The Life and Letters of William Sharp and “Fiona Macleod” Vol

Total Page:16

File Type:pdf, Size:1020Kb

The Life and Letters of William Sharp and “Fiona Macleod” Vol The Life and Letters of William Sharp W The Life and Letters of and “Fiona Macleod” ILLIAM Volume 1: 1855-1894 William Sharp and F. H F. WILLIAM F. HALLORAN “Fiona Macleod” William Sharp (1855-1905) conducted one of the most audacious literary ALLORAN decepti ons of his or any ti me. Sharp was a Scotti sh poet, novelist, biographer and editor who in 1893 began to write criti cally and commercially successful books Volume 1: 1855-1894 under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisti ng his sister to provide the handwriti ng and address, and for more than a decade “Fiona Macleod” duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. The Life and Letters of William Sharp Sharp wrote “I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out”. This three-volume collecti on brings together Sharp’s own correspondence – a fascinati ng trove in its own right, by a Victorian man of lett ers who was on inti mate terms with writers including Dante Gabriel Rossetti , Walter Pater, and George Meredith – and the Fiona Macleod and “Fiona Macleod” lett ers, which bring to life Sharp’s intriguing “second self”. With an introducti on and detailed notes by William F. Halloran, this richly rewarding collecti on off ers a wonderful insight into the literary landscape of the ti me, while also investi gati ng a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essenti al for scholars of the period, and it is an illuminati ng read for anyone interested in authorship and identi ty. As with all Open Book publicati ons, this enti re book is available to read for free on the publisher’s website. Printed and digital editi ons, together with supplementary digital material, can also be found here: www.openbookpublishers.com Cover image: Photograph of William Sharp, 1894 Cover design: Anna Gatti book ebooke and OA editi ons also available OPEN ACCESS OBP WILLIAM F. HALLORAN www.openbookpublishers.com THE LIFE AND LETTERS OF WILLIAM SHARP AND “FIONA MACLEOD” VOL. I The Life and Letters of William Sharp and “Fiona Macleod” VOLUME I: 1855–1894 William F. Halloran https://www.openbookpublishers.com ©2018 William F. Halloran This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: William F. Halloran, The Life and Letters of William Sharp and “Fiona Macleod”. Volume 1: 1855–1894. Cambridge, UK: Open Book Publishers, 2018. https://doi.org/10.11647/OBP.0142 In order to access detailed and updated information on the license, please visit https://www. openbookpublishers.com/product/793#copyright Further details about CC BY licenses are available at https://creativecommons.org/licenses/ by/4.0/ All external links were active upon publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https:// www.openbookpublishers.com/product/793#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 978-1-78374-500-5 ISBN Hardback: 978-1-78374-501-2 ISBN Digital (PDF): 978-1-78374-502-9 ISBN Digital ebook (epub): 978-1-78374-503-6 ISBN Digital ebook (mobi): 978-1-78374-504-3 ISBN XML: 978-1-78374-660-6 DOI: 10.11647/OBP.0142 Cover image: “Mr William Sharp: from a photograph by Frederick Hollyer: The Chap-book, September 15, 1894”, Wikimedia, https://upload.wikimedia.org/wikipedia/commons/6/6b/ William_Sharp_1894.jpg. Cover design: Anna Gatti. All paper used by Open Book Publishers is SFI (Sustainable Forestry Initiative), PEFC (Programme for the Endorsement of Forest Certification Schemes) and Forest Stewardship Council ® (FSC ® certified). Printed in the United Kingdom, United States, and Australia by Lightning Source for Open Book Publishers (Cambridge, UK) To the memory of Noel and Rosemarie Sharp and Esther Mona Harvey Contents Acknowledgements ix Introduction 1 Chapter One: 1855–1881 9 Chapter Two: 1882–1884 65 Chapter Three: 1885–1886 133 Chapter Four: 1887–1888 175 Chapter Five: 1889 221 Chapter Six: 1890 267 Chapter Seven: 1891 317 Chapter Eight: 1892a 359 Chapter Nine: 1892b 409 Chapter Ten: 1893 459 Chapter Eleven: 1894 517 Notes 593 Appendix 683 List of Illustrations 695 Acknowledgements William Sharp’s wife and first cousin, Elizabeth Amelia Sharp, became his literary executor when he died in 1905. Upon her death in 1932, the executorship passed to her brother, Noel Farquharson Sharp. When he passed away in 1945, that role fell to his son, Noel Farquharson Sharp, who like his father was a keeper of printed books in the British Museum. When he died in 1978, the