Talking Threads

Total Page:16

File Type:pdf, Size:1020Kb

Talking Threads SPANDAUBALLET his A -levels. None of them particularly bass with Spandau Ballet and is wearing an likes rock music, which is why they didn't attenuated version of the Gene Vincent Blue do any of the things a rock band is Cap look, takes up the slack. supposed to do. They're into dance music, "What everybody gets wrong about this parties and clothes, not especially in that whole thing is that they stand back and say, order, and rock'n'roll in all its grey, earnest, 'Cor, we couldn't afford to do that!' That is high-handed importance hates them for it. absolute crap. We were on the dole for, like, six "People say clothes are superficial and months and we still had style. It's not like you decadent," explains Steve Dagger. "But need an expensive modern shirt that's never what's more decadent than music?All you been seen before. You take the best things can do with music is consume it. You can from the past and you got it, you got it sussed. make a statement with the clothes you "As soon as you wanna get rid of looking wear. You can't express anything with the scruffy, looking down at yourself, then you got records you might buy, but you can express it, you got it straight away. It's an attitude. yourself with the clothes you choose... July26.15/80:bassist When you don't put on your old jeans and then turn yourself into a piece of art, if you want Martin Kempandsinger change to go out at night. You wake up in the to see it in those terms. In a way I suppose Tony Hadley performing with Spandau Ballet on morning with style. You don't, like, just get we challenge the Jimmy Purseyworking- HMSBelfast,berthedat style at six o'clock, afteryou have a bath. A bath class stereotype- and the rock press love London's Tower Bridge don't spark off style. D'you knowwhat I mean? that working-class image." It's just an attitude, which so many kids have." "It fits with the badges theywear on their "It's wanting to make the most of yourself," lapels," interrupts Gary Kemp. "It upsets says Gary, snatching the thread back from his them when they see someone coming along "You take the brother. "Bryan Ferry on Round Tablet he other like us who just turns the tables on their ideas day said our single was very uplifting, and he of what's valid and what isn't." also said something we've been saying for "Yeah," agrees Steve. "There are channels best things ages about the greyness and all the music - which one must go through, and if one doesn't... to -commit -suicide -to that's around at the then watch out, But I'll tell you what really from the past moment. It's so depressing. Why make yourself amazes me... good luck to Bow Wow Wow, but depressed? If you've got nothing to say, like all people don't consider that a hype at all, or they these bands are telling us we've got, then why do, but they go along with it because Malcolm and you got make yourself feel even worse? McLaren does hypes. He's OK. He's one of the "All these people saying, 'You can't wear those establishment, but when someone comes along clothes, they're ridiculous, they are just denying from completely outside, it challenges the way it sussed" the imagination. It's saying that because you the world is set up for the rock press and the come from a poor background you're not agents and the record companies and the publicists, and they go, 'Hang allowed to look good, or you're supposed to look like a certain thing. Why on, you can't do that...' be depressed? Beingyoung is about having a good time, looking good, "I don't know how successful Vivienne Westwood's going to be now. going out at night, getting drunk, dancing, sex, everything!" She'll probably do alright because she's a 35 -year -old fashion designer Martin has the last word: "They always write about it and say poseurs, with press agents and shops in Kensington. But her approximation of the right? The people that dress well are the poseurs, but they're having a clothes is well out of date. That's Billy's. All that diamante and gold that brilliant time, they're having a party time, they don't mind getting down Bow Wow Wow wear was in at Billy's. She's taken that, copied it, and got it to it. They don't stand up at the bar, passing comment, they're too busy wrong. I know she came out with the tartan a few years ago, although passing out! Those people who say poseurs are just voyeurs!" more in a bondage style, and I'm not slaggin what she did in the past, but what makes me laugh is how seriously people are prepared to take them." BVIOUSLY NO ONE here feels obliged to be the spark that starts "Bow Wow Wow is completely conceived and contrived by an old the revolution, but then music has already reassured us that it shark," asserts Gary. "With what we're doing, there's no one over the age 0won't change the world, and the least it could do at this point