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Bush Artist Fellows
Bush Artist Fellows AY_i 1/14/03 10:05 AM Page i Bush Artist Fellows AY 1-55 1/14/03 10:07 AM Page 1 AY 1-55 1/14/03 10:07 AM Page 2 Bush Artist Fellows CHOREOGRAPHY MULTIMEDIA PERFORMANCE ART STORYTELLING M. Cochise Anderson Ananya Chatterjea Ceil Anne Clement Aparna Ramaswamy James Sewell Kristin Van Loon and Arwen Wilder VISUAL ARTS: THREE DIMENSIONAL Davora Lindner Charles Matson Lume VISUAL ARTS: TWO DIMENSIONAL Arthur Amiotte Bounxou Chanthraphone David Lefkowitz Jeff Millikan Melba Price Paul Shambroom Carolyn Swiszcz 2 AY 1-55 1/14/03 10:07 AM Page 3 Bush Artist Fellowships stablished in 1976, the purpose of the Bush Artist Fellowships is to provide artists with significant E financial support that enables them to further their work and their contributions to their communi- ties. An artist may use the fellowship in many ways: to engage in solitary work or reflection, for collabo- rative or community projects, or for travel or research. No two fellowships are exactly alike. Eligible artists reside in Minnesota, North and South Dakota, and western Wisconsin. Artists may apply in any of these categories: VISUAL ARTS: TWO DIMENSIONAL VISUAL ARTS: THREE DIMENSIONAL LITERATURE Poetry, Fiction, Creative Nonfiction CHOREOGRAPHY • MULTIMEDIA PERFORMANCE ART/STORYTELLING SCRIPTWORKS Playwriting and Screenwriting MUSIC COMPOSITION FILM • VIDEO Applications for all disciplines will be considered in alternating years. 3 AY 1-55 1/14/03 10:07 AM Page 4 Panels PRELIMINARY PANEL Annette DiMeo Carlozzi Catherine Wagner CHOREOGRAPHY Curator of -
The Canadian Cadet Movement and the Boy Scouts of Canada in the Twentieth Century
“No Mere Child’s Play”: The Canadian Cadet Movement and the Boy Scouts of Canada in the Twentieth Century by Kevin Woodger A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by Kevin Woodger 2020 “No Mere Child’s Play”: The Canadian Cadet Movement and the Boy Scouts of Canada in the Twentieth Century Kevin Woodger Doctor of Philosophy Department of History University of Toronto Abstract This dissertation examines the Canadian Cadet Movement and Boy Scouts Association of Canada, seeking to put Canada’s two largest uniformed youth movements for boys into sustained conversation. It does this in order to analyse the ways in which both movements sought to form masculine national and imperial subjects from their adolescent members. Between the end of the First World War and the late 1960s, the Cadets and Scouts shared a number of ideals that formed the basis of their similar, yet distinct, youth training programs. These ideals included loyalty and service, including military service, to the nation and Empire. The men that scouts and cadets were to grow up to become, as far as their adult leaders envisioned, would be disciplined and law-abiding citizens and workers, who would willingly and happily accept their place in Canadian society. However, these adult-led movements were not always successful in their shared mission of turning boys into their ideal-type of men. The active participation and complicity of their teenaged members, as peer leaders, disciplinary subjects, and as recipients of youth training, was central to their success. -
Norway House
Norway House Economic Opportunity and The Rise of Community 1825-1844 James McKillip Norway House Economic Opportunity and The Rise of Community 1825-1844 James McKillip Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the PhD in History Department of History Faculty of Arts University of Ottawa © James McKillip, Ottawa, Canada, 2012 ABSTRACT This dissertation argues that the Hudson’s Bay Company depot that was built at Norway House beginning in 1825 created economic opportunities that were sufficiently strong to draw Aboriginal people to the site in such numbers that, within a decade of its establishment, the post was the locus of a thriving community. This was in spite of the lack of any significant trade in furs, in spite of the absence of an existing Aboriginal community on which to expand and in spite of the very small number of Hudson’s Bay Company personnel assigned to the post on a permanent basis. Although economic factors were not the only reason for the development of Norway House as a community, these factors were almost certainly primus inter pares of the various influences in that development. This study also offers a new framework for the conception and construction of community based on documenting day-to-day activities that were themselves behavioural reflections of intentionality and choice. Interpretation of these behaviours is possible by combining a variety of approaches and methodologies, some qualitative and some quantitative. By closely counting and analyzing data in archival records that were collected by fur trade agents in the course of their normal duties, it is possible to measure the importance of various activities such as construction, fishing and hunting. -
Stamp News Canadian
