In the Kaiser's Capital
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Musekamp on Stangl, 'Risen from Ruins: the Cultural Politics of Rebuilding East Berlin'
H-Urban Musekamp on Stangl, 'Risen from Ruins: The Cultural Politics of Rebuilding East Berlin' Review published on Friday, September 11, 2020 Paul Stangl. Risen from Ruins: The Cultural Politics of Rebuilding East Berlin. Stanford: Stanford University Press, 2018. 352 pp. $65.00 (cloth), ISBN 978-1-5036-0320-2. Reviewed by Jan Musekamp (University of Pittsburgh) Published on H-Urban (September, 2020) Commissioned by Alexander Vari (Marywood University) Printable Version: http://www.h-net.org/reviews/showpdf.php?id=54596 Beyond Socialist Remodeling: Rebuilding East Berlin, 1945-61 Given its tumultuous history, it is not surprising that numerous scholars focus on postwar Berlin’s changing urban landscape. This is an interdisciplinary endeavor, with architects, urban planners, historians, and art historians looking at the city from markedly different perspectives.[1] Paul Stangl is a geographer by training and adds to this growing body of scholarship on the divided city. His focus is on the twenty-five years between the end of the Second World War and the construction of the infamous Berlin Wall—a time when Germany and the entire European continent “rose from ruins,” as the GDR national anthem put it. However, the Berlin case is unique for a number of reasons. First, the former German capital quickly developed into the front city of the Cold War. Second, as a result of this geopolitical background, both East and West Berlin served as showcases of the ideologies clashing here. Third, Berlin soon became a truly divided city in both spatial and ideological ways. Here, architects and urban planners often had to make decisions that followed not only general trends in urban planning but also ideological guidelines or directives. -
Travel with the Metropolitan Museum of Art
BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Travel with Met Classics The Met BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB May 9–15, 2022 Berlin with Christopher Noey Lecturer BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Berlin Dear Members and Friends of The Metropolitan Museum of Art, Berlin pulses with creativity and imagination, standing at the forefront of Europe’s art world. Since the fall of the Wall, the German capital’s evolution has been remarkable. Industrial spaces now host an abundance of striking private art galleries, and the city’s landscapes have been redefined by cutting-edge architecture and thought-provoking monuments. I invite you to join me in May 2022 for a five-day, behind-the-scenes immersion into the best Berlin has to offer, from its historic museum collections and lavish Prussian palaces to its elegant opera houses and electrifying contemporary art scene. We will begin with an exploration of the city’s Cold War past, and lunch atop the famous Reichstag. On Museum Island, we -
Lange Nacht Der Museen JUNGE WILDE & ALTE MEISTER
31 AUG 13 | 18—2 UHR Lange Nacht der Museen JUNGE WILDE & ALTE MEISTER Museumsinformation Berlin (030) 24 74 98 88 www.lange-nacht-der- M u s e e n . d e präsentiert von OLD MASTERS & YOUNG REBELS Age has occupied man since the beginning of time Cranach’s »Fountain of Youth«. Many other loca- – even if now, with Europe facing an ageing popula- tions display different expression of youth culture tion and youth unemployment, it is more relevant or young artist’s protests: Mail Art in the Akademie than ever. As far back as antiquity we find unsparing der Künste, street art in the Kreuzberg Museum, depictions of old age alongside ideal figures of breakdance in the Deutsches Historisches Museum young athletes. Painters and sculptors in every and graffiti at Lustgarten. epoch have tackled this theme, demonstrating their The new additions to the Long Night programme – virtuosity in the characterisation of the stages of the Skateboard Museum, the Generation 13 muse- life. In history, each new generation has attempted um and the Ramones Museum, dedicated to the to reform society; on a smaller scale, the conflict New York punk band – especially convey the atti- between young and old has always shaped the fami- tude of a generation. There has also been a genera- ly unit – no differently amongst the ruling classes tion change in our team: Wolf Kühnelt, who came up than the common people. with the idea of the Long Night of Museums and The participating museums have creatively picked who kept it vibrant over many years, has passed on up the Long Night theme – in exhibitions, guided the management of the project.We all want to thank tours, films, talks and music. -
Schlüteriana III
