DOCSLIB.ORG

Laikraksts "Latvietis"

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Laikraksts Laikraksts www.laikraksts.com Austrālijas pirmais latviešu elektroniskaisLATVIETIS nedēļas laikraksts latviešiem pasaulē — An Australian newspaper for Latvians worldwide Nr. 661 2021. gada 4. augustā TĪMEKLĪ ISSN 1837-6991 Published by Sterling Star Pty Ltd — PO Box 6219, SOUTH YARRA, VIC 3141, AUSTRALIA — Email: [email protected] FOTO Andris Kariks Sidneja. Latvijai zelts! Uzvara 3x3 basketbolā Tokijas Olimpiādes 3x3 basketbola Krūmiņš izmežģīja kreiso potīti, bet ar naudas balvas par izciliem sasniegumiem finālā Latvijas komanda uzvarēja sīvā apsietu potīti un augšstilbu atgriezās lau- sportā, un naudas balvu apmēru. cīņa ar 21:18 pret „Krievijas Olimpis- kumā. Diemžēl, Krūminš vēlreiz savai- Izglītības un zinātnes ministrijā aģen- kās komitejas“ (ROC) vienību. 3x3 bas- noja kāju, un bija jāpamet spēles laukums. tūru LETA informēja, ka Latvijas Bas- ketbols bija Tokijā pirmo reizi iekļauts Par uzvaru Tokijā Latvijas izlase – ketbola savienības 3x3 izlases sportisti olimpiskās spēlēs. Latvijas komanda sportisti, viņu treneri, sportistus apkalpo- Agnis Čavars, Edgars Krūmiņš, Kārlis ar Agni Čavaru, Nauri Miezi, Kārli jošie sporta darbinieki, tai skaitā sporta ār- Lasmanis, Nauris Miezis par izcīnīto zel- Paulu Lasmani un Edgaru Krūmiņu sti un apkalpojošais personāls – var kopā ta medaļu XXXII Vasaras olimpiskajās sastāvā līdz ar to kļuva par pirmo olim- saņemt līdz 426 862 eiro (pēc nodokļu spēlēs katrs var saņemt līdz 106 716 eiro, pisko čempionu šajā sporta veidā. nomaksas) – tā nosaka Ministru kabineta savukārt sportistu treneri un apkalpojo- Spēles gaitā 35 gadus vecais Edgars Noteikumi par kārtību, kādā piešķiramas šais personāls (kopā) līdz 213 432 eiro. ■ Saturs Valsts prezidents piešķir Austrālijas ziņas ..................5, 12, 13, 14, 15 Latvijas ziņas .....1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12 Latvieši pasaulē .............................1, 4, 8, 16 Cildinājuma rakstu Redakcijā .............................................................3 Mākslas vēsturniekam un gleznotājam Imantam Lancmanim LV prezidenta kanceleja .............................1 29. jūlijā Elīna Apsīte ........................................................2 Valsts prezidents Inga Vasiļjeva..........................................3, 4, 7 Egils Levits pie- Vija Sieriņa ..........................................................5 šķīris Cildinājuma Vītolu Fonds ..............................................5, 12 rakstu mākslas vēs- Elīna Bīviņa.........................................................6 turniekam un gleznotājam Imantam Agnese Pundiņa ...............................9, 10, 11 Lancmanim, godinot Rundāles pils Kristaps Zariņš ...............................................12 atjaunotāju 80 gadu jubilejā. Guntars Saiva .........................................13, 15 Valsts prezidents novērtē I. Lanc- Sēru vēsts .........................................................14 maņa mūža darbu Rundāles pils at- Aldis Elberts ....................................................14 dzimšanā, kas ir nozīmīgs ieguldījums Datumi ...............................................................15 Latvijas valsts vēsturē: „Jūsu intelek- Armands Birkens ..........................................16 tuālais devums ir spilgti izgaismojis Sarīkojumi, ziņojumi...................................16 latvisko un eiropeisko kodu mūsu kul- Eiro kurss ...........................................................16 tūrā.“ Cildinājuma raksts I. Lancmanim tiks pasniegts š. g. rudenī. LV Prezidenta kanceleja prezidentaFOTO LV kanceleja 9HRLINH*gjjaac+ 29.07.2021. Imants Lancmanis. 