Andean Vest Recipe
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Elegant Shoulderette ¤ 1999 by Leef Bloomenstiel
1 Elegant Shoulderette ¤ 1999 by Leef Bloomenstiel This shrug pattern can be a wel- come addition to any wardrobe. It can be worn as a dressy acces- sory, or look equally well with jeans. It is not a tight fitting shrug, but more loosely fitted with an ele- gant drape. The pattern will fit a wide range of sizes, but you must take your arm span measurement first. Stand with your arms com- fortably at your side, and measure from the top of your wrist (where you like the cuffs of your sweaters to fit) up your arm to the top of the shoulder, over the shoulder and to the middle of your back, to the nape of the neck. Write this measurement down as you will re- fer to it often. The pattern is knit sideways from the left wrist STITCH LEGEND to the right wrist. There is a garter stitch border ———————————— at both the top and bottom. The top garter K - knit stitch border is gently increased to provide a P - purl fold back collar, and the center panel is in- st - stitch creased from the arms to cover the length of sts- stitches the back from the neck, to the lower middle M1 - make one (an increase) RS - right side of the back. The directions are given for the WS - wrong side first half of the sweater, as the second half is k2tog - knit 2 sts together knitted exactly the same as the first half, with p2tog - purl 2 sts together decreases where increases were made. PM - place marker The use of a row counter is highly recommended. -
Mechanism and Formation of Woven Selvage Lines
Mechanism and Formation of Woven Selvage Lines By Sei Uchiyama, Member,TMSJ Takatsuki Institute, Toyobo Co., Ltd. Takatsuki, Osaka Pref. Basedon Journalof the TxetileMachinery Society of Japan, Vol.19, No.11, T284-289(1966); Vol.19, No. 12, T309-315 (1966); Vol.20, No. 2, T49-56 (1967) ; Vol.20 , No.2, T57-60 (1967) Abstract This article discussestheoretically the mechanismof a woven selvage line and establishesbasic knowledgeabout, among other things, its dynamic construction, the differencesbetween the selvage and the body of a fabric, the process of stabilizingthe form of a selvage. interlaced to form a selvage is x,=C. This location 1. Introduction is a function of T-,, a force which pulls the selvage- formation point to the left ; and of T+,, a force which This work is an attempt to clarify the weaving pulls that point to the right. mechanism of a selvage as part of a research into the xi=f (T-1, T+1) .........(1) function of weaving. Seldom is the selvage of a fabric Assume that, with the progress of weaving cycles, specially woven. It is a by-product, so to say, of a fabric. xi transforms into, sucessively, x2, x3 and x; and is However, it should not be ignored, because it improves stabilized on reaching xn. xi, an optional point x at that the quality of a fabric, protects its ground and facili- time, is given as a function of xi-1. That is, tates the processing and handling of the fabric. It is xi=~5i-i(xi-,) believed, therefore, that establishing a theoretical basis xi-1=~Si-2(xi-2) for obtaining a uniform selvage is an undertaking of Also, practical value and will help to expand the range of x1~x2C"' "'.xi-1Cxi+1"' "'xn=xn+j reseach into weaving. -
Knitting Daily Presents Exploring the Infinity Scarf Pattern
Exploring the Infinity Scarf Pattern: 7 Free Designs for Knitting Infinity Scarves Exploring the Infinity Scarf Pattern: 7 Free Designs for Knitting Infinity Scarves INFINITY SCARVES ARE ALL THE RAGE, AND FOR GOOD The Maryse Cowl by Amy Christoffers is knit in an easy, REASON. They’re super stylish and adaptable, and they won’t reversible lace pattern that you’ll be able to memorize quickly. ever slip off of your neck and get lost. I love the versatility of the Use a bright color to liven up the winter blahs! infinity scarf—for a swingy, fashionable look, just drape it once around your neck and let it hang free. Or, wrap it twice (or three My Welted Infinity Scarf is quick and easy, and knit entirely times!) around your neck for a cowl-like look. Either way, you’ll in a welted stitch pattern. Welting is simply rows of stockinette look great! followed by rows of reverse stockinette. The technique brings the stockinette rows to the front and pushes the reverse stockinette I’ve gathered seven of our most popular infinity scarf patterns, to the back, creating the welted effect. Knit from a super bulky plus one brand-new design, in this free eBook. yarn, you can make this scarf in a weekend! The Two Ribs Infinity Scarf by Susan Pierce Lawrence is a Jennifer Dassau’s Roam Cowl starts with an innovative Möbius combination of fisherman’s rib and welting. This mix of stitches cast-on. The lace pattern is called a Roman Stripe, which results makes for wonderful textural contrast. -
How to Read a Charted Knitting Pattern – Class by Tricia Ennis