is of 23 involved. Everybody doing it- running the clubs, playing the not make it any greyer. records, dressing up, making the music, making the clothes- none of Spandau Ballet's music is white disco. Gary Kemp's favourite records them are over 23. The rock press don't mind some old sharklike McLaren are things like "One Love" by Celi Bee and "Pressure Sensitive" by manufacturing something to make some money out of the kids, and yet Ronnie Laws. Their first album was produced by Richard Burgess, the they slag us off, us, the actual 'kids'. I just don't understand it. drummer with the English jazz -funk group Landscape. If much of their "The group was the last thing to come along -all the clubs and all that music sounds at this point like the sort of thing Giorgio Moroder leaves on was already there. The group was simply what brought it to the fore. If it the shelf, it's actually better than you'd expect of a group with so much wasn't for the group, the whole scene would have gone exactly as it had outright front. done in the '70s and something else would have happened next year and At the moment, I can only echo Lenny Bruce: I like the clothes and the the media would have ignored it because theywould have had no reason attitude. Spandau Ballet area great soundtrack for the clothes. They to look at it. I know we're going to be what breaks it all open, and some won't be the first group to sell as many clothes as records. And when I people are going to get rich. But that happens a lot. In all the clubs there's asked a girl who'd been to all their parties how the one in Birmingham been fashion photographers taking pictures ever since it started -six compared, her reply put the scene in focus: "It's very different tonight," months later you see the clothes in the Paris fashion shows. she said. "People are actuallywatching them. Usually they're too busy "Loads of looks... the diamante look with the pill box hat, the toy soldier watching each other!" look at Billy's and all the padded shoulders. Loads of them. Everything Like Roxy Music before them, Spandau Ballet have come out of we've ever started in those clubs has been in the fashion magazines six nowhere, fast. Right now, they're going somewhere even faster. What's months later. I didn't think the Edwardian look would go into the shops, more, they could seize the imagination of a lot of young kids who aren't and yet I walked into StanleyAdams in Regent Street the other day and all that interested in what the NMEputs on its cover each week, because there it was, after we'd all finished wearing the little wing collars... they're brash, loud, young and fun. "I think it's very flattering really, and it's what London's always been Clothes alone are very important. Without them we'd have nothing to about. How anyone can go on nostalgically about mods and yet can't takeoff. PaulRambali relate to what we're about..." Gary shakes his head slowly in disbelief. Martin Kemp, his younger brother, who plays THREADS TALKING old If the clothes aretooloud,then you're too.
Recommended publications
  • Privacy,Notice,And Design
    PRIVACY, NOTICE, AND DESIGN Ari Ezra Waldman* CITE AS: 21 STAN. TECH. L. REV. 74 (2018) ABSTRACT Design configures our relationship with a space, whether offline or online. In particular, the design of built online environments can constrain our ability to understand and respond to websites’ data use practices or it can enhance agency by giving us control over information. This Article is the first comprehensive theoretical and empirical approach to the design of privacy policies. Privacy policies today do not convey information in a way understandable to most internet users. This is because they are created without the needs of real people in mind. They are written by lawyers and for lawyers, and they ignore the way most of us make disclosure decisions online. They also ignore the effects of design, aesthetics, and presentation on our decision-making. This Article argues that in addition to focusing on content, privacy regulators must also consider the ways that privacy policy design—the artistic and structural choices that frame and present a company’s privacy terms to the public—can manipulate or coerce users into making risky privacy choices. I present * Associate Professor of Law; Director, Innovation Center for Law and Technology, New York Law School; Affiliate Scholar, Princeton University Center for Information Technology Policy. Ph.D., Columbia University; J.D., Harvard Law School. Versions of this paper were work- shopped or presented at the Sixth Annual Internet Law Works-in-Progress Conference on March 5, 2016, as part of Whittier Law School’s Distinguished Speaker on Privacy Law lecture on March 17, 2016, at the New York Law School Faculty Colloquium on April 12, 2016, and at the Ninth Annual Privacy Law Scholars Conference on June 2, 2016.