www.canadianstampnews.ca An essential resource for the CANADIAN advanced and beginning collector Like us on Facebook at www.facebook.com/canadianstampnews Follow us on Twitter @trajanpublisher STAMP NEWS Follow us on Instagram @trajan_csn Volume 44 • Number 02 May 14 - 27, 2019 $4.50 ‘Must have’ 1870 Rise of non-traditional themes Small Queen die corresponds with lettermail’s decline By Jesse Robitaille 1851, the Province of Canada issued its This is the first story in a two-part se- first stamp, which was also the world’s proof to highlight ries highlighting the transition away first thematic stamp, this depicting the from traditional philatelic themes and industrious beaver; however, until about towards thematic collecting. the turn of this century, thematic issues Sparks sale Only recently earning the consider- were few and far between. ation of serious philatelists as a legitimate Aside from the first U.S. stamps, By Jesse Robitaille collecting niche, thematic stamps trav- which, unsurprisingly, depict former Described by auctioneers as a elled a hard-fought road before coming presidents Benjamin Franklin and George “must have for any serious to the philatelic forefront with the com- Continued on page 22 Small Queen collector” and a mercialization of the U.S. Postal Service boon to exhibitors of the long- (USPS) about 20 years ago. running series, an 1870 one-cent Of course, Canada is no stranger to Small Queen large die proof is thematic issues. Nearly 170 years ago, in expected to bring $10,000 at auction this May. Traditional themes of U.S. stamps To be offered as Lot 67 of include important historical events Sparks Auctions’ four-session like the American, the 200th “Sale 30,” the black die proof is anniversary of which was marked sunken in and pasted to a card An 1870 one-cent Small Queen large on a 13-cent stamp from the 1977 measuring 51 millimetres by 77 black die proof is expected to bring ‘Bicentennial’ series. -
From Wasteland to Utopia: Changing Images of the Canadian in the Nineteeth Century
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 1987 From Wasteland to Utopia: Changing Images of the Canadian in the Nineteeth Century R. Douglas Francis University of Calgary Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Francis, R. Douglas, "From Wasteland to Utopia: Changing Images of the Canadian in the Nineteeth Century" (1987). Great Plains Quarterly. 424. https://digitalcommons.unl.edu/greatplainsquarterly/424 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. FROM WASTELAND TO UTOPIA CHANGING IMAGES OF THE CANADIAN WEST IN THE NINETEENTH CENTURY R. DOUGLAS FRANCIS It is common knowledge that what one This region, possibly more than any other in perceives is greatly conditioned by what one North America, underwent significant wants or expects to see. Perception is not an changes in popular perception throughout the objective act that occurs independently of the nineteenth century largely because people's observer. One is an active agent in the process views of it were formed before they even saw and brings to one's awareness certain precon the region. 1 Being the last area of North ceived values, or a priori assumptions, that America to be settled, it had already acquired enable one to organize the deluge of objects, an imaginary presence in the public mind. -
St George's Cross
Flying a Flag The current design of the flag dates from the union of Ireland St George's and Great Britain in 1801. It Cross consists of the red cross of Saint 16th cent. George (patron Saint of (England) England), edged in white, superimposed on the Cross of St Patrick (patron Saint of Ireland), St Andrew's which are superimposed on the Cross Saltire of Saint Andrew (patron 16th cent Saint of Scotland). Wales, (Scotland) however, is not represented in the Union Flag by Wales's St Patrick's patron saint, Saint David, as at Cross the time the flag was designed Unknown Wales was not part of the origin Kingdom of England. (Ireland) King's Flying the Union Jack Colours, or Great Union Flag Union Flag, Royal Union Flag of 1606- 1707 (Great Britain) Questions about the display of the Royal Union Flag (Union Jack) are often asked at this Union Flag of 1801 1801 (United Kingdom) time of year. Especially, since Official flag of Canada until 1946 two versions are often flown along the Loyalist Parkway. Can I fly a Union Flag? Yes, it is appropriate to fly both The original Royal Union versions of the Union Flag. They Flag was first raised in Canada go well with our Maple Leaf at the British settlement in Flag. Remember, that flag Newfoundland after 1610. It is etiquette dictates that when often referred to as the Loyalist looking at two flags together, Flag as it was the flag flown by the Maple Leaf always goes to the United Empire Loyaliasts the left and the Union to the that settled in this part of right. -
The Red Ensign, Dominion Day, and the Effects of Patriotic Memory on the Canadian Flag Debate