2. lpp. LAIKRAKSTS „LATVIETIS“ Trešdien, 2021. gada 4. augustā Lai latviešu cimdu stāsti turpinātos Jettes cimdu dienas Grāmatas Jettes Dienu grāmata autore, filozofe Elīna Apsīte un biedrība Cimdu ceļš aicināja uz izcilās cimdu adītājas tautas daiļamat- meistares Jettes Užānes Cimdu dienām, kas norisinājās 30. un 31. jūlijā Dzērbenē. Jettes Užānes vārds ir viena no Dzērbenes atpazīstamības zīmēm. Iz- cilā māksliniece bija cimdu adīšanas tradīcijas jaunradītāja un turpinātāja, kā arī dzīves filozofe, kas visu mūžu pavadījusi ratiņkrēslā. Jettes filozofis- kās pārdomas izdotas grāmatā Jettes Dienu grāmata. Latvietim cimds ir daudz vairāk kā tika aksesuārs vai apģērbs – tas ir FOTO Aivis Šulcs stāsts, zīme, savdabīgs pasaules mode- Jettes Užānes Cimdu dienas. lis un tajā svarīgs ir viss – krāsu saska- ņa, raksts, proporcijas. Tas ir stingri des Ko stāsta tavs cimds atklāšanu Pasākums notika sadarbībā ar pakļauts gadsimtiem senai tradīcijai, Dzērbenes Pilī. Atklāšana bija kupli Valsts Kultūrkapitāla fondu, Latvijas bet atstāj telpu jaunradei. Cimds stāsta apmeklēta, mūs sveica gan bijušais Nacionālo Kultūras centru un Dzērbe- par adītājas gaumi, pasaules izjūtu un Vecpiebalgas novada vadītājs, šo- nes tautas namu. Pasākumu rīko bied- dzīvoto dzīvi. Tādēļ latvieša rakstai- brīd apvienotā Cēsu novada depu- rība „Cimdu ceļš“. nais cimds ir tik īpašs un interesants. tāts Indriķis Putniņš, LNKC Tautas Elīna Apsīte, Jettes Užānes cimdu adīšanas veids mākslas nodaļas vadītāja, eksperte Pasākuma idejas autore un vadītāja paplašināja jaunrades iespēju, respek- Linda Rubena, tautas tērpu centra 1.08.2021 tējot tradīciju, Jette cimdos stāstīja Senā Klēts speciāliste Ziedīte Mu- Laikrakstam „Latvietis“ savu stāstu. zis. Tika sveikti cimdu adītāji un Jettes Cimdu dienas notika 30. un godināti veiksmīgāko cimdu autori. 31. jūlijā Jettes Užānes dzimtas mājās Izstādē tika pārstāvēti visi Latvi- Published by Sterling Star Pty Ltd Lejniekos un Dzērbenes pilī. jas novadi un 53 adītāja ar saviem ABN 54053671855 Pirmajā dienā visus aicinājām uz individuāliem cimdiem un cimdu Jettes mājām. Bija vēlēšanās iepazīsti- stātiem. Izstāde atšķiras no citām, Redakcija / Editorial Office: nāt ar Jettiņu un viņas dzīvi autentiskā jebkad redzētājām, jo uzmanība tiek Sterling Star vidē. Piesēst uz mazā dīvāniņa, nelie- pievērsta pašai adītājai – pie kat- PO Box 6219 lajā, krēslainajā istabā un padomāt, ra cimdiņa ir stāsts par tā tapšanu, SOUTH YARRA, VIC 3141 cik stipram ir jābūt cilvēkam, lai ra- adītājas fotogrāfija un dzīves moto. AUSTRALIA tiņkrēslā tā nodzīvotu visu savu mūžu Dienas gaitā bija iespēja piedalīties un radītu tik brīnumskaistus darbus, praktiskās adīšanas meistarklasēs, Tel/fakss: (03) 98273753 un būtu par spēka un iedvesmas avotu kur Baibas Pilānes vadībā varē- [email protected] tik daudziem cilvēkiem, kas pie viņas ja mācīties dažādus cimda valnīšu [email protected] ciemojās. adīšanas paņēmienus un pie Inetas www.laikraksts.com Ikviens pasākuma dalībnieks tika Krastiņas iepazīties ar Jettes Užā- mīļi sagaidīts, kā ciemiņš, cienāts ar nes rakstu daudzveidību un adīšanas Editor: Ilze Nagela tepat dīķī noķertu foreļu zupu un kliņ- noslēpumiem. Dienas izskaņā ap- Associate Editor: Dr. Gunars Nagels ģeri, un tēju. meklētājus priecēja vieglās mūzikas Abonēšanas cena drukātam Abas dienas dalībnieki piedalījās koncerts Latvijas Mūzikas akadēmi- laikrakstam: $55 par 10 numuriem, meistarklasēs, kas papildināja ne tikai jas audzēkņu sniegumā. $105 par 20 numuriem vai $260 par adīšanas iemaņas, bet arī bagātināja Atvadoties Jettes Cimdu dienu da- 52 numuriem ar piegādi Austrālijā. dvēseli un prātu. Tekstilmāksliniece lībnieki bija gandarīti un aizkustināti Čekus rakstīt uz vārda: un cimdu pētniece Baiba Vaivare ļoti par šīm divām piepildītām, pārdomu „Sterling Star Pty Ltd“. interesantā sarunā iepazīstināja ar un cilvēcīguma pilnajām dienām. latvieša etnogrāfisko cimdu vēsturi, Jettes Cimdu dienas Dzērbenē Sludinājumu cena: $7 par 1 cm attīstību, transformāciju, vērsa