    [Show full text]
  • Martin Kemp MA, D
    Martin Kemp MA, D. LITT, FBA, FRSE, HRSA, HRIAS, FRSSU Curriculum Vitae: Summary Education Windsor Grammar School 1960-3 Downing College, Cambridge University (Part I, Natural Sciences, Part II History of Art) 1963-5 Academic Diploma in the History of Western Art, Courtauld Institute Appointments and Activities a. Teaching and Research Posts, and Visiting Professorships etc 1965-1966 Lecturer in the History of Fine Art, Dalhousie University, Halifax, N.S., Canada 1966-1981 Lecturer in the History or Fine Art, University of Glasgow 1981-1990 Professor of Fine Arts, University of St. Andrews 1984-1985 Member of Institute for Advanced Study, Princeton 1990-1995 Professor of the History and Theory of Art, St. Andrews 1987-1988 Slade Professor, University of Cambridge 1988 Benjamin Sonenberg Visiting Professor, Institute of Fine Arts, New York University 1993 Dorothy Ford Wiley Visiting Professor in Renaissance Culture, University of North Carolina, Chapel Hill 1993-1998 British Academy Wolfson Research Professor 1995-1997 Professor of the History of Art, Oxford University 2000 Louise Smith Brosse Professor at the University of Chicago 2001 Research Fellow, Getty Institute, Los Angeles 2004 Mellon Senior Research Fellow, Canadian Centre for Architecture, Montreal 2007-2008 Research Professor in the History of Art, Oxford University 2008- Emeritus Professor in the History of Art, Oxford University 2010 Lila Wallace - Reader’s Digest Visiting Professor, I Tatti, Harvard University b. Invited lectures Britain and Ireland (various), America (Ann
    [Show full text]
  • NOW WAP's WHAT I CALL MUSIC! Submitted By: Immediate Future Friday, 20 January 2006
    NOW WAP'S WHAT I CALL MUSIC! Submitted by: Immediate Future Friday, 20 January 2006 EMI Music UK puts pop stars in your pocket with launch of mobile music store wap.the-raft.com bringing together music downloads, ringtones & videos from EMI Records, Virgin Records, Parlophone, Angel and Catalogue - http://wapinfo.the-raft.com Calling all music fans… Fancy going home with a Brit tonight? EMI Music UK extends ‘The Raft’ online music store from web to mobile with the launch of its mobile music site (http://wapinfo.the-raft.com). By texting ‘GO RAFT’ to 85080 (free text from all networks), music lovers will be able to access official artist news, breaking tour dates, music downloads and video, competitions and artist approved ringtones and realtones. And if you’ve got a bit of a creative urge yourself, you’ll be able to customise your own tracks by adding beats or special features to turn them into personalised ringtones (http://wapinfo.the-raft.com). Be the envy of all your friends with your totally exclusive ringtones! You’ll be kept up to date with the latest news and featured artist areas which include Artist A-Zs and weekly competitions in anyone of the following categories; pop, urban, dance, jazz and rock. Wap.the-raft.com (http://wapinfo.the-raft.com) will also host the UK top 10 ringtones plus specialist charts like alternative and Bollywood. Competitions include money-can’t-buy exclusive artist merchandise plus album collections—such as the Brits collection; a bumper hamper of Brits-nominated albums Wap.the-raft.com provides something for every music fan—in an easy-to-find mobile music format.
    [Show full text]
  • George Michael Was Britain's Biggest Pop Star of the 1980S, First with The
    George Michael was Britain’s biggest pop star of the 1980s, first with the duo Wham! and then as a solo artist. The Three Crowns played a small but significant part in his story. After Wham! made their initial chart breakthrough with the single Young Guns (Go for It) in 1982, George’s songwriting gift brought them giant hits including Wake Me Up Before You Go-Go and Freedom, and they became leading lights of the 80s boom in British pop music, alongside Duran Duran, Culture Club and Spandau Ballet, even exporting it behind the Iron Curtain. His first solo album Faith, released in 1987, sold 25 million copies, and George sold more than 100 million albums worldwide with Wham! and under his own name. George was born Georgios Kyriacos Panayiotou in Finchley, north London. His father, Kyriacos Panayiotou, was a Greek Cypriot restaurateur, and his mother an English dancer, Lesley Angold. In the late 1960s the family moved to Edgware, where George attended Kingsbury School, before they moved to the affluent Hertfordshire town of Radlett in the mid-1970s. Bushey Meads Comprehensive 1974 - 1981 George – a wimp Andy - cocksure In September 1975 a twelve year old George showed up at Bushey Meads School keen to impress as the new boy and was introduced to Andy Ridgeley who had already been impressing for a full year. Andy recalled their meeting as follows; “I remember at the time we were playing King of the Wall. As he was the new boy we goaded him into it. I was up there and he threw me off.