executorship fell to his wife, Rosemarie Sharp, who lived until 2011 when it passed to her son, Robin Sharp. I am heavily indebted to Noel and Rosemarie Sharp for their assistance and friendship. They granted me permission to publish William Sharp’s writings and shared their memories of his relatives and friends. I am especially grateful to Noel Sharp for introducing me in 1963 to Edith Wingate Rinder’s daughter, Esther Mona Harvey, a remarkably talented woman whose friendship lasted until her death in 1993. Her recollections of her mother, who played a crucial role in the lives of William and Elizabeth Sharp, were invaluable. Through many years of my involvement with an obscure and complex man named William Sharp, my wife — Mary Helen Griffin Halloran — has been endlessly patient, encouraging and supportive. This work has benefited greatly from her editorial skills. I am also grateful to a succession of English graduate students at the University of Wisconsin–Milwaukee who assisted me in transcribing and annotating William Sharp’s letters: Edward Bednar, Ann Anderson Allen, Richard Nanian, and Trevor Russell. Without the support I received from the College of Letters and Science and the Graduate School of the University of Wisconsin–Milwaukee this project would not have seen the light of day. x The Life and Letters of William Sharp and “Fiona Macleod”: Vol. 1 The following institutions have made copies of their Sharp/Macleod letters available and granted permission to transcribe, edit, and include them in this volume: The American Antiquarian Society; Baylor University’s Browning Library; The British Library; The Brown University Library; The Library of Colby College; Columbia University’s Rare Book and Manuscript Library; The Edinburgh City Libraries; Harvard University’s Houghton Library; The Huntington Library of San Marino California; Indiana University’s Lilly Library; The Library of Congress; The Manx Museum on The Isle of Mann; The National Library of Scotland; The Newberry Library; The New York Public Library’s Berg Collection; New York University’s Fales Library; The Northwestern University Library; Oxford University’s Bodleian Library; Pennsylvania State University’s Pattee Library; The Pierpont Morgan Library in New York City; Princeton University’s Firestone Library; The Sheffield City Archives; The Smith College Library; The Stanford University Library; The State University of New York at Buffalo Library; The Library in Trinity College Dublin; The University of British Columbia Library; The University of California Berkeley’s University Research Library; The University of California Los Angeles’s William Andrews Clark Library; The University of Delaware Library; The University of Illinois Urbana Library; The University of Leeds’s Brotherton Library; The University of Texas Austin’s Library and its Henry Ransom Humanities Research Center; The University of Toronto’s Thomas Fisher Rare Book Library; The University of Wisconsin-Milwaukee’s Golda Meir Library; Yale University’s Beinecke Library. The Appendix lists the letters owned by each institution in order to recognize their generosity and ease the way for scholars who may wish to consult the original manuscripts. Without these great libraries, their benefactors, and their competent and caring staffs, a project of this sort — which has stretched over half a century — would have been impossible. Finally, this project would not have come to fruition had it not been for Warwick Gould, Emeritus Professor and former Director of the Institute for English Studies at the University of London. It was he who supported the first iteration of the Sharp letters as a website supported by the Institute, and it was he who suggested Open Book Publishers as a possible location for an expanded edition of The Life and Letters of William Sharp and Fiona Macleod. His support and friendship have been a beacon of light. Introduction William Sharp was born in Paisley, near Glasgow, in 1855. His father, a successful merchant, moved his family to Glasgow in 1867; his mother, Katherine Brooks, was the daughter of the Swedish Vice Consul in Glasgow. A talented, adventurous boy who read voraciously, he spent summers with his family in the Inner Hebrides where he developed a strong attachment to the land and the people. In the summer of 1863, his paternal aunt brought her children from London to vacation with their cousins. Months short of his eighth birthday, Sharp formed a bond with one of those cousins, Elizabeth Sharp, a bright girl who shared many of his enthusiasms.
