Slavery and Bondage
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HINDUISM in EUROPE Stockholm 26-28 April, 2017 Abstracts
HINDUISM IN EUROPE Stockholm 26-28 April, 2017 Abstracts 1. Vishwa Adluri, Hunter College, USA Sanskrit Studies in Germany, 1800–2015 German scholars came late to Sanskrit, but within a quarter century created an impressive array of faculties. European colleagues acknowledged Germany as the center of Sanskrit studies on the continent. This chapter examines the reasons for this buildup: Prussian university reform, German philological advances, imagined affinities with ancient Indian and, especially, Aryan culture, and a new humanistic model focused on method, objectivity, and criticism. The chapter’s first section discusses the emergence of German Sanskrit studies. It also discusses the pantheism controversy between F. W. Schlegel and G. W. F. Hegel, which crucially influenced the German reception of Indian philosophy. The second section traces the German reception of the Bhagavad Gītā as a paradigmatic example of German interpretive concerns and reconstructive methods. The third section examines historic conflicts and potential misunderstandings as German scholars engaged with the knowledge traditions of Brahmanic Hinduism. A final section examines wider resonances as European scholars assimilated German methods and modeled their institutions and traditions on the German paradigm. The conclusion addresses shifts in the field as a result of postcolonial criticisms, epistemic transformations, critical histories, and declining resources. 2. Milda Ališauskienė, Vytautas Magnus University, Lithuania “Strangers among Ours”: Contemporary Hinduism in Lithuania This paper analyses the phenomenon of contemporary Hinduism in Lithuania from a sociological perspective; it aims to discuss diverse forms of Hindu expression in Lithuanian society and public attitudes towards it. Firstly, the paper discusses the history and place of contemporary Hinduism within the religious map of Lithuania. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Beatrice Medicine Papers (1914, 1932-1949, 1952-2003)
Beatrice Medicine papers (1914, 1932-1949, 1952-2003) Finding aid prepared by Katrina Schroeder. Funding for the processing of this collection was provided by the Smithsonian Women's Committee. 2019 August National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland, Maryland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 9 Arrangement..................................................................................................................... 9 Biographical / Historical.................................................................................................... 2 Bibliography.................................................................................................................... 10 Names and Subjects .................................................................................................... 13 Container Listing ........................................................................................................... 15 Series 1: Native American Culture and History, (bulk 1954-2002)......................... 15 Series 2: Appropriations, Economics, and Labor, (bulk 1955-2000)..................... -
5282-2-Yonetmenler-Filmler-Olkeler-2-Atilla Dorsay-1989-344S.Pdf
ATILLA DORSA Y * YÖNETMENLER, FILMLER, OLKELER- 2 Bilgi Dizisi : 20 Varlık Yayınları, Sayı : 27 İlk basım : 1988 ISBN 975 - 434- 009 - 9 VARLIK YAYlNLARI A.Ş. Cağaloğlu Yokuşu 40/2, İstanbul ATILLA OORSAY YÖNETMENLER, FİLMLER, ÜLKELER- 2 •v.��ınlan SUNUŞ cYönetmenler, Filmler, Ülkeler» adlı kitabım oldukça ilgi görmüş ve kısa zamandır tükenmişti. (Yeni basımı önümüzdeki yayım yılında çıkacak). O kitabın önsözünde de bir tür cvaad» olarak ikinci ciltten söz etmiş ve ilk cildin içerdiği ülkelerin dışında kalan sinemalara ·ve yönetmeni ere, bir ikinci cil tt e yer verileceğini duyurmuştum. İşte başka çalışmaların ön plana geç mesi yüzünden geciken bu ikinci cilt, şimdi elinizde... İlk cildin önsözünde değinmiş olduğum gibi, sinemada önem li, yaratıcı yönetmen, cauteur» kavramı bir olgu... Ancak ne denli kişisellik taşıyan bir sanatçı olsa da, yönetmenin de belli bir toplumdan, o toplumun kendine özgü koşullarından süzülüp geldiği de bir diğer gerçek ... Bu iki olgunun ışığında, bu kitap da, ilki gibi, öncelikle ülkelere ve ulusal sinemalara göre, ama onların içinde yer alan önemli yönetmeniere inerek düzenlendi. Bu ikinci ciltte önce Fransız sineması yer alıyor ve önemi oranında geniş bir yer k.a.plıyor. Bundan sonra 1960 sonlarından itibaren filizlenen Genç Alman Sineması, iki yönetmeniyle bir likte tanıtılıyor. Üçüncü bölüm, özellikle günümüzde yeniden önem kazanan ve sinema dünyasının ön planına geçen Sovyetler sineması. .. Son bölüm ise, Avrupa Sosyalist Ülkeler Sinemaları üzerine ... Bu bölümde, Çek, Polanya, Macar, Romen ve Yugos lav sinemaları ve ünlü yönetmenleri tanıtılıyor. Her bölümün kendi içindeki bölümlenmesi, bölüm başların da ve nedenleriyle birlikte açıklanıyor. Önemli akımlara (Yeni Dalga, Genç Alman Sineması, Sovyetler sinemasında yeni çıkış lar gibi) ve ulusal sinemalara (Macar, Polanya, Yugoslavya si nemaları vs.) değinen yazılar ya zamanında ya da bu kitap için günümüzde yazılmış.. -