    [Show full text]
  • Attwood Plans Plant Expansion Broadside Kills Saranac Youth
    NOTICE! ! 1 15 There are only 24 days left until tht drawing for a new automobile Is held on March 10. Tickets for the drawing for a new oar furnished by tha Lowell Automobile Dealers Association are one dollar each and are ""DEflY available from the State Savings Bank, many local businesses and any Rotary Club member. PLEASE ... If SPRINGPort, UICH. you can help sell tickets to your friends, relatives or fellow employees, contact Bev Hall at 897-8714, Keith *9264 Caldwell (State Savings Bank) at 897-9277 or Roger Brown (Grand Valley Ledger) at 897-9261. The Grand Valley Ledger Volume 4, luue 14 Serving Lowell Area TjM Readers Since 1893 February 14, 1979 Above The Board Ftuonde Open Curtain Up For Comedy Next Week New School Prednct Established t° ako Ki* Tickets for the Friday and Garrison) and things go from Saturday night performance of mued-up to bedlam. Even the Topical application of fluoride the Lowell Area Arts Council's policeman (Gil Wise) has trou- Members of the Lowell Board tint semester of this school kids are." h was also mentioned will again be offered to certain 2nd Annual Whiter Play are ble figuring out who to arrest. of Education took the neccs^ary year. Of the tuspensions record- that one of the commendations Kent County children that do going fast. A local cast will romp "See How They Run" will be steps Monday night to establish ed, the major were during the of the North Central Accredita- not drink fluoridated water on a through the British comedy presented at the Lowell Middle a new voting precinct.
    [Show full text]
  • Vsa Honors Gary Kemp
    VSA HONORS GARY KEMP ACCOMPLISHMENTS 2006 Leaving the soaring racing circuit. 2001 U.S. Team Captain for the World Soaring Championships in South Africa. This event held every two years in different parts of the world. 1994 Flew the first 1000k flight in the State of Utah in a Pegasus with Art Clark behind him 30 minutes later in an Open Jantar. 1991 Instrumental in setting up the Ameriglide Contest at Minden, working extensively with the County. 1990’s One of the prime movers in establishing the Mount Shasta Soaring Club. 1989 Received PASCO Les Arnold Award 1985 As Contest Director of the Open Nationals, Gary called the longest task that has ever been called in a contest. 1982 Served as PASCO President for two terms, Circa 1982 to 1985. 1982 He pioneered soaring the Mendocino’s. 1980’s President of Chico Soaring 1970’s Started the Annual spring soaring events at Central California Soaring Club. He won the first event! Central California Soaring Club - Served as President during the early years. Gary flew frequently at El Mirage, where all of the big time racing events were held. Gary Kemp wins 1st Place at the first Annual Spring Soaring event at Tulare, CA. Circa 1975. Photo provided by Gary Kemp. 1968 Gary’s first solo, in Perris Valley, CA. 9 of 24 August 2006 • WINDSOCK Newsletter Have Sailplane, Will Travel BY TOM JUE Gary Kemp next to his Schweizer 1-34 This photo was taken in April 1970 in El Mirage, CA. He owed this sailplane with three other pilots he later bought out.
    [Show full text]
  • Spandau Ballet
    GIOVEDì 23 OTTOBRE 2014 Spandau Ballet grandi protagonisti oggi al festival del film di Roma: i cinque membri della band inglese degli anni Ottanta, oggi ultracinquantenni, hanno presentato il film che celebra il loro percorso, Spandau Ballet "Soul Boys of the Western World", diretto dalla regista George Hencken, distribuito nei cinema italiani il 21 e 22 ottobre. In un'ora e trenta di film Grande stile per il loro film su anni 80 si ripercorre il decennio degli anni Ottanta con un gruppo che ne fu protagonista, e che operò una rivoluzione di costume e musicale dopo il nichilismo punk, nell'Inghilterra degli scioperi e dei riots, sotto il governo di Margharet Thatcher. "Quello che amo di più di questo film è CARMEN GUADALAXARA E CRISTIAN la parte in cui si racconta il quartiere dove vivevamo da bambini, PEDRAZZINI Islington, e poi gli scioperi, i tumulti, la politica di quegli anni in Gran Bretagna: questo non è solo un film sugli Spandau Ballet" ha chiarito entusiasta il cantante Tony Hadley, mentre il sassofonista Steve Norman ha precisato: "Noi abbiamo dato tutto il materiale d`archivio a George, e lei ha reso giustizia sia agli anni Ottanta che alla nostra profonda amicizia". Attraverso immagini di repertorio e il racconto dei protagonisti nel film si ripercorre la storia dei cinque ragazzi della woking [email protected] class londinese, Gary e Martin Kemp, Steve Norman, Tony Hadley, John SPETTACOLINEWS.IT Keeble, che vendettero 25 milioni di dischi. Per gli Spandau è indelebile il ricordo del loro successo in Italia: "Essere qui era bellissimo, eravamo molto popolari" ha affermato Gary Kemp, mentre Hadley ha ricordato: "Noi qui abbiamo incontrato le fan più pazzi del mondo" e Steve Norman ha precisato: "L`Italia ha veramente abbracciato con affetto la nostra band: ai concerti non c`erano solo ragazzine, ma bambini piccoli, nonni e bisnonni".