uzma- noteikti saglabāsies kā tradīcija – ar telpu vienā slejā vienā numurā. nību uz cittautu ietekmēm un latviešu cimdu izstādi, meistarklasēm un adī- Content and design: adītājas radošo prasmju izpausmi un tāju tikšanos. Šajā reizē dalību aktīvi © Sterling Star 2021. gaumi. Latvju rakstu pētnieks, dizai- ņēma arī divas vācu tautības kundzes, All rights reserved. neris Valdis Celms runāja par latvju kas uz Latviju brauc jau vairākus ga- rakstu sakrālo nozīmi, liekot aizdo- dus cimdu rakstus mācīties. Organi- Tīmeklī/Online ISSN 1837-6991 māties par latvieša pasaules izjūtu un zatori priecāsies, ja nākošgad adītāju Abonētājiem/Print ISSN 1837-6983 dvēseli, kas rada rakstu, tā veidojot un izstādes dalībnieku skaits kuplos Ar autora vārdu vai iniciāļiem parakstītos tautas raksturu, kas top redzams cim- un varbūt kāds Austrālijā dzīvojošs rakstos izteiktās domas ne katrā gadījumā dos. Katrā etnogrāfiskajā zīmē, kā ho- latvietis arī ar saviem cimdiņiem un atbilst redakcijas viedoklim, un redakcija logrammā ir iekodēts pilnīgs pasaules stāstu piedalīsies izstādē. par tām neuzņemas atbildību. Redakcija patur tiesības manuskriptus un fotogrāfijas modelis. Nākošgad pasākums plānots mai- rediģēt. Laikraksts honorārus nemaksā. Otrā diena sākās ar cimdu izstā- jā, kad Latvijā svin Jettes Dienu. Trešdien, 2021. gada 4. augustā LAIKRAKSTS „LATVIETIS“ 3. lpp. Redakcijā Sveicināti, lasītāji! Latvijas un latviešu sportisti ir startējuši un ieguvuši medaļas olim- piskajās spēlēs zem dažā- diem karogiem, ieskaitot Padomju Savienības un Austrālijas. Zem Latvijas karoga vasaras olimpiskajās spēlēs līdz šim ir iegūtas 20 medaļas, sākot ar soļotāja Jāņa Daliņa sudraba medaļu 1932. gadā Losandželo- FOTO Didzis Grodzs, RMM arhīvs sā līdz jaunākajai – zelta medaļai – 3x3 No kreisās: Vaira Vīķe-Freiberga, Iveta Ruskule. basketbola komandai šogad Tokijā. Jāpiemin, ka 1932. gadā Losandže- losā piedalījās tikai divi sportisti no Latvijas, otrais būdams desmitcīņnieks
Load more

Recommended publications
  • Creating the Discipline: Facts, Stories and Sources of Latvian Art History
    STELLA PELšE 26 Creating the Discipline: Facts, Stories and Sources of Latvian Art History STELLA PELšE The article reflects on the main personalities, phases and achievements (such as major monographs and surveys) of art-historical research in Latvia, outlining the dominant ideas and institutional developments. While interest in art-related issues already emerged in Baltic German circles in the late nineteenth century, it was not until the late 1910s and early 1920s that the story of national art emerged as an important lacuna to be filled in the cultural consciousness of the newly founded nation-state. The construction of an uninterrupted line of artistic development from prehistoric times to the present came to the fore, inscribing the local heritage in the wider processes of the development of art. The Soviet period replaced the story of national art with the story of realist art produced on the territory of Latvian Soviet Socialist Republic; still the gradual entropy of imposed sociological method has largely encouraged a turn towards the autonomous artwork, examining it in a spectrum of aspects, such as regional routes of migration and influences, and genealogies of iconographic and stylistic traits. A loose empirical pluralistic and even eclectic approach seems to best describe the current situation in Latvian art history. It could be argued that the discipline of art history has been in a state of uncertainty and flux since its very beginning. The Eastern European context, particularly that of the Baltic states, further complicates the present situation. In the twentieth century there has appeared a cascade of critical rewritings in that region, largely related to po- litical upheavals and, to paraphrase Ernst Gombrich, stories of art abound.