“But It Was Ours”: The Red Ensign, Dominion Day, and the Effects of Patriotic Memory on the Canadian Flag Debate Hugh L. Brady On the morning of 15 February 1965—a day designated by Her Majesty the Queen of Canada in her proclamation—a crowd of roughly ten thousand Canadians gathered in front of a specially constructed flagpole erected before the Centre Block of the Parliament Buildings on Ottawa’s Parliament Hill.1 The Canadian Red Ensign flew from the flagpole on this chilly, snow-covered day—but not for long; the crowd was assembled to see the flag’s retirement and the raising of its successor.2 That morning, the Montreal Gazette called for understanding the viewpoint of those who will feel a pang in the heart at the coming down of the Red Ensign . they feel this regret not simply because it stood for old ties of kith and kin. For them it has had the broader meanings of the legacy: it was the symbol of freedom, of the rule of law, of the heritage of parliamentary democracy, of the standards of good sense and moderation, of the spirit of courage and service. All these are values not narrow and divisive, but the rich inheritance for the human spirit, the values to be clung to, as long ago proved and always needed.3 Inside, some 600 dignitaries gathered for a “simple and solemn” ceremony designed to bury the passions enflamed during the flag debate of the preceding year that ended with Parliament adopting the Maple Leaf Flag to replace the Red Ensign as the flag of Canada.4 The battle over the new flag pitted two titans of twentieth-century Canadian politics against each other: Lester Pearson, the Liberal prime minister and proponent of a new flag, against John Diefenbaker, Raven, Vol. -
Historical Representations of Lake Sturgeon by Native and Non-Native Artists
HISTORICAL REPRESENTATIONS OF LAKE STURGEON BY NATIVE AND NON-NATIVE ARTISTS Christopher Hannibal-Paci First Nations Studies University of Northern British Columbia 3333 University Way Prince George, British Columbia Canada, V2N 4Z9 Abstract I Resume Discussions of landscapes in the earliest accounts of traders in northem Ontario and Manitoba depict a land rich in resources. Native people, who lived in these spaces where the Europeans travelled and settled, saw the world through their own eyes. But what did these groups see? This paper discusses changing representations of lake sturgeon (Acipenser fulves cens), noting differences in the stories and images presented by Native and non-Native people. Les discussions sur les paysages du Nord de l'Ontario et du Manitoba retrouvees dans les anciens recits des marchands de I'epoque decrivent un pays riche en ressources naturelles. Les peuples autochtones qui vivaient dans ces grands espaces, visites et colonises par les Europeens, percevaient ce pays bien differemment. Ce texte presente les perceptions changeantes de I'esturgeon des lacs tout en notant les differences entre les images et les contes crees par les autochtones et ceux crees par les blancs. The Canadian Joumal ofNative Studies XVIII, 2(1998):203-232. 204 Christopher Hannibal-Paci Introduction Doctoral research into Cree, Ojibwe and scientific knowledge of lake sturgeon (Acipenser fulvescens) in the Lake Winnipeg basin has led to the present study ofsturgeon representations.1 Lake sturgeon is one of seven species of sturgeon, five of which can be found in North America, has always been important to the Native peoples who shared the fish's original range. -
Canadianism, Anglo-Canadian Identities and the Crisis of Britishness, 1964-1968
Nova Britannia Revisited: Canadianism, Anglo-Canadian Identities and the Crisis of Britishness, 1964-1968 C. P. Champion Department of History McGill University, Montreal A thesis submitted in partial fulfillment of the requirements of the degree of Doctor of Philosophy in History February 2007 © Christian Paul Champion, 2007 Table of Contents Dedication ……………………………….……….………………..………….…..2 Abstract / Résumé ………….……..……….……….…….…...……..………..….3 Acknowledgements……………………….….……………...………..….…..……5 Obiter Dicta….……………………………………….………..…..…..….……….6 Introduction …………………………………………….………..…...…..….….. 7 Chapter 1 Canadianism and Britishness in the Historiography..….…..………….33 Chapter 2 The Challenge of Anglo-Canadian ethnicity …..……..…….……….. 62 Chapter 3 Multiple Identities, Britishness, and Anglo-Canadianism ……….… 109 Chapter 4 Religion and War in Anglo-Canadian Identity Formation..…..……. 139 Chapter 5 The celebrated rite-de-passage at Oxford University …….…...…… 171 Chapter 6 The courtship and apprenticeship of non-Wasp ethnic groups….….. 202 Chapter 7 The “Canadian flag” debate of 1964-65………………………..…… 243 Chapter 8 Unification of the Canadian armed forces in 1966-68……..….……. 291 Conclusions: Diversity and continuity……..…………………………….…….. 335 Bibliography …………………………………………………………….………347 Index……………………………………………………………………………...384 1 For Helena-Maria, Crispin, and Philippa 2 Abstract The confrontation with Britishness in Canada in the mid-1960s is being revisited by scholars as a turning point in how the Canadian state was imagined and constructed. During what the present thesis calls the “crisis of Britishness” from 1964 to 1968, the British character of Canada was redefined and Britishness portrayed as something foreign or “other.” This post-British conception of Canada has been buttressed by historians depicting the British connection as a colonial hangover, an externally-derived, narrowly ethnic, nostalgic, or retardant force. However, Britishness, as a unique amalgam of hybrid identities in the Canadian context, in fact took on new and multiple meanings. -
