Scoping out SXSW Interactive: an Information Session for Ontario Interactive Media Firms
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Make Your Marketing More Accessible June 20, 2019 Cuyahoga Falls, Ohio
Make Your Marketing More Accessible June 20, 2019 Cuyahoga Falls, Ohio 6/20/2019 VSA Ohio Welcome & Thanks • You • ArtsNow • City of Cuyahoga Falls • Ohio Arts Council 6/20/2019 VSA Ohio Agenda • Tip #1 – get to know your audience • Tip #2 – write an access statement • Tip #3 – audit your outlets • Tip #4 – use images • Tip #5 – adapt your designs • Tip #6 – the digital age • Tip #7 – spread the word • Your Marketing Materials *Ask Questions Any Time 6/20/2019 VSA Ohio Tip #1 Get to Know your Audience 6/20/2019 VSA Ohio Common Disabilities • Vision Loss • Hearing Loss • Mobility disability • Intellectual disability • Developmental disability • Learning disability • Speech / Language disability • Psychological / Emotional • Chronic health issues • Multiple disabilities 6/20/2019 VSA Ohio Vision 6/20/2019 VSA Ohio Mobility 6/20/2019 VSA Ohio Hidden 6/20/2019 VSA Ohio Market Power • Disposable income for working‐age people with disabilities is about $490 Billion. • Discretionary income for working‐age people with disabilities is about $21 Billion. ‐ African Americans ($3 billion); Hispanics ($16 billion) • 66% of consumers will purchase good and services from a business that features people with disability in their advertising. • 78% of consumers will purchase goods and services from a business that takes steps to ensure easy access for people with disabilities. • The market potential is even larger when one considers the friends, family members, caregivers, colleagues, and others who are connected to consumers with disabilities. American Institutes for Research (April 2018) 6/20/2019 VSA Ohio Examples Microsoft – new game control Swiffer – everyday cleaning 6/20/2019 VSA Ohio Partners + People • Involve people with disabilities! • Word of Mouth is Very important • Service Organizations / Providers • Advocacy Groups • County Boards of Disabilities • Get to know your regional partners 6/20/2019 VSA Ohio Tip #2 Write an Access Statement 6/20/2019 VSA Ohio Access Statement • Tell your audiences what / who you stand for. -
Scott Rohrman, 42 Real Estate C
Associate Leadership Council The Creative City Date: Friday, March 4, 2016 Parking: Park in DMA garage between 8:00 – 8:15 a.m., 1717 N Harwood St, Dallas, TX 75201 Starting Location: Walk to Hall Arts Center, 2323 Ross Avenue. Arrive no later than 8:15 a.m. Program Chair: Jill Ibison, Corgan Program Committee: Marti DuBuisson, Corgan; Nathan Nash, Nash Development Company I. Welcome and Introductions. Texas Sculpture Walk 8:30 a.m. a. Patricia B. Meadows, President, Art Connections II. Walking tour of the Arts District, History and Impact 9:30 a.m. a. Catherine Cuellar, Director, Entrepreneurs of North Texas III. Transition to the DMA 10:45-10:55 a.m. IV. DMA Tour 11:00 a.m. a. Pollock Exhibit – Docent lead b. Gallery Exhibit – Docent lead V. Lunch at the DMA Café 12:00 p.m. VI. Individually Drive to Deep Ellum 12:45 p.m. a. Surface or street parking near 2650 Main St, Dallas, TX 75226 b. Walk to Reel FX, 301 N Crowdus St, Dallas, TX 75226. Meet in Lobby. VII. Reel FX. Digital Media 1:15 p.m. a. Liz Hemme, Lighting Superv isor VIII. Walk to Undermain Theatre, 3200 Main Street, Dallas TX 75226 2:30 p.m. IX. Undermain Theatre 2:45 p.m. a. Ken Bernstein, Technical Director and Ben Bryant, Facilities Manager, Undermain Theatre b. Erica Felicella, Art Conspiracy Executive Director X. Walk to Kettle Art Gallery, 2650 Main St, Dallas, TX 75226 3:45 p.m. XI. Kettle Art Gallery. View Exhibit and Casual Conversation 4:00 p.m. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Top Questions About Character Animation
