DOCSLIB.ORG

ON TRANSLATING the POETRY of CATULLUS by Susan Mclean

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ON TRANSLATING the POETRY of CATULLUS by Susan Mclean A publication of the American Philological Association Vol. 1 • Issue 2 • fall 2002 From the Editors REMEMBERING RHESUS by Margaret A. Brucia and Anne-Marie Lewis by C. W. Marshall uripides wrote a play called Rhesus, position in the world of myth. Hector, elcome to the second issue of Eand a play called Rhesus is found leader of the Trojan forces, sees the WAmphora. We were most gratified among the extant works of Euripi- opportunity for a night attack on the des. Nevertheless, scholars since antiq- Greek camp but is convinced first to by the response to the first issue, and we uity have doubted whether these two conduct reconnaissance (through the thank all those readers who wrote to share plays are the same, suggesting instead person of Dolon) and then to await rein- with us their enthusiasm for this new out- that the Rhesus we have is not Euripi- forcements (in the person of Rhesus). reach initiative and to tell us how much dean. This question of dubious author- Odysseus and Diomedes, aided by the they enjoyed the articles and reviews. ship has eclipsed many other potential goddess Athena, frustrate both of these Amphora is very much a communal project areas of interest concerning this play enterprises so that by morning, when and, as a result, it is too often sidelined the attack is to begin, the Trojans are and, as we move forward into our second in discussions of classical tragedy, when assured defeat. issue, we would like to thank those who it is discussed at all. George Kovacs For me, the most exciting part of the have been so helpful to us: Adam Blistein, wanted to see how the play would work performance happened out of sight of Executive Director of the American Philo- on stage and so offered to direct it to the audience. Each night, the actor logical Association (APA); Jennifer Roberts, coincide appropriately with a conference playing Alexandros would come back- Chair of the Outreach Committee of the on canonicity that I was organizing in St. stage, removing his mask as soon as he John’s, Newfoundland. It also presented was out of sight of the audience. It was APA; our anonymous readers; and the opportunity for me to act in an handed to someone as he continued Suzanne Lashner, our designer, who has ancient play, which I had never done walking from stage right to the stage left made Amphora look so stylish and appeal- before. The design and stagecraft deci- entrance. He removed the pale shift he ing. And we thank, most of all, the authors sions were the director’s. I was pleased wore, handed it to me, and took an from our first two issues who have helped that roles would be doubled and masks identically cut garment in blue-gray, the us make such a promising start. used even though the performance color associated with the Greeks in this space was intimate – a small black-box production. He continued walking a few We have, as you may know, named our theatre with around eighty seats. The paces and, as he adjusted the chiton on publication after the amphora, the shipping open casting call attracted interested his shoulders, the stage manager would jar that carried a variety of commodities all students as well as those with more act- strap boots onto him, and I would place over the ancient world. This second issue of ing experience, including several who, the Alexandros costume on the props Amphora brings articles and reviews that like me, had acted in a summer Shake- table and hand him the jowly, darker we hope you will find both useful and speare company. mask of Odysseus, which he would pull Rhesus takes its action from the night onto his face, pausing to adjust it in a delectable. Within, you will find a poem forays related by Homer in the tenth full-length mirror. He would then wait – on Medusa, and articles on Athenian book of the Iliad, itself a book of ques- that was the delicious part, the wait – for tragedy, Catullus, viticulture, John Updike, tioned authorship. The characters in the Athena to finish her short speech (668- Greek sport, and a classics Web site. Our play verge on the familiar. But the play 74) and leave the stage, whereupon, as reviews will take you to fictional represen- does not present the characters in their Odysseus, he would make a hurried tations of two notable figures from the heroic molds. The paternalistic Aeneas entrance stage left, fleeing the chorus of and the single-minded Hector are sentries who entered in pursuit. Over Roman world, Cleopatra and Catilina. developments of their Homeric selves the course of the run, the wait grew to Amphora needs more of your articles and further serve to isolate the play’s continued on page 2 and reviews. If