Recommended publications
  • Aleister Crowley and the Hidden God to Assume
    Introduction THIS BOOK contains a critical study of Aleister Crowley's system of sexual magick and its affmities with the ancient Tantric rites of Kali, the dark goddess of blood and dissolution represented in Crowley's Cult as the Scarlet Woman. It is an attempt to supply a key to the work of an Adept whose vast knowledge of occultism was unsurpassed by any previous Western authority. I have emphasized the similarity between Crowley's Cult of Thelema and Tantra because the present wave of interest in the Tantric System makes it probable that readers will be able to assess more fully the importance of Crowley's contribution to occultism in general and to the Magical Path in particular. As a result of many years' research into obscure phases of occultism I have evolved a method of dream control for contacting extra-terrestrial and non-human entities; this forms the substance of Chapters Six and Seven. This method is described in relation to the mysteries of Kundalini, the supreme magical power symbolized by the sleeping Fire Snake at the base of the spine which, after its awakening, activates the subtle power-zones in the human body. Aleister Crowley, Austin Spare, Dion Fortune and the German occultist Eugen Grosche were among the first Adepts in the West to teach the use of the psycho-sexual energies, the Ophidian Current that informed the most ancient arcana of Africa and the Far East. Although it was Crowley who first integrated this current with the Westem Esoteric Tradition, this was not achieved without some doubtful interpretations of oriental symbolism.
    [Show full text]
  • Джоð½ Зоñ€Ð½ Ð​лÐ
    Джон Зорн ÐÐ​ »Ð±ÑƒÐ¼ ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (Ð ´Ð¸ÑÐ​ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ​ ‚а & график) The Big Gundown https://bg.listvote.com/lists/music/albums/the-big-gundown-849633/songs Spy vs Spy https://bg.listvote.com/lists/music/albums/spy-vs-spy-249882/songs Buck Jam Tonic https://bg.listvote.com/lists/music/albums/buck-jam-tonic-2927453/songs https://bg.listvote.com/lists/music/albums/six-litanies-for-heliogabalus- Six Litanies for Heliogabalus 3485596/songs Late Works https://bg.listvote.com/lists/music/albums/late-works-3218450/songs https://bg.listvote.com/lists/music/albums/templars%3A-in-sacred-blood- Templars: In Sacred Blood 3493947/songs https://bg.listvote.com/lists/music/albums/moonchild%3A-songs-without-words- Moonchild: Songs Without Words 3323574/songs The Crucible https://bg.listvote.com/lists/music/albums/the-crucible-966286/songs Ipsissimus https://bg.listvote.com/lists/music/albums/ipsissimus-3154239/songs The Concealed https://bg.listvote.com/lists/music/albums/the-concealed-1825565/songs Spillane https://bg.listvote.com/lists/music/albums/spillane-847460/songs Mount Analogue https://bg.listvote.com/lists/music/albums/mount-analogue-3326006/songs Locus Solus https://bg.listvote.com/lists/music/albums/locus-solus-3257777/songs https://bg.listvote.com/lists/music/albums/at-the-gates-of-paradise- At the Gates of Paradise 2868730/songs Ganryu Island https://bg.listvote.com/lists/music/albums/ganryu-island-3095196/songs The Mysteries https://bg.listvote.com/lists/music/albums/the-mysteries-15077054/songs A Vision in Blakelight
    [Show full text]
  • People, Place and Party:: the Social Democratic Federation 1884-1911
    Durham E-Theses People, place and party:: the social democratic federation 1884-1911 Young, David Murray How to cite: Young, David Murray (2003) People, place and party:: the social democratic federation 1884-1911, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3081/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk People, Place and Party: the Social Democratic Federation 1884-1911 David Murray Young A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted for the Degree of Doctor of Philosophy University of Durham Department of Politics August 2003 CONTENTS page Abstract ii Acknowledgements v Abbreviations vi Introduction 1 Chapter 1- SDF Membership in London 16 Chapter 2 -London