Top Questions About Character Animation What are some of the exciting aspects of character animation, and how is it different than other computer animation forms? The phrase computer animation is often used as a catch-all for many computer generated effects including spinning logos, Flash programming on the Web or special effects in movies. These are not character animation. Character animation is the process of giving life to a character, whether it is a dog that can talk, a drawn person or an animated object. Character animation creates personality. How long does it take one person to create one minute of animation? This is difficult to pinpoint, but it can take one animator about 16 – 20 weeks of full-time work to produce 60 seconds of animation.1 At Pixar Animation Studios, due to their high level of quality control, animators have been known to work on two minutes of film for a year or more. How many animators typically work on an animated feature film? It depends on the studio and its needs, so anywhere from 20 – 80 animators could be working on an animated feature film. What is the biggest myth about character animation? A lot of people believe that the computer does all of the work for the animator, but the reality is that the animator is only using the computer as a tool to create detailed animation frame by frame. What are some of the most challenging aspects of character animation? Character animators work in fun, collaborative, exciting and detailed environments. They need to have a high level of patience while working with the tiny movements of a character frame by frame. -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
M Asterclass
The Sixth Annual CG, Animation & Gaming Forum John Anthony Theatre June 9, 2007 Collin College 9:00 a.m. – 5:30 p.m. 2800 E. Spring Creek Pkwy, Plano, TX Masterclass 10 a.m. – 3:30 p.m. June 8, 2007 Room C-104, Collin College www.industrygiants.org From the drawing board to the movie theater - and all points in-between – the sixth annual Industry Giants 2007 computer graphics, animation and gaming forum investigates what it takes to cultivate and keep an animation and gaming industry in Texas. Bryan Engram – Reel FX Creative Studios 9:00 a.m. Rita Street – Radar Cartoons 1:30 p.m. Animation Supervisor Managing Director, Producer, and Author Currently, Bryan is finishing commercial spots for Rita is managing director of Radar Cartoons, Dreamworks’ Shrek the Third. His credits include coproducer of The Nicktoons Film Festival, and feature films The Wild, Everyone’s Hero, and Teenage vp of development for Mike Young Productions, Mutant Ninja Turtles; shorts such as Blue Sky’s Aunt Her current animated series, Ruby Gloom, has been Fanny’s Tour of Booty; and game cinematics for Halo 2 nominated in the Annecy (France) and Cartoons on and Transformers :The Game. the Bay (Italy) Festivals. Elizabeth Hitt – Digital Domain 10:00 a.m. Steve Gaconnier – Janimation 2:30 p.m. Visual Effects CEO and Chief Creative Director Elizabeth works for Academy Award winning visual Janimation is nationally recognized as a talented effects house Digital Domain and has credits on and industrious company through their work for Stealth, Zoom, Texas Chainsaw Massacre: The Beginning, such clients as Fox Sports, Nokia, Pennzoil, Miller The Hitcher, and the upcoming Transformers. -
Allan Cabal [email protected] (310) 508-6679
Allan Cabal [email protected] (310) 508-6679 OBJECTIVE To be part of an inspiring team of creative individuals that would enable me use my production experience as an animator/previs artist to its highest potential SKILLS • Software: Maya 2017, 3dsmax 2017, Softimage 2014, Character Studio, C.A.T, Vray, Adobe Photoshop/Premiere, various plug-ins/scripts for Maya/3dsmax, Shotgun • Traditional Art Skills: Traditional animation training, character development, storyboarding, airbrush illustration, figure sculpture, and extensive life drawing experience with graphite, ink, charcoal, conte, and watercolor (Traditional art samples available upon request) WORK EXPERIENCE Zoic Studios:Animator 2018: animation for episodic shows “The Wallking Dead & Magnum P.I reboot” Pixomondo: Senior Animator/Previs Artist 2014-2016 Dragon animation for “AT&T Uverse Game of Thrones: It’s Time” commercial, animation/previs for