Schlüteriana III Kevin E. Kandt Schlüteriana III Studies in the Art, Life, and Milieu of Andreas Schlüter (c. 1659 – 1714) Lukas Verlag Cover: Andreas Schlüter and Johann Jacobi. Sarcophagus for King Friedrich I of Prussia – Detail of the Emblematic Figural Group (1713). Berlin Cathedral. I would like to thank my father, Glenn J. Kandt, for his most generous financial assistance during the preparation of this book. Without his steadfast support, it might have never come to fruition. © by Lukas Verlag Erstausgabe, 1. Auflage 2015 Redaktionsschluss: 31. März 2014 Alle Rechte vorbehalten Lukas Verlag für Kunst- und Geistesgeschichte Kollwitzstraße 57 D–10405 Berlin www.lukasverlag.com Umschlag: Verlag Reprographie und Satz: Susanne Werner, Frank Böttcher Druck: Elbe Druckerei Wittenberg Printed in Germany ISBN 978-3-86732-183-9 Table of Contents Forward 7 Quis Evadet? Nemo 15 A Study of the Funerary Monuments by Andreas Schlüter in Poland and Germany Part Two: Germany (1694–1713) I The Berlin Years: A New Beginning in Brandenburg-Prussia 17 II Schlüter, Döbel, or Weyhenmeyer? The Derfflinger Epitaph 31 III A Questionable Schlüter Attribution: The Barfus Epitaph 73 IV Vera Philosophia Mortis est Meditatio: The Männlich Tomb Portal 79 V Excursus: A Commemorative Print for M. D. Marschall von Bieberstein 99 VI Schlüter’s Palace and its Influence 104 VII A Fitting Memorial to a Departed Husband: The Marwitz Epitaph (Groß Rietz) 109 VIII Cunctus Mors Una Manet: The Sarcophagus for Queen Sophie Charlotte 129 IX A Second Tribute to a Deceased Spouse: -
Losing the Palast: the Demolition of Berlin's Most Promising Kunsthalle
JW-13 GERMANY Jill Winder is a Donors’ Fellow of the Institute studying post-reunification Germany through the ICWA work and attitudes of its artists. LETTERS Losing the Palast: The Demolition of Berlin’s Since 1925 the Institute of Current World Affairs (the Crane- Most Promising Kunsthalle Rogers Foundation) has provided long-term fellowships to enable By Jill Winder outstanding young professionals JANUARY 2006 to live outside the United States BERLIN–People from both sides of the Atlantic often ask me to compare the art and write about international scenes in New York City and Berlin. My answer has not changed in the last five areas and issues. An exempt years. I tell them that New York has an amazing contemporary art infrastructure, operating foundation endowed by with dozens of important galleries, world-class museums, and a bevy of art col- the late Charles R. Crane, the lectors who drive the market. The downside is that a lot of mediocre art (at least of Institute is also supported by the contemporary variety) circulates within this sophisticated system. Berlin has contributions from like-minded the opposite problem: Although there are arguably more talented, internation- individuals and foundations. ally-recognized artists here than in any other location in the world, the art infra- structure is underdeveloped, with uninteresting museums for contemporary art and good galleries struggling because of the lack of art market. Put simply, New York has TRUSTEES a lot of great spaces and a limited number of exceptional artists, while Berlin has a multi- Bryn Barnard tude of first-rate artists who have virtually no place to show their work. -
Photographer Frank Theil on Today's Berlin
Thaddeus-Johns, Josie. “Photographer Frank Theil On Today’s Berlin: ‘No Boundaries Between People’.” Culture Trip. September 25, 2019. Photographer Frank Thiel continues to document the transformation of Berlin following the fall of the Wall | (c) Antony Sojka-Metcalfe / Culture Trip Photographer Frank Thiel has made a career out of keeping his lens fixed on the constant transformation of Berlin, a city still dealing with the trauma of being cleaved in two. Much has changed, much has been lost, and much has been created, but the German capital still marches to its own beat, led by some of the world’s most forward-thinking creatives. A castle is being reconstructed right in the centre of Berlin. The Humboldt Forum at Schloßplatz will combine two of the city’s biggest museum collections and will open in phases over the next two years. The first version of the Berlin Palace (Stadtschloss) came down in 1950, demolished by the German Democratic Republic to make room for its parliament building, the Palast der Republik, which then suffered a similar fate in 2008. Boxhagener Straße is lined with a number of shops and restaurants © Tony Sojka / Culture Trip The current architectural development is of particular interest to artist Frank Thiel, who photographed the Palast der Republik just before demolition began, in 2003, as part of a series of untitled works about the changing architecture of Berlin after the Wall fell. These images often single out the endless interlocking triangles of a building’s rafters, or the vast floors of a desolate building, producing a moment of tense stillness. -
60 Incoherent Renovation in Berlin: Is There a Way