CLASSICAL MUSIC in CINEMA the Purpose of the Course Will Be To
CLASSICAL MUSIC IN CINEMA The purpose of the course will be to explore and understand the use of classical music in art movies starting with The Birth of a Nation in 1915 up until today. Films will be screened partially, and musical extracts will discussed. The 12 week lectures start with a historical introduction into the utilisation of classical music in the early era of cinema. Diegetic and non-diegetic music and their particular use will then be discussed. A discussion on the effect of leitmotivs and classical music as a device supporting the narrative will follow. After this three-week introduction, we will explore classical music used as leitmotiv and supporting narrative, then films on opera and opera in films, and the use of classical music in period movies. We will then examine the way how specific pieces of music have added to some of the greatest dramas and films of the past. Finally, the course will conclude with a discussion of auteur cinema and cover how seven essential directors have used music in their films; Bunuel, Bresson, Bergman, Pasolini, Kubrick, Godard, Tarkovsky and Fassbinder. Extracts from almost 100 films are intended to be shown and discussed. There will be no requirement for pre-lecture reading, screening or preparation. However, attendance will be obligatory, since grades will only be based on attendance, performance in class and homework in the form of essays. Screenings of assignments will be made in class. Week 1 (9 February 2015): General introduction Features D.W. Griffith’s The Birth of a Nation [1915] Sergei Eisenstein’s Battleship Potemkin [1925] Fritz Lang’s Metropolis [1927] David Lean’s Brief Encounter [1945] Giuseppe Tornatore’s Cinema Paradiso [1988] Luc Besson’s Leon [1994] Readings [None. -
Climates a Film by Nuri Bilge Ceylan
WINNER FIPRESCI PRIZE IN COMPETITION 2006 Cannes Film Festival climates a film by Nuri Bilge Ceylan A Zeitgeist Films Release climates a film by Nuri Bilge Ceylan Winner of the prestigious Fipresci Award at the 2006 Cannes Film Festival, CLIMATES is internationally acclaimed writer-director Nuri Bilge Ceylan’s sublime follow-up to his Cannes multi-award winner DISTANT. Beautifully drawn and meticulously observed, the film vividly recalls the cinema of Italian master Michelangelo Antonioni with its poetic use of landscape and the incisive, exquisitely visual rendering of loneliness, loss and the often-elusive nature of happiness. During a sweltering summer vacation on the Aegean coast, the relationship between middle-aged professor Isa (played by Ceylan himself ) and his younger, television producer girlfriend Bahar (the luminous Ebru Ceylan, Ceylan’s real-life wife) brutally implodes. Back in Istanbul that fall, Isa rekindles a torrid affair with a previous lover. But when he learns that Bahar has left the city for a job in the snowy East, he follows her there to win her back. Boasting subtly powerful performances, heart-stoppingly stunning cinematography (Ceylan’s first work in high definition) and densely textured sound design, CLIMATES is the Turkish filmmaker’s most gorgeous rumination yet on the fragility and complexity of human relationships. BIOGRAPHIES Nuri Bilge Ceylan (Isa / Director-Screenwriter) Since winning the Grand Prize at Cannes in 2003 for DISTANT (Uzak), Nuri Bilge Ceylan, the ‘Lone Wolf ’ of Turkish cinema, has been critically acclaimed for his spare and unaffected style of filmmaking, inviting comparisons to Tarkovsky, Bresson and Kiarostami. Humorous and masterful, his is a cinema that spans the modern experi- ence: examining rural life, relationships, masculinity, and urban alienation. -
Silk Road’ and Its Relevance in Trade Relations of India with Present Central Asian States
Journal of Commerce and Trade April 2014 Vol. IX No.1 ISSN: 0973-4503 RNI : UPENG 2006/17831 Modern ‘Silk Road’ and its Relevance in Trade Relations of India with Present Central Asian States Dr. Bhuwnesher Kumar Tyagi Assistant Professor, Department of History, Govt. J. N. S. PG College, Shujalpur (M.P.) Abstract The Silk Road was an interconnected series of routes through Southern Asia traversed by caravans and ocean vessels, and connecting Chang’an (present Xi’an), China, with Antioch, Syria, as well as other countries. Its influence carried over into Korea and Japan. These exchanges were critical not only for the development and flowering of the great civilizations of Ancient Egypt, China, India and Rome but also laid the foundations of our modern world. Malik Mohammad Jaisi, the poet of Hindi in his work Padmavat describes Alauddin Khilji with Central Asian horses. In the middle Ages, especially under the Mughals a regular flow of trade through the overland caravan routes was established. During the reign of Akbar two caravan routes to Central Asia were in usage, one from Lahore to Kabul and the other from Multan to Kandhar, whereas Bukhara, Samarkand, Khiva and Merv were important centres of trade in Central Asia, and Peshawar, Shikarpur, and Multan functioned as important trade marts in India. The ancient Silk Road was once unsurpassed in the trade it took across continents, the cultures that were linked by the camel caravans and donkey who wended their way through its dust. Nowadays, as the old thoroughfare falls into poor condition and forgetfulness, regions along it are also suffering. -