various “Wanda theme park rides” Uncharted Territory: Animator Feb-March 2016 “Independence Day: Resurgence” Prologue Films: Senior Animator Aug-Oct 2014 “Audi car promo” Blur Studios: Senior Animator/previs artist Jan-July 2014 “Halo: Masterchief collection" “StarTrek Theme Park Ride” Pixomondo: Senior Animator 2011-2013 Animation for feature films “Oblivion” "Hugo"and "Redtails" Spatial Harmonics Group: Animator Nov 2011 Animation for Motorola Razr and Pantene commercials 23dfilms: Lead Animator 2009-2010 Animation lead for the television shows "Crime360, American Paranormal: Bigfoot Revealed, Haunted Prison, I-predator " LLP Digital: -
Moonbot Studios: a Lunar Adventure in Louisiana
MOONBOT STUDIOS: A LUNAR ADVENTURE IN LOUISIANA Timothy D. Wise, Southern Arkansas University March 5, 2012 was a big day in Shreveport, Louisiana. Confetti flew and a brass band played as a parade made its way down Texas Street. Bill Joyce and Brandon Oldenburg, the creative partners in charge of Moonbot Studios, rode in convertibles and held their Oscar statues high. Managing Partner Lampton Enochs and Trish Farnsworth-Smith, the studio’s head of production, rode behind them. The Byrd High School marching band played a special arrangement of “Pop Goes the Weasel,” and Moonbot’s artists, animators, programmers, and administrative staff tossed Moonpies to the crowd from their cars and floats.1 In May, 2011, Moonbot Studios of Shreveport, Louisiana, released its first project, an animated short called The Fantastic Flying Books of Mr. Morris Lessmore on Apple’s iTunes Store. By July, partly in response to an article in Fast Company, sales of the film had skyrocketed to the top of iTune’s charts. By Wednesday, July 14, the Morris Lessmore film short was the top selling film on iTunes. The New York Times declared the iPad App, created in collaboration with Twin Engine Labs, another Shreveport start-up2 to be “The best...a visually stunning bit of work with entertaining interactive features.”3 MSNBC.com’s Gadgetbox declared the app, “a must-have interactive book.”4 The beginning of 2012 brought even more excitement. At the end of January, the Moonbots discovered that Morris Lessmore had been nominated for an Academy Award for best animated short. At the studio, the Moonbot creative team was ecstatic. -
King's Research Portal
King’s Research Portal DOI: 10.1386/ap3.4.1.67_1 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Holliday, C. (2014). Notes on a Luxo world. Animation Practice, Process & Production, 67-95. https://doi.org/10.1386/ap3.4.1.67_1 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
DNA PRODUCTIONS, INC. 2201 W. Royal Ln., Ste. 275, Irving, TX
DNA PRODUCTIONS, INC. GRACIE FILMS 2201 W. Royal Ln., Ste. 275, Irving, TX 75063. (214) 352-4694. (TV animation) FAX: (214) 496-9333. www.dnahelix.com 10202 W. Washington Blvd., Sidney Poitier Bldg., 2nd Flr., email: [email protected] Culver City, CA 90232. (310) 244-4222. FAX: (310) 244-1530. CONTACT EXECUTIVE V.P. Keith Alcorn Denise Sirkot DREAM THEATER STUDIOS GREATEST TALES 30699 Russell Ranch Rd., Ste. 190, West Lake Village, CA 22477 MacFarlane Dr., Woodland Hills, CA 91364. (818) 225- 91362. (818) 661-1109 FAX: (818) 661-1194. 9545. www.dreamtheater.com email: [email protected] PRESIDENT MANAGER Fred Ladd Darren Chuckry GREEN GRASS BLUE SKY COMPANY DREAMWORKS SKG FEATURE ANIMATION 10061 Riverside Dr., Ste. 753, Toluca Lake, CA 91602. (818) 1000 Flower St., Glendale, CA 91201. (818) 733-7000. FAX: 787-0024. email: [email protected] (818) 733-3036. WRITER & PRODUCER Frank Catalano DUCK SOUP STUDIOS (Animation for commercials, film and TV titles, multimedia; 2D HALLMARK ENTERTAINMENT and 3D computer animation, cel, character design, digital 1325 Ave. of the Americas, 21st Flr., New York, NY 10019. (212) compositing, digital ink & paint) 977-9001. FAX: (212) 977-9049. www.hallmarkent.com 2205 Stoner Ave., Los Angeles, CA 90064. (310) 478-0771. JIM HENSON PRODUCTIONS FAX: (310) 478-0773. www.ducksoupla.com 1416 N. LaBrea Ave., Hollywood, CA 90028. (323) 802-1500. DYNACS DIGITAL STUDIOS FAX: (323) 802-1825. www.henson.com (Special effects, colorization, restoration and digital ink & paint) HOUSE OF MOVES MOTION CAPTURE STUDIOS, LLC 21011 Itasca St., Unit D, Chatsworth, CA 91311. (818) 709- (Motion capture) 2450. -