New Design Ideas Vol.3, No.1, 2019, pp.60-78 INCOHERENT RENOVATION IN BERLIN: IS THERE A WAY FORWARD? Malcolm Millais Independent researcher, Porto, Portugal Abstract. This paper briefly describes the fates of four of Berlin‟s most iconic cultural buildings. These are the Berlin Palace, the Neues Museum, the Berlin Dom (Cathedral) and the Kaiser Wilhelm Memorial Church. Using a variety of historical styles, all these buildings were built, or finished, in the nineteenth century, and all suffered serious damage due to aerial bombing in the Second World War. As all were repairable, the obvious choice might seem to reinstate them to their original condition: but this did not happen to any of them. This paper examines the incoherence of the various renovations, and briefly addresses the problem of formulating a coherent approach to renovation, particularly with reference to the 1964 Venice Charter. Keywords: Berlin, renovation, Venice Charter, iconic buildings, war damage, monstrous carbuncle, wartime bombing, cultural destruction. Corresponding Author: Malcolm Millais, Porto, Portugal, e-mail: [email protected] Received: 4 December 2018; Accepted: 24 January 2019; Published: 28 June 2019. 1. Introduction What can be said about all four of the buildings examined here is that: All, except in some aspects the Neues Museum, were extremely solidly built, so, given routine maintenance, could have be expected to have lasted for probably hundreds of years. All were severely damaged by aerial bombing during the Second World War. All were repairable. All suffered further destruction due to various political ideologies such as Communism, Modernism and Nationalism. All have been reinstated in a variety of ways, none of which are universally accepted. -
The Berlin Palace Becomes the Humboldt Forum
THE BERLIN PALACE BECOMES THE HUMBOLDT FORUM The Reconstruction and Transformation of Berlin’s City Centre Manfred Rettig THE BERLIN PALACE BECOMES THE HUMBOLDT FORUM The Reconstruction and Transformation of Berlin’s City Centre Manfred Rettig Chief Executive Officer and spokesperson for the Berlin Palace—Humboldt Forum Foundation The Berlin Palace—Humboldt Forum (Berliner Schloss— Now, with the Berlin Palace—Humboldt Forum, the centre of Humboldtforum) will make this historic locality in the centre of Berlin’s inner city will be redesigned and given a new archi- the German capital a free centre of social and cultural life, tectural framework. This is not merely a makeshift solution – open to all, in a democratic spirit. Here, with the rebuilding it is a particularly ambitious challenge to create this new of the Berlin Palace, visitors can experience German history cultural focus in the skin of an old building. There are many in all its event-filled variety. The Humboldt Forum makes the lasting and valid justifications for this approach, and the Palace part of a new ensemble looking to the future. matter has been discussed for almost twenty years. Not only The building was commissioned and is owned by the will the project restore the reference point, both proportion- Berlin Palace—Humboldt Forum Foundation, founded in ally and in terms of content, for all the surrounding historic November 2009 by the German government. A legally respon- buildings – the Protestant state church with the cathedral sible foundation in civil law, it is devoted directly and exclu- (Berliner Dom), and Prussian civic culture with the Museum sively to public interests in promoting art and culture, educa- Island (Museumsinsel) – but, more importantly, the historic tion, international orientation, tolerance in all fields of culture centre of Berlin will be recognised as such and taken more and understanding between nations, and to the preservation seriously, after its almost complete destruction as a conse- and curating of historic monuments. -
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Inclusive National Belonging Intercultural Performances in the “World-Open” Germany Bruce Snedegar Burnside Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Bruce Snedegar Burnside All Rights Reserved Abstract Inclusive National Belonging Intercultural Performances in the “World-Open” Germany Bruce Snedegar Burnside This dissertation explores what it means to belong in Berlin and Germany following a significant change in the citizenship laws in 2000, which legally reoriented the law away from a “German” legal identity rooted in blood-descent belonging to a more territorially-based conception. The primary goal is to understand attempts at performing inclusive belonging by the state and other actors, with mostly those of “foreign heritage” at the center, and these attempts’ pitfalls, opportunities, challenges, and strange encounters. It presents qualitative case studies to draw attention to interculturality and its related concepts as they manifest in a variety of contexts. This study presents a performance analysis of a ceremony at a major national museum project and utilizes a discursive analysis of the national and international media surrounding a unique controversy about soccer and Islam. The study moves to a peripheral neighborhood in Berlin and a marginal subject, a migration background Gymnasium student, who featured prominently in an expose about failing schools, using interviews and a text analysis to present competing narratives. Finally it examines the intimate, local view of a self-described “intercultural” after- school center aimed at migration-background girls, drawing extensively on ethnographic interviews and media generated by the girls.These qualitative encounters help illuminate how an abstract and often vague set of concepts within the intercultural paradigm becomes tactile when encountering those for whom it was intended. -