Canadian Symbols
38 Your Canadian Citizenship Study Guide Canadian Symbols (From Left to Right) Canada has many important symbols — objects, events, and people that have special meaning. Together Mace of the House of Commons, Ottawa they help explain what it means to be Canadian and express our national identity. Important Canadian Canadian flag symbols appear throughout this booklet. of 1965 The Royal Arms of Canada Parliament at dusk THE CANADIAN CROWN on Canadian uniforms and insignia since the 1850s, and are carved into the headstones of our The Crown has been a symbol of the state fallen soldiers buried overseas and in Canada. in Canada for 400 years. Canada has been a constitutional monarchy in its own right since Confederation in 1867 during Queen Victoria’s THE FLEUR-DE-LYS reign. Queen Elizabeth II who has been Queen of It is said that the lily flower (“fleur-de-lys”) was Canada since 1952, marked her Golden Jubilee adopted by the French king in the year 496. It in 2002, and celebrates her Diamond Jubilee became the symbol of French royalty for more than (60 years as Sovereign) in 2012. The Crown is a a thousand years, including the colony of New symbol of government, including Parliament, the France. Revived at Confederation, the fleur-de- legislatures, the courts, police services and the lys was included in the Canadian Red Ensign. In Canadian Forces. 1948 Quebec adopted its own flag, based on the Cross and the fleur-de-lys (see p.47). FLAGS IN CANADA The Snowbirds (431 Air Demonstration A new Canadian flag was raised for the first time COAT OF ARMS AND MOTTO Squadron) are a Canadian icon in 1965. -
ICAO 1955 Covers - the Canadian Patriotic Effort
ICAO TIE-INS By Albert Pelsser ICAO 1955 Covers - The Canadian Patriotic Effort Some of the Canadian private first day covers issued in 1955 to commemorate the 10th anniversary of the International Civil Aviation Organization (ICAO) provide remarkable material on the evolution of the Coat of Arms used in Canada over the past one hundred years. The coat of arms is a unique heraldic design on a shield, which forms the central element of the full heraldic achievement consisting of shield, supporters, crest, and motto. The design is a symbol unique to an individual person or family, corporation, or state. Since 1921, the official coat of arms of the Canadian monarch and thus also of Canada is known as the Royal Coat of Arms of Canada. It is closely modelled after the royal coat of arms of the United Kingdom with French and distinctive Canadian elements replacing or added to those derived from the British version. Prior to Confederation, no armorial bearings had been assigned to Figure 1: First Canadian flag after the various colonies in British North America, with the exception Confederation of the seventeenth-century grants to Nova Scotia and Newfoundland. Nevertheless, each colony possessed a great seal which contained distinctive emblematic devices. The Confederation of Canada was created in 1867 by an Act of the British Parliament and given Royal Assent by Queen Victoria. Former flag of Canada used by the federal government (though it was never officially adopted by the Parliament of Canada), the Red Ensign bearing some sort of a Canadian emblem was used by Canadians both on land and at sea beginning as early as 1868, as it was informally adopted following Canadian Confederation. -
Canada's National Flag
TIMELINE: Canada’s National Flag Canada’s National Flag is instantly recognizable as a proud symbol of our country. But it may surprise you to learn that the National Flag is relatively young, and a few different fl ags were fl own before it was adopted. Follow this timeline for a brief history of the fl ags used in Canada, and to learn about some of the major moments in the creation of our National Flag. COATOFARMS 1871 The Canadian Red Ensign, which includes the Union Jack and Canada’s coat of arms, is used unoffi cially as a national fl ag. It is recognized as one of the main fl ags of Canada (along with the Union Jack) until 1965. The canadian Red Ensign from 1871 to 1921 © Her Majesty the Queen in Right of Canada, represented by the Canadian Heraldic Authority 1892 The Canadian Red Ensign is made offi cial for use on Canadian ships, but also continues to be used on land as an unoffi cial national fl ag. ROYALTY 1921 King George V grants Canada a new offi cial coat of arms, which takes its place on the Canadian Red Ensign. The King also proclaims red and white as Canada’s offi cial colours. The canadian Red Ensign from 1921 to 1957 © Her Majesty the Queen in Right of Canada, represented by the Canadian Heraldic Authority 1925 Parliament establishes a committee to design a new national fl ag for the Dominion of Canada, but the project is quickly shelved. Timeline: Canada’s National Flag Page 1 of 2 1946 A second parliamentary committee is formed to consider a design for a new national fl ag, without result.