Motion Simulator Filmography
Master Class with Douglas Trumbull: Selected Films Created for Motion-Simulator Amusement Park Attractions *mentioned or discussed during the master class ^ride designed and accompanying film directed by Douglas Trumbull Despicable Me: Minion Mayhem. Dir. unknown, 2012, U.S.A. 8 mins. Production Co.: Universal Creative / Illumination Entertainment. Location: Universal Studios Florida; Opened 2012, still in operation, 2012. Star Tours: The Adventures Continue. Dir. unknown, 2011, U.S.A. 5 mins. Production Co.: Lucasfilm / Walt Disney Imagineering. Locations: Disney’s Hollywood Studios (Walt Disney World Resort), Disneyland Anaheim, Tokyo Disneyland; Opened 2011, still in operation, 2012 (Tokyo ride under construction). Harry Potter and the Forbidden Journey. Dir. Thierry Coup, 2010, U.S.A. 5 mins. Production Co.: Universal Creative. Locations: Islands of Adventure, Universal Studios Japan, Universal Studios Hollywood; Opened 2010 (Islands of Adventure), ride is under construction at other parks. The Simpsons Ride. Dirs. Mike B. Anderson and John Rice, 2008, U.S.A. 5 mins. Production Co.: 20th Century Fox Television / Reel FX Creative Studios / Blur Studio / Gracie Films / Universal Creative. Location: Universal Studios Florida, Universal Studio Hollywood; Opened 2008, still in operation, 2012. Jimmy Neutron’s Nicktoon Blast. Dir. Mario Kamberg, 2003, U.S.A. 5 mins. Production Co.: Nickelodeon Animation Studios / Universal Creative. Location: Universal Studios Florida; Opened 2003, closed 2011. Mission: SPACE. Dir. Peter Hastings, 2003, U.S.A. 5 mins. Production Co.: Walt Disney Imagineering. Location: Epcot (Walt Disney World Resort); Opened 2003, still in operation, 2012. Soarin’ Over California. Dir. unknown, 2001, U.S.A. 5 mins. Production Co.: Walt Disney Pictures. Location: Disney California Adventure, Epcot (Walt Disney World Resort); Opened 2001, still in operation, 2012. -
Animation Business Directory Winter 2002
Animation Industry Database GLOBAL aidb.com ANIMATION BUSINESS DIRECTORY WINTER 2002 An Animation World Network Publication awn.com GLOBAL ANIMATIONBUSINESS DIRECTORY WINTER 2002 GLOBAL ANIMATIONBUSINESS DIRECTORY WINTER 2002 WE ARE PLEASED TO WELCOME YOU TO ENJOY AWN’S INAUGURAL publication of the AIDB Directories. This three-part animation industry directory offers a resource to professionals that has never before been available. Derived from AWN’s exclusive online Animation Industry Database (www.AIDB.com), these new downloadable publications are Animation Industry Database designed to provide AWN readers with valuable information on animation, www.aidb.com visual effects, gaming and related companies from around the world. The AIDB is the most comprehensive, searchable and easy to use resource of its Animation World Network kind. Over 4,000 companies from 80 countries are represented within these www.awn.com directories, featuring companies that sell products, provide services and AWN, Inc. possess creative expertise across more than 100 business and production 6525 Sunset Blvd. categories. Garden Suite 10 AWN has just published the Winter 2002 edition of the following printable Los Angeles, CA 90028 United States PDF directories. Follow the links below to download these directories for [T] 323 606-4200 free. [F] 323 466-6619 [email protected] > GLOBAL ANIMATION BUSINESS DIRECTORY www.awn.com > GLOBAL ANIMATION HARDWARE&SOFTWARE DIRECTORY PUBLISHING > GLOBAL ANIMATION PRODUCTION DIRECTORY PRESIDENT Ron Diamond The on-line AIDB grows everyday as more and more people update CHIEF OPERATING OFFICER their company profiles. Inclusion, access and use of the AIDB is provided Dan Sarto free of charge. Participating companies edit their own descriptive profiles, so the information stays up-to-date and accurate.