The German Bundestag in the Reichstag Building
The German Bundestag in the Reichstag Building The German Bundestag in the Reichstag Building 6 Foreword by the President of the German Bundestag, Wolfgang Schäuble Hans Wilderotter 9 “Here beats the heart of democracy” Structure and function of the Bundestag 10 The ‘forum of the nation’: the Bundestag at the heart of the German Constitution 14 “Representatives of the whole people”: the Members of Parliament 22 “The President shall represent the Bundestag”: the President of the Bundestag, the Presidium and the Council of Elders 32 “Permanent subdivisions of the Bundestag”: the parliamentary groups 40 “Microcosms of the Chamber”: the committees 48 Strategy and scrutiny: study commissions, committees of inquiry, the Parliamentary Oversight Panel and the Parliamentary Commissioner for the Armed Forces 54 “The visible hub of parliamentary business”: the plenary chamber 62 “Federal laws shall be adopted by the Bundestag”: legislation and legislative processes 76 “Establishing a united Europe”: Bundestag participation in the process of European integration Content Hans Wilderotter 83 The long road to democracy Milestones in Germany’s parliamentary history 84 “... the real school of Vormärz liberalism”: parliaments in Germany before 1848 88 “We will create a constitution for Germany”: the German National Assembly in St Paul’s Church, Frankfurt am Main 106 A “written document as the Constitution of the Prussian Kingdom”: the constituent National Assembly and the Prussian House of Representatives in Berlin 122 Democracy without parliamentarianism: -
Annual Report of the Federal Government on the Status of German Unity in 2016 Imprint
Annual Report of the Federal Government on the Status of German Unity in 2016 Imprint Publisher The Federal Ministry for Economic Affairs and Federal Ministry for Economic Energy was awarded the audit berufundfamilie® Affairs and Energy (BMWi) for its family-friendly staff policy. The certificate Public Relations is granted by berufundfamilie gGmbH, an initia- D-11019 Berlin, Germany tive of the Hertie Foundation. www.bmwi.de Text and editing Federal Ministry for Economic Affairs and Energy (BMWi) Task Force on the New Federal States Design and production PRpetuum GmbH, Munich Status September 2016 Print BMWi This publication as well as further publications can be obtained from: Illustrations Federal Ministry for Economic Affairs gameover2012 – iStockphoto and Energy (BMWi) This brochure is published as part of the public relations work Public Relations of the Federal Ministry for Economic Affairs and Energy. It is E-mail: [email protected] distributed free of charge and is not intended for sale. The dis- www.bmwi.de tribution of this brochure at campaign events or at information stands run by political parties is prohibited, and political par- Central procurement service: ty-related information or advertising shall not be inserted in, Tel.: +49 30 182722721 printed on, or affixed to this publication. Fax: +49 30 18102722721 1 Annual Report of the Federal Government on the Status of German Unity in 2016 2 Contents Preliminary remarks....................................................................................................................................................................................................................................................... -
The Medieval Trading Center
The medieval trading center Berlin and Cölln © Landesarchiv Berlin At the end of the 12th century, the city emerged from the two merchant settlements Berlin and Cölln, located on both sides of the Spree river in what is now the Mitte borough. In 2008, state archaeologists found an oak beam that probably dates back to 1183, making Berlin 54 years older than was previously assumed. The excavations took place at Petriplatz (Museum island, close to the church of our contact person), one of the oldest places in the city. 1237 Berlin dates its official founding to 1237, the year of the first recorded mention of Cölln. The first documentary reference to Berlin followed in 1244. 1280 Berlin is given a new town seal depicting, for the first time, two bears. 1230 The church Nikolaikirche (St. Nicholas’s) is built in the area known today as the Nikolaiviertel. The first documentary reference of the Marienkirche (St. Mary’s) dates from 1292. 1307 Berlin and Cölln form a union in order to protect and expand their rights against the margrave. Twelve aldermen from Berlin and six from Cölln hold their meetings in the new town hall they share. Each town has its own administration and budget, maintaining internal independence while presenting a united front to the outside world. 1356 The Mark Brandenburg becomes an Electorate. 1360 Berlin-Cölln becomes a member of the Hanseatic League, representing the cities of its region at the League’s meetings in Lübeck. This association of merchants and cities permits the development of wide-ranging trade relations, but Berlin-Cölln carries no great weight in the League.