DOCSLIB.ORG

2Security Lockdown 7Surviving Semester

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2Security Lockdown 7Surviving Semester THE OUR grotto LADY OF LOURDES ACADEMY MIAMI, FLORIDA VOLUME 50/ISSUE 6 May 2013 www.olla.org/grotto/may C SHOO L’S OUT SECURITY LOCKDOWN SURVIVING SEMESTER SPORTS SUCCESSES Check out the effects of Boston Reminisce over the hIghlights of inside For a HOW TO guide to surviving 2 bombing on the government’s 7the last few months of the school year, 16 each superb sports teams’ victories security policies. check out this month’s issue. from the entire year. peek 2 news | the grotto |may 2013 The State of Our Nation(al Security) KATHRYN MELLINGER These acts of terror have been influenced organizations. by the extremist teachings of an American As far as Dzhokhar goes, he has been A sense of closure has overcome the cleric named Anwar al-Awlaki. assigned multiple public defenders who - nation with the capturing of one of the The fanatic teachings clearly influenced will plead his case in federal court in hopes Boston bombers, Dzhorkhar Tsarnaev. 53% the actions of the terrorists who decided of avoiding the death penalty. Though the suspect has been stabilized, to attack the Boston marathon on Patriot’s According to U.S. News, it is very feel that the govern he is not capable of speaking due to a self Day, after finishing the homemade bombs likely that the attorneys will bargain with inflicted gunshot wound to the neck. early. The bombs were created using prosecutors on the idea that Dzhokhar was ment has not taken In order to gain information regarding pressure cookers in the apartment of not fully aware of his actions and did not enough measures the recent terror attacks, the FBI denied Tamerlan, the older suspect. comprehend what he was doing. the suspect his Miranda rights until to ensure national It is unclear whether American wife of Stephen Huggard, a former Boston security. recently, because of the law that, when a Tamerlan, Katherine Russell, was involved prosecutor, believes that Tsarnaev acted person poses a threat to national security, in the plot. “atypically” for a terrorist, and his trial will he or she may be denied his or her right to Although Tsarnaev has stated that most likely end in a plea deal. an attorney. Russell was not involved in the attacks, The government continues to work SURVEY Government officials feel that this authorities are still suspicious of her. The with Russian authorities in order to has prevented the full disclosure of more FBI have found a set of fingerprints on the further investigate the Chechen bombers evidence associated with the attacks. bombs that match neither the bombers nor and their involvement with foreign terror Many are complaining that the “public Russell. organizations. SAYS... safety exception” was not fully used to Friends of the living suspect have also The question that remains and echoes its potential. To further the development been arrested for destroying evidence through the minds of Americans in light of of the case, handwritten notes have been that directly connects the suspect to the this event is how effective the government used as the medium in which the FBI have bombings. has been in promoting the safety and 39% been able to extract information from the According to the NY Times, Tsarnaev security of the nation as a whole. do not feel safe in subject. has admitted his participation in the Is it possible for the American people to public in light of the It was unearthed that the bombers bombings and has become less cooperative feel safe after experiencing such tragedies? originally planned to attack Boston on and responsive during interrogations with In a survey of the student body, about 40% recent Boston bomb July 4 to declare their opposition to the the FBI. of students feel unsafe in public outings. US military interference in Afghanistan. ings. The suspect also claims that the However, most people realize that fear of - They planned to carry this out as a suicide bombings were a singular act and were death should not prevent them from living mission. in no way affiliated with larger terrorist their everyday lives. Uniformed Individuality word in the halls WHAT SUMMER SARAH MARINI The fourth design will be for the MOVIE ARE YOU MOST EXCITED FOR? Every Friday students may be seen students in clubs. This t-shirt may be either wearing a variety of different colored and white, light blue, or grey and will also styled t-shirts. be imprinted with “Lourdes Established Sister Kathryn came up with the idea 1963” across the front. Each specific club “I am most excited for The Great Gatsby because of of wearing club t-shirts on Fridays about 6 will have the option of