you are interested in writing for Amphora, or if you have any sugges- Book Review: “SPQR II: On Translating the Poetry tions for future articles or reviews, we The Catiline Conspiracy”.......................3 of Catullus .....................................................12 Viticulture and Film Review: would love to hear from you. There are Classical Idealism........................................4 “Cleopatra” (1963) ..........................................13 many ways that you can share your One Writer’s Classics: Notable Web Site: thoughts on the study of classical antiquity John Updike’s Harvard ............................6 “Maecenas: Images of Ancient Greece and Rome”........................................15 with our readers: Do you have any insights Book Review: “Catilina’s Riddle” ......8 Guidelines for Watching Medusa......................................10 continued on page 6 Inside Contributors................................................16 Why Greek Sport History?..................10 Remembering Rhesus continued from page 1 several seconds that, for us backstage, looking out, towards the audience. That seemed even more protracted. was where the Achaean fire beacons It is possible in antiquity that an actor were located and where Aeneas imag- playing Aeneas and Rhesus would also ines the chariots would break in an ill- play Odysseus and Alexandros, and that prepared attack. he, therefore, would be responsible for My next character was the Thracian the backstage technical challenge just horseman Rhesus, who arrives with a described. There are many ways, howev- flourish: In our production, the entry er, that the roles in Rhesus can be divid- was accompanied by a fanfare from the ed among three actors. In our produc- Soviet-era Red Army Chorus. My new tion, the roles of Aeneas and Rhesus mask had been on for over a minute by were combined with that of the Chario- that point and my costume changed into teer, and I was cast in these parts. Part of the gold-embossed red and leather com- what I discovered through this produc- bination that characterized the Thra- tion was the subjective observation that cians (see Fig. 1). An implausible dou- changing characters was not merely a ble spear extended my reach by several matter of changing the externals of feet and served as an emblem for the Fig. 1. C. W. Marshall as Rhesus. mask, costume, and posture. For me, the pomposity of the character. My opening Photo by Erin Whitney. masks and the language would initiate lines as Rhesus (388-92) were a slow, an internal process of character develop- haughty introduction whose syllables ment. I had expected that masks would invited me to puff out my chest that lit- leaving Rhesus behind, leaving him dictate a mode of delivery: That had tle bit further and strut with more of a amidst the slaughter I was coming been my experience directing others in swagger. Whatever preparation I under- onstage to describe. masked productions of ancient plays. went backstage, it was the initial speech I can’t tell you how much fun it was This happened, but perhaps it hap- that established the character of Rhesus, delivering the Charioteer’s long speech- pened because it is what I had expected. focusing me on becoming him: It was es. The first (756-803) is descriptive, What I had not realized was how a char- the act of speaking the lines that facili- recounting the attack of the Greeks acter’s opening speech would impose on tated the transition from one character upon the Thracians. With touching con- me, as an actor, aspects of a character’s to the next. Rhesus’ assurance to Hector cern for his horses, the Charioteer out- individuality, making me experience that “I speak directly and to the point. I lines his initial response and seems to each character in unique ways. am a straightforward man” (422-23) blur his dreams with what he saw when My first appearance in the play came could not have sounded more hollow – newly awakened. The vision he has of as Aeneas. Aeneas’ entrance comes after or so it seemed to me, hearing Rhesus’ two wolves attacking the camp (not a he has been awakened, and he urges a tortured syllables echoing within the dream at all, as the audience knows, but measured response to Hector’s impulse mask in a voice like my own, but not Diomedes and Odysseus disguised in to act. One paradox the play presents is sounding quite the same. Rhesus pro- pelts) was accompanied by a gesture that all might have gone well, if only vided counterpoint to Aeneas, and the that had earlier been used by Rhesus Hector had followed his convictions. It Thracian’s gung-ho attitude and arro- indicating where he intended to attack is only by allowing the Greeks time to gant sense of self-worth again make and, before that, by Aeneas indicating act that Trojan defeat is assured.