    [Show full text]
  • Dead Master's Beat Label & Distro October 2012 RELEASES
    Dead Master's Beat Label & Distro October 2012 RELEASES: STAHLPLANET – Leviamaag Boxset || CD-R + DVD BOX // 14,90 € DMB001 | Origin: Germany | Time: 71:32 | Release: 2008 Dark and weird One-man-project from Thüringen. Ambient sounds from the world Leviamaag. Black box including: CD-R (74min) in metal-package, DVD incl. two clips, a hand-made booklet on transparent paper, poster, sticker and a button. Limited to 98 units! STURMKIND – W.i.i.L. || CD-R // 9,90 € DMB002 | Origin: Germany | Time: 44:40 | Release: 2009 W.i.i.L. is the shortcut for "Wilkommen im inneren Lichterland". CD-R in fantastic handmade gatefold cover. This version is limited to 98 copies. Re-release of the fifth album appeared in 2003. Originally published in a portfolio in an edition of 42 copies. In contrast to the previous work with BNV this album is calmer and more guitar-heavy. In comparing like with "Die Erinnerung wird lebendig begraben". Almost hypnotic Dark Folk / Neofolk. KNŒD – Mère Ravine Entelecheion || CD // 8,90 € DMB003 | Origin: Germany | Time: 74:00 | Release: 2009 A release of utmost polarity: Sudden extreme changes of sound and volume (and thus, in mood) meet pensive sonic mindscapes. The sounds of strings, reeds and membranes meet the harshness and/or ambience of electronic sounds. Music as harsh as pensive, as narrative as disrupt. If music is a vehicle for creating one's own world, here's a very versatile one! Ambient, Noise, Experimental, Chill Out. CATHAIN – Demo 2003 || CD-R // 3,90 € DMB004 | Origin: Germany | Time: 21:33 | Release: 2008 Since 2001 CATHAIN are visiting medieval markets, live roleplaying events, roleplaying conventions, historic events and private celebrations, spreading their “Enchanting Fantasy-Folk from worlds far away”.
    [Show full text]
  • Hitler's Doubles
    Hitler’s Doubles By Peter Fotis Kapnistos Fully-Illustrated Hitler’s Doubles Hitler’s Doubles: Fully-Illustrated By Peter Fotis Kapnistos [email protected] FOT K KAPNISTOS, ICARIAN SEA, GR, 83300 Copyright © April, 2015 – Cold War II Revision (Trump–Putin Summit) © August, 2018 Athens, Greece ISBN: 1496071468 ISBN-13: 978-1496071460 ii Hitler’s Doubles Hitler’s Doubles By Peter Fotis Kapnistos © 2015 - 2018 This is dedicated to the remote exploration initiatives of the Stargate Project from the 1970s up until now, and to my family and friends who endured hard times to help make this book available. All images and items are copyright by their respective copyright owners and are displayed only for historical, analytical, scholarship, or review purposes. Any use by this report is done so in good faith and with respect to the “Fair Use” doctrine of U.S. Copyright law. The research, opinions, and views expressed herein are the personal viewpoints of the original writers. Portions and brief quotes of this book may be reproduced in connection with reviews and for personal, educational and public non-commercial use, but you must attribute the work to the source. You are not allowed to put self-printed copies of this document up for sale. Copyright © 2015 - 2018 ALL RIGHTS RESERVED iii Hitler’s Doubles The Cold War II Revision : Trump–Putin Summit [2018] is a reworked and updated account of the original 2015 “Hitler’s Doubles” with an improved Index. Ascertaining that Hitler made use of political decoys, the chronological order of this book shows how a Shadow Government of crisis actors and fake outcomes operated through the years following Hitler’s death –– until our time, together with pop culture memes such as “Wunderwaffe” climate change weapons, Brexit Britain, and Trump’s America.