How to Read a Charted Knitting Pattern – Class by Tricia Ennis A charted knitting pattern is simply a graphic representation of a written knitting pattern. It takes less room than a written pattern and gives a visual idea of what each motif piece should look like. Think of charts as maps rather than a list of directions. Working from a chart makes is easier to see where you are in a pattern and to identify errors more quickly. Charts are always written as though you are “looking” at the front of the work. After a bit of practice, most knitters find working from charts much more intuitive, quick, and simple than working from line-by-line text instructions. Charts are written in “motifs” so the chart is repeated X number of times across the knitting row/round. Charts are normally presented with a stitch legend or key so it is not necessary to understand all the knitting symbols on a chart to use it. There are many symbols which are common across charts but, sometimes, a specific designer may use a different symbol so it is important to check the key before you start to make sure you are aware of what the symbols mean for the chart you are working. Each square on a chart represents one stitch and each square offers a visual representation of what the completed stitch looks like (for example, a blank square usually represents a k stitch which is nice and smooth, a square with a dot in it usually represents a p stitch which has a little lump at the base, a square with a circle (O) in it usually represents a yo (yarn over) which results in a hole in the work, etc.) Note that these visuals are presented as RS stitches and, in actual fact, the blank square usually means k on RS, p on WS, whereas the square with the dot usually means purl on the RS, knit on WS. -
Fibers and Fabrics Level 1 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Level 1
Archival copy. For current version, see: https://catalog.extension.oregonstate.edu/4-h32017 Fibers and Fabrics Level 1 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Level 1 4-H 320-17 • October 2014 Natural and man-made fibers Fibers are the basic component of fabrics. Each type of fiber has unique characteristics, and fabrics have the same characteristics as the fibers they are made from. Learning about fibers is important because it helps you understand how the fabric will perform and what care the fabric needs. Fibers can be natural or man-made. Natural fibers Natural fibers come from natural sources, such as plants and animals. There are four natural fibers: cotton, linen, silk, and wool (figure 1). These fibers are naturally absorbent and porous. This is why fabrics made from natural fibers will be comfortable to wear in a variety of temperatures. However, natural fibers will Figure 1. Cotton is an example of a also shrink if they are not handled carefully. natural fiber. Man-made fibers The term “man-made fiber” refers to all fibers not found in nature. Man-made fibers are made from a synthetic source (chemicals, such as petroleum) or a cellulose source that has been enhanced in a lab (figure 2). Man-made fibers include nylon, polyester, olefin, rayon, acetate, triacetate, spandex, and acrylic. These fibers are highly resilient, so they resist creases. However, because they are not very absorbent or porous, they may be uncomfortable in hot or humid weather. Woven, knitted, and other fabric construction Fibers or yarns made from fibers can be used in many ways to make fabrics. -
Making Sense of Symbols: a Guide to Reading Charts
BEYOND T H E BASICS Making Sense of Symbols: A Guide to Rea ding Charts Ann Budd ANY BEGINNING KNITTERS pale at the right side of the knitting is always facing out), all M the sight of a knitting pattern, temporar- rows are read from right to left. ily paralyzed by the seemingly complicated Most charts, including the ones in Interweave Knits, abbreviations and symbols (k2tog, ssk, brackets, pa- are plotted on a square grid. Because knitted stitches rentheses, asterisks, . .). But most knitters quickly tend to be wider than they are tall, motifs worked from realize that pattern language is actually quite simple; such charts will appear squatter in the actual knitting rather than an unbreakable code, it is truly a useful than they appear on the grid. To avoid this discrep- shorthand. Curi ously, however, ancy when designing your own many knitters never make the project, you can use proportional Common Chart Symbols jump to following charted pat- & Definitions knitter’s graph paper (available at terns, failing to understand how knitting stores). right side: knit logical and, yes, easy to follow, wrong side: purl Symbols: Though not all pub- they really are. right side: purl lications use exactly the same Charts have several advan- wrong side: knit symbols (for example, some use a tages over row-by-row knit- right side: k2tog horizontal dash to denote a purl ting instructions written out wrong side: p2tog stitch, others use a dot), for the in words: They let you see at right side: k3tog most part, the symbols represent a glance what’s to be done and wrong side p3tog what the stitches look like when what the pattern will look like right side: ssk viewed from the right side of the knitted; they help you recognize wrong side: ssp knitting. -