    [Show full text]
  • Extras - Episode One
    Extras - Episode One by Ricky Gervais & Stephen Merchant COLD OPEN FADE IN: We are watching a TV biopic of the life of Lord Nelson. It is England, 1805. Lady Hamilton is running across a lawn towards a carriage that is being loaded by manservants. ROSS KEMP as Horatio Nelson is standing nearby. LADY HAMILTON Horatio. Ross turns to face Lady Hamilton. ROSS Emma. What are you doing here? LADY HAMILTON I couldn't bear to let you go without saying goodbye. ROSS You shouldn't have come, Emma. People will talk. LADY HAMILTON Let them talk. I'm tired of hiding our love away. I'm not ashamed of how I feel. We cut behind the scenes to see ANDY MILLMAN waiting off camera, dressed as a footman. He is watching the action, waiting for his cue. ROSS Neither am I. But we both know we shouldn't be together. LADY HAMILTON Shouldn't? Who says we shouldn't? Behind the scenes, Andy is tapped on the shoulder. He walks forward and loads his crate onto the back of the carriage. We see him appear in the background of the film clip. ROSS My conscience. My conscience tells me everything I feel for you is wrong. But my heart, my heart says I can't live without you. Andy stands by the carriage. LADY HAMILTON Promise me you'll return. ROSS I promise. Because if Napoleon doesn't kill me, then being away from you surely will. 2. Ross and Lady Hamilton kiss passionately. From behind their heads we see Andy emerge, edging himself into the frame.
    [Show full text]
  • Entertainment
    ENTERTAINMENT All The Park’s A Stage Sit underneath the stars and experience the magic of open-air theatre in the beautiful setting of Regent’s Park. Jo Caird goes behind the curtains for the classic-packed season ahead. here are few London experiences only began to take shape in 1953 and form of The Gershwins’ Porgy And Bess more magical than watching the it wasn’t until 1976 that the current (17 Jul-23 Aug) and To Kill A Mockingbird T night fall over the Open Air Theatre amphitheatre-style auditorium was built. (28 Aug-13 Sep). The latter show, based in Regent’s Park. When the performance All My Sons, which kicks off the season, on the iconic novel of the same name by begins, the outdoor theatre and is directed by the venue’s artistic director, Harper Lee, returns to Regent’s Park picturesque glade that surrounds it are Timothy Sheader, whose 2010 Open Air following last year’s sell-out run. The theatre bathed in the soft light of early evening. Theatre production of Arthur Miller’s The also presents a show for family audiences: But then, imperceptibly, darkness Crucible was lauded by the critics and a re-imagining of Shakespeare’s Twelfth envelops the auditorium until there is earned him a best director gong from Night, with live music, for children aged six nothing to see but the drama being What’s On Stage. The play, which Miller and over (21 Jun-12 Jul). JENSEN DAVID © played out before you. The atmosphere wrote in 1947, is based on the true story As you sit in the Inner Circle of historic is suddenly, startlingly, intimate.
    [Show full text]
  • Stay Hungry, Stay Focused: Generating Informative and Specific
    Stay Hungry, Stay Focused: Generating Informative and Specific Questions in Information-Seeking Conversations Peng Qi Yuhao Zhang Christopher D. Manning Stanford University Stanford, CA 94305 fpengqi, yuhaozhang, [email protected] Abstract Background: Spandau Ballet (English band) Spandau Ballet were an English new wave band formed in Islington, London, in 1979. Inspired by … We investigate the problem of generating infor- Topic: 1983--1989: International success and decline mative questions in information-asymmetric Private What was the first indication of Spandau Knowledge Ballet's success at the international level? conversations. Unlike previous work on ques- The band released their tion generation which largely assumes knowl- third album … The The follow-up album, Parade, was released in June follow-up album, 1984, and its singles were again big successes in edge of what the answer might be, we are in- Parade, was released in the charts in Europe, Oceania and Canada. June 1984, and its terested in the scenario where the questioner is singles were again big successes in the charts BL What was the name of the album? not given the context from which answers are in Europe, Oceania and Canada. The album’s What was the most popular single from drawn, but must reason pragmatically about Ours opening song, “Only the album? how to acquire new information, given the When You Leave”, became the band’s last What were the notable songs from the Ref shared conversation history. We identify two American hit. … album Parade? core challenges: (1) formally defining the in- formativeness of potential questions, and (2) Figure 1: Asking questions in a conversation to ac- exploring the prohibitively large space of po- quire information.