Load more

Recommended publications
  • Negotiating Julio-Claudian Memory: the Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V
    Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department Spring 5-2-2014 Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V. Frankl Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Classics Commons Recommended Citation Frankl, Joseph V., "Negotiating Julio-Claudian Memory: The eV spasianic Building Program and the Representation of Imperial Power in Ancient Rome" (2014). Classics Honors Projects. Paper 19. http://digitalcommons.macalester.edu/classics_honors/19 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome By Joseph Frankl Advised by Professor Beth Severy-Hoven Macalester College Classics Department Submitted May 2, 2014 INTRODUCTION In 68 C.E., the Roman Emperor Nero died, marking the end of the Julio-Claudian imperial dynasty established by Augustus in 27 B.C.E (Suetonius, Nero 57.1). A year-long civil war ensued, concluding with the general Titus Flavius Vespasianus seizing power. Upon his succession, Vespasian faced several challenges to his legitimacy as emperor. Most importantly, Vespasian was not a member of the Julio-Claudian family, nor any noble Roman gens (Suetonius, Vespasian 1.1).
    [Show full text]
  • Women in Criminal Trials in the Julio-Claudian Era
    Women in Criminal Trials in the Julio-Claudian Era by Tracy Lynn Deline B.A., University of Saskatchewan, 1994 M.A., University of Saskatchewan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Classics) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) September 2009 © Tracy Lynn Deline, 2009 Abstract This study focuses on the intersection of three general areas: elite Roman women, criminal law, and Julio-Claudian politics. Chapter one provides background material on the literary and legal source material used in this study and considers the cases of Augustus’ daughter and granddaughter as a backdrop to the legal and political thinking that follows. The remainder of the dissertation is divided according to women’s roles in criminal trials. Chapter two, encompassing the largest body of evidence, addresses the role of women as defendants, and this chapter is split into three thematic parts that concentrate on charges of adultery, treason, and other crimes. A recurring question is whether the defendants were indicted for reasons specific to them or the indictments were meant to injure their male family members politically. Analysis of these cases reveals that most of the accused women suffered harm without the damage being shared by their male family members. Chapter three considers that a handful of powerful women also filled the role of prosecutor, a role technically denied to them under the law. Resourceful and powerful imperial women like Messalina and Agrippina found ways to use criminal accusations to remove political enemies. Chapter four investigates women in the role of witnesses in criminal trials.
    [Show full text]
  • Eunuchs in the East, Men in the West? 147
    Eunuchs in the East, Men in the West? 147 Chapter 8 Eunuchs in the East, Men in the West? Dis/unity, Gender and Orientalism in the Fourth Century Shaun Tougher Introduction In the narrative of relations between East and West in the Roman Empire in the fourth century AD, the tensions between the eastern and western imperial courts at the end of the century loom large. The decision of Theodosius I to “split” the empire between his young sons Arcadius and Honorius (the teenage Arcadius in the east and the ten-year-old Honorius in the west) ushered in a period of intense hostility and competition between the courts, famously fo- cused on the figure of Stilicho.1 Stilicho, half-Vandal general and son-in-law of Theodosius I (Stilicho was married to Serena, Theodosius’ niece and adopted daughter), had been left as guardian of Honorius, but claimed guardianship of Arcadius too and concomitant authority over the east. In the political manoeu- vrings which followed the death of Theodosius I in 395, Stilicho was branded a public enemy by the eastern court. In the war of words between east and west a key figure was the (probably Alexandrian) poet Claudian, who acted as a ‘pro- pagandist’ (through panegyric and invective) for the western court, or rather Stilicho. Famously, Claudian wrote invectives on leading officials at the eastern court, namely Rufinus the praetorian prefect and Eutropius, the grand cham- berlain (praepositus sacri cubiculi), who was a eunuch. It is Claudian’s two at- tacks on Eutropius that are the inspiration and central focus of this paper which will examine the significance of the figure of the eunuch for the topic of the end of unity between east and west in the Roman Empire.
    [Show full text]
  • The Formulaic Dynamics of Character Behavior in Lucan Howard Chen
    Breakthrough and Concealment: The Formulaic Dynamics of Character Behavior in Lucan Howard Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Howard Chen All rights reserved ABSTRACT Breakthrough and Concealment: The Formulaic Dynamics of Character Behavior in Lucan Howard Chen This dissertation analyzes the three main protagonists of Lucan’s Bellum Civile through their attempts to utilize, resist, or match a pattern of action which I call the “formula.” Most evident in Caesar, the formula is a cycle of alternating states of energy that allows him to gain a decisive edge over his opponents by granting him the ability of perpetual regeneration. However, a similar dynamic is also found in rivers, which thus prove to be formidable adversaries of Caesar in their own right. Although neither Pompey nor Cato is able to draw on the Caesarian formula successfully, Lucan eventually associates them with the river-derived variant, thus granting them a measure of resistance (if only in the non-physical realm). By tracing the development of the formula throughout the epic, the dissertation provides a deeper understanding of the importance of natural forces in Lucan’s poem as well as the presence of an underlying drive that unites its fractured world. Table of Contents Acknowledgments ............................................................................................................ vi Introduction ......................................................................................................................