designing the shirt Leonardo DiCaprio.” years ago to recognize the athletes and club with either a logo or phrase or both. members of the school. The fifth design for sport teams has not FRESHMAN ANA LUISA WOLFE In honor of the school’s 50th yet been finalized. These t-shirts are not mandatory. In Anniversary next year, the regulations “The movie I am most looking forward order to be able to wear a t-shirt on Fridays, regarding Spirit Friday will be changing. to is The Great Gatsby. I really enjoyed reading the book my however, students must wear a t-shirt of “Since it is our school’s 50th sophomore year so I am really anxious to see it.” Anniversary next year, we are in the one of these five designs. process of unveiling a brand new logo for “This is all part of an effort to not JUNIOR EMILIE VELASCO our school that will also be going on the only commemorate the school’s 50th gym floor,” Assistant Principal for Student anniversary but to also to work in branding Affairs Mrs. Annie Sanchez said. the school in order to create an image for There will be five designs of long the school,” Sanchez said. “I can’t wait to see The Great Gatsby. We just finished the book in sleeved t-shirts that will be allowed to be All of these t-shirts will be available for class so it’s really cool that we can see the movie now.” worn on Fridays. All these t-shirts will purchase online. The school is creating an SOPHOMORE STEPHANIE CRUZ have the new school logo imprinted on online school store for the sale of school them, which has yet to be finalized. They merchandise such as these new t-shirts. will also be one of the four colors: white, These new designs for the t-shirts will “I’m excited to see Now You See Me. It grey, navy blue and light blue. not eliminate the traditional green, orange, seems cool. I’d like to be a magician and this should help my The first design is a navy blue t-shirt red, and purple spirit class t-shirts, the career.” imprinted with “Lourdes” across the class trip t-shirts, or the senioritis t-shirts. FRESHMAN ALEXA JANEIRO front. The second design is a gray t-shirt These shirts will still be created, but imprinted with “Lourdes Class of” across students will only be allowed to wear them the front. The third design will be for the on specifically designated days. These students in honor societies. This t-shirt t-shirts will also be branded with the new will be a raglan that will be imprinted with school logo. “Lourdes Established 1963” across the All this is in an attempt to brand the “Yesterday I saw the new Star Trek movie. It was amazing.” front and the specific honor society across school and to commemorate the school’s ENGLISH TEACHER MR. MCCRINK the back. 50th Anniversary. Five Decades of Education issue 6 | the grotto | news 3 Reminiscing with alumnae from 1974, 1984 and 1994. Words of wisdom from each successful graduate. SOFIA MCGRAW Victoria Lopez Castro graduated in 1984. She is The school is about to celebrate five decades of a fashion designer based CONSTRUCTION UPDATE education. Established in 1963, it has educated young in Miami. She vividly women ever since. Thousands of graduates, hundreds of remembers fashion that was The wooden panels from the windows are down, teachers, and scores of faculty have walked the halls and hard to hide, big hair and witnessed momentous change. Education philosophies, and everyone finally sees the long awaited addition flashy big hair in the 1980s. to the school instead of the old portables and softball politics, and history have evolved. Many of the school’s “There is something graduates have successfully achieved their goals and are field. New PA systems, clocks, and phones should about Lourdes, in a very all be up and running in time for the last four days pursuing many feats. The professions vastly vary. The nonchalant way that inspired fields include law, government, medical, education, arts of classes, final exams, and possibly five AP exams. many, many, graduates to Summer school will also take place in the new and many more. Students, teachers, administration and attain incredible carrers,” alumnae are excited to celebrate the fiftieth anniversary. building. Lopez Castro said. “It’s super awesome,” junior Janet Araque said. Lily Prellezo graduated Alina Flores graduated in “You can really see the result of hard work, the in 1974. Construction of 1994. She started Key Club building looks beautiful, and it’s going be great for the auditorium started her her junior year. She works at senior year since we’ll have a lot more room.” sophomore year. Centers for Disease Control Although a big step, the new building is only the She is an author; her first and Prevention in the area of first part of the school’s goal.