    [Show full text]
  • Liber 4 - Liber ABA
    Liber 4 - Liber ABA MAGICK LIBER ABA ALEISTER CROWLEY WITH MARY DESTI AND LEILA WADDELL Book Four - Parts I-IV I - Mysticism. II - Magick (Elementary Theory) III - Magick in Theory and Practice IV - THELEMA: The Law Edited, annotated and introduced by HYMENAEUS BETA [From the Samuel Weiser edition] This first one-volume edition of Book Four is dedicated to the memory of the A.'. A.'. members who contributed to the creation and publication of the first editions of its four parts Soror Ouarda (Rose Edith Crowley, 1874-1932) Frater Per Ardua (Maj.-Gen. John Frederick Charles Fuller, 1878-1966) Soror Agatha (Leila Waddell, 1880-1932) Soror Virakam (Mary Desti, 1871-1931) Soror Rhodon (Mary Butts, 1890-1937) Soror Alostrael (Leah Hirsig, 1883-1951) and Frater Volo Intelligere (Gerald Joseph Yorke, 1901-1983) and to its principal author Frater Perdurabo (Aleister Crowley, 1875-1947) To see the elect most joyfully refreshed With every good thing and celestial manna... Such was the bargain. How praiseworthy he Who shall have persevered even to the end! - Rabelais, "A Prophetic Riddle," Gargantua and Pantagruel and blessing & worship to the prophet of the lovely Star! - Liber AL vel Legis II:79 http://www.hermetic.com/crowley/libers/lib4.htmlA Collection of Sac r[12/19/2001ed Magick 1:35:33| The E PM]soteric Library | www.sacred-magick.com Book Four - Part 1 Based on the Sangreal edition of 1969 e.v., with the "Interlude" restored (absent from the Sangreal edition). Diagrams noted but not described. Copyright (c) Ordo Templi Orientis BOOK 4 by FRATER PERDURABO (Aleister Crowley) and SOROR VIRAKAM (Mary d'Este Sturges) A NOTE THIS book is intentionally "not" the work of Frater Perdurabo.
    [Show full text]
  • 1554507973685.Pdf
    MONSTROUS SECRET MASTERS OF REALITY By Kenneth Hite Additional material by J.M. Caparula, Scott Haring, and S. John Ross Edited by Sean Punch Illustrated by Kent Burles and Christopher Shy Additional illustrations by Shea Ryan Cover by Christopher Shy GURPS System Design Steve Jackson GURPS Line Editor Sean Punch Production Manager Gene Seabolt Production Artist Philip Reed Production Assistant Remi Treuer Print Buyer Paul Rickert Art Director Philip Reed Errata Coordinator Andy Vetromile Playtesters: Michele Armellini, Thomas Barnes, Maxim Belankov, Frederick Brackin, Michael Brewer, Benjamin Brighoff, Mark Cogan, David Cunnius, Marco De Stefani, Thomas Devine, Travis Foster, Jeremiah Genest, Scott Harris, Joanna Hart, Hunter Johnson, Jonathan Lang, John Macek, Phil Masters, Craig Neumeier, Jeff Raglin, Curtis Shenton, Brian C. Smithson, William H. Stoddard, Paul Tevis, Dan Tompkins, Chad Underkoffler, and Jonathan Woodward. Special thanks to: GURPS Savant Tracy Ratcliff for assistance with, and to Marco De Stefani for checking, racial statistics. GURPS,Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Cabal copyright © 2001 by Steve Jackson Games Incorporated. All rights reserved. Some art copyright www.arttoday.com. ISBN 1-55634-429-5 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES CONTENTS THE PARTING 3. REALMS AND Roêlêd . 70 6. CABAL Ruax . 70 OF THE VEIL ..... 3 SPHERES ..... .42 Sahu . 70 CHARACTERS .. .91 About GURPS ............. 3 THE NATURE OF REALITY .....