    [Show full text]
  • Events in Riga April / May / June 2015 Planeta 210X100mm PRINT.Pdf 1 09.12.2014 10:09:28 EVENTS in RIGA APRIL / MAY / JUNE 2015
    Events in Riga April / May / June 2015 planeta 210x100mm _ PRINT.pdf 1 09.12.2014 10:09:28 EVENTS IN RIGA APRIL / MAY / JUNE 2015 CONTENTS 2 April Events 21 May Events 37 June Events 48 List of venue addresses RIGA TOURIST INFORMATION CENTRES At the Riga Tourist Information Centre (Rātslaukums 6), you can receive more information, as well as tickets to most of the events mentioned. Rātslaukums 6. Phone: +371 67037900 Kaļķu iela 16. Phone: +371 67227444 Riga International Coach Terminal Prāgas iela 1. Phone: +371 67220555 Working hours: April: 10:00–18:00 May, June : 9:00–19:00 [email protected] www.LiveRiga.com in cooperation with: This information has been prepared on 25.02.2015. The Riga Tourism Development Bureau is not responsible for any changes made by event organisers. On national holidays (03.-06.04., 01.-04.05., 22.-24.06.2015), certain locations may be closed or have shortened working hours. EVENT CALENDAR Date Time Event Venue Pg. 01.04.- 9:00-19:00 Egle's Crafts Fair Egle's Crafts Fair 8 31.12. 10:00- Two Centuries of Italian Art Museum Riga 01.-19.04. 18:00 Portrait Painting. 1580-1780: 8 Bourse (II-VII) An Exhibition 10:00- Jewellery artist Emmanuel 18:00 (I-V), 01.-11.04. Lacoste`s exhibition: "The Art gallery Putti 8 11:00-17:00 Seven Deadly Sins" (VI) 10:00- 04.03.- Exhibition "Gem of Art Riga Art Nouveau 18:00 8 24.05. Nouveau: Riga Synagogue" Museum (II-VII) The Pauls Stradins 01.04.- 11:00-17:00 Exhibition "Anatomist: The museum of 8 16.05.
    [Show full text]
  • First Modernist Women Artists in Latvia and Their Paths Into the International Art Scene
    chapter 16 First Modernist Women Artists in Latvia and Their Paths into the International Art Scene Baiba Vanaga Abstract In the early twentieth century, a number of Latvian women artists, among them Milda Grīnfelde, Otīlija Leščinska, and Lūcija Kuršinska, received training from European and Russian modernist artists and showed their artworks in exhibitions of modern art. The growth of Latvian modern art, however, is connected with the late 1910s and 1920s; its main force was the Riga Artists’ Group, an association of young, mostly Russian educated painters and sculptors, who had connections to the European modernist trends. The only two female artists in this group—sculptress Marta Liepiņa-Skulme and painter Aleksandra Beļcova—played significant roles in the development of modernism in Latvia and participated in major local and some international arts exhibitions. It is 1924. The French purists Amédée Ozenfant and Charles-Édouard Jean- neret are publishing a journal called L’Esprit Nouveau, and in its pages readers can find reproductions of cubist artworks by two female artists—the painter Aleksandra Beļcova and the sculptor Marta Liepiņa-Skulme.1 Who were these two women, who became the most prominent of the early Latvian mod ernists? Before turning to their biographies and those of a few other early Latvian mod- ernist women artists and their paths into the international art scene, it is worth briefly recalling the context of the time period in which they worked. The territory of Latvia was a part of the Russian Empire until the estab- lishment of the independent Latvian state in 1918, but as early as the mid- nineteenth century Latvian women were actively seeking possibilities to learn the artist’s profession and participating in the local and international art scenes.