Free Knitting Pattern: Lion® Bouclé Cozy Slipper Socks
Free Knitting Pattern Lion Brand® Lion® Bouclé Cozy Slipper Socks Pattern Number: 50642 Short, cozy socks are knit in the round from the cuff down using double-pointed needles. Free Knitting Pattern from Lion Brand Yarn Lion Brand® Lion® Bouclé Cozy Slipper Socks Pattern Number: 50642 SKILL LEVEL: Intermediate SIZE: One Size Circumference 8" [20.5 cm] CORRECTIONS: (applied Jun 27, 2013) HEEL FLAP With WS facing, work K1, P1 Rib across 6 sts of first needle and 6 sts of 2nd next needle using 1 needle. MATERIALS • 930-212 Lion Brand Lion *Lion® Boucle (Article #930). 79% Acrylic, 20% mohair, Boucle Yarn: Popsicle 1% nylon; package size: 2.50oz/70.00 gr. (57yds/52m) 2 Balls pull skeins • Lion Brand Double- Pointed Needles - Size 8 • Lion Brand Split Ring Stitch Markers • Lion Brand Large-Eye Blunt Needles (Set of 6) GAUGE: 12 sts = 4” [10 cm] in St st (k every rnd). BE SURE TO CHECK YOUR GAUGE. When you match the gauge in a pattern, your project will be the size specified in the pattern and the materials specified in the pattern will be sufficient. If it takes you fewer stitches and rows to make a 4 in. [10 cm] square, try using a smaller size hook or needles; if more stitches and rows, try a larger size hook or needles. STITCH EXPLANATION: STITCH EXPLANATIONS skp (slip, knit, pass) Sl 1 st as if to knit, k 1, pass slipped st over. Kitchener Stitch (Grafting) Holding the 2 needles parallel with wrong sides of fabric together, thread a large-eyed blunt needle with one of the yarn ends and work as follows: Insert needle as if to purl into first stitch on front piece. -
Little Summer Dress Marjolein Thunnissen July 2010/March2011
Little Summer Dress Marjolein Thunnissen July 2010/March2011 An easy to wear little dress for lazy summer days. The pattern should work with any DK yarn with nice drape: cotton, linen, hemp, bamboo blends are ideal. The blue dress is knitted in Debbie Bliss Amalfi (70% Cotton, 15% Rayon, 10% Linen, 5% Silk), the orange dress is made with Jaeger Trinity (Silk, Cotton, Nylon). Sizes: 2-3, 3-4, 4-5 years Actual sizes: 60, 64, 67 cm (24”, 25”, 26.5”) measured under the arms around the body. Level: Easy. Advanced beginner, know how to decrease stitches. There are short rows in the yoke. Materials Yarn: Debbie Bliss Amalfi colour 32006, light-blue 6,6,7 balls Embroidery yarn: DMC 25 blanc, 2 hanks Needles: 4 mm circular needle 60 cm, 4 mm DPNs (US 6 needles) Embroidery needle Darning needle 6 stitch markers, 2 different to mark sides of garment, 4 for marking decreases. Gauge: 20 sts x 30 rows gives 10 x 10cm (4” x 4”) width x length measured after washing/drying swatch. Row gauge is not critical for this pattern. 1 Abbreviations used: k: knit p: purl k2tog: knit 2 stitches together skp: slip 1 stitch, knit next stitch, pass slipped stitch over knitted stitch M: marker pm: place marker (1, 2, 3, 4) sm: slip marker (1, 2, 3, 4) sts: stitches EOR: End of Round EZ sewn bind-off: Cut the yarn leaving a long tail (about 2 to 3 times longer than circumference). Thread your yarn tail into a darning needle. Working from right to left, *** pass needle through the front loops of two first stitches, as if to purl. -
Beth Brown Reinsel Interview
An Interview with Beth Brown-Reinsel at EduKnit This PDF is intended to serve as a resource to go along with our interview post with Beth Brown-Reinsel, found here: http://eduknit.com/?p=2212 We hope you’ll enjoy reading the highlights from Beth’s interview! Types of Color Knitting Beth says that Intarsia isn't her favorite style of knitting, but she could do stranded knitting forever. She mentions that even though most people think of Fair Isle as the only method for color knitting, that's a misnomer. She explains that Fair Isle has a particular set of rules, such as only including two colors in each round or how many stitches you can "float" the yarn along in a row. So Fair Isle is a part of stranded knitting, but not all stranded knitting is Fair Isle. Several other types of color knitting exist - including Norwegian, Swedish, and Latvian knitting - and those often incorporate several colors in one row or round. Beth explains that "technique is technique" - and there are many ways to knit color work, using one or both hands according to the knitter's preference. Each style of stranded knitting tends to have its preferences where that is concerned. Steeking Steeking isn't just the act of cutting your knitting - it's the act of putting extra stitches into your knitting for the purpose of cutting them later. Shetland wool has many microscopic "hooks" in each fiber, which helps to hold the fibers together. So as Beth explains, you can cut Shetland wool and it won't really go anywhere, making it ideal for color work that will be steeked. -