    [Show full text]
  • Archaic Eretria
    ARCHAIC ERETRIA This book presents for the first time a history of Eretria during the Archaic Era, the city’s most notable period of political importance. Keith Walker examines all the major elements of the city’s success. One of the key factors explored is Eretria’s role as a pioneer coloniser in both the Levant and the West— its early Aegean ‘island empire’ anticipates that of Athens by more than a century, and Eretrian shipping and trade was similarly widespread. We are shown how the strength of the navy conferred thalassocratic status on the city between 506 and 490 BC, and that the importance of its rowers (Eretria means ‘the rowing city’) probably explains the appearance of its democratic constitution. Walker dates this to the last decade of the sixth century; given the presence of Athenian political exiles there, this may well have provided a model for the later reforms of Kleisthenes in Athens. Eretria’s major, indeed dominant, role in the events of central Greece in the last half of the sixth century, and in the events of the Ionian Revolt to 490, is clearly demonstrated, and the tyranny of Diagoras (c. 538–509), perhaps the golden age of the city, is fully examined. Full documentation of literary, epigraphic and archaeological sources (most of which have previously been inaccessible to an English-speaking audience) is provided, creating a fascinating history and a valuable resource for the Greek historian. Keith Walker is a Research Associate in the Department of Classics, History and Religion at the University of New England, Armidale, Australia.
    [Show full text]
  • Patience and Comparative Development*
    Patience and Comparative Development* Thomas Dohmen Benjamin Enke Armin Falk David Huffman Uwe Sunde May 29, 2018 Abstract This paper studies the role of heterogeneity in patience for comparative devel- opment. The empirical analysis is based on a simple OLG model in which patience drives the accumulation of physical capital, human capital, productivity improve- ments, and hence income. Based on a globally representative dataset on patience in 76 countries, we study the implications of the model through a combination of reduced-form estimations and simulations. In the data, patience is strongly corre- lated with income levels, income growth, and the accumulation of physical capital, human capital, and productivity. These relationships hold across countries, sub- national regions, and individuals. In the reduced-form analyses, the quantitative magnitude of the relationship between patience and income strongly increases in the level of aggregation. A simple parameterized version of the model generates comparable aggregation effects as a result of production complementarities and equilibrium effects, and illustrates that variation in preference endowments can account for a considerable part of the observed variation in per capita income. JEL classification: D03, D90, O10, O30, O40. Keywords: Patience; comparative development; factor accumulation. *Armin Falk acknowledges financial support from the European Research Council through ERC # 209214. Dohmen, Falk: University of Bonn, Department of Economics; [email protected], [email protected]. Enke: Harvard University, Department of Economics; [email protected]. Huffman: University of Pittsburgh, Department of Economics; huff[email protected]. Sunde: University of Munich, Department of Economics; [email protected]. 1 Introduction A long stream of research in development accounting has documented that both pro- duction factors and productivity play an important role in explaining cross-country income differences (Hall and Jones, 1999; Caselli, 2005; Hsieh and Klenow, 2010).