Load more

Recommended publications
  • Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
    Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern
    [Show full text]
  • SOCIAL CLASS in AMERICA TRANSCRIPT – FULL Version
    PEOPLE LIKE US: SOCIAL CLASS IN AMERICA TRANSCRIPT – FULL Version Photo of man on porch dressed in white tank top and plaid shorts MAN: He looks lower class, definitely. And if he’s not, then he’s certainly trying to look lower class. WOMAN: Um, blue collar, yeah, plaid shorts. MAN: Lower middle class, something about the screen door behind him. WOMAN ON RIGHT, BROWN HAIR: Pitiful! WOMAN ON LEFT, BLOND HAIR, SUNGLASSES: Lower class. BLACK WOMAN, STANDING WITH WHITE MAN IN MALL: I mean, look how high his pants are up–my god! Wait a minute–I’m sorry, no offense. Something he would do. Photo of slightly older couple. Man is dressed in crisp white shirt, woman in sleeveless navy turtle neck with pearl necklace. WOMAN: Upper class. MAN: Yeah, definitely. WOMAN: Oh yeah. WOMAN: He look like he the CEO of some business. OLD WOMAN: The country club set- picture of smugness. GUY ON STREET: The stereotypical “my family was rich, I got the money after they died, now we’re happily ever after.” They don’t really look that happy though. Montage of images: the living situations of different social classes Song: “When you wish upon a star, makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.” People Like Us – Transcript - page 2 R. COURI HAY, society columnist: It’s basically against the American principle to belong to a class. So, naturally Americans have a really hard time talking about the class system, because they really don’t want to admit that the class system exists.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • The Colors and Shadows of My Word(S)
    University of Rhode Island DigitalCommons@URI Open Access Master's Theses 2000 The Colors and Shadows of My Word(s) Lydia A. Saravia University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Saravia, Lydia A., "The Colors and Shadows of My Word(s)" (2000). Open Access Master's Theses. Paper 1812. https://digitalcommons.uri.edu/theses/1812 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. c,275 5325 At-\ 2000 THE COLORS AND SHADOWS OF MY WORD(S) BY LYDIA A. SARA VIA A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF RHODE ISLAND 2000 1F L/5 t-19L-/05L/ Abstract If I find my voice, I will find my identity. Voice gives identity meaning. The acquisition of language (voice) means an acquisition of subjectivity (identity). A search for an identity is a search for voice. But formation of identity is difficult when multiple layers of subjectivity are to be considered: the layer of dual culture, in this case Guatemala and the United States, the layer of an urban environment, the layer of a working-class status, the layer of being female, which are all major players in the development of voice. To make sense of, and find a voice for, a fragmented identity is difficult.
    [Show full text]
  • Dress and Fashion, “Rosista” Style 31
    FashionNation: The Politics of Dress and Gender in 19th Century Argentine Journalism (1829-1880) by Susan Hallstead B.A. in Spanish, University of Pittsburgh, 1997 M.A. in Hispanic Literature, University of Pittsburgh, 2005 Submitted to the Graduate Faculty of the Department of Hispanic Languages and Literatures in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 i UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Susan Hallstead It was defended on December 12, 2005 and approved by Mabel Moraña, PhD, Professor Gerald Martin, PhD, Professor Jerome Branche, PhD, Associate Professor Susan Andrade, PhD, Associate Professor Dissertation Director: Mabel Moraña, PhD, Professor ii Copyright © by Susan Hallstead 2005 iii TABLE OF CONTENTS 1. Introduction 1 2. Forced Traditions, Forged Equality: Dress and Fashion, “Rosista” Style 31 2.1. Entering a New World Order: Of Essence, Appearance and Peinetones 33 2.2. The Brute of all Brutes, the Tiger of all Tigers: Rosas, the Rosista Dress Code and the othering of the Lettered City 66 2.3. Rosas and the Afro-Argentine: The Relationship of Race and Dress in the Rosista Era 92 3. Challenging Barbarism and Waging Wars of Images: Argentina’s Men of Letters find Fashion (1829-1852) 113 3.1. Early Argentine Journalism and National Politics: The Challenges of the Post-Independence Period 118 3.2. Fashion’s Appearance at the Intellectual Round Table: Consumption, Citizenship and the Ideal Unitarist 130 3. 3. The Foundational Parameters of Argentine Nationalism: Fashion, Civilization and Barbarism 183 4. After Caseros: Women Write on Fashion, Nation and Politics 206 4.1.