A Quick and Easy Project – This Lovely Little Scarf Is Knit in Fisherman's
by Robyn Diliberto for Make One Design Features: A quick and easy project – this lovely little scarf is knit in fisherman’s rib and finished with a knitted flower and button. Size: One size fits most. Yarn required: 150 yards fingering weight yarn* *Yarn used is labelled 26sts/4” (sport weight), but it seemed as fine as any sock yarn. Blocked Gauge: 26 sts/32 rows = 4” (10cm) in Fisherman’s Rib stitch pattern Needles: Size 5 U.S. (3.75 mm) needles (set of 5 double pointed or two circulars) or size needed to obtain gauge. Other Supplies: Size F (3.75 mm) crochet hook Waste yarn Tapestry Needle Skill Level: Advanced Beginner/Intermediate Yarn Used for sample: Swiss Mountain Silk by Hand Maiden 65% cashmere/35% silk 180 m/50 g Color: Rose Revised August 27, 2008 Page 2 of 2 Scarf Queen’s Ball Button With Size 5 U.S. needles (straight or circular – knitter’s With Size 5 U.S. double pointed or straight needles, choice) cast on 27 stitches. cast on 8 stitches. Row 1: Knit in front and back of each stitch; *Fisherman’s Rib Stitch pattern 16 stitches. (instructions include a two stitch selvage at each edge): Row 2: *purl 1, knit 1; Row 1: Slip 1 purlwise, purl 1, knit 23, purl 1, knit 1. repeat from * to end of row. Row 2: Slip 1 purlwise, knit 1, Row 3: *knit 1, purl 1; *purl 1, knit next stitch in the row below repeat from * to end of row. [insert right hand needle into the center of the Row 4, 6, 8, 10: Repeat Row 2. -
Nine Clever and Creative Ways to Use Fabric Edges
Salvage SelvagesYour good selvage is like a bonus with your fabric purchase. Most of Nine clever and the time, sewers use selvages as references to ensure we’re placing A patterns on the fabric’s straight grain, and then we cut them off creative ways to and toss them. Selvages can be so much more, however, whether used for use fabric edges structural support, as embellishment, or as a source of inspiration. You may not usually buy a piece of fabric because of its selvage, but you BY MARY RAY just might start once you learn how using a beautiful and interesting sel- vage creatively can turn a humdrum garment into a statement piece. Some selvages are unobtrusive, narrow, and woven a little tighter with stronger yarns than the rest of the fabric, while some are much fancier, with multi- colored yarns, woven patterns, or feathery edges—or sometimes all three. Once you start looking at selvages with a designer’s eye, you’ll see how useful they can be. Here are nine ways you can use selvages that are just too good to discard. Mary Ray is a Threads contributing editor and teaches apparel design and construction at Appalachian State University in Boone, North Carolina. 36 THREADS Selvages, like those shown on the facing page, may be reserved or flashy. Discover how to use them instead of trims to highlight garment details. At right, a wool tweed dress gets a boost from self- fabric selvages applied as stitched-down seam piping. Pattern: Vogue 1183; fabric: MoodFabrics.com. www.threadsmagazine.com AUGUst/SEPteMBER 2014 37 Prepare to use selvages The ways you can use a selvage depend on whether it is uncut (flat) or fringed. -
Knit to Shape Garments Under HTSUS Heading 6110
What Every Member of the Trade Community Should Know About: Classification of Knit to Shape Garments under HTSUS Heading 6110 AN INFORMED COMPLIANCE PUBLICATION MAY 2008 Classification of Knit to Shape Garments under HTSUS Heading 6110 May 2008 NOTICE: This publication is intended to provide guidance and information to the trade community. It reflects the position on or interpretation of the applicable laws or regulations by U.S. Customs and Border Protection (CBP) as of the date of publication, which is shown on the front cover. It does not in any way replace or supersede those laws or regulations. Only the latest official version of the laws or regulations is authoritative. Publication History First Issued June 2006 Reviewed with no changes May 2008 PRINTING NOTE: This publication was designed for electronic distribution via the CBP website (http://www.cbp.gov) and is being distributed in a variety of formats. It was originally set up in Microsoft Word 2003®. Pagination and margins in downloaded versions may vary depending upon which word processor or printer you use. If you wish to maintain the original settings, you may wish to download the .pdf version, which can then be printed using the freely available Adobe Acrobat Reader®. 2 Classification of Knit to Shape Garments under HTSUS Heading 6110 May 2008 PREFACE On December 8, 1993, Title VI of the North American Free Trade Agreement Implementation Act (Pub. L. 103-182, 107 Stat. 2057), also known as the Customs Modernization or “Mod” Act, became effective. These provisions amended many sections of the Tariff Act of 1930 and related laws.