    [Show full text]
  • Dares Phrygius' De Excidio Trojae Historia: Philological Commentary and Translation
    Faculteit Letteren & Wijsbegeerte Dares Phrygius' De Excidio Trojae Historia: Philological Commentary and Translation Jonathan Cornil Scriptie voorgedragen tot het bekomen van de graad van Master in de Taal- en letterkunde (Latijn – Engels) 2011-2012 Promotor: Prof. Dr. W. Verbaal ii Table of Contents Table of Contents iii Foreword v Introduction vii Chapter I. De Excidio Trojae Historia: Philological and Historical Comments 1 A. Dares and His Historia: Shrouded in Mystery 2 1. Who Was ‘Dares the Phrygian’? 2 2. The Role of Cornelius Nepos 6 3. Time of Origin and Literary Environment 9 4. Analysing the Formal Characteristics 11 B. Dares as an Example of ‘Rewriting’ 15 1. Homeric Criticism and the Trojan Legacy in the Middle Ages 15 2. Dares’ Problematic Connection with Dictys Cretensis 20 3. Comments on the ‘Lost Greek Original’ 27 4. Conclusion 31 Chapter II. Translations 33 A. Translating Dares: Frustra Laborat, Qui Omnibus Placere Studet 34 1. Investigating DETH’s Style 34 2. My Own Translations: a Brief Comparison 39 3. A Concise Analysis of R.M. Frazer’s Translation 42 B. Translation I 50 C. Translation II 73 D. Notes 94 Bibliography 95 Appendix: the Latin DETH 99 iii iv Foreword About two years ago, I happened to be researching Cornelius Nepos’ biography of Miltiades as part of an assignment for a class devoted to the study of translating Greek and Latin texts. After heaping together everything I could find about him in the library, I came to the conclusion that I still needed more information. So I decided to embrace my identity as a loyal member of the ‘Internet generation’ and began my virtual journey through the World Wide Web in search of articles on Nepos.
    [Show full text]
  • U.S. Government Printing Office Style Manual, 2008
    U.S. Government Printing Offi ce Style Manual An official guide to the form and style of Federal Government printing 2008 PPreliminary-CD.inddreliminary-CD.indd i 33/4/09/4/09 110:18:040:18:04 AAMM Production and Distribution Notes Th is publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. Th e GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To fi nd a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. Th e electronic text of this publication is available for public use free of charge at http://www.gpoaccess.gov/stylemanual/index.html. Use of ISBN Prefi x Th is is the offi cial U.S. Government edition of this publication and is herein identifi ed to certify its authenticity. ISBN 978–0–16–081813–4 is for U.S. Government Printing Offi ce offi cial editions only. Th e Superintendent of Documents of the U.S. Government Printing Offi ce requests that any re- printed edition be labeled clearly as a copy of the authentic work, and that a new ISBN be assigned. For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-0001 ISBN 978-0-16-081813-4 (CD) II PPreliminary-CD.inddreliminary-CD.indd iiii 33/4/09/4/09 110:18:050:18:05 AAMM THE UNITED STATES GOVERNMENT PRINTING OFFICE STYLE MANUAL IS PUBLISHED UNDER THE DIRECTION AND AUTHORITY OF THE PUBLIC PRINTER OF THE UNITED STATES Robert C.
    [Show full text]
  • 1 Divine Intervention and Disguise in Homer's Iliad Senior Thesis
    Divine Intervention and Disguise in Homer’s Iliad Senior Thesis Presented to The Faculty of the Undergraduate School of Arts and Sciences Brandeis University Undergraduate Program in Classical Studies Professor Joel Christensen, Advisor In partial fulfillment of the requirements for the degree of Bachelor of Arts By Joana Jankulla May 2018 Copyright by Joana Jankulla 1 Copyright by Joana Jankulla © 2018 2 Acknowledgements First and foremost, I would like to thank my advisor, Professor Joel Christensen. Thank you, Professor Christensen for guiding me through this process, expressing confidence in me, and being available whenever I had any questions or concerns. I would not have been able to complete this work without you. Secondly, I would like to thank Professor Ann Olga Koloski-Ostrow and Professor Cheryl Walker for reading my thesis and providing me with feedback. The Classics Department at Brandeis University has been an instrumental part of my growth in my four years as an undergraduate, and I am eternally thankful to all the professors and staff members in the department. Thank you to my friends, specifically Erica Theroux, Sarah Jousset, Anna Craven, Rachel Goldstein, Taylor McKinnon and Georgie Contreras for providing me with a lot of emotional support this year. I hope you all know how grateful I am for you as friends and how much I have appreciated your love this year. Thank you to my mom for FaceTiming me every time I was stressed about completing my thesis and encouraging me every step of the way. Finally, thank you to Ian Leeds for dropping everything and coming to me each time I needed it.