    [Show full text]
  • Dannii Minogue
    DANNII MINOGUE Dannii Minogue has graced the covers of international magazines such as Harper’s Bazaar, InStyle and Marie Claire. She’s a fashion and entertainment icon and well known for her hard work, professionalism and global success, particularly in the television, fashion, literary and music fields. Dannii has been an entertainer since the age of seven, performing professionally ever since. It is due to her outstanding international career and major contribution to the entertainment industry that Dannii was awarded the honorary degree - Doctorate of Media from Southampton Solent University for her services to the entertainment industry Dannii was also given the honour of the inaugural official ambassador at the TV WEEK Logie Awards in 2017, where she was a judge for the Graham Kennedy Award For Most Outstanding Newcomer and mentored the award’s nominees. Always at the forefront in the world of social media, and authentically engaging with her fans, she has become a leading influencer, sharing this with her 1 million Twitter followers, over 500,000 Facebook fans and more than 357,000 current followers on Instagram. In July this year, Dannii launched her exclusive podcast series and announced her new role as host of the Oldskool 90s Hits DAB+ station with Australia’s leading premium commercial podcast network, LiSTNR. The 90’s with Dannii Minogue is a podcast deep dive into the fashion, music, people, and events that made the 90s so memorable. These two projects allow Dannii to share her insight into and love of an era she considers to be the ‘best decade ever’.
    [Show full text]
  • Virginia Woolf's Short Fiction: a Study of Its Relation
    VIRGINIA WOOLF'S SHORT FICTION: A STUDY OF ITS RELATION TO THE STORY GENRE; AND AN EXPLICATION OF THE KNOWN STORY CANON by David Roger Tallentire B.Sc, The University of British Columbia, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in the Department of English We accept this thesis as conforming to the required standard. THE UNIVERSITY OF BRITISH COLUMBIA April, 1968 In presenting this thesis in partial fulfilment of the requirement for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date /&, /?6S ii ABSTRACT The short stories of Virginia Woolf have never re• ceived serious scrutiny, critics determinedly maintaining that the novels contain the heart of the matter and that the sto• ries are merely preparatory exercises. Mrs. Woolf, however, provides sufficient evidence that she was "on the track of real discoveries" in the stories, an opinion supported by her Bloomsbury mentors Roger Fry and Lytton Strachey. A careful analysis of her twenty-one known stories suggests that they are indeed important (not merely peripheral to the novels and criticism) and are successful in developing specific techniques and themes germane to her total canon.
    [Show full text]
  • The Politics of Gender and the Visual in Virginia Woolf and Angela Carter
    The Politics of Gender and the Visual in Virginia Woolf and Angela Carter Caleb Sivyer Thesis submitted for the degree of Doctor of Philosophy (English Literature) School of English, Communication & Philosophy Cardiff University 2015 Summary This thesis investigates the relationship between gender and the visual in texts by Virginia Woolf and Angela Carter. Drawing on visual studies, gender studies and film theory, I argue that my selected texts present the gendered visual field as dynamic and layered, foregrounding both a masculine economy of vision and the possibility of alternative forms of gendered subjectivity and ways of looking. The Introduction discusses the key methodological frameworks used in this thesis, including Jonathan Crary’s account of the historical construction of vision, the debates around gender, mobility and visuality centred on the figure of the flâneur, and Laura Mulvey’s account of the cinematic male gaze. I argue for the importance of recognising that the field of vision is a site of contestation composed of an interplay of connected gendered looks. Chapter One focuses on the unresolved tensions between different gendered looks in Mrs Dalloway (1925) which take place across a number of spaces and are mediated by a variety of visual frames. Chapter Two turns to Orlando (1928) to explore Woolf’s playful subversion of a masculine visual economy through a protagonist who changes sex and dress. In addition to this vacillation of appearance, I argue that the text’s representations of London in the 1920s, in particular the department store and motor-car, contribute to a proliferation of gendered looks. In turning to The Passion of New Eve (1979), Chapter Three shows how Carter foregrounds the violence involved in the performance of gender, particularly as mediated through the cinema, and further subverts masculine vision by representing gender as a masquerade.