Studia Politica Nr. 42014
www.ssoar.info Ghiță Ionescu on the BBC Goșu, Armand Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Goșu, A. (2014). Ghiță Ionescu on the BBC. Studia Politica: Romanian Political Science Review, 14(4), 439-468. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-446573 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de Ghi ță Ionescu on the BBC ARMAND GO ŞU On 9 March 1947, Ghi ță Ionescu landed in London. He had a transit visa to “Belgium-France”, bearing the date 24 February 1947 1. He had obtained the visa at the General Consulate of Great Britain in Istanbul, Galata. The British clerk crossed out with his pen “valid for one day” and wrote “one month”. Ghi ță Ionescu had to hurry. On 22 March 1947, his diplomatic passport was set to expire 2. He had its validity extended by the chargé d'affaires at the Romanian legation in Ankara. He had just been recalled by Alexandru Cretzianu, Romania's Minister Plenipotentiary in Turkey. Shortly after, a new ambassador to Ankara was appointed, convenient to the Petru Groza government, which was dominated by communists. Most likely, his chances of carrying on as economic adviser at the Romanian legation in Turkey's capital, and therefore of having his passport renewed, were rather slim, and the political events in Bucharest did not inspire optimism, since Ghi ță Ionescu made meticulous preparations to head over the the West. -
The Effect of Serfdom on Labor Markets†
The effect of serfdom on labor markets† Peter Sandholt Jensen Cristina Victoria Radu Battista Severgnini Paul Richard Sharp Department of Business and Economics, University of Southern Denmark Campusvej 55, DK-5230 Odense M, Denmark Abstract This research provides evidence on how restrictions on labor mobility, such as serfdom and other types of labor coercion, impact labor market outcomes. To do so, we estimate the impact of a large shock to labor mobility in the form of the reintroduction of serfdom in Denmark in 1733, which was targeted at limiting the mobility of farmhands. While many economists, historians and others have argued that serfdom had an impact on the mobility and wages, revisionist historians have countered that workers found ways to circumvent the restrictions imposed by serfdom. Using a unique data source based on 18th century estates, we test whether serfdom affected the wages of farmhands more strongly than other groups in the labor market using a differences-in-differences approach, and find evidence consistent with a strong negative effect on serfdom following its introduction. We also investigate whether one mechanism was that boys with rural backgrounds were prevented from taking up apprenticeships in towns, and find suggestive evidence that this was indeed the case. Thus, our results suggest that serfdom was effectively reducing mobility. Keywords: Serfdom, labor mobility, coercion JEL Classification: J3, N33, P4. † We thank Philipp Ager, Jeremy Atack, Casper Worm Hansen, Alex Klein, Christian Skovsgaard, Nico Voigtländer and seminar participants at University of Copenhagen, University of Southern Denmark and the 2017 Economic History Association conference in San Jose for useful comments and suggestions. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60). -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
Northerners' Perspectives on American Emancipation and the End of Russian Serfdom
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2021 Northerners' Perspectives on American Emancipation and the End of Russian Serfdom Mariana S. Kellis University of Central Florida Part of the United States History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Kellis, Mariana S., "Northerners' Perspectives on American Emancipation and the End of Russian Serfdom" (2021). Honors Undergraduate Theses. 947. https://stars.library.ucf.edu/honorstheses/947 NORTHERNERS’ PERSPECTIVES ON AMERICAN EMANCIPATION AND THE END OF RUSSIAN SERFDOM By: MARIANA KELLIS A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in History in the College of Arts and Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2021 Thesis Chair: Barbara Gannon, Ph.D. Abstract This thesis explores the various perspectives that Northern Americans had on Russian serfdom and its emancipation. This era was significant to both Russia and the United States because each country experienced tremendous reforms including the abolitions of their unfree labor institutions. Generally, Northern Americans viewed serfdom as a milder form of forced labor and suspected that it would be eradicated soon. Abolitionists used rumors of Russian emancipation to advocate for the end of American slavery.