    [Show full text]
  • TRAUMA in EURIPIDES' HECUBA by Julia E. Paré
    Falling on Deaf Ears: Trauma in Euripides' Hecuba Item Type text; Electronic Thesis Authors Pare, Julia Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:07:09 Link to Item http://hdl.handle.net/10150/641676 FALLING ON DEAF EARS: TRAUMA IN EURIPIDES’ HECUBA by Julia E. Paré ____________________________ Copyright © Julia Paré 2020 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfilment of the Requirements For the Degree of MASTER OF ARTS WITH A MAJOR IN CLASSICS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master’s Committee, we certify that we have read the thesis prepared by Julia E. Paré, titled “Falling on Deaf Ears: Trauma in Euripides’ Hecuba,” and recommend that it be accepted as fulfilling the dissertation requirement for the Master’s Degree. _________________________________________________________________ Date: ____________May 25, 2020 David Christenson _________________________________________________________________ Date: ____________May 25, 2020 Courtney Friesen _________________________________________________________________ Date: ____________May 25, 2020 Arum Park Final approval and acceptance of this thesis is contingent upon the candidate’s submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfilling the Master’s requirement.
    [Show full text]
  • Untangling Schizophrenia the Genetics of Mental Illness
    Poetic Voices • Commencement • Liberal-Arts MakeoverMakeover JULY-AUGUST 2017 • $4.95 Untangling Schizophrenia The genetics of mental illness Reprinted from Harvard Magazine. For more information, contact Harvard Magazine, Inc. at 617-495-5746 S:7” S:9.25” MERCK INVENTS TO KEEP JOY ALIVE So today, on Claudia’s wedding day, her grandfather Eduardo is there for the milestone event. Creating another special memory for the both of them. For more than a century, Merck has been inventing medicines and vaccines for many of the world’s most challenging diseases. Today, we’re exploring entirely new approaches in our search to prevent Alzheimer’s. So people remain healthy and present, able to share every precious moment with the ones they love. Learn more at Merck.com/InventingForLife Keep Joy Alive Copyright ©2017 Merck Sharp & Dohme Corp., a subsidiary of Merck & Co., Inc., Kenilworth, NJ USA. All Rights Reserved. CORP-1210605-0005 06/17 Reprinted from Harvard Magazine. For more information, contact Harvard Magazine, Inc. at 617-495-5746 170701_Merck.indd 1 5/17/17 3:31 PM JULY-AUGUST 2017, VOLUME 119, NUMBER 6 FEATURES 32 Poetry, Voiced | by Sophia Nguyen Preserving the treasures of the Woodberry Poetry Room 38 Vita: Blanche Ames | by Laura J. Snyder Brief life of an intrepid botanical illustrator: 1878-1969 p. 32 40 Probing Psychoses | by Courtney Humphries Genetic and genomic clues to understanding schizophrenia p. 15 47 An Educated Core | by John S. Rosenberg Three bold attempts to redesign the liberal arts JOHN HARVARD’S JOURNAL 14 Abdi, Biden…Zuckerberg: the 366th Commencement, animated, academic—and political.
    [Show full text]
  • Lucan's Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek a Dissertation Submitted in Partial Fulf
    Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Catherine Connors, Chair Alain Gowing Stephen Hinds Program Authorized to Offer Degree: Classics © Copyright 2014 Laura Zientek University of Washington Abstract Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek Chair of the Supervisory Committee: Professor Catherine Connors Department of Classics This dissertation is an analysis of the role of landscape and the natural world in Lucan’s Bellum Civile. I investigate digressions and excurses on mountains, rivers, and certain myths associated aetiologically with the land, and demonstrate how Stoic physics and cosmology – in particular the concepts of cosmic (dis)order, collapse, and conflagration – play a role in the way Lucan writes about the landscape in the context of a civil war poem. Building on previous analyses of the Bellum Civile that provide background on its literary context (Ahl, 1976), on Lucan’s poetic technique (Masters, 1992), and on landscape in Roman literature (Spencer, 2010), I approach Lucan’s depiction of the natural world by focusing on the mutual effect of humanity and landscape on each other. Thus, hardships posed by the land against characters like Caesar and Cato, gloomy and threatening atmospheres, and dangerous or unusual weather phenomena all have places in my study. I also explore how Lucan’s landscapes engage with the tropes of the locus amoenus or horridus (Schiesaro, 2006) and elements of the sublime (Day, 2013).
    [Show full text]