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L'orchestra Che Unisce mensile di informazione e cultura musicale 05|11 ANNO XXVII, n. 281 / maggio 2011 SVIZZERA (CANTON TICINO) CHF 12,90 L’orchestra che unisce Daniel Barenboim dirigerà la sua West-Eastern Divan Orchestra il 17 al Teatro alla Scala e il 18 all’Accademia di Santa Cecilia: giovani musicisti palestinesi, israeliani e di altre nazionalità suonano insieme, «perché così sviluppiamo la capacità di ascoltare gli altri» FRANCO SODA A PAGINA 7 ATTUALITÁ concerti opere festival PROFESSIONI Finanziare la musica formazione lavoro strumenti CULTURE temi libri dischi I soldi versati all’Enpals e che 3 i pensionati dello spettacolo CLASSICA Imparare non vedranno mai potrebbero Il jazz di Metropolis aiutare il mondo della musica? come diceva Orff 19 Ecco i teatri premiati dal 5 x mille CLASSICA Durante il restauro della 34 Giovanni Piazza: un libro pellicola muta di Fritz Lang, JAZZ di Roberto Iovino, Mauro Mariani, per raccontare la storia riscoperta la partitura originale Raffaele Pinelli del “metodo” in Italia di Leo Izzo di Anna Maria De Luca Odissea di Vinicio Chitarre di qualità Rastafariani Intervista a Capossela 13 38 POP della rivoluzione per il suo nuovo doppio cd Una mostra a New York 24 WORLD Marinai, profeti e balene: racconta i liutai italiani in WORLD Il reggae di Alpha Blondy viaggio mitico Usa; a Sarzana l’Acoustic e Tiken Jah Fakoly racconta da Omero a Moby Dick Guitar Meeting celebra la chitarra acustica la Costa d’Avorio post Gbagbo di Jacopo Tomatis di Silvana Porcu e Daniele Bergesio di Marcello Lorrai Poste Italiane s.p.a. - spedizione in abbonamento postale - D.L. 353/2003 (conv. in L. 27/02/2004 n.46) art. 1, comma 1, DCB MILANO - n. 5 MAGGIO 2011 - IN CASO DI MANCATO RECAPITO INVIARE AL CMP DI MILANO ROSERIO PER LA RESTITUZIONE AL MITTENTE, PREVIO PAGAMENTO RESI 2 | sommario 05|11 ATTUALITÀ PROFESSIONI concerti opere festival formazione lavoro strumenti 3-11 CLASSICA 19-26 CLASSICA INCHIESTA: Idee per lo spettacolo Più che un metodo di Anna Maria De Luca di Roberto Iovino, Mauro Mariani, Raffaele Pinelli, Jacopo Tomatis Lo strumentario Orff e l’apprendimento della musica I soldi versati all’Enpals, un tesoretto di 1.400 milioni di attraverso esperienze dirette: Giovanni Piazza ha pubblicato euro; le donazioni del 5 x mille potrebbero rimpinguare il per Edt un libro sull’esperienza italiana dell’Orff Schulwerk Fus e aiutare teatri e istituzioni a uscire dalla crisi? L’Italia del reality di Elisabetta Torselli 24-25 WORLD La nuova opera di Luca Mosca, L’Italia del Destino, debutta a Eroi migranti di Silvana Porcu Firenze il 15 maggio A New York una mostra celebra i liutai italiani in Usa Goebbels ad AngelicA di Enrico Bettinello Dal 5 maggio la ventunesima edizione del festival bolognese 27-30 audizioni concorsi corsi Il futuro dell’Ort di Elisabetta Torselli Parla il presidente Martini Monteverdi è la star di Maddalena Schito Intervista ad Arnaldo Bassini, direttore artistico del festival di Cremona «Deve vincere il dialogo!» di Franco Soda CULTURE Daniel Barenboim e la sua Divan Orchestra il 17 maggio a temi libri dischi Milano, il 18 a Roma Opera per ologramma di Maurizio Corbella 31-33 CLASSICA Telesio di Battiato debutta il 6 maggio a Cosenza Liszt eroe senza retorica di Daniela Gangale ANTEPRIMA FESTIVAL ITALIA Michele