    [Show full text]
  • Gold Spandau Ballet Sheet Music Pdf
    Gold Spandau Ballet Sheet Music Pdf Gold Spandau Ballet Sheet Music Pdf Print and Download Easy Lover SSSSAAAA A Cappella sheet music. ... Easy / 2 PDF / 2 MP3 Arranger : BENOIST, Régis (4) Trumpet [Sheet music + Audio ... (Police) Exodus (Bob Marley) F Fire (Jimi Hendrix) G Gold (Spandau Ballet) H Hey .... Gold - Spandau Ballet Piano Sheet Music. Uploaded by: KyIe Reed; 0; 0. January 2021; PDF. Bookmark; Embed; Share; Print. Download. This document was .... Spandau Ballet-Gold Sheet Music, guitar tabs, bass tabs, chords and guitar pro tabs. Tabs and sheet music search engine. Download sheet music and search .... JM46382 – GOLD - Parts & Score. Category: Pop Music Composer: Garry Kemp Material: Thijs Oud as performed by Spandau Ballet. Duration 4.25. MP3 .... Apr 18, 2013 — 15 (Italian Song) Karaoke: Spandau Ballet - Gold Karaoke: Spandau ... Ballet Tchaikovsky - Waltz Of The Flowers Easy Piano Sheet Music .... Spandau Ballet "Through the Barricades" Guitar, Bass and Mandolin sheet music | Jellynote. ... Chordsound to play your music, study scales, positions for guitar, search, ... on 09.13.2016 Guitar Tabs Universe Includes digital access and PDF download. ... chordsTabs SPANDAU BALLET: True, Gold, Through the barricades, .... Dec 20, 2020 — 57897 PDF music sheets for free download, pop piano scores, ... Spandau Ballet - Gold (Piano Score). ID#:. 37321. Song: Gold. Artist: Spandau ... The full drum sheet music for "True" by Spandau Ballet from the album True ... Format: Instant Download, Printable PDF File Drum Transcription, Drum Key .... At the beginning of the eighties trendy English boy band, Spandau Ballet, made it big with hits like True and Gold. Millions of records were sold worldwide, and ...
    [Show full text]
  • P20 Layout 1
    20 Established 1961 Sunday, August 19 , 2018 Lifestyle Gossip You Me At Six fuse The Weeknd with rock music on new album VI ou Me At Six’s forthcoming sixth album ‘VI’ record, how do we do it and not make it feel like we are a that doesn’t mean it’s any good.” The 27-year-old singer Y sounds like “The Weeknd being smacked in the guitar band?’ “He wasn’t scared and was like, ‘Yeah, let’s compares the band’s transition from ‘Night People’ to ‘VI’ face with rock music”. The ‘Underdog’ hitmak- do that.’ “Whereas some producers are like, ‘Stay in your like the Arctic Monkeys’ journey from 2009 LP ‘Humbug’ ers previously said they hope the record will be lane’, and we are like, ‘Nah, man.’ “Dan has been doing a to 2013’s ‘AM’, arguably their best record to date. He “career-defining” as they admitted to feeling “under- lot of work on Logic (software) and this album has a lot of explained: “I still stand behind ‘Night People’ because it’s whelmed” by 2017’s ‘Night People’, and now they’ve dance songs. “Like The Weeknd being smacked in the something we’ve done. “You know how Arctic Monkeys revealed they weren’t afraid to mix their hip-hop influ- face with rock music. “I think that Dan really encouraged had ‘Humbug’ as a stepping stone before ‘AM’, that’s how I ences, including the ‘Starboy’ rapper, with their guitar that.” Josh previously admitted the band felt they needed feel it was like for us.
    [Show full text]