    [Show full text]
  • Baltic Glass the Development of New Creative Models Based on Historical and Contemporary Contextualization
    Vesele, Anna (2010) Baltic Glass The development of new creative models based on historical and contemporary contextualization. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/3659/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Baltic Glass The development of new creative models based on historical and contemporary contextualization Anna Vesele A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy Faculty of Arts, Design and Media, University of Sunderland April 2010 1 Abstract The aim of this research was to demonstrate the creative potential of a particular type of coloured flat glass. This glass is produced in Russia and is known as Russian glass. The present researcher has refined methods used by Baltic glass artists to create three- dimensional artworks. The examination of the development of glass techniques in Estonia, Latvia and Lithuania was necessary in order to identify these methods and to contextualize the researcher’s personal practice. This study describes for the first time the development of glass art techniques in the Baltic States from the 1950s to the present day. A multi-method approach was used to address research issues from the perspective of the glass practitioner. The methods consisted of the development of sketches, models and glass artworks using existing and unique assembling methods. The artworks underlined the creative potential of flat material and gave rise to a reduction in costs. In conjunction with these methods, the case studies focused on the identification of similarities among Baltic glass practices and similarities of approach to using various glass techniques.
    [Show full text]
  • “ 'Baltarlar' Porselen Atölyesi ”
    “ ‘BALTARLAR’ PORSELEN ATÖLYESİ ” Arş. Gör. Dr. Yeşim ZÜMRÜT* ÖZET 1918 yılında cumhuriyetin ilan edildiği Letonya’ da, I. Dünya Savaşı’ nın sosyal yaşam ve sanat alanındaki yıkıcı etkisi hakimdir. Riga’ da savaş öncesinde var olan sanat kurumlarının yeniden hayata geçmesinde ve yenilerinin eklenmesinde sanatçılar ve halk büyük çaba göstermişlerdir. Özellikle yeni sanatsal akımlar ve düşünceler üretmek üzere çalışan bir grup sanatçı 1920-1930’ lu yıllarda Letonya’ nın kültürel mirasında köklü bir yer edinen ‘Baltars’ imzalı porselen eserler üretmişlerdir. Sır üstü dekor tekniğinin uygulandığı bu eserler Letonya sanatında ulusal kimliğin farklı boyutlarını yansıtarak günümüze aktarımını sağlamaktadır. Bu makale kapsamında, 1925-1928 yılları arasında varlık gösteren, endüstriyel açıdan M.S Kuznetsov şirketi ve J.C. Jensen gibi porselen fabrikalarına da ilham ve güç veren ‘Baltarlar’ Porse- len Atölyesi’ nin kuruluşuna zemin hazırlayan faktörler araştırılmış. Atölyenin hayata geçmesinde rol alarak Letonya’ yı porselen sanatında, genel sanat tarihinde önemli bir noktaya taşıyan sanat- çılar ve porselen eserleri incelenmiştir. Anahtar Kelimeler: Letonya, Riga, Porselen, Baltarlar Porselenleri * Çanakkale Onsekiz Mart Üniversitesi, Güzel Sanatlar Fakültesi, Seramik Bölümü, Çanakkale/ TÜRKİYE [email protected] 95 ANADOLU ÜNİVERSİTESİ “ ‘BALTARS’ PORCELAIN WORKSHOP “ Res. Assit. Dr. Yeşim ZÜMRÜT* ABSTRACT Latvia, where Independent republic was claimed in 1918, can still be characterized by the dest- ructive influence of the First World War on social life and art. The artists and the people in Riga invested a great deal of effort in enlivening and founding the art institutions which also existed be- fore the war. A group of artists who worked to generate particularly new art movements and ideas from 1920s and 1930s started to produce porcelains signed as Baltars, which is well established in the cultural heritage of Latvia.