    [Show full text]
  • Teaching an Indigenous Sociology: a Response to Current Debate Within Australian Sociology
    TEACHING AN INDIGENOUS SOCIOLOGY: A RESPONSE TO CURRENT DEBATE WITHIN AUSTRALIAN SOCIOLOGY KATHLEEN JULIE BUTLER B.SOC.SC, M.SOC.SC THESIS SUBMITTED IN FULFILMENT OF THE DEGREE OF DOCTOR OF PHILOSOPHY FACULTY OF EDUCATION & ARTS THE UNIVERSITY OF NEWCASTLE MARCH, 2009. This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. I hereby certify that the work embodied in this Thesis is the result of original research, the greater part of which was completed subsequent to admission to candidature for the degree. Signature: …………………… Date: …….. TABLE OF CONTENTS Introduction 1 Finding the Sociology of Indigenous Issues 1 Chapter 1. Disciplinary and Methodological Adventures 12 Readers beware: This is not orthodox! 12 Autoethnography, Tribalography and Story 27 Chapter 2. Sociological Literature: Reviewing the Silence 36 Chapter 3. (De)Constructing Aboriginal Perspectives 52 Which form of identity? 52 “Visual Aboriginality” and the trauma of stereotypical judgement 59 Chapter 4. Why my family don’t “dress like Aborigines” 73 My Tribalography: An Alternative Conception of Urban Indigenous Identity 80 Chapter 5. From Film to Blogs: Other Resources for a Sociology of Indigenous Issues 95 Voting, Aboriginality and the Media in the classroom 107 Chapter 6.
    [Show full text]
  • Dannii Minogue
    DANNII MINOGUE Dannii Minogue has graced the covers of international magazines such as Harper’s Bazaar, InStyle and Marie Claire. She’s a fashion and entertainment icon and well known for her hard work, professionalism and global success, particularly in the television, fashion, literary and music fields. Dannii has been an entertainer since the age of seven, performing professionally ever since. It is due to her outstanding international career and major contribution to the entertainment industry that Dannii was awarded the honorary degree - Doctorate of Media from Southampton Solent University for her services to the entertainment industry Dannii was also given the honour of the inaugural official ambassador at the TV WEEK Logie Awards in 2017, where she was a judge for the Graham Kennedy Award For Most Outstanding Newcomer and mentored the award’s nominees. Always at the forefront in the world of social media, and authentically engaging with her fans, she has become a leading influencer, sharing this with her 1.13 million Twitter followers, over 440,000 Facebook fans and more than 300,000 current followers on Instagram. Television and Theatre 2019 saw Dannii return to Australian screens as one of four superstar panellists in the worldwide phenomenon and mystery singing show, The Masked Singer Australia. The show features 12 celebrity contestants who perform behind bizarre disguises, with the panel and audience trying to determine, from clues provided to them, who is behind the mask. A 'bonkers' entertainment show, The Masked Singer Australia premiered on Network Ten reaching a national audience of more than 3 million viewers over its first two nights on air.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North 2keb Road, Ann Aiixjr MI 48106-1346 USA 313/761-4700 800/521-0600 FROM BLOOMERS TO FLAPPERS: THE AMERICAN WOMEN’S DRESS REFORM MOVEMENT, 1840-1920 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Karen J.
    [Show full text]
  • King Tut's Tomb Discovered • Political Conditions Around Foochow Are Still Unsettled. • Flora Leaves China for US on T
    1922 King Tut's tomb discovered Political conditions around Foochow are still unsettled. Flora leaves China for U.S. on the President Wilson in August never to return to China. She is 53. Mary remains in Tungchou, China. She is 40. Willard and Phebe are in Foochow, China. Ellen, Gould, Geraldine, Marjorie and Kathleen are in the U.S. Willard is 57, Ellen- 54, Phebe- 27, Gould- 26, Geraldine- 24, Dorothy- 21, Marjorie- 16, Kathleen- 14. [This typewritten letter, dated January 5, 1922, was written from Tungchou, China by Mary to the home folks. The new school term is beginning and some students are ill while others are still on their way. Mary details her week of social events and Christmas. They will begin building the new school building thanks to the $15,000 from the Russell Sage Foundation. Letter from the collection of Virginia Van Andel.] N.C.A.S. Jan 5, 1922 Dear Home Folks, This is last Sunday‟s letter. I‟ll progress backwards and tell the news. Today is the first day of the new term. We start with six absent. One has had flu and is not yet strong. A second is having a relapse of flu. A third had a slight attack of Diphtheria. A fourth is coming in to get placed before the second semester and was not fully ready. Another went a long way and either is awaiting a boat or trying to get through snow on the mountains. With him comes a new girl. Whether we are two more short depends on whether the girl who was so ill last term gets well to come later or not and whether the girl who had small-pox gets well soon.
    [Show full text]