Campanella ha dedicato una vita al compositore- Otto sorprese scelte nel cartellone di primavera e estate pianista: ora esce anche un suo libro da Bompiani, nel Quella donna alla stazione di Stefano Nardelli bicentenario della nascita Un mese di straordinari appuntamenti per Salvatore Sciarrino: Super fl umina è fi nalmente in prima a Mannheim JAZZ Abbado è Berliner di Corina Kolbe 34-35 Il 13, 14 e 15 maggio, con Pollini e von Otter Metropolis jazz di Leo Izzo Che ne pensa Mortier di Fabio Zannoni Dalla versione restaurata del capolavoro di Lang riemerge La prossima stagione del Teatro Real di Madrid non ha l’elettrizzante colonna sonora di Gottfried Huppertz esitazioni: Novecento. L’Italia? «Una situazione vergognosa, colpa dei politici e dei sindacati» 36-37 POP Kode9, musiche in codice di Giorgio Valletta 12 JAZZ Steve Goodman ha fondato l’etichetta Hyperdub, ed è il Fascino pacato del viaggio di Maurizio Principato guru del dubstep. Il nuovo disco con Spaceape, Black Sun Il Colin Vallon Trio in tour europeo Il sardo di qualità 38-39 WORLD La crescita dello European Jazz Expo di Cagliari Rasta e rivoluzione di Marcello Lorrai Alpha Blondy e Tiken Jah Fakoly, voci reggae dalla Costa 13 POP d’Avorio post Gbagbo Il pianoforte è un leviatano di Jacopo Tomatis Il nuovo disco di Vinicio Capossela, Marinai, profeti e balene, 40-41 CLASSICA è un viaggio nel mito da Omero alla bibbia, da Moby Dick al I volti di Martha Argerich di Maurizio Giani Mediterraneo La pianista a confronto con se stessa in due registrazioni del 1967 e del 2009 15-18 cartellone 42-43 JAZZ Per sempre contemporanea di Luigi Radassao Riscoprire Mary Lou Williams 44-45 POP Slow music di Alberto Campo La nuova canzone folk americana 46-47 WORLD la foto di copertina: Daniel Barenboim Musica che non dimentica di Monica Paes Bossa nova e musica brasiliana in una compilation Soul Jazz “il giornale della musica” torna in edicola il 1° giugno. Seguiteci ogni giorno su giornaledellamusica.it mensile di informazione e cultura musicale [email protected] stampa: NUOVA SEBE s.p.a., via Brescia 22, 20063 Cernusco sul Naviglio (MI), tel. 0292104710 direttore responsabile: Enzo Peruccio distribuzione in edicola: Italia: SO.DI.P. Angelo Patuzzi s.p.a., condirettore: Daniele Martino 18 via Bettola 20092 Cinisello Balsamo (MI)‚ tel. 02660301‚ caporedattrice: Susanna Franchi (tel. 0115591804) fax 0266030320; Canton Ticino (Svizzera): S.I.E.S. s.r.l. redazione: Jacopo Tomatis (tel. 0115591842) collaboratori della redazione: Gabriella Zecchinato (cartellone), Stefano Cena (audizioni, concorsi, corsi) il giornale della musica è pubblicato da editor: Stefano Zenni (jazz), Alberto Campo (pop), Marcello Lorrai (world) via Pianezza 17‚ 10149 Torino grafi ca e prepress: Enzo Ciliberti, Ivo Villa tel. 0115591811 fax 0112307035 progetto grafi co: elyron web e IT: Carlo Mario Chierotti (responsabile), Registrazione del Tribunale di Torino: n. 3591 del 2/12/85 Luca Dario Carità, Marco Verlengia Conto corrente postale: n. 17853102 pubblicità: Antonietta Sortino (responsabile, tel. 0115591828); Manuela Menghini (tel. 0115591849) diff usione, abbonamenti e vendite: Eloisa Bianco (tel. 0115591831); numeri arretrati Italia: € 8‚00; Unione Europea: € € 12‚00; Paesi extraeuropei: 16‚00 il giornale della musica è stampato su carta ecologica riciclata naturale; amministrazione: Daniela Armillotta questa carta ha ottenuto dal Ministero produzione: Alberto Capano dell’Ambiente Tedesco il marchio “Angelo Blu” 02|10 ATTUALITÁATTUALITÁ concerti opere festival Idee per lo spettacolo I soldi versati all’Enpals, un tesoretto di 1.400 milioni, o le donazioni del 5 x mille, potrebbero rimpinguare il Fus e aiutare teatri e istituzioni a uscire dalla crisi? RAFFAELE PINELLI E ROBERTO IOVINO L’Italia non è un paese per vecchi. Non vuole essere questo un omaggio al celebre fi lm dei fratelli Coen, quanto una costatazione della tangibile dif- La traviata fi rmata da Pelly per il Regio di Torino, il teatro che ha ricevuto più adesioni 5 x mille, 1.627 (85.851,56 €) (foto Ken Howard) fi coltà, per usare un eufemismo, del conseguimento dei requisiti minimi utili per la pen- te dalla seconda metà degli anni Novanta. Tutto ciò, uni- sione. Questa insalubre condizione, comune a tutti i set- to al rinnovamento della governance, agli investimenti tori professionali, è ancor più rilevante nell’ambito del- strategici affrontati nello snellimento della burocrazia lo spettacolo. I dati forniti della Commissione Europea attraverso l’informatizzazione, ha portato nel corso di documentano che la Francia destina ai beni culturali 7,5 poco meno di venti anni, a ripristinare e consolidare la miliardi di Euro per il 2011 (0,90% della spesa pubblica), salute dell’Ente stesso. Lo testimoniano, inoltre, gli avan- la Germania 11 miliardi, l’Italia arriva a 1,5 (0,21% della zi di gestione che per il 2010 sono stati pari a 182 milioni spesa pubblica). Tutto ciò, com’è semplice immagina- di Euro e che si stima saranno per il 2011 di 217 milioni. re, conduce a uno stallo della produzione artistica e, di Tali rilevanti importi, a dispetto di quanto si possa crede- conseguenza, alla mancata crescita delle entrate erariali re, non sono però utilizzabili in quanto l’Enpals è tra gli e previdenziali. Se a quanto detto si aggiunge che la ri- Enti che sono obbligati a depositare presso la Tesoreria duzione del Fondo Unico per lo Spettacolo ha costretto la propria liquidità. gli enti locali a intervenire in prima persona nel fi nanzia- Nell’intervento tenuto durante la tavola rotonda orga- mento della cultura mettendo in campo le proprie risorse nizzata dalla Cgil e dedicata a “Enpals: le tre facce della di bilancio, sempre più ristrette e vincolate all’obbligo medaglia”, Titti Di Salvo, Presidente del CIV (Consiglio di di legge di non investire più del 20% della somma stan- Indirizzo e Vigilanza) dell’Enpals, ha dichiarato che «l’ul- ziata nei bilanci del 2008 per eventi e manifestazioni di timo bilancio tecnico elaborato dalla struttura attuariale carattere culturale, ci si accorge che in Italia è davvero che prende in esame gli anni dal 2010 al 2039, prevede complesso riuscire a vivere di cultura. Figuriamoci quan- che la gestione pensionistica dei lavoratori dello spetta- to la pensione possa rappresentare un miraggio per la colo registrerà un avanzo contabile, come differenza tra stragrande maggioranza dei lavorati dello spettacolo che, entrate e uscite, in valore attuale (quindi in termini reali) per loro natura, rappresentano un’anomalia nel comples- superiore ai 9 miliardi di euro; a gennaio 2011, il saldo so sistema previdenziale e professionale nazionale.
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