    [Show full text]
  • Download File
    Eastern European Modernism: Works on Paper at the Columbia University Libraries and The Cornell University Library Compiled by Robert H. Davis Columbia University Libraries and Cornell University Library With a Foreword by Steven Mansbach University of Maryland, College Park With an Introduction by Irina Denischenko Georgetown University New York 2021 Cover Illustration: No. 266. Dvacáté století co dalo lidstvu. Výsledky práce lidstva XX. Věku. (Praha, 1931-1934). Part 5: Prokroky průmyslu. Photomontage wrappers by Vojtěch Tittelbach. To John and Katya, for their love and ever-patient indulgence of their quirky old Dad. Foreword ©Steven A. Mansbach Compiler’s Introduction ©Robert H. Davis Introduction ©Irina Denischenko Checklist ©Robert H. Davis Published in Academic Commons, January 2021 Photography credits: Avery Classics Library: p. vi (no. 900), p. xxxvi (no. 1031). Columbia University Libraries, Preservation Reformatting: Cover (No. 266), p.xiii (no. 430), p. xiv (no. 299, 711), p. xvi (no. 1020), p. xxvi (no. 1047), p. xxvii (no. 1060), p. xxix (no. 679), p. xxxiv (no. 605), p. xxxvi (no. 118), p. xxxix (nos. 600, 616). Cornell Division of Rare Books & Manuscripts: p. xv (no. 1069), p. xxvii (no. 718), p. xxxii (no. 619), p. xxxvii (nos. 803, 721), p. xl (nos. 210, 221), p. xli (no. 203). Compiler: p. vi (nos. 1009, 975), p. x, p. xiii (nos. 573, 773, 829, 985), p. xiv (nos. 103, 392, 470, 911), p. xv (nos. 1021, 1087), p. xvi (nos. 960, 964), p. xix (no. 615), p. xx (no. 733), p. xxviii (no. 108, 1060). F.A. Bernett Rare Books: p. xii (nos. 5, 28, 82), p.
    [Show full text]
  • The Most Recognised Latvian [?] Artist in the World
    IVeta DERKUSOVA 30 The Most Recognised Latvian [?] Artist in the World. The Case of Gustavs Klucis (1895–1938) Iveta Derkusova The political history of the twentieth century created several distorted gaps in the art history of the Baltic countries and in the collective memories of our nations. We are used to thinking in such categories as ‘before’ and ‘after’, i.e. in relation to the fifty-year- long Soviet occupation, and ‘here’ and ‘there’, i.e. art development in local art centres and in the rest of Europe. One of the topics in recent European modernism studies has been the reintegration of Eastern European national art schools into overall twentieth century European art history.1 However, the inclusion of individual artists in a ‘national art’ context may bring up specific questions. The case of the Latvian-born artist Gustavs Klucis (1895–1938), whose worldwide recognition has been achieved in the framework of Russian avant-garde art, is among the most complex to be discussed within the context of Latvian art history, since his national and professional identities are hardly parallel. The internationally accepted2 interpretation of Gustavs Klucis’s legacy places his crea- tive work in the context of Russian avant-garde art. This is common for the majority of the relevant scholarly publications, both exploring Klucis’s work in particular3 and in connection with his contemporaries in the framework of constructivism or photo- 1 E.g. S. A. Mansbach, Modern Art in Eastern Europe: From the Baltic to the Balkans, ca. 1890–1939. Cambridge, New York: Cambridge University Press, 1999.
    [Show full text]
  • Book Descriptions
    CASE 1 SIGNĀLS :Rīgas Tautas augstskolas audzēkņu sociālistisks žurnāls visiem, kas mācās. Voldemārs Branks, Kārlis Dēķens, Arvids Grigulis, Fricis Rokpelnis, Arnolds Serdants, Edgars Šillers, Ādolfs Talcis, eds. Rīga : Tautas augstskola, 1928-1930. October 1928-July 1930 (all published) Octavo, wrappers, 17 issues. From its first issue stating its intent as a Marxist journal of the social sciences and arts, Signals was, like almost all avant-garde activities in Latvia, driven by a social and economic agenda which incorporated the most daring use of graphic design of the day. There are, among the more generally USSR leaning essays and reviews, some interesting original wood- and linocuts and photo-collages , but the most striking aspect is the cover design, unique to each issue, which were original constructivist compositions of very high quality. Artists designing these covers were A. Rentovics, V. Leimans, A. Grigels, L. Šneiders, and A. Segelinš, although most were unattributed in the issue. Signals is very rare and highly collectible . Fraser, pp.133-135, illustrated. Worldcat finds one set in North America, and single issues alone are highly sought privately. This set near fine to fine. (SIGN 1.01-17) Signals single numbers available ------------, 1929 No. 4, 6, 7, 8 (SIGN 3.04, 3.06, 3.07, 3.08) ------------, 1930 No. 1,3,5, 7/8 (SIGN 3.09 3.11, 3.12, 3.14) LAIKMETS. Kārlis Zāle, A. Dzirkāls, eds. Nos. 1-4 Berlin: Latvijas Tēlnieks, 1923 (all published) Quarto 28.5 x 21.5 cm., wrappers, 96pp. LAIKMETS was an émigré journal, published in Berlin. It was international in scope, drawing on the avantgarde movements of the day together with the most forward looking of the Latvian literati and artists.