    [Show full text]
  • Literature and the Late-Victorian Radical Press
    Literature Compass 7/8 (2010): 702–712, 10.1111/j.1741-4113.2010.00729.x Literature and the Late-Victorian Radical Press Elizabeth Carolyn Miller* University of California, Davis Abstract Amidst a larger surge in the number of books and periodicals published in late-nineteenth-century Britain, a corresponding surge occurred in the radical press. The counter-cultural press that emerged at the fin de sie`cle sought to define itself in opposition to commercial print and the capitalist press and was deeply antagonistic to existing political, economic, and print publishing structures. Litera- ture flourished across this counter-public print sphere, and major authors of the day such as William Morris and George Bernard Shaw published fiction, poetry, and literary criticism within it. Until recently, this corner of late-Victorian print culture has been of interest principally to historians, but literary critics have begun to take more interest in the late-Victorian radical press and in the literary cultures of socialist newspapers and journals such as the Clarion and the New Age. Amidst a larger surge in the number of books and periodicals published in Britain at the end of the nineteenth century, a corresponding surge occurred in the radical press: as Deian Hopkin calculates, several hundred periodicals representing a wide array of socialist perspectives were born, many to die soon after, in the decades surrounding the turn of the century (226). An independent infrastructure of radical presses, associated with various radical organizations and editors, emerged as an alternative means of periodical production apart from commercial, profit-oriented print.1 Literature and literary discourse flourished across this counterpublic sphere, and major authors of the day published fiction, poetry, and journalism within it: in the 1880s, for example, William Morris spent five years editing and writing for the revolutionary paper Commonweal, while George Bernard Shaw cut his teeth as an author by serializing four novels in the socialist journals To-Day and Our Corner.
    [Show full text]
  • Kabbalah, Magic & the Great Work of Self Transformation
    KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe­ rience with the Golden Dawn material yielded a structure of carefully selected ex­ ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini­ tiatory tool.
    [Show full text]
  • 1 Fact, Fiction and Method in the Early History of Social Research
    Fact, fiction and method in the early history of social research: Clementina Black and Margaret Harkness as case-studies Ann Oakley Professor Ann Oakley Social Science Research Unit UCL Institute of Education 18 Woburn Square London WC1H ONR 0207 612 6380 [email protected] 1 Abstract The development of social science research methods by women reformers in the late nineteenth and early twentieth centuries is a largely buried history. This article examines the work of Clementina Black and Margaret Harkness, two British reformers who conducted many social investigations using a wide range of research methods. They also crossed genres in writing fiction, which was an accepted method at the time for putting forward new ideas about social conditions. Black and Harness were part of a vibrant network of women activists, thinkers and writers in late nineteenth century London, who together contributed much to the growing discipline of social science and to imaginative forms of writing about social issues. Keywords Social science; research methods; social reform; fiction. 2 Introduction Standard histories of sociology in both Europe and North America privilege the development of theory by men in academic institutions.1 This ‘origin myth’ eclipses empirical social science work done in community settings, an area of activity in which women reformers and researchers excelled in the decades around the beginning of the twentieth century. Historical narratives also pay little attention to fiction as a vehicle for transmitting accounts of social conditions, a tradition which flourished alongside the early development of social science. This article examines the use of fact and fiction and the development of social research methodology in the work of two women reformers, Clementina Black and Margaret Harkness, who both undertook and published social research and also wrote fiction in the period from the late 1870s through to the 1920s.
