florence in 1438-39. He became a cardinal in the western church and was a serious candidate for the papacy more than once. Bessarion amassed an enormous library that was especially famous for its collection of Greek manuscripts, then left it to the Republic of Venice with the intention of making it the core of what is now the Biblioteca Marciana. He patronized humanist scholars and writers and was himself Italy’s leading Platonist before Marsilio Ficino, with his In calumniatores Platonis being an important text in the Renaissance Plato-Aristotle controversy. He died in 1472, well known and well respected. Th is is the Bessarion we all think we know, but the Bessarion who emerges from the pages of Bessarion Scholasticus stubbornly refuses to be constrained within these limits. -
Attis and Lesbia: Catullus' Attis Poem As Symbolic Reflection of the Lesbia
71-7460 GENOVESE, Jr., Edgar Nicholas, 1942- ATTIS AND LESBIA; CATULLUS’ ATTIS POEM AS A SYMBOLIC REFLECTION OF THE LESBIA CYCLE. iPortions of Text in Greek and Latin]. The Ohio State University, Ph.D., 1970 Language and Literature, classical • University Microfilms, A XEROX Company, Ann Arbor, Michigan Copyright by Edgar Nicholas Genovese, Jr. 1971 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED ATTIS AND LESBIA: CATULLUS' ATTIS POEM AS A SYMBOLIC REFLECTION OF THE LESBIA CYCLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of Hie Ohio State University By Edgar Nicholas Genovese, Jr., A.B. The Ohio State University 1970 Approved by ^ \ Adviser Dc^^rtment of Classics ACKNOWLEDGMENTS John T. Davis, cui maximas gratias ago, mentem meam ducebat et ingenium dum hoc opusculum fingebam; multa autern addiderunt atque cor- rexerunt Clarence A. Forbes et Vincent J. Cleary, quibus ago gratias. poetam uero Veronensem memoro laudoque. denique admiror gratam coniugem meam ac diligo: quae enim, puellula nostra mammam appetente, ter adegit manibus suis omnes litteras in has paginas. ii PARENTIBVS MEIS XXX VITA September 18, 1942 . Born— Baltimore, Maryland 1960-1964 .............. A.B., Classics, Xavier University, Cincinnati, Ohio 1964-1966 .............. Instructor, Latin, Kenwood Senior High School, Baltimore, Maryland 1966-1968 .............. Teaching Assistant, Teaching Associate, Department of Classics, The Ohio State University, Columbus, Ohio Summer 1968 ............ Instructor, Elementary Greek, Department of Classics, The Ohio State University, Columbus, Ohio 1968-1970 ........ N.D.E.A. Fellow, Department of Classics, The Ohio State University, Columbus, Ohio Summer 1969, 1970 . Assistant, Latin Workshop, Department of Classics, The Ohio State University, Columbus, Ohio FIELDS OF STUDY Major field; Latin and Greek poetry Latin literature. -
Questioning the Category of Roman Love Elegy: Ovid’S Tristia IV As a “Res Getae” and the Power of Canon Formation
Questioning the Category of Roman Love Elegy: Ovid’s Tristia IV as a “Res Getae” and the Power of Canon Formation Tyler Rhode Thesis Submission for the Classics Major Advisor: Gareth Williams 13 April 2015 Table of Contents I: Introduction…………………………………………......………………………………………1 II: Ovid’s Tristia and the Authority of Exile Poetry………..…………………………………......2 III:Ovid’s Res Getae and Augustus’ Res Gestae……….…………………………………………7 IV: Case Study: The Infidelity Poems…………………………………………………………...12 IV(a): Tibullus I.6………………………………………………………………………………..14 IV(b): Propertius II.5…………………………………………………………………………….15 IV(c): Ovid Amores III.3………………………………….……………………………………...17 V: Allusion, Reference and Intertextuality……………………………………………………....20 VI: The Gallus Problem………………………………………………………………………….28 VII: Conclusion…………………………………………………………………………………..33 Rhode 1 I: Introduction In this thesis paper, I will attempt to unpack and problematize the definition of Roman love elegy as we have inherited it. A standard definition for Roman love elegy, as found in Barbara Gold’s Companion to Roman Love Elegy is as follows: “Roman love elegy was a book-length collection of poems; these poems were usually written in the first person; and many of these poems were written to or about a lover who is addressed by a specific name that is a poetic pseudonym (so Gallus’ Lycoris, Tibullus’ Delia, Propertius’ Cynthia, Ovid’s Corinna). Further, most of the love affairs recounted in the poetry are fraught with difficulty or end badly. And finally, Roman elegiac poetry, while purporting to be about an external lover, in fact is wholly inward-focused, centering almost entirely on the poet himself.”1 Such a definition is both subjective and does not hold absolutely. In practice, Roman love elegy often refers to poems (and collections of poems) which most closely resemble the Amores of Ovid, the elegies of Propertius and Tibullus, and whatever we assume the elegies of Gallus to be.