    [Show full text]
  • ROMANS SUTA's LIFE TBILISI PERIOD (1941–1944) from The
    ROMANS SUTA’S LIFE TBILISI PERIOD (1941–1944) ROMANS SUTA’S LIFE TBILISI PERIOD (1941–1944) From the history of the later period of the life of a Latvian artist On the occasion of Romans Suta’s 120th birthday Nikolai Javakhishvili [email protected] The late period of life and activity of the famous Latvian painter, designer, and teacher Romans Suta (1896–1944) is connected with Georgia. The presented article dwells on Ro- mans Suta’s Tbilisi period and his nearest Georgian confreres. In the summer of 1941, Romans Suta came to Tbilisi. He started working in a Georgian movie studio as a painter. He has worked on movies: In Black Mountains (1941, Producer Nikoloz She n gelaia), Giorgi Saakadze (1942, Producer Mikhail Chiaureli), The Shield of Jurgai (1944, Pro du cers: Siko Dolidze and David Rondeli). Romans Suta’s successful career was stopped abruptly because of his arrest on 4 Sep- tember 1943. He was charged for being an “enemy of people” and for “faking bread cou- pons”. He was tried and sentenced to be shot on 14 July 1944. In 1959, Romans Suta was partly rehabilitated, because the Military Collegium of the USSR Supreme Court exculpated Romans Suta’s charge of “enemy of people”, but “faking bread cards” still remained into effect. The article shows the real reasons for accusations to Romans Suta. The me moirs of his acquaintances, kept in the archives of the Ministry of Internal Affairs of Georgia, prove that Romans Suta was a member of the Georgian anti-Soviet or ganisation “White George” (in Georgian, “Tetri Giorgi”).
    [Show full text]
  • 4 X 10 Eastern Avant-Garde Orbit Digital Delights | List No
    4 X 10 EASTERN AVANT-GARDE ORBIT DIGITAL DELIGHTS | LIST NO. 2, DECEMBER 2016 Dear clients, colleagues and friends, I am hereby glad to present my new short list »Digital Delights«, edition no. 2. The following 52 pages contain four chapters with 40 new arrivals as well as carefully selected items from my stock related to the Eastern European Avant-Garde orbit. 10 illustrated books, magazines and/or ephemera each created by major proponents of Latvian, Bulgarian, Czech and Yugoslavian avant-garde movements from the 1920s and 1930s are waiting to be discovered by you. Starting with the astonishingly rich activities of the »Riga activists« in Latvia the presented orbit crosses Europe from the Northeastern to the Southeastern hemisphere to pass Bulgaria and it's short lifted but nevertheless fervent modernist scene around Geo Milev (Please also consider my monography »Bulgarian Modernism. Books and Magazines 1919-1934« still available in my webshop). Heading north again the Czech movement and it's specifically versatile design culture are to be browsed, whereas the last point of this journey finally is to be found in the Balkans: Nadrealizam is the keyword here. So, please enjoy browsing, watching and reading, and of course I am very much looking forward to your feedback and orders. Yours, 4 X 10 EASTERN AVANT-GARDE ORBIT DIGITAL DELIGHTS | LIST NO. 2, DECEMBER 2016 1 X 10 BALTIC 1 DOMAS [Thought]. Daiļliterātūras, mākslas un zinātnes mēnešraksts [Monthly review for literature, arts and science]. 8th year, no. 1 (1931). Lino-cut cover design, vignettes and typography by Niklavs STRUNKE. Rīga: Literātu biedriba Domas (Pipiṇ a un Upmaṇ a) 1931.