    [Show full text]
  • A T O N E M E N T. an Exchange Between BARTON W. STONE and ALEXANDER CAMPBELL in the Millennial Harbinger, 1840-1841. I. Barton
    A T O N E M E N T. An Exchange between BARTON W. STONE and ALEXANDER CAMPBELL in The Millennial Harbinger, 1840-1841. I. Barton W. Stone: "Atonement." MH (June 1840): 243-246. Alexander Campbell: "A. C.'s Reply to B. W. Stone." MH (June 1840): 246-250. II.Barton W. Stone: "Atonement--No. II." MH (July 1840): 289-293. Alexander Campbell: "Letter II--To B. W. Stone." MH (July 1840): 294-298. III.Barton W. Stone: "Atonement--No. III." MH (September 1840): 387-390. Alexander Campbell: "Letter to B. W. Stone." MH (September 1840): 391-396. IV.Barton W. Stone: "Atonement--No. IV." MH (October 1840): 464-470. Alexander Campbell: "Letter III--To B. W. Stone." MH (October 1840): 471-473. V.Barton W. Stone: "Atonement--No. IV." MH (January 1841): 12-18. Alexander Campbell: "Letter IV--To B. W. Stone." MH (January 1841): 18-24. VI.Barton W. Stone: "Atonement--No. V." MH (February 1841): 59-65. Alexander Campbell: "Letter V--To B. W. Stone." MH (February 1841): 65-69. VII. Barton W. Stone: "Atonement--No. VI: Review of Letters First and Second." MH (March 1841): 113-118. Alexander Campbell: "Letter VI--To B. W. Stone." MH (March 1841): 118-122. VIII. Barton W. Stone: "Atonement--No. VII: Review of Brother Campbell's Third Letter." MH (April 1841): 156-163. Alexander Campbell: "Atonement--No. VII: To B. W. Stone." MH (May 1841): 234-237. IX.Barton W. Stone: "Atonement--No. VIII: Review of Brother Campbell's Third Letter-- Continued." MH (June 1841): 248-252. Alexander Campbell: "To B.
    [Show full text]
  • Fabians-Oxford Companion
    Fabian Socialism - Oxford Companion to Australian Politics Entry Fabian socialism owes its inception to the revulsion and agony of conscience over poverty in late Victorian England. The Fabian Society was formed in London in 1884. Its best-known members have included Sidney and Beatrice Webb, Bernard Shaw, H.G.Wells and G.D.H. and Margaret Cole. Sidney Webb endowed the Fabians with his commitment to parliamentary reform and the encapsulation of their guiding principle as ‘the inevitability of gradualness’. Shaw summarised the society’s method of working for change no less memorably, in the slogan ‘Educate. Agitate. Organise’. The society was instrumental in bringing about the foundation of the British Labour Party, and remains an affiliate of the party, with representation at the party conference. Every leader of the party has belonged to the society, and in most cases served as a member of its Executive Committee. Margaret Cole describes the new party platform – Labour and the New Social Order - which Sidney Webb and the party secretary Arthur Henderson drafted in 1918 as representing ‘as nearly as possible the purest milk of the Fabian word’. The wife of a newly elected Labor MP in Attlee’s 1945 Labour government was heard to remark following the delivery of the King’s Speech ‘It’s just like a Fabian Summer School – all the same faces’. The society’s first Australian member was the prominent Melbourne statistician, senior public servant and barrister, William H. Archer, who joined in 1890. The first of numerous overseas Fabian societies was in Australia, where an expatriate London Fabian, the Reverend Charles Marson, established the Fabian Society of South Australia in 1891 – narrowly preceding the foundation of India’s Bombay Fabian Society in 1892 - and a Melbourne Fabian Society was established in 1894 by a second expatriate, Henry Hyde Champion, who also had been instrumental in bringing about the foundation of the London society, but had not joined it.
    [Show full text]