    [Show full text]
  • Claudia Salaris
    CLAUDIA SALARIS FUTURISMI NEL MONDO FUTURISMS IN THE WORLD COLLEZIONE ECHAURREN SALARIS A Isabella Musolino, compagna di viaggio in questo giro del mondo To Isabella Musolino, travelling companion on this journey round the world SOMMARIO | CONTENTS La Fondazione Echaurren Salaris e la casa editrice Gli Ori rin- Claudia Salaris graziano le istituzioni che, sin dall’esordio, hanno appoggiato il progetto della pubblicazione dei volumi dedicati alla collezione UNA NUOVA FRONTIERA | A NEW FRONTIER 5 Echaurren Salaris: la Galleria Nazionale d’Arte Moderna e Con- temporanea con la soprintendente Maria Vittoria Marini Clarelli e l’Accademia Nazionale di San Luca con il segretario genera- Filippo Tommaso Marinetti le Francesco Moschini. Un ringraziamento è dedicato a Vivien Greene, senior curator del Solomon R. Guggenheim Museum di LE FUTURISME MONDIAL. MANIFESTE À PARIS | WORLD FUTURISM. New York. MANIFESTO TO PARIS 19 Un particolare riconoscimento va a due indispensabili collabora- tori e interlocutori, Riccardo Sozio e Bruno Tonini, con i quali la Fondazione Echaurren Salaris ha condiviso quotidianamente per ARGENTINA 24 anni un impervio percorso di ricerca. Una menzione speciale è per Francesca Barbi Marinetti, che sta seguendo con attenzione tale iniziativa. E grazie a Antonella AUSTRIA 48 Sgambati per la sua collaborazione. Alla realizzazione di questa opera hanno portato il loro contributo anche Enrico Bittoto, Riccardo Boglione, Adriano Carlesi, Giaco- mo Coronelli, Stefano Dello Schiavo, Cesare G. De Michelis, Lucia BELGIO | BELGIUM 62 Di Maio, Gábor Dobó, Serena Fineschi, Mariann Gergely, Jadwiga Głusiec, Benedikt Hjartarson, Giovanni Milani, Sandra Kļaviņa, Elizabeth Phillips, Roberto Rodriguez, Gianfranco Sanguinetti, BOLIVIA 134 Anna Thorsdottir, Georgina Torello, nonché Huw Evans, traduttore e acuto redattore.
    [Show full text]
  • From Sunday to Saturday in 1918 Exhibition Organiser National Library of Latvia
    The exhibition at the National Library of Latvia 14.11.2018.–15.09.2019. #episodes From Sunday to Saturday in 1918 Exhibition organiser National Library of Latvia Researchers and writers Ruta Almane-Palmbaha, Anita Arājuma, Anda Baklāne, Zane Grosa, Sarmīte Galsa, Elīna Kalniņa, Lilija Limane, Marina Mihaileca, Kristina Papule, Ilze Ramba, Anda Saldovere, Viktorija Surska, Indra Viļumsone, Elita Vīksna, Anda Juta Zālīte, Eridana Žiba Scientific consultants Dr. hist. Vija Daukšte, Dr. hist. Mārtiņš Mintaurs Content editor Ieva Zībārte Project manager Kristiāna Kirša Exhibition and graphic design Una Grants, Anete Krūmiņa Illustrations Tatjana Raičiņeca Exhibition technicians #episodes Ainārs Egle, Jevgenijs Sisojevs From Sunday to Saturday in 1918 Video art Anete Krūmiņa, Kristians Luhaers Sound Renarts Braufmanis Digitalisation 1918 is a year full of chaos and disquiet. Events follow quickly Marika Karlsone, Lāsma Timma one upon the other and everything changes absolutely – front lines, Translations Juris Beņķis borders, political regimes, governments, prices. Despite the harsh conditions, life goes on. Farmers make sure that their city relatives, Special thanks to Jolanta Āboltiņa, Ainārs Roze, Ivars Silārs, Jānis worn-out by food shortages, receive a tasty morsel. Schoolchildren Šiliņš, Maija Zīle, National History Museum of Latvia maintain their joie de vivre. Love blossoms. An art exhibition opens and Inta Robežniece, Latvian National Museum of Art and Vineta Beržinska, Ziemeļblāzma branch of in Rīga. At the beginning of August 1918, a train stands waiting at the Riga Central library and Elita Voicehoviča a St. Petersburg station platform with three carriages decorated All the documents and images used in in the with the inscription Латышская опера – the Latvian Opera.
    [Show full text]